Novelists From Russia

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April 10, 2026

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"One artist sees himself as the creator of an independent spiritual world; he hoists onto his shoulders the task of creating this world, of peopling it and of bearing the all-embracing responsibility for it; but he crumples beneath it, for a mortal genius is not capable of bearing such a burden. Just as man in general, having declared himself the centre of existence, has not succeeded in creating a balanced spiritual system. And if misfortune overtakes him, he casts the blame upon the age-long disharmony of the world, upon the complexity of today's ruptured soul, or upon the stupidity of the public. Another artist, recognizing a higher power above, gladly works as a humble apprentice beneath God's heaven; then, however, his responsbility for everything that is written or drawn, for the souls which perceive his work, is more exacting than ever. But, in return, it is not he who has created this world, not he who directs it, there is no doubt as to its foundations; the artist has merely to be more keenly aware than others of the harmony of the world, of the beauty and ugliness of the human contribution to it, and to communicate this acutely to his fellow-men. And in misfortune, and even at the depths of existence — in destitution, in prison, in sickness — his sense of stable harmony never deserts him. But all the irrationality of art, its dazzling turns, its unpredictable discoveries, its shattering influence on human beings — they are too full of magic to be exhausted by this artist's vision of the world, by his artistic conception or by the work of his unworthy fingers."

- Aleksandr Solzhenitsyn

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"I have understood and felt that world literature is no longer an abstract anthology, nor a generalization invented by literary historians; it is rather a certain common body and a common spirit, a living heartfelt unity reflecting the growing unity of mankind. State frontiers still turn crimson, heated by electric wire and bursts of machine fire; and various ministries of internal affairs still think that literature too is an "internal affair" falling under their jurisdiction; newspaper headlines still display: "No right to interfere in our internal affairs!" Whereas there are no INTERNAL AFFAIRS left on our crowded Earth! And mankind's sole salvation lies in everyone making everything his business; in the people of the East being vitally concerned with what is thought in the West, the people of the West vitally concerned with what goes on in the East. And literature, as one of the most sensitive, responsive instruments possessed by the human creature, has been one of the first to adopt, to assimilate, to catch hold of this feeling of a growing unity of mankind. And so I turn with confidence to the world literature of today — to hundreds of friends whom I have never met in the flesh and whom I may never see. Friends! Let us try to help if we are worth anything at all! Who from time immemorial has constituted the uniting, not the dividing, strength in your countries, lacerated by discordant parties, movements, castes and groups? There in its essence is the position of writers: expressers of their native language — the chief binding force of the nation, of the very earth its people occupy, and at best of its national spirit."

- Aleksandr Solzhenitsyn

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"A second escape from determinism involved the discrediting of dictatorships. Tyrants had been around for thousands of years; but George Orwell's great fear, while writing 1984 on his lonely island in 1948, was that the progress made in restraining them in the 18th and 19th centuries had been reversed. Despite the defeats of Nazi Germany and Imperial Japan, it would have been hard to explain the first half of the 20th century without concluding that the currents of history had come to favor authoritarian politics and collectivist economics. Like Irish monks at the edge of their medieval world, Orwell at the edge of his was seeking to preserve what little was left of civilization by showing what a victory of the barbarians would mean. Big Brothers controlled the Soviet Union, China, and half of Europe by the time 1984 came out. It would have been Utopian to expect that they would stop there. But they did: the historical currents during the second half of the 20th century turned decisively against communism. Orwell himself had something to do with this: his anguished writings, together with the later and increasingly self-confident ones of Solzhenitsyn, Sakharov, Havel, and the future pope Karol Wojtyla, advanced a moral and spiritual critique of Marxism-Leninism for which it had no answer. It took time for these sails to catch wind and for these rudders to take hold, but by the late 1970s they had begun to do so. John Paul II and the other actor-leaders of the 1980s then set the course. The most inspirational alternatives the Soviet Union could muster were Leonid Brezhnev, Yuri Andropov, and Konstantin Chernenko, a clear sign that dictatorships were not what they once had been."

- Aleksandr Solzhenitsyn

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"Détente found little favour with those who saw themselves as realists. As an aspect of the tension between American policy and Ostpolitik, Kissinger scorned the Helsinki Accords; so also did Yuri Andropov, the powerful head of the KGB and the party chiefs of Belarus and Ukraine. In 1974, Alexander Solzhenitsyn, who had won the Nobel Prize for Literature in 1970, was arrested and exiled for his description of Stalinist terror in The Gulag Archipelago (1973). In Czechoslovakia, the ‘normalisation’ regime of Gustàv Husàk sought to renew the Communist Party in order to thwart the ‘dissidents’, such as Václav Havel, and their human rights organisation, Charter 77, which used the Helsinki Accords as a way to castigate the regime. In the very different context of Yugoslavia, there was also a strengthening of Communist authoritarianism as Tito suppressed the liberal Communists of both Croatia and Serbia. In East Germany, the continuing determination to control culture was demonstrated in 1976. The Palace of the Republic opened that year in East Berlin housed not only the Parliament but also leisure facilities and works of art commissioned under the rubric ‘Are Communists allowed to dream’, notably Hans Vent’s painting People on the Beach. The same year, Wolf Biermann, a prominent satirical balladeer, was expelled from East Germany."

- Aleksandr Solzhenitsyn

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