Illustrators

"That this time would be another, / but it is, / it is about to go under, every moment. / Facts bleed their color, / see how they break up and dissolve, / their fabric does not last; / you do see, don't you? / Not even your disaster / deserves belief."

"Two there on the beach / as close together as nostrils. / Calm sea day."

"Down the ages / they conduct their long monologue: / can'y you hear? / They hope for it from others, / wait for ones like themselves, / they were born that way. / And so has the world been arranged / that those others grow weary / and begin to take care of the chores."

"Hunkered down out on the spacious ice / coat-hems touching the snow / she slaps her knees, tries to sweet-talk her dog / but it won't come, does not remember its name, / left it there, / she does not remember her own, either, / and here on the shore I keep shouting, in vain."

"I lower the bill of my cap stop looking / thoughts ready to go / sit in this train that's as long as the journey"

"In the restaurant, eyes / above a soup bowl's rim / Is it she? / Changes shape, is and is not. / Now she's spat out a bit of bone, / I don't think it's her, / I'm leaving, I'm done eating. / This is a long and mad journey: / I see her on the faces of others, my own."

"Up down / on summer's lake / the flying ant / finds a wall in the air"

"Driving through rain with you, / in a sea of rain / I saw only the bridges, their railings, / the passing lanes, / when the earth rose into my eyes / I heard, I heard that I had loved."

"I was reading the Book of Job. / People I knew came and went, / I read their book, / the seasons turned away, / I had been reading for a long time. / I was quiet. Not a single leaf to be seen. / I looked up: it had gone dark on me, / that star / in the middle of the sentence: // Where wast thou when I laid the foundations of the earth?"

"IN THE SUN: Sickle moon still there in daylight. // We long for things as they were. / We want them back, / our blue-black nights, and the stars."

"THE DESCENT: Faster I travel into the cold of the mountain / than I return from it. / One can't see the sun. / Wait, I come closer / as beside me the frozen snow / dwindles."

"FOG: Fog covers this region. / Can you still hear my voice? / I don't understand trees. / They try to grab our hair. / A branch has fallen on you. I know that. / Could you look behind me: / is there a load / on my back, as well?"

"The sea raises you to your feet. And dead calm. Strands of light hold your hand. Now you have left this shore. Now you are in the wind of an invisible sail."

"The nights are no longer warm,"

"OPEN: Gnats, too, are partly / air / and the swarming of seagulls / at the wind's mercy / inchoate / I walk / in front and between myself / in, out / abrupt and weary, an old heavy gate / I beat my own lintel to pieces."

"When I hate so much / that my eyes no longer close, / when I love so much / that I move, eyes open / close, far, without effort / not naming the country, the wind's evil"

"Without moving anything / I want to see / the way this autumn / makes the birds move."

"[Describing her visit to a slaughter facility in Pennsylvania] The floor was very slippery and the walls and everything else were covered with blood. Dried blood had formed a crust on the chains. I surely didn't want to fall down in all that blood and guts. The workers wore non-slip boots, yellow aprons, and helmets. It was a scene of controlled, mechanized chaos."

"Sue Coe … has done more through her paintings and prints to help animals than any other artist in history."

"I have no doubt that Sue's art … is of historic importance. A hundred years from now and more, assuming our species has managed to survive, Sue Coe's work will hang in all the great museums of the world."

"Until mid 2002, I was a meat eater. I have always instinctively been opposed to cruelty to animals, as all decent and sensible people are, but didn’t know much about how food animals were raised or processed. I assumed humans had always eaten meat because it was natural for us to, and that food animals were raised on farms where they were fairly oblivious to their surroundings and only moderately inconvenienced until their swift and humane execution. Nothing could be further from the truth. Over 95% of animals raised for food are born, live, and die in horribly painful conditions. ... Another misconception I had was about the relative intelligence and awareness of farm animals. Since becoming vegan, I’ve met rescued “food” animals now living natural lives outdoors … Cows, pigs and chickens are as smart, friendly and loving, as dogs and cats, and create friendships with other animals and people in much the same ways. Each has its own personality and its own set of likes and dislikes. If you think you’re an animal advocate because you care about saving dogs and cats in city shelters but still eat meat, think again."

"Here’s a test you can try at home: put a two-year-old in a playpen with an apple and a rabbit. If it plays with the apple and eats the rabbit, you’ve got a carnivore. According to numerous studies … vegetarians have 60% less cancer than meat-eaters, and a tiny fraction of the heart attack rate. It doesn’t take a rocket scientist to figure out we aren’t very well designed to eat meat."

"We do, to what extent of freedom we have earned or are allowed by others and ourselves, what we most want to do. We say - speak, paint, carve, write, express ourselves...as we damn please. And in both the doing of things and the talking about them - which together seem to me to sum up life - we so crave freedom or liberty or whatever one may choose to call it as to justify our Declaration's romantically terming it an unalienable right of Man, bestowed on Man by his Creator."

"While reasonable men will ungrudgingly submit to such curtailment of their liberties as will promote at least the greater liberty of all, to the exact degree to which such curtailment may become unreasonable will the enforcement of it have to rest on force. Force against reason: reason, because it has the power of enlisting force to fight for it, will win. From the recognition of that truth has come democracy."

"Art must unquestionably have a social value; that is, as a potential means of communication it must be addressed, and in comprehensible terms, to the understanding of mankind."

"Just in case our enemies needed another reason to despise us, today the inactivist group Somnolent Tilty-Headed Wankers for Peace launched an exciting new graphic: the same old clapped-out hippie peace symbol but incorporating the Eiffel Tower (right)! Isn't that a cool, stylish way of showing how saddy-saddy-sadcakes you are about all those corpses in the streets of Paris? It's already gone viral! And that's all that matters, isn't it? Our enemies use social media to distribute snuff videos as a means of recruitment. We use it to confirm to them how passive and enervated we are: What was it the last time blood ran in the streets of Paris? Oh, yeah, a pencil - for all those dead cartoonists. But, given that blood in the streets of Paris looks like becoming a regular event, it helps to have something of general application. What about, ooh, a tricolor with a blue tear at the end? No, better yet: a peace symbol with a croissant in the middle. No, wait... What's that? All you are saying is give peace a chance? But what, in fact, are the chances of peace for Paris and France? What are the odds? Oh, sorry. All they were saying is give peace a chance. And, having said it, they've gone back to sleep until the next atrocity requires another stupid hashtag or useless avatar. Parisians should be revolted by this third-rate gimmick, and revile those who created and promoted it."

"In the wake of Friday night’s Paris attacks, which left over 120 people dead in six incidents around the city, one poignant sketch began circulating social media to honor the victims. The symbol, including Paris’ iconic Eiffel Tower in the form of a peace sign, shows solidarity with the French capital and has been shared widely along with the hashtags #PrayforParis and #jesuisparis"

"I just wanted something symbolic, something that everybody could understand easily, and everybody could share regardless of where they’re from and whether they’re a keen observer of illustration usually. I just wanted something universal. … a few people from different places follow my work, and I enjoy communicating to them, usually for happier reasons. What I do in general is try to communicate with people — and I’m aware that the more you want to communicate to a larger audience, the more universal and simple you have to be. It’s an image for everyone. It’s not my image — it’s not a piece of work that I’m proud of or anything — I didn’t create it to get credit or benefit from it. I just wanted to express myself, and from experience I know that through social media people like expressing themselves, or need to express themselves. It is somehow quite organic, the way these things go — you can’t really plan on it. I would just say that if people have used it so much, and if they felt like it was useful for them to share, then the image worked and I’m happy, so to speak, even though happiness is not really a thought that springs to my mind in such horrible times."

"The image started showing up on Facebook, Twitter, and Instagram within hours of the attacks in Paris: a simple, slightly off-kilter rendering of the Eiffel Tower framed by a circle so as to look like a peace sign. Most people who shared the image, which has since become the dominant visual symbol of grief over the attacks, probably didn’t know where it originated, or who was responsible for coming up with it.… the creator of the drawing was a French illustrator named Jean Jullien, who posted it to his Twitter page around midnight Paris-time with the caption “Peace for Paris,” and watched it swiftly take flight. Jullien, whose work tends to be marked by a light touch and a breezy, sometimes high concept sense of humor, has made a habit of reacting to the news in graphic form before, drawing pictures to mark the shooting of Michael Brown in Ferguson, the legalization of gay marriage in Ireland, and the massacre at Charlie Hebdo in Paris last January."

"This is what I do, I draw, I reacted graphically, just drawing something spontaneously with pen and paper and then sharing it as a raw reaction. With so much violence and tragedy — we just want a bit of peace."

"I do graphics commercially for a living, but when I get affected by things, when something happens in the world, I usually communicate online with my drawings."

"Peace for Paris"

"Put a leopard and a [Deinonychus] together and the former would be in trouble."

"[Deinonychus] is usually considered a small dinosaur. But the largest individual was an eleven-foot-long animal whose head approached half a yard long, and was of male-timber-wolf mass. If alive today it would be considered a big predator."

"[Velociraptors] are among my very favourite dinosaurs. Their long upcurved skulls, slender yet compact proportions, and great sickle claws make these elegant, attractive, yet demonic animals. There is nothing else like them. Pound for pound, these are among the most powerful of known predators; certainly no other theropod had such a combination of foot, hand, and head weaponry... Among theropods only Tyrannosaurus, with its extreme skull strength, equalled Velociraptor in total power relative to weight."

"This is the theropod. Indeed, excepting perhaps Brontosaurus, this is the public's favourite dinosaur, having fought King Kong for the forced favor of Fay Wray and smashed Tokyo (with inferior special effects) in the guise of Godzilla."

"The culmination of tyrannosaur evolution, T. rex was one of the very last North American dinosaurs. Nothing else combined its size, speed, and power. Since its demise we have had to make do with lions and tigers and bears, and other "little" mammalian carnivores."

"Dinosaur remains have been found by humans for millennia and probably helped form the basis for belief in mythical beasts including dragons."

"By the Cretaceous crocodilians of essentially modern form were the theropods [sic] main competitors. Yet crocodilians appear to be less abundant in most Mesozoic deposits than they are later in the mammal-dominated Cenozoic. Not only that, but they tended to be small-bodied: few specimens were as big as American alligators or Nile crocodiles. It is possible that theropods were eating the crocs. Even today, big cats once in a while kill a fairly large crocodilian. A tyrannosaur could have swallowed one whole, and gone into the water after them. Constant attacks could have suppressed croc populations, and favored the smaller, harder to catch species."

"When one reads about Tyrannosaurus and Brontosaurus, one is not dealing with species, like lions or African elephants. Instead, these are genera, a group of animal species. For example, the lion is in the genus Panthera. Species of Panthera include the lion Panthera leo, the tiger P. tigris, and the leopard P. pardus, among others. So saying Tyrannosaurus is much like saying "the big cats"."

"Although some dinosaurs may have spent some time feeding in the water like moose or fishing cats, at most a few became strongly amphibious in the manner of hippos, much less marine as per seals and whales. The only strongly aquatic dinosaurs are some birds. The occasional statement that there were marine dinosaurs is therefore incorrect - these creatures of Mesozoic seas were various forms of reptiles that had evolved over the eons."

"To a fair extent the Tyrannosaurus species are the tyrannosaur's of tyrannosaurs; they have taken to an extreme the development of skull size, strength, and power. This and the larger, more forward-pointing mid-upper jaw teeth suggest a more potent wounding ability than the albertosaur's. The stoutness of Tyrannosaurus relative to albertosaurs is readily apparent in the skeletal restorations. They are not as graceful, but they have a well-proportioned, majestic attractiveness of their own."

"How would we think and feel about predatory dinosaurs if they were alive today? Humans have long felt antipathy toward carnivores, our competitors for scarce protein. But our feelings are somewhat mollified by the attractive qualities we see in them. For all their size and power, lions remind us of the little creatures that we like to have curl up in our laps and purr as we stroke them. Likewise, noble wolves recall our canine pets. Cats and dogs make good companions because they are intelligent and responsive to our commands, and their supple bodies make them pleasing to touch and play with. And, very importantly, they are house-trainable. Their forward-facing eyes remind us of ourselves. However, even small predaceous dinosaurs would have had no such advantage. None were brainy enough to be companionable or house-trainable; in fact, they would always be a danger to their owners. Their stiff, perhaps feathery bodies were not what one would care to have sleep at the foot of the bed. The reptilian-faced giants that were the big predatory dinosaurs would truly be horrible and terrifying. We might admire their size and power, much as many are fascinated with war and its machines, but we would not like them. Their images in literature and music would be demonic and powerful - monsters to be feared and destroyed, yet emulated at the same time."

"If not for the long tail, one might mistake a theropod for a big, toothy, marauding bird in the dark. That theropods are birdlike is logical, since birds are their closest living relatives. Remember that next time you eat a drumstick or scramble some eggs."

"The biggest living terrestrial predator, the Siberian tiger, at about a third of a metric ton (300 kg) pales in comparison to the biggest of the meat-eating dinosaurs, which reached 5 to perhaps 20 metric tons - the size of elephants and bigger. But while elephants cannot run, the biggest predatory dinosaurs probably ran as fast as horses, and they hunted herbivores that themselves were as big as or bigger than elephants."

"Tyrannosaurus rex did not have 6-to-8-inch serrated teeth and an arc of D-cross-sectioned teeth set in a massive, powerful skull just to consume rotting carcasses! These were killing tools. In sharp contrast are the weak beaks and feet of vultures and condors- the only true living scavengers."

"Novelist Michael Crichton wrote Jurassic Park as a screenplay option for the Steven Spielberg flick. I am ambiguous about Crichton’s body of work, as it includes dubious anti-scientific elements. But I can’t be too upset about a fellow who includes me in the acknowledgements of his bestselling novel. I ended up doing some preliminary studies of Tyrannosaurus and Deinonychus for the movie(s). These were significantly altered by Spielberg and Stan Winston and his effects team for copyright purposes. In the film, some of my skeletals show up posted on Sam Neill's (ak.a. Dr. Grant's) trailer wall. I was accidentally responsible for the avian term 'raptor' being improperly applied to dromaeosaurs. In another Hunteria paper and PDW, I synonymized Deinonychus with Velociraptor, which Crichton picked up on and shortened into the convenient handle 'raptor'. The movie was okay, but I will never forgive them for presenting Brachiosaurus as such a heavy limbed clunker. I had nothing to do with that. I thought it was too bad the potentially omnivorous brachiosaurs – which were unlikely to have been as placid as cattle – missed the opportunity to snarf up the bratty kids when they were up in the tree."

"What gave archosaurs the edge as large predators at this time, and therapsids the edge as smaller ones? Frankly, I am not sure. Both seem to have had heightened metabolic rates and fur or feather insulation... Perhaps the chief advantage enjoyed by thecodonts centered around their big, slashing attack jaws. These may have made them better big-game hunters, while the more precise cutting teeth of therapsids were more suitable for smaller prey."

"Dinosaurs seem strange, but that is just because we are mammals biased toward assuming the modern fauna is familiar and normal, and past forms are exotic and alien. Consider that elephants are bizarre creatures with their combination of big brains, massive limbs, oversized ears, teeth turned into tusks, and noses elongated into hose-like trunks. Nor were dinosaurs part of an evolutionary progression that was necessary to set the stage for mammals culminating into humans. What dinosaurs do show is a parallel world, one in which mammals were permanently subsidiary, whereas the dinosaurs show what largely diurnal land animals that evolved straight from similarly day-loving ancestors should actually look like. Modern mammals are much more peculiar, having evolved from nocturnal beasts that came into their own only after the entire elimination of nonavian dinosaurs. While dinosaurs dominated the land, small nocturnal mammals were just as abundant and diverse as they are in our modern world. If not for the accident of the later even, dinosaurs would probably still be the global norm."

"Alas, producers of commercial dinosaur products continue to churn out low quality product that is either obsolete or improperly derivative. Dino documentaries and books have become so plentiful that they are no longer special and I do not try to keep up with them. There are also serious problems with quality and accuracy which often fail to meet the expectations of scientists. More about those problems here. I about kicked in the TV screen when one dino doc claimed that the brain of Tyrannosaurus was as large as that of a gorilla when its IQ was not all that much better than a croc’s. And why are the theropods shown pausing to challenge their prey before they charge, when the actual focus of predators is to hit and overwhelm the victim before it knows what is happening? The low standards are not surprising considering how the media and press frequently carry product that promotes belief in the paranormal. But these are quibbles. Dinosaur science has almost completely transformed over the half century that my neural network has been aware of it. The old stand-bys from Allosaurus to the always strange Stegosaurus are still fascinating, but we now know about armored sauropods, fat-bellied therizinosaurs and multi-winged, near avian, sickle claws. The reptile model is out and the avian-mammalian is dominant."