Detective Fiction Authors

"I believe that political correctness can be a form of linguistic fascism, and it sends shivers down the spine of my generation who went to war against fascism."

"We cannot aspire to a "classless society", whatever that may mean, if some children are disadvantaged the moment they open their mouths, or if we arrogantly assume that only the young from certain backgrounds are capable of enjoying Shakespeare. Language and literature are not static. They change, develop, grow from the past and feed on the past. If we simply cease to care, if we debase, abuse, neglect our language and our literature, the time will come when reading will be the pursuit of a privileged élite and we shall no longer produce books worth reading or have a language and literature worth preserving."

"We also had the inestimable advantage of beginning each school day with an act of worship which included a reading from the King James Bible which, with the Book of Common Prayer, has had more influence on our language, literature, history and culture than any other book, but which today a majority of our children will never encounter."

"Because English is spoken and written in so many forms for a variety of purposes throughout the world it is surely important that English in its highest form should be taught, spoken and valued in this country. Yet few would deny that standards of written and spoken English are in decline among all sections of the community and that we are in real danger of becoming an illiterate society."

"Unless the young can use language effectively, both to express their own minds and to understand the minds of others, it is difficult to see how we can have a vigorous democracy in which ideas and policies can be intelligently presented, considered and criticised or achieve that understanding with other countries which nations enjoy through access to each other's language and literature."

"My English teacher, Miss Daisy Dalgliesh, really made Shakespeare live for me, although I didn't see it on stage until I was an adult. I named my detective after her. It was years later that I found out her father was called Adam Dalgliesh."

"One of my earliest loves was the Book of Common Prayer. I was seduced by it, by its beautiful words and the sense of history."

"I always had a sceptical and slightly morbid caste of mind, so my first response to Humpty Dumpty was "Did he fall or was he pushed?" I was drawn to the macabre, and for some reason I was very interested, from earliest childhood, in death. I seemed to think about it a great deal. It may have been something to do with the war, which overshadowed my childhood. My father talked about it a lot. It was like a great universal pain."

"His narrative and dialogue could not be improved, and he passes the supreme test of being rereadable. I don't know how many times I have reread the Wolfe stories, but plenty. I know exactly what is coming and how it is all going to end, but it doesn't matter. That's writing."

"Rex Stout's greater innovation lay in his attention to the realities of the larger world. Nero Wolfe might not know the streets of his city very well, but he knew his nation. There are, for examples, reference in Fer-de-Lance to national issues such as Prohibition, and the Depression, and the Lindbergh baby. A few others writers of Golden Age detective stories were inserting a few topical references of this sort, but none to the degree Stout did. The Wolfe series is probably the only major detective story series before the 1970s to make national affairs an essential part of the detective's world, and few of the post-1970 series are as explicit about historical events and figures. ... Stout does not feel obligated to invent a surrogate senator from a vaguely Midwestern state; Nero Wolfe despises Joseph R. McCarthy, and he says so. Archie may drive a Heron, but when it comes to J. Edgar Hoover or Richard M. Nixon, he names names."

"Rex is a perfect writer – economical, rapid, free of cliché. Epigrammatic, intelligent, charming. What else? That's enough."

"Rex Stout's witty, fast-moving prose hasn't dated a day, while Wolfe himself is one of the enduringly great eccentrics of popular fiction. I've spent the past four decades reading and re-reading Stout's novels for pleasure, and they have yet to lose their savor."

"Stout was almost as witty as Raymond Chandler. His detective had splendid putdown lines almost as good as Sir Arthur Conan Doyle. And his mysteries were constructed a lot more smoothly than Agatha Christie's. But you do not expect Chandlerian wit from Conan Doyle, or Conan Doyle's superbly breathless sense of atmosphere and melodrama from Christie, or Christie's scathingly clear, unblinking vision of the monstrous crimes that average human nature is capable of all from the same pen. Stout gives you all of it. He is the Willie Mays or Derek Jeter of the mystery genre: a brilliant all-rounder more talented in each area than any single writer should ever dream of being."

"When Stout is on top of his game, which is most of the time, his diabolically clever plotting and his storytelling ability exceed that of any other mystery writer you can name, including Agatha Christie, who invented her own eccentric genius detective, Hercule Poirot."

"Rex Stout is one of the half-dozen major figures in the development of the American detective novel. With great wit and cunning, he devised a form which combined the traditional virtues of Sherlock Holmes and the English school with the fast-moving vernacular narrative of Dashiell Hammett."

"Wolfe talks in a way that no human being on the face of the earth has ever spoken, with the possible exception of Rex Stout after he had a gin and tonic."

"This fellow is the best of them all."

"Stout says to us, "Here are two friends. Here are two people sharing their lives. As you wish for friendship, share in theirs. As you seek companionship, share in theirs. As you search for love, share in theirs." Rex Stout invites us into the family and offers warmth and security and certainty. He affirms what we all seek on some primal level. If such disparate individuals as Wolfe and Goodwin can share friendship and love and caring and life, can not we? That’s the strength here. That’s the message and the feel-good inherent in the voice and character that Rex Stout has given to Archie Goodwin. In this cold world, it is a fire on which we may warm our hands."

"If he had done nothing more than to create Archie Goodwin, Rex Stout would deserve the gratitude of whatever assessors watch over the prosperity of American literature."

"There are only two kinds of books which you can write and be pretty sure you're going to make a living – cook books and detective stories."

"There isn't a generation gap between you and me – there's two."

"The only thing I want is something I can't have; and that is to know if, 100 years from now, people will still buy my books."

"My God you love to get them, and good Lord you hate to answer them."

"One trouble with living beyond your deserved number of years is that there's always some reason to live another year. And I'd like to live another year so that Nixon won't be President. If he's re-elected I'll have to live another four years."

"There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions – is he tall, is he short? – he had better quit."

"There are damn few great writers and I'm not one of them. While I could afford to I played with words. When I could no longer afford that I wrote for money."

"I'm not a collector. I don't keep letters, or books, or souvenirs. But I do keep one copy of each translation of my books into a foreign language. Have you ever seen a murder story printed in Singhalese? Wow!"

"Any man who undertakes to write a play is either a damn fool or a hero, I don't know which. When you write a book, you pull it out of the typewriter and that's that. When you write a play you've got to go on with the producer and the director and the actors and the rehearsals and the ..."

"I saw every performance Nijinsky danced in New York, and I see every baseball game I can get to. You watch a good second baseman digging for a badly thrown ball without letting his foot leave base and it's the same beautiful impossibility as a good pas de deux in Swan Lake."

"I don't approve of open fires. You can't think, or talk or even make love in front of a fireplace. All you can do is stare at it."

"A person who does not read cannot think. He may have good mental processes, but he has nothing to think about. You can feel for people or natural phenomena and react to them, but they are not ideas. You cannot think about them."

"The only difference between me and most people is that I'm perfectly aware that all my important decisions are made for me by my subconscious. My frontal lobes are just kidding themselves that they decide anything at all. All they do is think up reasons for the decisions that are already made."

"Every book takes me from 35 to 41 days to write. I don't know why that is. I've tried to get it down to 30 or 31, depending on the length of the month, but it won't work. I don't drink while I'm writing because it fuddles my logical processes, but when I finish a book I go down to the kitchen and pour myself a big belt."

"What do I believe in? Belief means faith, and there's only one damn thing in the world I have any faith in. That's the idea of American democracy, because it seems to me so obvious that that's the only sensible way to run human affairs."

"Of course the modern detective story puts off its best tricks till the last, but Doyle always put his best tricks first and that's why they're still the best ones."

"I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are. There was no such conception of justice until after 1830. There was no such thing as a policeman or a detective in the world before 1830, because the modern conception of the policeman and detective, namely, a man whose only function is to find out who did it and then get the evidence that will punish him, did not exist. ... In Paris before the year 1800 – read the Dumas stories – there were gangs of people whose business was to go out and punish wrongdoers. But why? Because they had hurt De Marillac or Richelieu or the Duke or some Huguenot noble, not just because they had harmed society. It is only the modern policeman that is out to protect society."

"It is impossible for any Sherlock Holmes story not to have at least one marvelous scene."

"The incredible thing happens at the beginning of the story always, you notice, not the end. A Sherlock Holmes story is never a trick story."

"I really mean what I say. A Dickens character to me is a theatrical projection of a character. Not that it isn't real. It's real, but in that removed sense. But Sherlock Holmes is simply there. I would be astonished if I went to 221½ B Baker Street and didn't find him."

"Bosh. I find a rival – but no, I won't flatter myself that Tecumseh Fox would consider himself a rival of Dol Bonner – I find an eminent detective in your apartment, and that alone is enough, without adding that he is concealed in your bedroom while I am discussing my business with you..."

"There are various ways to call a man a liar. One way is just to scream it at him, which doesn't prove anything. Another is to establish facts by long and patient investigation. Still another way is not to call him a liar at all – let him do it himself."

"The only exception to his careful planning was plot; the best way to stop the reader guessing the end of a story, he decided, was not to know how it ended yourself."

"Though I don't really understand her I love my sister, her name's Miranda The boys from uptown they can't stand her The more she denies them the more they demand her But she just wants to lay in bed all night Reading Raymond Chandler"

"I looked down at the chessboard. The move with the knight was wrong. I put it back where I had moved it from.Knights had no meaning in this game. It wasn't a game for knights."

"It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark little clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars."

"(Henry Clarendon IV:) "Is God happy with the poisoned cat dying alone in convulsions behind the billboard? Is God happy that life is cruel and that only the fittest survive? The fittest for what? Oh no, far from it. If God were omnipotent and omniscient in any literal sense, he wouldn’t have bothered to make the universe at all. There is no success where there is no possibility of failure, no art without the resistance of the medium. Is it blasphemy to suggest that God has his bad days when nothing goes right, and that God’s days are very, very long?""

"You can always tell a detective on TV. He never takes his hat off."

"I never saw any of them again — except the cops. No way has yet been invented to say goodbye to them."

"The French have a phrase for it. The bastards have a phrase for everything and they are always right. To say goodbye is to die a little."

"Alcohol is like love," he said. "The first kiss is magic, the second is intimate, the third is routine. After that you take the girl's clothes off."