"My first stop in Rome was a call on an old friend, Foreign Minister Susanna Agnelli. Universally known as Sunni, she had been appointed to the post by the government of Lamberto Dini in part because of her personal stature. A former mayor and senator, the sister of Italy's most famous businessman, Gianni Agnelli, and the author of a best-selling memoir with the delightful title We always wore sailor suits, Sunni Agnelli combined aristocratic bearing with casual informality. Her giant white mane of hair and her imposing height added to her presence. She approached her job as she had probably approached everything else: with a relaxed confidence in her own intuition. She conveyed an impression of great amusement at the passing parade of overly intense men formulating policy. We had known each other for years, but only socially."

"Every now and then, when you're onstage, you hear the best sound a player can hear. It's a sound you can't get in movies or in television. It is the sound of a wonderful, deep silence that means you've hit them where they live."

"A pretty face is a passport."

"I think the purpose of the actor is to illuminate the human condition. When you go to a film and you see a good actor, it's because you identify with them—you know what they're feeling—and a good actor draws, I believe, from their own experience. And when it's true for him, it's true for you. If a director imposes a performance or you try to mimic somebody, it can be funny or brilliant, but it isn't moving."

"I've been away from Hollywood so long, I feel like a spider on a wedding cake."