Jews From Poland

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April 10, 2026

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April 10, 2026

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"His style was completely his own, and it was marked by a combination of incredible technique, musical freedom (some called it eccentricity), a tone that simply soared, and a naturally big approach, with dynamic extremes that tended to make a Chopin mazurka sound like an epic. In his youth he was accused of uncontrolled banging, and the charge may be true. He must have had something of Rosenthal's approach in his make-up: a colossal technique that sometimes would run away. As he matured he was able to control his fingers, and whatever he did was because he specifically wanted it so. He handled a melodic line inimitably — deftly outlining it against the bass, never allowing it to sag, always providing interest by a unique stress or accent. As he thought big, he played big. His recording of Chopin's Revolutionary Etude is a remarkable, magnificent conception. To provide impetus, Friedman runs the left-hand arpeggios with tremendous speed — running the notes together so that they slur a bit up to the climactic E flat. The effect is heroic, though purists might wrinkle their nose. Equally remarkable are his records of a series of Chopin mazurkas and Mendelssohn's Songs without Words. Again he does not play by the book — he was a true child of the late romantic age and, especially in the Chopin, his rhythms, accents and volcanic approach are apt to unsettle conservative listeners. But the more one hears them, the more one admires. And his recording of Chopin's E flat Nocturne (Op. 55, No. 2) may well be the most beautiful, singing, perfectly proportioned performance of a Chopin nocturne ever put on records. Like him or not, Friedman was a force — a powerful, unusual, original pianist, sometimes erratic but always fascinating, and always full of imagination and daring."

- Ignaz Friedman

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"Like universalism, secularism was important to modern Jewish social thought. "Jewish secularism is a revolt grounded in the tradition it rejects," argues David Biale, citing Isaac Deutscher's often-quoted remark about "the non-Jewish Jew," made in a 1954 speech. The "Jewish heretic who transcends Jewry belongs to a Jewish tradition, Deutscher asserted. Although Deutscher had his eye on European intellectuals, including Spinoza, Marx, Freud, Trotsky, and Rosa Luxemburg, the same could be said of American radical thinkers and activists such as Emma Goldman, who celebrated the Day of Atonement, the holiest night of the Jewish year, at the anarchists' festive Yom Kippur Ball. Individuals such as these moved beyond the confines of Jewry, crossing boundaries they considered too narrow. "Their minds matured where the most diverse cultural influences crossed and fertilized each other, Deutscher wrote. They lived on the margins or in the nooks and crannies of their respective nations. "They were each in society and yet not in it, of it and yet not of it." Like their European forebears in this tradition, pioneer Jewish women's liberationists in the U.S. were well assimilated into the culture of their times, but nevertheless, in disclosures to this author and at public events related to this project, they acknowledged a sense of difference based on their ethnicity and gender. This otherness helped take these activists "beyond the boundaries of Jewry," in Deutscher's words, enabling them to "rise in thought above their societies, above their nations, above their times and generations... to strike out mentally into wide new horizons and far into the future.""

- Isaac Deutscher

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"The ideas of Jews like Marx and Rosa Luxemburg fired Jewish generation who were mostly non-Zionist, believing that if social revolution could ignite throughout the world there would be less and less room for anti-Semitism in a socialist international community. Many of that Eastern European generation emigrated to America to vitalize labor, antiracist, and socialist movements in the United States. But even Zionist pioneers, as the Marxist historian Isaac Deutscher points out, were imprinted with revolutionary socialist ideals, which they carried to Palestine: ideas of egalitarian community, of mending the division between mental and manual labor. Writing in the 1950s and early 1960s of a very new Israel, Deutscher remarks that as a young Marxist he had been anti-Zionist; after the Final Solution he described himself as a "non-Zionist" a position he would argue with leading Israelis, including David Ben-Gurion and Moshe Sharett. Critical of nationalism, recognizing Zionism's inevitable realisation at the end of World War II, he was certainly taken with Israel's energies and contradictions; he felt the utopian, collective, secular attractions of the kibbutz and also saw its role as military outpost: "The bastions of Israel's Utopian socialism bristle with Sten-guns." He did not minimize Israeli danger; his sense of the meaning of Palestinian dispossession and displacement now seems tone-deaf for an internationalist. (As was common in the 1960s, he recognized no Palestinians, only Arabs in general.) He also noted that Israel's economy, only partly because of Arab boycotts, had virtually no base apart from American Jewish donations and U.S. aid...Rereading it in the past months, I found it mostly acute, generous, accessible-the essays of a former cheder prodigy from Poland who, intended for a rabbi, turned from religion; got expelled from the Polish Communist Party over the question of international social revolution versus "socialism in one country"; lived in exile; became an anti-Stalinist historian who eloquently made English his fourth or fifth language; wrote respected and lasting biographies of both Stalin and Trotsky; and to the end kept his eye on Jewish complexity and its relationship to the hope of international socialism. In 1954 he wrote of Middle Eastern politics: "As long as a solution... is sought in nationalistic terms both Arab and Jew are condemned to move within a vicious circle of hatred and revenge. . . . In the long run a way out may be found beyond the nation-state, perhaps within the broader framework of a Middle East federation...Isaac Deutscher ended his 1954 essay on "Israel's Spiritual Climate": "...Sometimes it is only the music of the future to which it is worth listening.""

- Isaac Deutscher

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"Pascal suggests that people avoid looking inwards and keep running in the vain hope of escaping a face-to-face encounter with their predicament, which is to face up to their utter insignificance whenever they recall the infinity of the universe. And he censures them and castigates them for doing so. It is, he says, that morbid inclination to hassle around rather than stay put which ought to be blamed for all unhappiness. One could, however, object that Pascal, even if only implicitly, does not present us with the choice between a happy and an unhappy life, but between two kinds of unhappiness: whether we choose to run or stay put, we are doomed to be unhappy. The only (putative and misleading!) advantage of being on the move (as long as we keep moving) is that we postpone for a while the moment of that truth. This is, many would agree, a genuine advantage of running out of rather than staying in our rooms—and most certainly it is a temptation difficult to resist. And they will choose to surrender to that temptation, allow themselves to be allured and seduced—if only because as long as they remain seduced they will manage to stave off the danger of discovering the compulsion and addiction that prompts them to run, screened by what is called “freedom of choice” or “self-assertion.” But, inevitably, they will end up longing for the virtues they once possessed but have now abandoned for the sake of getting rid of the agony which practicing them, and taking responsibility for that practice, might have caused."

- Zygmunt Bauman

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