Fantasy Authors

"Empty winds howled down out of the tundras of his soul. This was the charnel house of his finest fantasies. The burial ground of his forever. The garbage dump, the slain meat, the putrefying reality of his dreams and his Heaven. Griffin stumbled away from her, hearing the shrieks of men needlessly drowned by his vanity, hearing the voiceless accusation of the devil proclaiming cowardice, hearing the orgasm-condemnation of lust that was never love, of brute desire that was never affection, and realizing at last that these were the real substances of his nature, the true faces of his sins, the marks in the ledger of a life he had never led, yet had worshipped silently at an altar of evil. All these thoughts, as the guardian of Heaven, the keeper at the gate, the claimer of souls, the weigher of balances, advanced on him through the night."

"Griffin stood silently, watching the waterfall, sensing more than he saw, understanding more than even his senses could tell him. This was, indeed, the Heaven of his dreams, a place to spend the rest of forever, with the wind and the water and the world another place, another level of sensing, another bad dream conjured many long times before. This was reality, an only reality for a man whose existence had been not quite bad, merely insufficient, tenable but hardly enriching. For a man who had lived a life of not quite enough, this was all there ever could be of goodness and brilliance and light. Griffin moved toward the falls. The darkness grew darker."

"Heaven is what you mix all the days of your life, but you call it dreams. You have one chance to buy your Heaven with all the intents and ethics of your life. That is why everyone considers Heaven such a lovely place. Because it is dreams, special dreams, in which you exist. What you have to do is live up to them." "I—" started Griffin, but the wizard cut him off with a blink. "No, listen, please, because after this, all the magic stops, and you have to do it alone. “You create your own Heaven, and you have the opportunity to live in it, but you have to do it on your own terms, the highest terms of which you are capable. So sail this ship through the straits, navigate the shoals, find the island, overcome the foam-devil that guards the girl, win her love, and you’ve played the game on your own terms."

"What it means is: the fucking Nazis are with us again. Skinheads. David Duke. In France, Jacques Chirac…and Jean-Marie Le Pen—demagogic leader of the neo-Nazi mouthpiece group, the Nationalist Front Party. Istvan Porubsky, the racist thug of Hungary. Benito’s granddaughter Alessandra Mussolini had her Italian Social Movement. Pamyat in Russia and the Ku Klux Klan at Rulo Farm, Nebraska. Klas Lund, the 23-year-old convicted Nazi killer, leader of Sweden’s underground White Aryan Resistance, known as VAM. The British thug Ian Stuart Donaldson and his Nazi Blood and Honour Brigade. Alejandro Biodini and his anti-Semitic Argentinian Nationalist Workers’ Party. Gerhard Frey’s neo-Nazi Deutsche Volks Union; the notorious Nazi and historical revisionist Walter Ochsenberger in Austria; the 52-year-old German-Canadian anti-Semite, Nazi, and “Auschwitz liar” Ernst Zündel. Tom Metzger. The Church of the Creator. Croatian president Franjo Tudjman (“The estimate of Holocaust victims is based on biased testimony and exaggerated data”) and U.S. Presidential candidate for the Republican nomination, right-wing columnist Patrick Buchanan, beloved of the television camera’s eye, who put forth the certain theory that the Zyklon-B gas chambers at Treblinka couldn’t have functioned as “a killing apparatus.” Gordon Kahl and the Posse Comitatus. Fourth Reich skinheads. What it means is: the proper names change but the drooling lunacy is self-perpetuating. Anti-Semitism. What historian Robert S. Wistrich calls a “miasma of nightmarish paranoia, millennial fantasy, homicidal hatred and sheer political cynicism…Free-floating anti-Semitism, for which the actual presence of Jews is almost immaterial, thrives on archetypal fears, anxieties and reflexes that seem to defy any rational analysis.” What my story means is: one cannot hide, one cannot rest, one cannot relax or seek salvation in anonymity or the good offices of gods who may or may not wear their true faces. What it means is: The Nazis are with us again. Still. Yet. They never went away. And with the spread of cultural illiteracy, historical amnesia, mass communications obfuscation…their puke-coated message is out there once again. For thirty years, they had to keep their rotten bigotry to themselves, but with the passing of time they have emerged into the light, to poison the generations of rock’n’roll that have about as much of a sense of the past as a ground-worm. They can say anything, pass off any kind of obscurantism or illiterate lunacy—like UFO abductees—and there will always be dopes and jerks and illiterates and brain-damage cases who give what they cobble up some credence."

"Michelangelo gave them each a shove. Off the short dock. They sank without a ripple, borne to the infinite bottom by the weight of their severity, the heft of their sententiousness, the freighting of pecksniffian nit-picking that stuffed their otherwise wooly heads. They went straight to the bottom, wherever that was, down and down, leaving behind only a funnel of bubbles, the last of the hot air they contained."

"There are no rules. Those who are in power make up the rules. So those out of favor are bound to break them."

"Carefully avoiding her gaze, he said, “What is this, Jerri? Christ, isn’t there enough crap in the world without detouring to find a fresh supply?” He said it softly, because he had said I love you to her for two years, excluding the final seven months when he had said fuck off, never realizing they were the same phrase."

"When you’re alone, as a writer is alone, locked in single combat with the imagination, allies are rare and special."

"Before I proceed, let me reiterate: I do not write diary. A writer cannibalizes his own life and memories, yes, that is true. All we have to work with is what we know and what we dream. But nothing is more boring than kvetching in fiction. Thinly disguised personal reminiscence is not fiction. Those who, in the past, have identified me with everything that goes down in my stories have assumed I am a murderer, a transvestite, a cannibal, a sexist, a feminist, a racist, an egalitarian, an elitist, a vegetarian, an esthete, a commoner, a psychopath, a pacifist, a pederast, a womanizer, a layabout and a workaholic. Despite the fact that I have never used drugs, there is a large segment of my readership that swears I’m a heavy doper."

"“No one should ever be judged heartless because he tended to his own personal survival,” she said."

"He stopped and spun on her. “Do you think I’m a virgin? I’m not a virgin.” His vehemence pulled her back from the edge of boldness. “No, of course you’re not. I never thought such a thing.” Then she said, “Well…I am.” “Sorry,” he said, because he didn’t know the right thing to say, if there was a right thing. “Not your fault,” she said. Which was the right thing to say."

"He didn’t even like being referred to as an “author.” He once told me the difference, as he saw it, between an author and a writer. “An author [he said] is what you put on your passport, because in Europe they think a writer is a newspaperman. An author is somebody who gets his name on the spine of leatherbound volumes that are never read; a writer is someone who gets hemorrhoids from sitting on his ass all his life…writing.”"

"There was Art, and there was survival, and sometimes they were mutually exclusive."

"There are four billion people in the world. A world that has grown so complex and uncaring with systems and brutalization of individuals because of the inertia produced by those systems’ perpetuation of self, that merely to live is to be assaulted daily by circumstances."

"I don’t believe there is such a thing as “divine retribution.” The universe is neither malign nor benign. It’s just there, and it’s too busy keeping itself together to balance the scales when some feep has jerked you around. I am a strong adherent of the philosophy that one must seek retribution oneself."

"I think love and sex are separate and only vaguely similar. Like the word bear and the word bare. You can get in trouble mistaking one for the other."

"The Real World exists utterly in the Now; in a present time that seems to find the dearly remembered Past abhorrent, unbearable. And so, as this story contends, the Present tries to eradicate the Past. Please note that a distinction is drawn between change and eradication this is not one of those embalmed adorations of nostalgic sentimentality. It merely suggests for your consideration that there are treasures of the Past that we seem too quickly brutally ready to dump down the incinerator of Progress. At what cost, it suggests, do we pursue the goal of being au courant?"

"You are not alone. We are all the same, all in this fragile skin, suffering the ugliness of simply being human, or prey to the same mortal dreads. When I lecture I try to say this, to say most of the fears you invent—atomic war, multinational conspiracies, assassination paranoias, fear of ethnic types, flying saucers from Mars—those are all bullshit. I inveigh against illogical beliefs and say that the mortal dreads are the ones that drive you to crazy beliefs in Scientology, est, the power of dope, hatred of elitism and intellectual pursuits, astrology, messiahs like Sun Myung Moon or Jim Jones, fundamentalist religions. I try to tell you that fear is okay if you understand that what you fear is the same for everyone. Not the bogus oogie-boogie scares of Dan O’Bannon and Ridley Scott’s Alien, slavering creatures in the darkness that want to pierce your flesh with scorpion stinger tails and ripping jaws, but the fear of Gregor Samsa waking to discover he isn’t who he was when he went to bed; the fear of Pip in the graveyard; the fear of Huck finding his dead father on the abandoned houseboat. The fears to which we are all heir to simply because we are tiny creatures in the universe that is neither benign nor malign…it is simply enormous and unaware of us save as part of the chain of life."

"Frequently I will say something about the human condition that seems perfectly rational and proper to me, because I know we all share the same thoughts. Invariably, some feep in the audience will attempt to pillory me with a stunning accusation, “You only said that to shock!” My response is always the same: “You bet your ass, slushface. Of course I said it to shock you (or wrote it to shock you). I don’t know how you perceive my mission as a writer, but for me it is not a responsibility to reaffirm your concretized myths and provincial prejudices. It is not my job to lull you with a false sense of the rightness of the universe. This wonderful and terrible occupation of recreating the world in a different way, each time fresh and strange, is an act of revolutionary guerrilla warfare. I stir the soup. I inconvenience you. I make your nose run and your eyeballs water. I spend my life and miles of visceral material in a glorious and painful series of midnight raids against complacency. It is my lot to wake with anger every morning, to lie down at night even angrier. All in pursuit of one truth that lies at the core of every jot of fiction ever written: we are all in the same skin…but for the time it takes to read the stories I merely have the mouth.”"

"This is a test. Take notes. This will count as 3/4 of your final grade. Hints: remember, in chess, kings cancel each other out and cannot occupy adjacent squares, are therefore all-powerful and totally powerless, cannot affect each other, produce stalemate. Hinduism is a polytheistic religion; the sect of Atman worships the divine spark of life within Man; in effect saying, "Thou art God." Provisos of equal time are not served by one viewpoint having media access to two hundred million people in prime time while opposing viewpoints are provided with a soapbox on the corner. Not everyone tells the truth. Operational note: these sections may be taken out of numerical sequence: rearrange to suit yourself for optimum clarity. Turn over your test papers and begin."

"There comes a point in the downward slide of the human condition when a man ceases to be a man. He may still walk erect, but it is principally a matter of skeletal arrangement, not ethics."

"These are the sounds in the night: First, the sound of darkness, lapping at the edges of a sea of movement, itself called silence. Then, second, the fingertip-sensed sound of the cyclical movement of the universe as it gnaws its way through the dust-film called Time. And last, the animal sounds of two people making love. The moist sounds of two bodies in concert."

"I’m afraid I felt a straight pin of jealousy. Perfection does that to me."

"Posing the question: does the god of love use underarm deodorant, vaginal spray and fluoride toothpaste?"

"Gods can do anything. They fear nothing: they are gods. But there is one rule, one Seal of Solomon that can confound a god, and to which all gods pay service, to the letter: When belief in a god dies, the god dies. When the last acolyte renounces his faith and turns to another deity, the god ceases to be."

"Fear in the hands of a motion picture maker, like a shotgun in the hands of a baby, need not necessarily be properly aimed to make a helluva bang. But to hit the target dead-on, requires maturity and thought."

"It hardly needs more demonstration than a flicking on of the TV set to prove that if left to its own devices, the taste of the mass—per Sturgeon’s Law—will inevitably sink to the lowest possible common denominator."

"He thought he could make intelligent films for intelligent people. This is a concept largely ignored in Hollywood, these days, the producers of the Stanley Shapiro/Ross Hunter cadre, who make movies as intellectually demanding as a Giant Golden Book, and who seemingly visualize their audiences as microcephalics fit only to salivate over the constantly-imminent deflowering of Doris Day, or the shade of puce in a Jean Louis gown."

"Since the first night of Man, hunkered down hairy and hungry by the primeval lightning-borne food fire, fear has been the prime mover. Forget momma love and posterity and men’s unquenchable curiosity. Fear is the principle mode of locomotion of homo sapiens."

"The producer who is the sole concern is “product” is doomed merely to make money. Pause, while the fat-cats chuckle on their way to the bank. Yeah, we know that bit. Nice talking to you, fellas. Move on, so we can get back to the business of creating, as opposed to producing."

"In every successful production, whether television or feature film, the presence of one strong man can be seen: whether the head actor, or the head writer, or the director, or the producer, if there is one man with balls enough to swing his weight in the cause of artistic integrity, what emerges, nine times out of 9.89, is worth viewing, while the reverse proportion holds for those efforts born of Art by Committee Decision."

"It was gibberish, but it was a deep gibberish, and if he kept talking, the beast would shuck off the thoughts rather than try to fathom them."

"How very much like a native of Earth this creature was. Governed by its stomach and a will to survive. A religion founded in fear and nurtured on terror."

"No God is sane. How could it be? To be a Man is so much less taxing, and most men are mad. Consider the God. How much more deranged the Gods must be, merely to exist. There can be no doubt: consider the universe and the patterns without reason upon which it is run. God is mad. The God of Music is mad. The Timegod is punctual, but he is mad. And the Machine God is mad. He has made the bomb and the pill and the missile and the acid and the electric chair and the laser and the embalming fluid and the thalidomide baby in his own image."

"The day of the Common Man is past. We must be, each one of us, Renaissance Man. We must be sharp and quick and wise and kind and tough. And the boob opinion is no longer good enough. No, dingdong, you’re not entitled to your opinion, if it’s an over-the-edge opinion that makes you blind to the truth and makes you operate off faulty information."

"Traditionally, in this country more than anywhere else, we have judged that the simple man, the hard-working man of the earth or the assembly line is the backbone of our morality. That it is he who will save us in times of stress. Well, that’s as outdated a philosophy as believing blacks all love watermelon."

"I no longer indulge in those time-wasting amateurisms called “fanning”; I decided if I was going to be a writer, I had to go ahead and ignore all the silverfish in the paperwork. And that meant no more fan magazine writing, no more convention attending, no more getting caught up in the moronic time-cannibalizing feuds many fans need to sustain their mingy little lives."

"In me own humble way, for the last few years, I’ve been trying to do an Ombudsman’s job in speculative fiction. I’ve been trying to tell a little truth to people who choose to believe rumor, gossip, non sequiturs and outright insanity, rather than dealing with reality."

"Over the last few years I’ve been telling science fiction fandom that they are The Establishment in this genre, and for my pains I’ve amassed a truly impressive following of people who loathe, hate and despise me."

"It’s not often people will tell you how they really feel about gut-level things. Like god or how they’re afraid they’ll go insane like their grandfather or sex or how obnoxious you are when you pick your nose and wipe it on your pants. They play cozy with you, because nobody likes to be hated, and large doses of truth from any one mouth tend to make the wearer of the mouth persona non grata."

"And my mother said—and I remember this as if it were yesterday—my mother with a washcloth in her hand and me standing at the sink, she said, "You must have said something to get them angry." And it was an icicle just jammed into my chest. That my own mother—and with cause! It was not as if I was the greatest kid in the world. I was a troublemaker! I was a brat! I was a big-mouth pain in the ass! But that my own mother would not understand—at that moment I had what, now at age seventy-two I understand, was an enormous epiphany, which is: I really cannot support it, I cannot bear it, when people laugh at me."

"If I had to pick a religion, I'd pick Buddhism. Buddhism is a kindly religion. It says you got a chance... it's got humor, it's got wisdom, it says to be nice to each other. All the rest of them have gods that want to beat the crap out of you if you defy the rules."

"Writing is the hardest work in the world. I have been a bricklayer and a truck driver, and I tell you – as if you haven't been told a million times ALREADY – that writing is harder. Lonelier. And nobler and more enriching."

"The trick is not becoming a writer. The trick is staying a writer."

"He had writer's block once. It was the worst ten minutes of his life."

"Art is not supposed to be easier! There are a lot of things in life that are supposed to be easier. Ridding the world of heart attacks, making the roads smoother, making old people more comfortable in the winter, but not Art. Art should always be tough. Art should demand something of you. Art should involve foot-pounds of energy being expended. It's not supposed to be easier, and those who want it easier should not be artists. They should be out selling public relations copy."

"I don't own a computer, or a modem, or anything like that; I still work on a manual typewriter, by choice, and to those who consider me a Luddite I say: Fuck you and yo mama. I operate at the level of technology that best suits my needs. And I type at 120 words per minute — two fingers — I make no mistakes, and my manuscripts are real. You can pick them up and hold them. My typewriter doesn't dump its memory — I don't lose a book."

"NO ONE GETS OUT OF CHILDHOOD ALIVE. It's not the first time I've said that. But among the few worthy bon mots I've gotten off in sixty-seven years, that and possibly one other may be the only considerations eligible for carving on my tombstone. (The other one is the one entrepreneurs have misappropriated to emboss on buttons and bumper stickers: The two most common elements in the universe are hydrogen and stupidity. (I don't so much mind that they pirated it, but what does honk me off is that they never get it right. They render it dull and imbecile by phrasing it thus: "The two most common things in the universe are..." (Not things, you insensate gobbets of ambulatory giraffe dung, elements! Elements is funny, things is imprecise and semi-guttural. Things! Geezus, when will the goyim learn they don't know how to tell a joke."

"Alfred E. van Vogt, since the appearance of his first two stories — "Black Destroyer" and "Discord in Scarlet" (Astounding Science Fiction, July and December 1939) the most memorable debut in the long history of the genre — has been a giant. The words seminal and germinal leap to mind. Sadly, at this juncture. the words tragedy and farewell also insinuate themselves. … Van is still with us, as I write this, in June of 1999, slightly less than fifty years since I first encountered van Vogt prose in a January 1950 issue of Startling Stories, but Van is gone. He is no longer with us. … Because the great and fecund mind of A.E. van Vogt has fallen into the clutches of that pulp thriller demon, Alzheimer's. Van is gone. … Anyone's demise or vanishment is in some small way tragic but the word "tragedy" requires greater measure for its use. … Van' s great mind now gone. Tragedy. The ultimate tragic impropriety visited on as good a man as ever lived. A gentle. soft spoken man who was filled with ideas and humor and courtesy and kindness. Not even those who were not aficionados of Van's writing could muster a harsh word about him as a human being. He was as he remains now, quietly and purposefully, a gentleman. But make no mistake about this: the last few decades for him were marred by the perfidious and even mean spirited and sometimes criminal acts of poltroons and self-aggrandizing mountebanks and piss-ants into whose clutches he fell just before the thug Alzheimer got him. … I came late to the friendship with Van and Lydia. Perhaps only twenty-five or so years. But the friendship continues, and at least I was able to make enough noise to get Van the Science Fiction Writers of America Grand Master Award, which was presented to him in full ceremony during one of the last moments when he was cogent and clearheaded enough understand that finally, as last, dragged kicking and screaming to honor him, the generation that learned from what he did and what he had created had, at last, fessed up to his importance. Naturally, others took credit for his getting the award. They postured and spewed all the right platitudes. Some of them were the same ones who had said to me — during the five years it took to get them to act honorably — "we'd have given it to him sooner if you hadn't made such a fuss." Yeah. Sure. And pandas'll fly out of my ass."

"Even the brightest star shines dimly when observed from too far away. And human memory is notoriously unreliable. And we live in ugly times when all respect for that which has gone before suffers crib death beneath the weight of youthful arrogance and ignorance. But a great nobility has at last, been recognized and lauded. Someone less charitable than I might suggest the honor could have been better appreciated had it not been so tardy, naming its race with a foe that blots joy and destroys short-term memory. But I sing the Talent Electric, and like aft the dark smudges of history, everything but the honor and die achievement remains for the myth-makers. Alfred E. van Vogt has been awarded the Grand Master trophy of the Science Fiction and Fantasy Writers of America. He is not the to first person to receive this singular accolade…given only to those whose right to possess it is beyond argument or mitigation. Were we in 1946 or even 1956, van Vogt would have already been able to hold the award aloft. Had SFWA existed then and had the greatest living sf authors been polled as to who was the most fecund, the most intriguing, the mast innovative the most influential of their number, Isaac and Arthur and Cyril and Hank Kuttner and Ron Hubbard would all have pointed to the same man, and Bob Heinlein would've given him a thumbs-up. Van Vogt was the pinnacle, the source of power and ideas; the writer to beat. Because he embodied in his astonishing novels and assorted stories what we always say is of prime importance to us in this genre-the much vaunted Sense of Wonder. Van Vogt was the wellspring of wonder. … That's how important he was. … And then came the dark years during which the man was shamefully agented and overlooked; and even the brightest star loses its piercing light if observed through the thickening mists of time and flawed memory. Now it is lifetimes later, and the great award has, at last, been presented. To some, less charitable than I, something could be said about a day late and a dollar short, but not I. I am here to sing the Talent Electric, and it is better now than never. He is the Grand Master, A.E. can Vogt, weaver of a thousand ideas per plot-line, creator of alien thoughts and impossible dreams that rival the best ever built by our kind. This dear, gentlemanly writer whose stories can still kill you with a concept or warm you with a character, now joins the special pantheon."