Mystics

"Dante was the first to sing of heaven and of hell, not as the dreams of mythological fiction, but as the objects of a real faith. He was the first who lanched from this promontory on which we stand, into the vast immensity of the universe, traversed the abyss amidst demons and infernal tortures, and mounting afterwards through angelic hosts and undiscovered worlds, gazed with stedfast eye upon the glories of the Highest... Dante was the Columbus who discovered this new world of poesy... Dante probably surpassed even Homer himself."

"I would like to add my voice to those who consider Dante Alighieri an artist of the greatest universal esteem, who through his immortal works still has much to say and offer to those who desire to travel the way to true knowledge, to the authentic discovery of self, of the world, of life's profound and transcendent meaning. ... The Comedy can be read as a great itinerary, rather as a true pilgrimage, both personal and interior, as well as communal, ecclesial, social and historic. ... Dante is...a prophet of hope, a herald of humanity's possible redemption and liberation, of profound change in every man and woman, of all of humanity."

"Dante as a poet performs miracles in some of the openings of his lyrics or some of his verses in the Commedia. In an age of convention and formalism he went to Virgil to school; in an age when nothing gave reason to hope for the appearance of a masterpiece of form and structure, he produced such a masterpiece. His creative work is immensely superior in merit to his theorizing, but even these show how, in spite of the limitations of contemporary philosophy and rhetoric he was able to slip through the meshes of the network which encircled him, and to bring the vernacular poetry of Italy, when it was still in its infancy, to heights of perfection and finish that have seldom been equalled and never surpassed."

"Dante and Shakespeare divide the modern world between them; there is no third."

"For us Anishinaabe, Biskaabiiyang is a specific term that means “returning to the woods,” because we’re woodland peoples. For example, I grew up growing my “three sisters”—that is, corn, beans, and squash—along the edge of the forest, using what people now call sylvan culture or permaculture. It’s curious how this counters the perspective of classical authors like Dante in early modern Europe or, later, Edmund Spenser, an important Renaissance poet, who view the woods as this terrifying presence. Why is this decolonizing? Because through boarding schools and many other colonial experiences, that fear of the woods creeps in."

"Gilson criticizes attempts to trace Dante's position back to Thomism or Averroism. For St. Thomas, every hierarchy of dignity is at the same time a hierarchy of jurisdiction, while for Dante—except for God—a hierarchy of dignity is never the foundation of a hierarchy of jurisdiction, and this corresponds to Dante's specific philosophical problem, which is not so much to define the essence of philosophy as to determine functions and jurisdictions. The principle governing this determination is absolutely irreconcilable with Thomism. St. Thomas knows only one ultimate end: eternal bliss, which can only be attained through the Church; moreover, the spirituality of the ultimate end implies that between temporal and spiritual power there is a hierarchical subordination of the means to the end. For Dante, on the other hand, man can obtain, through the exercise of political virtues, a human happiness completely distinct from heavenly bliss, even if the latter represents a higher end. The thesis of the “duo ultima” legitimizes the complete distinction between the political order and the religious order, which is equally universal to that of the Church, but autonomous and pursuing an end of earthly happiness."

"I wanted my illustrations for the Dante to be like the faint markings of moisture in a divine cheese. This explains their variegated aspect of butterflies' wings. Mysticism is cheese; Christ is cheese, better still, mountains of cheese!"

"Redeth the grete poete of Itaille, That highte Dant, for he can al devyse Fro point to point, nat o word wol he faille."

"Dante does not come before us as a large catholic mind; rather as a narrow, and even sectarian mind: it is partly the fruit of his age and position, but partly too of his own nature. His greatness has, in all senses, concentred itself into fiery emphasis and depth. He is world-great not because he is world-wide, but because he is world-deep. Through all objects he pierces as it were down into the heart of Being. I know nothing so intense as Dante."

"Christianity has an admirable example of the natural union between faith and freedom in Dante Alighieri. Precisely his undoubted adherence to Catholic truth allows and illuminates his perfect autonomy of judgement, free from any fear or human conditioning. Dante is not afraid to criticize the work of the popes and their operational choices, to the point of placing several of them in the depths of hell. But in him "the reverence of the supreme keys" never diminishes and never diminishes in the slightest (Inf. XIX, 101). When it comes to expressing reservations or criticisms that he considers due, there are no discounts neither for lay people, nor for ecclesiastics, nor for monarchs, nor for ordinary citizens... all of whom are required, without exception, to abide by the law evangelical."

"Dante's relationship with women is very complex, because the range of real women in Dante's life and in Dante Alighieri's imagined life is very different. There is an idealization of women that occurs when he is nine years old. He lost his real mother when he was five years old, so he is the son of a father and a stepmother. The neighbors of the Portinari family had six daughters and one of these is Beatrice, a nine-year-old girl, his age. Dante meets her gaze and from that moment he becomes almost a prisoner of that gaze, which is why nine is Beatrice's magic number, because he meets her at nine years old. The Poet follows her to Florence for another nine years, without ever receiving encouragement from her, until at eighteen, before entering the church where the girl goes every evening in Santa Margherita dei Cerchi which is the Portinari church, suddenly she decides to stop, look at him, smile at him, and says "I greet you" which is the only phrase Dante will hear from Beatrice. Dante remains completely satisfied by this smile and considers it the sealing of a relationship that has had no other type of concretization, nothing else, just this look and this greeting. He tells this story in this wonderful diary which is the Vita Nova, a set of poems and prose writings that he wrote in the aftermath of Beatrice's death."

"And you, beloved children, whose lot it is to promote learning under the magisterium of the Church, continue as you are doing to love and tend the noble poet whom We do not hesitate to call the most eloquent singer of the Christian idea."

"The hottest places in hell are reserved for those who in times of great moral crisis maintain their neutrality."

"Nel suo profondo vidi che s'interna, legato con amore in un volume, ciò che per l'universo si squaderna."

"E 'n la sua volontade è nostra pace."

"Lasciate ogni speranza, voi ch'entrate."

"Nel mezzo del cammin di nostra vita, mi ritrovai per una selva oscura, ché la diritta via era smarrita."

"Genus vero philosophie, sub quo hic in toto et parte proceditur, est morale negotium, sive ethica; quia non ad speculandum, sed ad opus inventum est totum et pars."

"Hiis visis, manifestum est quod duplex oportet esse subiectum circa quod currant alterni sensus. Et ideo videndum est de subiecto huius operis, prout ad litteram accipitur; deinde de subiecto, prout allegorice sententiatur. Est ergo subiectum totius operis, litteraliter tantum accepti, status animarum post mortem simpliciter sumptus. Nam de illo et circa illum totius operis versatur processus. Si vero accipiatur opus allegorice, subiectum est homo, prout merendo et demerendo per arbitrii libertatem iustitie premiandi et puniendi obnoxius est."

"Nam in omni actione principaliter intenditur ab agente, sive necessitate naturae, sive voluntarie agat, propriam similitudinem explicare, unde fit, quod omne agens, in quantum huiusmodi, delectatur; quia, quum omne quod est appetat suum esse, ac in agendo agentis esse quodammodo amplietur, sequiturde necessitate delectatio... Nihil igitur agit, nisi tale existens, quale patiens fieri debet..."

"La moralitade è bellezza de la filosofia."

"Amor che ne la mente mi ragiona de la mia donna disiosamente... che lo 'ntelletto sovr'esse disvia."

"Sì lungiamente m'ha tenuto Amore e costumato a la sua segnoria"

"Amore e 'l cor gentil sono una cosa... e così esser l'un sanza l'altro osa com'alma razional sanza ragione."

"Ella è quanto de ben pò far natura; per essemplo di lei bieltà si prova."

"ne le braccia avea madonna involta in un drappo dormendo. Poi la svegliava, e d'esto core ardendo lei paventosa umilmente pascea: appresso gir lo ne vedea piangendo."

"In quella parte del libro de la mia memoria, dinanzi a la quale poco si potrebbe leggere, si trova una rubrica, la quale dice: Incipit vita nova."

"...you shall never hold the Kingdom of France from God, the King of Heaven, the son of St. Mary; but King Charles, the true heir, will hold it; for God, the King of Heaven wishes it so...."

"Whatever thing men call great, look for it in Joan of Arc, and there you will find it."

"She is easily and by far the most extraordinary person the human race has ever produced."

"Must then a Christ perish in torment in every age to save those that have no imagination?"

"If Joan had been malicious, selfish, cowardly, or stupid, she would have been one of the most odious persons known to history instead of one of the most attractive."

"I saw myself in front of an angry mob, facing a firing squad, weeping incomprehensible sorrows and forgiving them! — Like Joan of Arc!"

"Jehanne... If you come from God, I do not fear you … if you come from the Devil, I fear you even less."

"I have always responded to challenges, followed apocalyptical personalities, apostles, Rasputins, Joan of Arcs who hear voices that come from Heaven, illuminated guides of humanity, holders of truth, priests."

"The courage of Joan of Arc was made the subject of a popular lecture not long ago by one of our intelligent citizens."

"Official orators have agreed amongst themselves to leave out one essential point: that to undertake the liberation of the fatherland, Joan had to go directly to the Dauphin Charles, acknowledge the right of his royal blood, and have him crowned and acclaimed on the cathedral square of Reims."

"And now I know how Joan of Arc felt Now I know how Joan of Arc felt As the flames rose to her And her started to melt"

"They burned her cruelly to death in the marketplace of Rouen, with eight hundred soldiers round the stake, lest any should attempt to save her. They had put a false accusation on a paper cap, and set it on her head : it was written that she was "Heretic, Relapsed, Apostate, Idolatress." This was her reward for the bravest and best life that was ever lived."

"Joan of Arc was perhaps the most wonderful person who ever lived in the world. The story of her life is so strange that we could scarcely believe it to be true, if all that happened to her had not been told by people in a court of law, and written down by her deadly enemies, while she was still alive."

"Who in the moment of victory remains inaccessible to vanity and hate, who in the midst of popular enthusiasm lives in humility and prayer, who in the universal crush of ambition covets neither profit nor honours."

"Yes, it’s true. It’s true that Joan of Arc was my dream as a little girl. I discovered her toward the age of ten or twelve, when I went to France. I don’t remember where I read about her, but I recall that she immediately took on a definite importance for me. I wanted to sacrifice my life for my country. It seems like foolishness and yet ... what happens when we’re children is engraved forever in our lives."

"Joan was a being so uplifted from the ordinary run of mankind that she finds no equal in a thousand years. She embodied the natural goodness and valour of the human race in unexampled perfection. Unconquerable courage, infinite compassion, the virtue of the simple, the wisdom of the just, shone forth in her. She glorifies as she freed the soil from which she sprang."

"The tide turned and the war began to go against the English. This was due in great part to the influence of a young French peasant girl, Joan of Arc. Inspired by the belief that she had been given a mission by God to deliver France from its invaders and to place the Dauphin on the throne of his fathers, she appeared before him, secured his reluctant consent to allow her to lead some troops, inspired them with her own enthusiasm and confidence, and won a great success by driving away the English who were besieging Orleans. The Dauphin himself was then stirred to greater activity and under the persuasion of the Maid of Orleans, as she came to be called, made his way to Rheims, the ancient coronation city of the French kings, and was there crowned king of France. Joan now felt that she had fulfilled her mission and asked to be allowed to return to her home, but the Dauphin insisted that she should remain with the army. Some time after this she was captured by the English. After a trial which was planned to end in but one way she was burned as a witch in the market place of Rouen. Even one of the persecutors of the innocent French patriot girl wavered and turned away, crying, "God have mercy upon us, we have burned a saint." The movement of success which Joan had begun continued, and although the French frequently wasted their opportunities, yet on the whole the reconquest of their native land went steadily on. The English were driven out of one province after another; their expeditions from England were more poorly equipped and more unsuccessful. Finally the long war came to a close in 1453 by the defeat of an English army near Bordeaux, and the loss of all their territory in France except Calais."

"My Joan is that of a boy who loved parish cinemas and those in the suburbs – the only ones he could afford – between the 1940s and 1950s. For this reason, she will forever have the face of Ingrid Bergman, discovered shortly after 1952 in Fleming's Technicolour blockbuster – admired, moreover, in a cut-up third version – and then seen again, in a completely different interpretation and with a very different intensity, in Roberto Rossellini's 1954 film, which, through the text of Paul Claudel, reinterpreted the allegories of medieval sacred representations. (p. 4"

"Joanni, Joanni wears a golden cross And she looks so beautiful in her armour Joanni, Joanni blows a kiss to God And she never wears a ring on her finger..."

"If I were Joan of Arc I would become governor of Puerto Rico and make my island a state — and then become president of the United States of Banana — and head south to conquer all of Latin America and the Caribbean — and swoop back north to take over Canada. I could do all that — if only I could decide between three options: Wishy, Wishy-Washy, and Washy."

"[O]ne of the great ideas of her whom Villon calls "the good lass of Lorraine" had been the reconciliation of the French people. Thanks to the national movement which her intervention set on foot, the widespread horror at her martyrdom brought her wish to fulfillment. The domination of England was more and more detested."

"Not infrequently even the soldiers and politicians who were fondest of Joan did not wish to listen to her. Nearly always she was right, her presentiments were verified, and she gave forth such a spirit of quiet certainty that people did without effort what she told them."

"From the most matter-of-fact point of view, that of politics, what is most astonishing about this Maid of Orléans is her comprehension of the situation, her good sense, and the correctness of her judgment. She understood that the fate of France was one with that of her kings and that it was necessary to revive the royal power."