"Police Chief Logan: I'd like to thank you all for coming today. I'd like to be the first to say the Jigsaw murders are over. The officers who gave their lives are being honored here today. Today, I'd like to offer a special honor to the detective who's been on the case since the beginning. Who proved through hard work and dedication that the people who died did not die in vain. Today, we honor the newly promoted Detective-Lieutenant Mark Hoffman."

"[Last words] I know who you are! I KNOW!"

"Do You Want To Play A Game?"

"You killed him. Made it look like a Jigsaw trap."

"His Message Is Righteous. His Love Is Everlasting. His Gift Is Life."

"Julie Benz - Brit"

"We were all supposed to die. You were supposed to be the "hero.""

"You told me the only way to truly offer enlightenment is by detaching emotionally."

"Hello, Seth. I want to play a game. Right now, you are feeling helpless. This is the same helplessness you've bestowed onto others. But now, it's onto you. Some would call it Karma. I call it justice. Now, you served five years of what should have been a life sentence for murder. A technicality gave you freedom, but it inhibited you from understanding the impact of taking a life. Today, I offer you true freedom. In thirty seconds, the pendulum will drop far enough to touch your body. Within sixty seconds, it will cut you in half. To avoid the pendulum, all you have to do is destroy the things that have killed: Your hands. You must insert your hands and push the buttons to start the devices before you. Your bones will be crushed to dust. Will you destroy the things that have taken life in order to save one, Seth? Make your choice.*"

"[About Strahm] He was theorizing on the possibility of another accomplice to Jigsaw other than Amanda Young."

"Hello, Agent Strahm. If you are hearing this, then you have once again found what you are looking for - or so you think. Your dedication is to be commended. But I ask you if you have learned anything on your journey of discovery. As the old adage goes, "Fool me once, shame on you. Fool me twice, shame on me." The situation you find yourself in is one of trust. So I ask you, Special Agent Strahm: Have you learned to trust me? The only way to survive this room is by entering the glass box before you. Pain will be incurred, but you have a chance of survival. [Strahm stops the tape here, then resumes it after throwing Hoffman in the box.] However, if you choose not to, you will never be heard from again. Your body will never be found. You will simply vanish. I ask you, Special Agent Strahm: Have you learned enough to trust me? Will you heed my warning? For if you do not, this room will forever be your tomb. And my legacy will become yours. Make your choice."

"[Promotion acceptance speech] Thank you. Thank you very much. Throughout this ordeal, if we've learned anything, it's that human life is sacred. And we've learned that, every day, life should be cherished. Justice is the backbone to every peaceful society. And I believe that true justice has been served."

"She was my only family. He didn't deserve a chance. He was an animal!"

"The last thing she said was "Detective Hoffman." Why would she say that? Why did she say your name?"

"You didn't see the blood! You didn't see what he fucking did to her!"

"They say imitation is the sincerest form of flattery. But I find it somewhat... distasteful, to be given credit for work that's not mine. Especially inferior work."

"[Rigg] tried to help. He didn't make it. Nobody made it."

"Jigsaw doesn't make mistakes."

"Meagan Good - Luba"

"Anthony Benson — Jones"

"Peter Frye — Rutherford"

"We are the dead."

"Was there ever a time when this was ordinary?"

"David Cann — Martin"

"Roger Lloyd-Pack — Waiter"

"[Reciting Under the Spreading Chestnut Tree] Under the spreading chestnut tree, I sold you, you sold me."

"Cyril Cusack — Charrington"

"Gregor Fisher — Parsons"

"[Entry in his forbidden diary] If there is hope, it lies in the proles. If they could become conscious of their own strength, they would have no need to conspire. History does not matter to them."

"James Walker — Syme"

"Rupert Baderman — Winston as a Boy"

"[Reads from Goldstein's book] "In accordance to the principles of doublethink, it does not matter if the war is not real, or when it is, that victory is not possible. The war is not meant to be won. It is meant to be continuous. The essential act of modern warfare is the destruction of the produce of human labour. A hierarchical society is only possible on the basis of poverty and ignorance. In principle, the war effort is always planned to keep society on the brink of starvation. The war is waged by the ruling group against its own subjects, and its object is not victory over Eurasia or Eastasia, but to keep the very structure of society intact." [notices Julia is asleep] Julia? Are you awake? There is truth, and there is untruth. To be in a minority of one doesn't make you mad. Julia, my love, I understand how, but I don't understand why."

"Thoughtcrime is death. Thoughtcrime does not entail death. Thoughtcrime IS death. I have committed even before setting pen to paper the essential crime that contains all others unto itself."

"Suzanna Hamilton — Julia"

"[First entry in his forbidden diary] April 4, 1984... I think. To the past or to the future, to an age when thought is free, from the Age of Big Brother, from the Age of the Thought Police, from a dead man --- greetings!"

"In a cinema showing patriotic newsreel, anonymous, black-clad citizens rise from their seats in unison to praise their leader Big Brother. Later in the film, it is made clear that the government considers each individual to be no more than a 'cell' in the great organism of the state."

"It would be hard to imagine a better dramatization of Orwell's novel than this film. It does a good job of communicating the novel's substance and spirit, and it has some compelling performances. In particular, the expressive John Hurt is riveting in the lead role. However, this is such a powerful portrayal that many viewers will ﬁnd the ultimate defeat of the individuals in the hands of the mega-state depressing, and some scenes of torture are graphic. It's not the most uplifting film, but certainly a very important one."

"The peculiar horror of individuality being swallowed up in some faceless social whole has been portrayed in a number of films that refer to the modern totalitarian experience, including…Nineteen Eighty-Four (Michael Radford, 1984)."

"What Orwell feared, when he wrote his novel in 1948, was that Hitlerism, Stalinism, centralism, and conformity would catch hold and turn the world into a totalitarian prison camp. It is hard, looking around the globe, to say that he was altogether wrong. Michael Radford's brilliant film of Orwell's vision does a good job of finding that line between the "future" world of 1984 and the grim postwar world in which Orwell wrote."

"This story is, of course, well known. 1984 must be one of the most widely read novels of our time. What is remarkable about the movie is how completely it satisfied my feelings about the book; the movie looks, feels, and almost tastes and smells like Orwell's bleak and angry vision."

""1984" the film works because it wonderfully embodies the bleakness that was the book."

"George Orwell's Terrifying Vision Comes To The Screen"

"Big Brother is Watching…"