Educators From The United States

"Love each other or perish."

"My face looks like a wedding-cake left out in the rain."

"As a poet—not as a citizen—there is only one political duty, and that is to defend one's language from corruption. When it’s corrupted, people lose faith in what they hear, and this leads to violence."

"A real book reads us."

"Art is born of humiliation."

"You know there are no secrets in America. It's quite different in England, where people think of a secret as a shared relation between two people."

"What people don't realize is that intimacy has its conventions as well as ordinary social intercourse. There are three cardinal rules — don't take somebody else's boyfriend unless you've been specifically invited to do so, don't take a drink without being asked and keep a scrupulous accounting in financial matters."

"The only way to spend New Year's Eve is either quietly with friends or in a brothel. Otherwise when the evening ends and people pair off, someone is bound to be left in tears."

"Sexual fidelity is more important in a homosexual relationship than in any other. In other relationships there are a variety of ties. But here, fidelity is the only bond."

"You have to see the sex act comically, as a child."

"There's only one good test of pornography. Get twelve normal men to read the book, and then ask them, "Did you get an erection?" If the answer is "Yes" from a majority of the twelve, then the book is pornographic."

"Anyone who has a child today should train him to be either a physicist or a ballet dancer. Then he'll escape."

"It's frightening how easy it is to commit murder in America. Just a drink too much. I can see myself doing it. In England, one feels all the social restraints holding one back. But here, anything can happen."

"Criticism should be a casual conversation."

"It's impossible to represent a saint. It becomes boring. Perhaps because he is, like the Saturday Evening Post people, in the position of having almost infinitely free will."

"The actors today really need the whip hand. They're so lazy. They haven't got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen."

"Genealogies are admirable things, provided they do not encourage the curious delusion that some families are older than others."

"Murder is commoner among cooks than among the members of any other profession."

"One can only blaspheme if one believes."

"In any modern city, a great deal of our energy has to be expended in not seeing, not hearing, not smelling. An inhabitant of New York who possessed the sensory acuteness of an African Bushman would very soon go mad."

"It is...axiomatic that we should all think of ourselves as being more sensitive than other people because, when we are insensitive in our dealings with others, we cannot be aware of it at the time: conscious insensitivity is a self-contradiction."

"In all technologically "advanced" countries, fashion has replaced tradition, so that involuntary membership in a society can no longer provide a feeling of community."

"Most people are even less original in their dreaming than in their waking life; their dreams are more monotonous than their thoughts and oddly enough, more literary."

"Young people, who are still uncertain of their identity, often try on a succession of masks in the hope of finding the one which suits them — the one, in fact, which is not a mask."

"Most people call something profound, not because it is near some important truth but because it is distant from ordinary life. Thus, darkness is profound to the eye, silence to the ear; what-is-not is the profundity of what-is."

"In most poetic expressions of patriotism, it is impossible to distinguish what is one of the greatest human virtues from the worst human vice, collective egotism.The virtue of patriotism has been extolled most loudly and publicly by nations that are in the process of conquering others, by the Roman, for example, in the first century B.C., the French in the 1790s, the English in the nineteenth century, and the Germans in the first half of the twentieth. To such people, love of one's country involves denying the right of others, of the Gauls, the Italians, the Indians, the Poles, to love theirs."

"Machines have no political opinions, but they have profound political effects. They demand a strict regimentation of time, and, by abolishing the need for manual skill, have transformed the majority of the population from workers into laborers. There are, that is to say, fewer and fewer jobs which a man can find a pride and satisfaction in doing well, more and more which have no interest in themselves and can be valued only for the money they provide."

"Money is the necessity that frees us from necessity. Of all novelists in any country, Trollope best understands the role of money. Compared with him even Balzac is a romantic."

"A craftsman knows in advance what the finished result will be, while the artist knows only what it will be when he has finished it. But it is unbecoming in an artist to talk about inspiration; that is the reader's business."

"I do not believe an artist's life throws much light upon his works. I do believe, however, that, more often than most people realize, his works may throw light upon his life. An artist with certain imaginative ideas in his head may then involve himself in relationships which are congenial to them."

"He suffers from one great literary defect, which is often found in lonely geniuses: he never knows when to stop. Lonely people are apt to fall in love with the sound of their own voice, as Narcissus fell in love with his reflection, not out of conceit but out of despair of finding another who will listen and respond."

"In the late Middle Ages there were, no doubt, many persons in monasteries and convents who had no business there and should have been out in the world earning an honest living, but today it may very well be that there are many persons trying to earn a living in the world and driven by failure into mental homes whose true home would be the cloister."

"The mystics themselves do not seem to have believed their physical and mental sufferings to be a sign of grace, but it is unfortunate that it is precisely physical manifestations which appeal most to the religiosity of the mob. A woman might spend twenty years nursing lepers without having any notice taken of her, but let her once exhibit the stigmata or live for long periods on nothing but the Host and water, and in no time the crowd will be clamoring for her beatification."

"I may want to sleep with Miss America, but I have no wish to hear her talk about herself and her family."

"Whatever the field under discussion, those who engage in debate must not only believe in each other's good faith, but also in their capacity to arrive at the truth."

"The basic stimulus to the intelligence is doubt, a feeling that the meaning of an experience is not self-evident."

"Man...always acts either self-loving, just for the hell of it, or God-loving, just for the heaven of it; his reasons, his appetites are secondary motivations. Man chooses either life or death, but he chooses; everything he does, from going to the toilet to mathematical speculation, is an act of religious worship, either of God or of himself. Lastly by the classical apotheosis of Man-God, Augustine opposes the Christian belief in Jesus Christ, the God-Man. The former is a Hercules who compels recognition by the great deeds he does in establishing for the common people in the law, order and prosperity they cannot establish for themselves, by his manifestation of superior power; the latter reveals to fallen man that God is love by suffering, i.e. by refusing to compel recognition, choosing instead to be a victim of man's self-love. The idea of a sacrificial victim is not new; but that it should be the victim who chooses to be sacrificed, and the sacrificers who deny that any sacrifice has been made, is very new."

"The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is."

"A god who is both self-sufficient and content to remain so could not interest us enough to raise the question of his existence."

"I don't think the mystical experience can be verbalized. When the ego disappears, so does power over language."

"I never write when I'm drunk. Why should one need aids? The Muse is a high-spirited girl who doesn't like to be brutally or coarsely wooed. And she doesn't like slavish devotion — then she lies."

"A poet, qua poet, has only one political duty, namely, in his own writing to set an example of the correct use of his mother tongue, which is always being corrupted. When words lose their meaning, physical force takes over."

"It's frightfully important for a writer to be his age, not to be younger or older than he is. One might ask, "What should I write at the age of sixty-four," but never, "What should I write in 1940.""

"Normally, when one passes someone on the street who is in pain, one either tries to help him, or one simply looks the other way. With a photo there's no human decision; you're not there; you can't turn away; you simply gape. It's a form of voyeurism."

"Healing," Papa would tell me, "is not a science, but the intuitive art of wooing Nature."

"A poet's hope: to be, like some valley cheese, local, but prized elsewhere."

"A grand gesture. But what does it period? What does it osse? We were always adroiter with objects than lives, and more facile at courage than kindness: from the momentthe first flint was flaked this landing was merely a matter of time. But our selves, like Adam's, still don't fit us exactly, modern only in this—our lack of decorum."

"It's natural the Boys should whoop it up for so huge a phallic triumph, an adventure it would not have occurred to women to think worth while, made possible onlybecause we like huddling in gangs and knowing the exact time."

"I cannot accept the doctrine that in poetry there is a "suspension of belief." A poet must never make a statement simply because it sounds poetically exciting; he must also believe it to be true."

"In order that people may be happy in their work, these three things are needed: They must be fit for it: they must not do too much of it: and they must have a sense of success in it — not a doubtful sense, such as needs some testimony of others for its confirmation, but a sure sense, or rather knowledge, that so much work has been done well, and fruitfully done, whatever the world may say or think about it."