People From Lviv

"I had heaps of work those days, it was very intensive and seemed to me endless. When I felt so desperate that I was about to give it all up, Wassyl was the only person who supported me: ‘Don’t worry, we will be doing everything together and we will succeed, he told. It was so simple, sincere, and convincing that I couldn’t help believing it. Since then our collaboration began. He was extremely useful for Ukraine here, in France. He was a true intellectual, he spoke seven languages. After Natalka Pasternak [Ukrainian community leader in France – Ed.] had passed away, he was the only person who had potential to unite us, to lobby Ukrainian interests on an international level… But he had a need to be at the forefront, where modern Ukrainian history was being written. So he abandoned work, stopped looking for contracts and sang only occasionally, so that he could send some money to Ukraine."

"Amid the thud of artillery and rattle of gunfire, Vasyl Slipak’s deep, resonant voice in the trenches of eastern Ukraine was a warm reminder of humanity’s less barbaric traits. The professional baritone had left his native Ukraine in the 1990s to settle in France, where he regularly sang at the Paris Opera. But after war erupted in 2014, he decided to return home and join a volunteer battalion to fight Russian-backed separatists on the country’s eastern front."

"We saw him off with applause. Lviv, meet the Cossack. It's a pain..."

"There are strong people in the world, who stand up for ideas by means of their talent. They are artists or craftsmen, writers or farmers, who are proud of their history, their past, present, and future. They switch from one art to another, forgetting that there is no otherworldliness on Earth and that human stupidity is a very complicated art which can only be appraised in the course of time and in silence. The same also applies to Vasyl Slipak – we in the West call an exalted voice like his the ‘voice from the Don’ because of its profundity and strength. This time it is about his last cry of freedom. This opus is not aimed at glorifying those who are ‘for’ or ‘against.’ I want to explain by means of this opus that, whatever the case, people must not die in the 21st century, sacrificing themselves on the altar of the god of war. The truth is hidden deep in the heart, and while peace protects it, war destroys it. So let me remember Vasyl Slipak as a friend who had no enemies and whose superb voice carried love for humanity. (2017)"

"I told about Vasyl to French composer Pierre Thilloy, my good acquaintance, and offered him to write a small piece. He creates music which is easy to listen to, and he agreed immediately and said he would like to visit the premiere.(2017)"

"I would like to say that many French people from various walks of life hardly knew anything about Ukraine before the events on Maidan. Thanks to Vasyl Slipak, an opera singer, they became interested in your country, they watched televised reports. There also was an extensive publication about him in France’s most popular daily Le Monde, which awoke a wide response. It was some seven or eight years ago. We were acquainted by my friend, an interesting composer Yevhen Halperin (his father comes from Kyiv), a friend of Vasyl. They lived in the same house in Paris, but on different floors. At a party at Halperin’s place he said, ‘This guy has a unique voice, just listen.’ I was impressed by Vasyl’s talent and offered him to take part in our concerts. We performed Requiems by Verdi and Mozart back then, later we had some 10 to 15 programs together. We had successful opera gala evenings, and we were planning to perform Beethoven’s Symphony No. 9, but it wasn’t to be. (2017)"

"He was really successful, he had very many concerts in Paris. In music circles everyone knew him. I believe that in about five years he would have become a hugely famous singer, because he was getting more and more invitations as an artist. I never saw him in a bad mood, he radiated positive emotions even if things were not going best. Meanwhile, it was not always easy for him, there were various situations concerning his career or money. When we were working on concert programs, he acted very professionally. We had a great relationship as colleagues. We knew and sensed each other well. Also, sometimes we had very personal conversations. (2017)"

"Vasyl was supposed to become my vocal adviser in my future project. For three years Slipak was a soloist at the Grand Opera. He got solo parts, but he also wanted to have concert practice, that is why he chose a sort of freelance. Mind you, when the war in the east of Ukraine broke out, his vocal career was on the rise. Characteristically, Vasyl did not give up his career, he would be active as a volunteer, then he would return from Ukraine to France to give concerts and appear in performances, and then again he would go to Ukraine, which he loved above all. And then again more concerts, and again back to the front. (2017)"

"You know, in his last six months Vasyl had changed a lot. Many tried to talk him out of going to the war, but he was adamant. All his money and all his energy he gave to the cause of the new Ukraine. It was his motivation in life. What a shame that a sharpshooter’s bullet took the life of terrific vocalist and patriot. Our duty is to remember Vasyl Slipak. I want to join my Ukrainian colleagues to discuss some future art projects. We already had a meeting with Volodymyr Syvokhip, director of the Lviv Philharmonic Society, and we plan to hold a Vasyl Slipak Open International Memorial Music Marathon in Lviv from June 29 till July 1. (2017)"

"Despite having a successful artistic career (Slipak lived in France for the last 19 years of his life and worked as a soloist at the Paris Opera), he did not stay aloof to the hardships that our country was going through when the war started. He managed to juggle volunteer work and performing in plays and concerts at first, brought humanitarian aid himself, and in summer 2015, he put a successful career on hold and went to defend the country in the ranks of the Right Sector volunteer battalion. In particular, he fought the forces of the so-called ‘Donetsk People’s Republic’ in Pisky... Slipak was a patriot, an excellent singer, and an example to all Ukrainians. (2017)"

"Vasyl’s unique voice extremely harmoniously combined with his physique. He was a tall man of attractive appearance and unfailing courtesy, and it all prompted adequate response from the audience. Above all, he emphasized schooling, culture and high technique of singing! Our country has lost a talented artist who sacrificed his international career to defend the nation for which he gave his life. “My task is to make sure that Vasyl is not forgotten, and therefore we will definitely hold a memorial festival at the Lviv Philharmonic Society from June 29 to July 1. (2017)"

"Because he used to sing all the time and something was to be done with this. Vasyl was already 12, and I told parents that if the boy did not study seriously, he would waste his talent. Dudaryk was a very high standard at the time. Although the brother was formally too ‘old’ to qualify, he adapted quickly and easily became part of the team. Yes. Then he became a soloist, sang in concerts, particularly, with such celebrities as Dmytro Hnatiuk, Nina Matviienko, and other stars. Choir director Mykola Katsal was doing his utmost for each of the children. The choir provided not only a musical, but also a general education, and the children received true development. Vasyl became well known still at Dudaryk after singing solo in Carl Orff’s Carmina Burana. Then was Pierrot’s Deathly Loops by Oleksandr Kozarenko. The composer had written something futuristic and could not finish his opus. But he heard Vasyl’s voice when the latter was rehearsing in the Lviv Conservatoire’s classroom. Oleksandr came in and understood that he was composing for this very singer. The premiere was staged first in Lviv and then at festivals in Kyiv and Odesa. Thereafter, no major national festivals in Ukraine were held without Vasyl.(2017)"

"Even more! He had a unique talent for languages and did not have to learn any. He never did any courses! When he came back from France, he spoke French. He would quickly learn the language of any country he came to – Polish, Spanish, German, Russian… This came very easily to him. He never spent as much time to learn a language as, for example, I did. I envied my brother in this case. Moreover, he not only spoke nut also wrote. The French praised his French very much. His ear for music must have helped him. Besides, he had a good natural memory. Hence were his broad communication and a career growth.(2017)"

"You know, he learned continuously! He took lessons even at age 42. He did it meticulously, without being ashamed or considering himself a star that can rest on his laurels. He had a need for self-improvement.(2017)"

"He worked very actively in the last year of his life. Everybody says he was at the peak of his career in 2016. He had an enormous number of concerts to give from September 2015 to May 2016.(2017)"

"Frankly speaking, he did not say much to us about the front. I could guess about many things but don’t know exactly. He said he was rendering humanitarian aid and supported, as a volunteer, people with various needs. But it is clear that it was not the case. He didn’t want to discuss with me the details of his trips and comment on his attitude to the sides of the conflict in eastern Ukraine. He used to say: ‘I am where my friends, the people I trust, are.’ Only chevrons could reveal where he went to.(2017)"

"They are saying now that Vasyl Slipak was a Ukrainian patriot, a nationalist… He undoubtedly was, but not in the sense that dominates in our society! I’ve never seen him show a prejudicial attitude to other peoples. It would have been absurd to hear this from his mouth. A European person, he performed both in Europe and in Africa and received a warm welcome everywhere.(2017)"

"About a month before his last trip to the front, all his friends noticed that he had changed very much – he stopped talking about the events in Ukraine, became quiet and even-tempered. He decided on what he was to do.(2017)"

"I think it was a prescribed road of sorts. The things that had occurred since his childhood were some coincidences, but he kept on walking. It’s the illustration of a 42-year-long life, sort of an encyclopedia. Vasyl was not concerned about his career, he accepted things as befits a man, he was calm about the challenges of fate, well-balanced, and polite. Sometimes he could be tough in defending his position. But, in my view, everything was painted somewhere above. It’s easier to say that it was God’s will.(2017)"

"Many people were wondering what a brilliant opera singer was doing in the war in Donbas. It was his personal example of self-devotion to his country. Forty-odd years old Vasyl Slipak was known throughout Europe as an opera singer, he played leading roles in many perfomances, could have had tremendous future, however when the war broke out at homeland, he could not but step in ... The role of Mephistopheles in the opera «Faust» of Charles Gounod was Vasyl Slipak’s favourite, that’s why his nickname Myth was in tune with it. Vasyl Slipak’s life may have been short, but as full of heroism as mythology. He showed the audience a rare and exceptional singing art. His vocal talent was called a wonder of nature, and many teachers wished to have Vasyl in their class. When journalists found out that there was an opera singer at the front line, the news about him started spreading far and wide. Vasyl Slipak did not turn down interviews. He tried to explain to people his position, to support those who lost faith, and to draw in some help for the fighters.(2017)"

"Vasyl Slipak is a lighthouse of the Ukrainian nation. Through his spiritual light, he pointed to the whole path, the path of goodness, devotion, sacrifice, and patriotism. Although he was forcibly extinguished, Ukrainians should go further and not change the road.(2017)"

"Vasyl Slipak showed by his example an incredible will of Ukrainians to defend their native land. As a volunteer fighter, he demonstrated an example of patriotism and self-sacrifice to many, particularly our young people.(2018)"

"I am going to tell you a story. The story of a person for whom being listened to became the sense of his life. That's because that man had divine voice. He was called the best baritone and countertenor of the world. His voice sounded in Carnegie Hall here in New York, in Notre-Dame de Paris, Covent Garden Opera in London, and Grand Opera in Paris. Every one of you could have listened to his incredible singing, but, unfortunately, there is a thing that will not allow you to do so again. I looks like this and I will show you. That is. 12.7 millimeters, which not only ended his career - it stopped his life. By the way, it costs only ten U.S. dollars. And this is, unfortunately, the price of a human life on our planet. A man I've just told you about was Vasyl Slipak. He was a Ukrainian and soloist of the Paris National Opera who was murdered in Donbas, defending Ukraine against Russian aggression. (2019)"

"Listen to anyone in the street and he’ll tell you what to do. Our people are wise."

"You survived not to live on your time is short, you have to give a proof of truth"

"Go for it is the only way to be accepted to the circle of cold skulls the circle of your forefathers: Gilgamesh Hector Roland defenders of the kingdom of no frontiers and of the city of ashes Be faithful Go"

"Jeśli tematem sztuki będzie dzbanek rozbity mała rozbita dusza z wielkim żalem nad sobą to co po nas zostanie będzie jak płacz kochanków w małym brudnym hotelu kiedy świtają tapety"

"And now I won't be on any of them group photo (proud proof of my death in all literary weekly magazines in the world) when someone will say, look, you see - it's Zbyszek - pointing finger at a man struggling with a suitcase - but that's not it I'm someone else who isn't even from this industry there is no me and there is complete emptiness"

"And if the City falls and one survives he shall carry the City within on the roads of exile he shall be the City"

"I turn to history not for lessons but to confront my experience with the experience of others and to win for myself a sense of responsibility for the state of the human conscience."

"Now that we're alone we can talk prince man to man though you lie on the stairs and see no more than a dead ant."

"Adieu prince I have tasks a sewer project and a decree on prostitutes and beggar I must also elaborate a better system of prisons since as you justly said Denmark is a prison I go to my affairs This night is born a star named Hamlet We shall never meet what I shall leave will not be worth a tragedy It is not for us to greet each other or bid farewell we live on archipelagos and that water these words what can they do what can they do prince."

"The liver is not a gentleman."

"His poems, even in English, seem to me finer than anything currently being written by any English or American poet."

"And do not forgive indeed it is beyond your power to forgive in the name of those betrayed at dawn"

"Go where the others have gone, to the tenebrous limit for the golden fleece of void, your ultimate prize go upright among those who are on their knees among those turning their backs on and those fallen to dust."

"Every great writer has one single obsession, and Lec tells us: "I wanted to tell the world just one word. Unable to do it I became a writer." And in another aphorism one is reminded of Picasso as he characteristically moves towards his creation through a continual grappling with and destruction of chaotic forms: "What is chaos? It is the Order destroyed during Creation." It was also Picasso who memorably called art "a lie which tells the truth", and Lec comes pretty close to the maestro with this one: "A beautiful lie? Listen! That's creativity." Lec sums up the predicament of the one gifted with creative powers, the well-known neurotic, pathological condition of the artist, in such words: "The richer your imagination, the poorer you feel." But then Lec also assures him: "Every bush can burn if you fire it with your imagination." Yet all that anguish and loneliness may be worth it for: "To suffer heartaches and not be a poet? Whatever for?""

"Do not trust people. They are capable of greatness."

"Żaden płatek śniegu nie czuje się odpowiedzialny za lawinę."

"It is the high priests that make demands — not the gods they serve."

"The Order of the Garter usually goes to people who already have full wardrobes."

"Open Sesame — I want to get out."

"When everything has to be right, something isn't."

"Gdy z radości podskoczysz do góry, uważaj, by ci ktoś ziemi spod nóg nie usunął."

"Morality is either a social contract or you have to pay cash."

"The moment of recognizing your own lack of talent is a flash of genius."

"All of our separate fictions add up to joint reality."

"Optimists and pessimists differ only on the date of the end of the world."

"Burząc pomniki, oszczędzajcie cokoły. Zawsze mogą się przydać."

"Satirists, be careful. In the 1931 film by René Clair Vive la Liberte a song says, "Work is freedom." In 1940 the sign on the gates to Auschwitz said: "Arbeit macht frei.""