Methodists From The United States

"Everybody always wants to work with Christopher Walken. I think he's the most interesting actor working today. His choices are always dangerous, which makes for interesting work. You can watch him eat a bowl of cereal and you'd be riveted because he's just unpredictable."

"Walken is fascinating because he has a complex and fearless process -- each take is wildly different and he does that until he finds the one that is true perfection."

"I'm very nervous when I work in a film and very relaxed before a live audience. I like theater because it's more of an actor's medium. You can control your performance. In film you depend on the director to watch out for your ass, but in the theater you can take care of yourself."

"I'm a better actor now than I ever was, I wish I could have hurried that up, but there's no way. Anyway, I always wanted to be around for a long time. Like a European actor, I hope I live a long time and that I'm acting until I finish."

"It's a natural aspect of the marketplace. It's always been that way in storytelling. The guy who was good at playing the lover plays the lover, the funny guy gets the comic role. Movies are so expensive, when they put them together they want to have a couple of solid blocks in what they're building. I accept that. In theater, though, I tend to look for other things, I think I tend to be best in comedy."

"I think that my strength as a villain is that the people watching me know that Chris knows that he's in a movie. He's playing. He's having fun. He's going bang, bang. You know, "What's that?""

"I have a theory, that there is a terrific link between what is funny and what is scary. I think there is a very close connection between what frightens people and what makes them laugh. Laughter is a kind of nervousness. Animals don't laugh. Smiling is, anthropologists agree, directly linked to the baring of the teeth."

"I think it's sort of a compliment. Jay Mohr does it in front of me all the time. I've got another friend who does me on his answering machine. When I call him, I hear myself."

"Careers are not often as chosen as people think they are. People talk to me about my choices. I don't make choices, hardly. Things happen, and you say yes or no - usually 'yes', because it's always better to do something. What's the choice? Somebody will say, 'Don't do that part, you don't need to do that part.' And I'll say, 'Why not? What am I going to do? Sit around the house? I'd much rather go to work, and see actors, and have fun."

"I believe in saving money. I believe in having a house. I believe in keeping things clean. I believe in exercising. Slow and steady is a very good thing for me. It works for me."

"I'm not a big fan of other people's punctuation. When I read a script I've got a sort of automatic eraser. I don't see punctuation or capitals or instructions. I want to decide when the sentence is over. Who's to say when a sentence ends and the other one begins? Sometimes it begins in the middle of the next sentence."

"I look for good possibilities in movies. I don't look for perfection."

"I won't retire. When you're an actor, you're forced to retire every few months. John Gielgud was 96 when he died, and he was working. It's good to work, whatever it is that keeps you interested. I would like to do that, I would like to keep going. I don't have kids, and I don't have hobbies. I don't particularly like to travel. If you're an actor, you have to travel anyway."

"“I’m Christopher Walken here!”"

"Well, I don't play heroes obviously. I never played the guy who gets the girl. It might be interesting to do a part where I was a father in a functional family."

"I play a lot of those parts, and it's a chicken-and-egg thing. I don't know whether you get scary because you play those parts or did you get those parts because you were scary? But I do believe that there's a very close connection to what's scary and what's funny. So I think if you have the ability to do one, you might have the ability to do the other."

"I have the easiest job in Hollywood, because I get paid to be me. What's the role? A milkman? 'Hey, I'm a milkman. Here's your milk.' 'Cut. Print.'"

"Get these tubes away from me!"

"Narration: But what kept them on their feet when there was no sane reason for hope were the bonds between them, loyalty to one another, the knowledge that others depended on them even as they depended on those others. And sometimes, all too rarely, it came down to a single person it was simply unthinkable to fail. Someone they knew would never quit on them, never leave them in the lurch."

"No problem, kaja" Lara nodded with exaggerated obeisance. "You may lead, so long as we may follow."

"Victor Cachat's father: Son, you'll know you're in love when a woman's voice settles into your spine."

"W.E.B. Du Havel: God, I love the "fine morality" of the wealthy and powerful. You'll spill tears over your own, in a heartbeat. And then never even look twice at people below you, whose very lives are ground under every day, day after day, year after year."

"Narration: The reason for his anguish, the intolerable burden which had broken him at last, was the simplest thing in the world: he loved his wife. He always had, and he always would. Nothing could change that, but that was what had made his agony bite so deep, the reason he couldn't forgive himself for not somehow making things "all right" again... and the reason he'd had to turn to someone else to rebuild himself when the collapse came. It had been cowardly of him, in many ways, but he simply could not have made himself dump his weakness, his collapse on her shoulders while she coped with everything God had already done to her."

"Randy Steilman: Oh, Christ! We're all gonna die. You seen the kinds'a casualty lists she comes up with?"

"Narration: No one else knew how she'd longed for extinction, how much part of her had hungered simply to quit. To end. She'd once intended, coldly and logically, to do just that... She'd sacrificed her naval career... and a corner of her mind suspected she'd actually wanted to sacrifice it - that she'd planned to use the loss of the vocation she loved so much as one more reason to end her dreary existence. It had seemed only reasonable then; now the memory was one more coal of contempt for her own weakness, her willingness to surrender to her own pain when she'd always refused to surrender to anyone else."

"Narration: Perhaps his love for her made him less than impartial, but he also knew how deeply she'd been hurt and chided her for judging herself so much more harshly than she would have judged someone else..."

"Narration: He bit his lip and realized how right the Protector had been to stop him from offering her a commission months ago. Not because she couldn't do the job, but because she was afraid she couldn't. Because she would have refused it, and that refusal would have ended her career forever. Inability, real or imagined, could never truly be overcome once an officer accepted deep inside that he could no longer hack it. That damage was almost always permanent, for it was self-inflicted and no one else could heal it for him."

"Narration: [Michelle] Henke sensed [Honor's] terrifying aptitude for destruction as never before. Henke had feared for her sanity; now she knew the truth was almost worse than that. Honor wasn't insane - she simply didn't care. She'd lost not only her sense of balance but any desire to regain it."

"Admiral Amos Parnell: (before launching the Manticoran-Havenite War) I suppose I ought to think up some dramatic, quotable phrase for Public Information and the history books, but I'm damned if any of them come to mind. Besides, admitting the truth wouldn't sound too good (...) The truth, Russell, is that now the moment's here, I'm scared shitless. Somehow I don't think even Public Information could turn that into good copy."

"Narration: But the universe wasn't really unfair, she thought, and her mouth quirked. It just didn't give much of a damn one way or the other."

"Honor Harrington: The world's best swordsman doesn't fear the second best; he fears the worst swordsman, because he can't predict what the idiot will do. (paraphrase on Mark Twain)"

"Honor Harrington: My duty is not affected by what others may or may not do to discharge their own."

"Children, if you are tired, keep going; if you are hungry, keep going; if you want to taste freedom, keep going."

"She made nineteen dangerous trips back and forth, often disguised, escorting more than three hundred slaves to freedom, always carrying a pistol, telling the fugitives, "You'll be free or die." She expressed her philosophy: "There was one of two things I had a right to, liberty or death; if I could not have one, I would have the other; for no man should take me alive....""

"Herself born a slave, she first tasted the sweets of liberty in 1849. She subsequently made nineteen excursions south and brought off over three hundred fugitives from bondage."

"I am where I am because of the bridges that I crossed. Sojourner Truth was a bridge. Harriet Tubman was a bridge. Ida B. Wells was a bridge. Madam C. J. Walker was a bridge. Fannie Lou Hamer was a bridge."

"Harriet Tubman, like John Mason, did not reckon the value of her own liberty in comparison with the liberty of others who had not tasted its sweets. Like him, she saw in the oppression of her race the sufferings of the enslaved Israelites, and was not slow to demand that the Pharaoh of the South should let her people go. She was known to many of the anti-slavery leaders of her generation; her personality and her power were such that none of them ever forgot the high virtues of this simple black woman."

"I have known Harriet long, and a nobler, higher spirit or a truer, seldom dwells in human form."

"While she was certainly a nurse, spy, and scout for the Union Army, I think the claims that she was the first female general and commanded a raid are wishful thinking."

"In the 1970s we were rediscovering women whose lives had been dropped out of history or distorted, like Susan B. Anthony, Harriet Tubman, Emily Dickinson, Marie Curie, Ida B. Wells-Barnett, Hannah Senesch, Ethel Rosenberg."

"According to Tubman’s own words, and extensive documentation on her rescue missions, we know that she rescued about 70 people – family and friends – during approximately 13 trips to Maryland ... In addition to the family and friends, Tubman also gave instruction to another 70 or so freedom seekers from the Eastern Shore who found their way to freedom on their own."

"We have had the greatest heroine of the age here, Harriet Tubman, a , and a fugitive slave, who has been back eight times secretly and brought out in all sixty slaves with her, including all her own family, besides aiding many more in other ways to escape. Her tales of adventure are beyond anything in fiction and her ingenuity and generalship are extraordinary. I have known her for some time and mentioned her in speeches once or twice — the slaves call her Moses. She has had a reward of twelve thousand dollars offered for her in Maryland and will probably be burned alive whenever she is caught, which she probably will be, first or last, as she is going again. She has been in the habit of working in hotels all summer and laying up money for this crusade in the winter. She is jet black and cannot read or write, only talk, besides acting."

"Numerous American heroes-such as Harriet Tubman, Nat Turner, and Henry David Thoreau-led rebellious acts to reconcile the government's actions with the country's promise of liberty for all its citizens."

"We have a woman in our country who has received the name of "Moses," not by lying about it, but by acting out -a woman who has gone down into the Egypt of slavery and brought out hundreds of our people into liberty. The last time I saw that woman, her hands were swollen. That woman who had led one of Montgomery's most successful expeditions, who was brave enough and secretive enough to act as a scout for the American army, had her hands all swollen from a conflict with a brutal conductor, who undertook to eject her from her place. That woman, whose courage and bravery won a recognition from our army and from every black man in the land, is excluded from every thoroughfare of travel."

"I never met any person of any color who had more confidence in the voice of God."

"Most that I have done and suffered in the service of our cause has been in public, and I have received much encouragement at every step of the way. You, on the other hand, have labored in a private way. I have wrought in the day — you in the night. I have had the applause of the crowd and the satisfaction that comes of being approved by the multitude, while the most that you have done has been witnessed by a few trembling, scarred, and foot-sore bondmen and women, whom you have led out of the house of bondage, and whose heartfelt " God bless you " has been your only reward. The midnight sky and the silent stars have been the witnesses of your devotion to freedom and of your heroism. Excepting John Brown — of sacred memory — I know of no one who has willingly encountered more perils and hardships to serve our enslaved people than you have. Much that you have done would seem improbable to those who do not know you as I know you. It is to me a great pleasure and a great privilege to bear testimony to your character and your works, and to say to those to whom you may come, that I regard you in every way truthful and trustworthy."

"When slaves sang, "Swing low, sweet chariot, coming for to carry me home, they may have appeared to be evoking freedom in the afterlife, but wasn't it true that they were also singing about Harriet Tubman-the chariot, Harriet, who rescued so many women and men, helping them to discover freedom in this life?"

"When she made it to freedom after having been a slave and she got to New York and she could have been so happy to just stay at home and just breathe a big sigh of relief but she kept going back down South to bring other freed slaves to freedom. And she used to say, "No matter what happens, keep going.""

"I’m obsessed with Harriet Tubman. I’m obsessed with, what was it like to walk in her shoes and to face her fears? So I always want to reach back and be like, OK, well, now what is the Harriet Tubman activity to do, in this time? And what is Harriet Tubman up to in 2063? — because there’s always someplace that needs justice and liberation."

"Little Shirley grew up with a strong sense of her own destiny. Her early heroes were Mary McLeod Bethune, Harriet Tubman and Susan B. Anthony."