German Atheists

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April 10, 2026

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"While she was speaking I realized why she was considered one of the greatest speakers and teachers of the movement. Her simplicity, her enthusiasm, and deep sincerity, together with her wit, combined to produce a profound effect upon her audience. She was extraordinarily endowed intellectually. While still a very young girl, a university student, she had impressed authorities on political economy with her precocious writings on this subject. She had an exceptionally keen critical mind, and at an age when most girls are interested in little except clothes, romantic novels, and dancing, she was already a regular and highly-respected contributor to the scientific Marxian journals. Rosa Luxemburg belonged to that generation of famous women who had to struggle against almost insurmountable obstacles to gain opportunities which the men of her day accepted as a matter of course. For a woman to acquire intellectual recognition at that time demanded an authentic thirst for knowledge, much tenacity and an iron will. Rosa Luxemburg had all of these qualities to an exceptional degree. But there was also a softer side to her nature. When, after her tragic death, some of her letters to her intimate friends were published, they were a revelation to the public-particularly perhaps to that section of it which read the conservative press, which usually referred to her as "the Red Fury." Those letters were poetic in the truest sense of the word. The intense political activity and scientific work of Rosa Luxemburg expressed but one aspect of her mind and personality."

- Rosa Luxemburg

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"Part of the cause of pessimism, in Schopenhauer and his contemporaries, lay in their romantic attitudes and expectations. Youth expects too much of the· world; pessimism is the morning after optimism, just as 1815 had to pay for 1789. The romantic exaltation and liberation of feeling, instinct and will, and the romantic contempt for intellect, restraint, and order, brought their natural penalties; for “the world,” as Horace Walpole said, “is a comedy for those who think, but a tragedy for those who feel.”… Is it true that ”he that increaseth knowledge increaseth sorrow,” and that it is the most highly organized beings that suffer most? Yes; but it is also true that the growth of knowledge increases joy as well as sorrow, and that the subtlest delights, as well as the keenest pains, are reserved for the developed soul. Voltaire rightly preferred the Brahmin’s ”unhappy” to the blissful ignorance of the peasant woman; we wish to experience life keenly and deeply, even at the cost of pain; we wish to venture into its innermost secrets, even at the cost of disillusionment… There are other difficulties, more technical and less vital, in this remarkable and stimulating philosophy. How can suicide ever occur in a world where the only real force is the will to live? How can the intellect, begotten and brought up as servant of the will, ever achieve independence and objectivity? Does genius lie in knowledge divorced from will, or does it contain, as its driving force” an immense power of will, even a large alloy of personal ambition and. conceit? Is madness connected with genius in general, or rather with only the “romantic” type of genius (Byron, Shelley, Poe, Heine, Swinburne, Strindberg, Dostoievski, etc.); and is not the “classic” and profounder type of genius exceptionally sound (Socrates, Plato, Spinoza, Bacon, Newton, Voltaire, Goethe, Darwin, Whitman, etc.)? What if the proper function of intellect and philosophy is not the denial of the will but the coordination of desires into a united and harmonious, will? What if “will” itself, except as the unified product of such coordination, is a mythical abstraction, as shadowy as “force”?…"

- Arthur Schopenhauer

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