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April 10, 2026

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April 10, 2026

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"If you take away from the Latin, German, and Slavic nations of our day on both sides of the ocean that which they owe to the peoples of Greece and Israel, a great deal would be gone. But we can’t even finish this line of argument; it is simply impossible to deprive these nations of that which was borrowed and to separate it from their very being. It has so permeated their blood and sap, that it constitutes part of the organism itself, which in turn has become its carrier and transmitter. It was the ladder by which these nations ascended to the top, or even better: it was the electrical current which unleashed the slumbering forces within them. Hellenism and Hebraism or — to speak without affectation — Judaism, have together created an atmosphere of ideas without which civilized nations would be unthinkable.... The part played by Hellenism in the rebirth of civilization is acknowledged freely and without envy. It dispersed the flowers of art and the fruits of knowledge. It unveiled the realm of beauty and illuminated it with an Olympian clarity of thought. And a regenerative power continues to pour forth from this literature and the legacy of its artistic ideal. The classical Greeks are dead, and toward them deceased posterity behaves properly. Envy and hatred are silent at the grave of the dead; their contributions are, in fact, usually exaggerated. It is quite different with that other creative nation, the Hebrews. Precisely because they’re still alive their contributions to culture are not generally acknowledged; they are criticized, or given another name to partially conceal their authorship or to dislodge them entirely."

- Hellenic studies

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"Now I have an idea that Melampous … introduced the name of Dionysos into Greece, together with the sacrifice in his honour and the phallic procession. He did not, however, fully comprehend the doctrine, or communicate it in its entirety; its more perfect development was the work of later teachers. Nevertheless it was Melampous who introduced the phallic procession, and from Melampous that the Greeks learnt the rites that they now perform. Melampous, in my view, was an able man who acquired the art of divination and brought into Greece, with little change, a number of things which he had learned in Egypt, and amongst them the worship of Dionysos … Probably Melampous got his knowledge about Dionysos through Kadmos of Tyre and the people who came with him from Phoenicia to the country now called Boiotia. The names of nearly all the gods came to Greece from Egypt. [my emphasis] I know from the enquiries I have made that they came from abroad, and it seems most likely that it was from Egypt, for the names of all the gods have been known in Egypt from the beginning of time … These practices, then, and others which I shall speak of later, were borrowed by the Greeks from Egypt … In ancient times, as I know from what I was told at Dodona, the Pelasgians offered sacrifices of all kinds, and prayed to the gods, but without any distinction of name or title – for they had not yet heard of any such thing. They called the gods by the Greek word theoi – ‘disposers’… Long afterwards the names of the gods were brought into Greece from Egypt and the Pelasgians learnt them … then as time went on, they sent to the oracle at Dodona (the most ancient, and at that period, the only oracle in Greece) to ask advice about the propriety of adopting names that had come into the country from abroad. The oracle replied that they would be right to use them. From that time onward, therefore, the Pelasgians used the names of the gods in their sacrifices, and from the Pelasgians the names passed to Greece."

- Egypt–Greece relations

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"The Greek Dances are extremely pleasant, and full of Mirth. They are of two kinds: The first is a sort of Country-Dance or Couranto, danc'd by Pairs; and the second a kind of Gavote or Branle, in which the Men and Women are mingl'd, as at Passepied in France; only you must hold in your right-hand the Left-hand of your Left-hand Woman, and in your Left the Right-hand of her that is on your Right-hand. The Man who leads the Dance holds the Corner of a Handkerchief and gives the other to his Lady, that he may have room enough to take his Measures, and to give the Dance what Figure or Turn he pleases. At first they begin very gravely with a Saraband-Step, two Steps forwards and three backwards: Then mending their pace by degrees, they begin to leap and run, yet still observing the Rules of a Harmonious Motion; so that the Dance becomes very Gay and Amorous: For the Women leaping one Step forwards, draw their Bodies backwards with a certain pretty Turn that cannot be call'd immodest, yet gives a Man occasion to think of something more than he sees. And besides, the Musick contributes very much to the pleasantness of their Dances, for their Tunes are extremely Brisk and Airy.The fittest time to take the pleasure of viewing their way of Dancing, is when they are met at a Wedding; for on such Occasions they give themselves up to Joy and Pleasure, drinking, eating, and sporting, and indulging themselves in all manner of Diversions."

- Jean Dumont (publicist)

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