India

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April 10, 2026

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April 10, 2026

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"“Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome commit the very gregarious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover,… that the chronicles of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren, as those of the early Rajputs.” ... “My own animadversions upon the defective condition of the annals of Rajwarra have more than once been checked by a very just remark: ‘When our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to abandon the very meal preparing for them, was that a time to think of historical records?’ ”... “If we consider the political changes and convulsions which have happened in Hindustan since Mahmood’s invasion, and the intolerant bigotry of many of his successors, we shall be able to account for the paucity of its national works on history, without being driven to the improbable conclusion, that the Hindus were ignorant of an art which has been cultivated in other countries from almost the earliest ages. Is it to be imagined that a nation so highly civilized as the Hindus, amongst whom the exact sciences flourished in perfection, by whom the fine arts, architecture, sculpture, poetry, music, were not only cultivated, but taught and defined by the nicest and most elaborate rules, were totally unacquainted with the simple art of recording the events of their history, the character of their princes and the acts of their reigns?” [The fact appears to be that] “After eight centuries of galling subjection to conquerors totally ignorant of the classical language of the Hindus; after every capital city had been repeatedly stormed and sacked by barbarous, bigoted, and exasperated foes; it is too much to expect that the literature of the country should not have sustained, in common with other interests, irretrievable losses.”"

- History of India

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"Nothing should more deeply shame the modern student than the recency and inadequacy of his acquaintance with India. Here is... an impressive continuity of development and civilization from Mohenjo-daro, 2900 B.C. or earlier, to Gandhi, Raman and Tagore; faiths compassing every stage from barbarous idolatry to the most subtle and spiritual pantheism; philosophers playing a thousand variations on one monistic theme from the Upanishads eight centuries before Christ to Shankara eight centuries after him; scientists developing astronomy three thousand years ago, and winning Nobel prizes in our own time; a democratic constitution of untraceable antiquity in the villages, and wise and beneficent rulers like Ashoka and Akbar in the capitals; minstrels singing great epics almost as old as Homer, and poets holding world audiences today; artists raising gigantic temples for Hindu gods from Tibet to Ceylon and from Cambodia to Java, or carving perfect palaces by the score for Mogul kings and queens—this is the India that patient scholarship is now opening up, like a new intellectual continent, to that Western mind which only yesterday thought civilization an exclusively European thing.” ... We cannot tell yet whether, as Marshall believes, Mohenjo-daro represents the oldest of all civilizations known. But the exhuming of prehistoric India has just begun; only in our time has archeology turned from Egypt across Mesopotamia to India. When the soil of India has been turned up like that of Egypt we shall probably find there a civilization older than that which flowered out of the mud of the Nile."

- History of India

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"It is equally important to know that Urdu poetry came under the influence of Persian poetry at a time when the latter had fallen into decadence. The result was that our poetry was tainted with narrowness and artificiality at the very outset of its career. ... Urdu poetry lacks freshness because, among other things presently to be discussed, it leaves out observation and borrows its imagery wholesale from Persia. From this it naturally follows that our medieval poetry, especially the gha^al^ has no local colour. In this respect, the contrast between Urdu poetry and Hindi and Punjabi and Sanskrit poetry is striking. The latter have grown out of the soil and absorbed its natural wealth and social background. And for this reason they make a deeper ap- peal to us than Urdu poetry. One of the most unfailing sources of aesthetic enjoyment in poetry lies in the idealization and recognition in it of things we see and love in life. It is not only that the sights and scenes we are familiar with come crowding to the mind when des- cribed in poetry and make the poetic experience richer and more significant. By far the greatest function of poetry, as I take it, is to send us back to life with an increased zest for it: it is a training for a fuller and more significant life. Your heart will not dance with the daffodils unless you have seen them disporting in the air, like Words- worth; and if you have seen them under the lead of the poet’s imagination, then your observation of them in future will acquire associations which it did not have before. In this respect the poverty of Urdu poetry is too palpable to require further comment."

- Urdu

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