Comics Artists

"Graves:…unless, of course, this was not written by the elders at all…as we suspect!"

"Dialogue in Hell: Twenty-third through twenty-fifth dialogues"

"Protocols: Number 24, paras. 3-15 Certain members of the sneed of David will prepare the kings and their heirs inducting them into the most secret mysteries of the political, into schemes of government, but providing always that none may come to knowledge of the secrets…. The king’s plan of action for the current moment, and all the more so for the future, will be unknown, even to those who are called his closest counselors. <br? Only the king and the three who stood sponsor for him will know what is coming. In the person of the king who with unbending will is master."

"Graves: An obvious adaptation! Where the “Dialogue” uses ‘’’prince’’’, the “Protocols” uses ‘’’king.’’’"

"Dialogue in Hell: inscrutable…They never know if some enterprise already prepared will not descend on them from one day to the other. A Prince whose power is founded upon a democratic base, must speak carefully, albeit popularly. If necessary he must not fear to speak like a demagogue, for after all he is the people, and he must have its passions... You asked me a moment ago if I knew self-denial, if I would sacrifice myself for my people, relinquish the throne if necessary; now you have my answer, I can relinquish it as a martyr."

"Protocols: of himself and of humanity all will discern as it were fate with its mysterious ways. None will know what the king wishes to attain by his dispositions, and therefore none will dare to stand across an unknown path…. That the people may know and love their king, it is indispensable for him to converse in the market-places with his people. This ensures the necessary clinching of two forces which are now divided one from another by us by the terror. The prop of humanity in the person of the supreme lord of all the world of the holy seed of David must sacrifice to his people all personal inclinations."

"”Jewish Peril” exposed. Historic “Fake.” Details of the forgery. More parallels. We published yesterday an article from our Constantinople Correspondent, which showed that the notorious “Protocols of the Elders of Zion” – one of the mysteries of politics since 1905 – were a clumsy forgery, the text being based on a book published in French in 1865. The book, without title page, was obtained by our correspondent from a Russian source, and we were able to identify it with a complete copy in the British Museum. The disclosure, which naturally aroused the greatest interest among those familiar with Jewish questions, finally disposes of the “Protocols” as credible evidence of a Jewish plot against civilization. We publish below a second article, which gives further close parallels between the language of the Protocols and that attributed to Machiavelli and Montesquieu in the volume dated from Geneva. Plagiarism at Work. (From our Constantinople Correspondent.) While the Geneva Dialogue open with an exchange of compliments between Monsequieu and Machiavelli, which covers seven pages, the author of the Protocols plunges at once in medias res. One can imagine him hastily turning over those first seven pages of the book which he has been ordered to paraphrase against time, and angrily ejaculating, “Nothing here.” But on page 8 of the Dialogues he finds what he wants."

"1921 Germany"

"1923 Germany"

"Adolf Hitler, while spending three years in jail for the Beer Hall Putsch, writes his famous book “Mein Kampf.”"

"Hitler: To what extend the whole existence of his [Jewish] people is based on a continuous lie is shown incomparably by THE PROTOCOLS OF THE ELDERS OF ZION."

"1934 Bern, Switzerland The Trial"

"Reporter: Ha! Ha! Ha!"

"April 1935"

"Reporter: The “Protocols” trial is on today. I’ve been assigned to report on it for my paper."

"1945 As the Allies rummages through documents in the wreckage of defeated Germany, evidence of the influence of the “Protocols” was found by American Intelligence."

"1993 California Los Angeles Times November 28, 1993 “In what observers called an historic ruling, a Russian court has pronounced the infamous Protocols of Zion an anti-semitic forgery…[It is] the first such verdict in the land where the fraud originated 90 years ago. ‘Up to now, every country has disengaged itself from this shameful book except Russia where it was concocted,’ Tancred Golenpolsky, the publisher of the Moscow Jewish newspaper that won the ruling, said Saturday. The court cast arose 10 months after Golenpolsky’s Jewish Gazette accused the radical nationalist Group Pamyat (Memory) of printing anti-Semitic sentiments…Fostering ethnic conflict is punishable under Russian law.”"

"Research desk: Despite the Russian court’s condemnation and the Dodd Keating congressional report in 1964, the world wide use and publication of the “Protocols” has continued. Not only did the Ku Klux Klan continue to distribute the book in America.. but in 1968, in Beiruit, the Islamic institute there published 300,000 copies in French, Italian, Spanish, and Arabic."

"Researcher: In almost every country there are people trying to seize political power! What is the easy way?"

"Research desk: In 1930, a Spanish edition of the “Protocols” appeared. And in 1972 another edition was published there and used to explain certain Vatican reforms by the Catholic Church! It Italy in 1930 the neo-fascist group Ordino Nuovo circulated a new edition of the “Protocols”! And also in 1930 the neo-facist group ordino nuovo circulated a new edition of the “Protocols”! And also in 1930 in Argentina “Los Protocols De Los Savios De Sion Y La Subversion Mundial” appeared. It was supposed to predict a plot to found a Jewish state by Zionists in Argentina."

"Research desk: In 1972, an edition of the “Protocols of Zion” was published in Egypt! In 1974 an edition of the “Protocols” was published in Bombay, India, entitled “International Conspiracy Against Indians.” In 1972, the USSR embassy in Paris released an anti-Israel paper that contained passages from the “Protocols of Zion.' In 1977, in America, a national states’ rights party published three editions of the “protocols”…in English! In 1978, this book appeared in shops around England!"

"Research desk: In 1987 a Japanese language edition of the “Protocols” appeared in Japan! In 1988 the Palestinian activist group Hamaas published the “Protocols” to denounce Zionists. And in 1990 this appeared in Damascus"

"Research desk: In 1992, a Mexican edition of the “Protocols"’’’ was listed in a few Catholic schools as required reading! And that same year in Turkey, a newspaper carried a 40-page insert that linked Freemasonry to Jewish world power headed by 70 elders! Again in 1992 a Russian edition of the “Protocols of Zion” appeared. Well, that’s the whole story, sir."

"Audience member: At last we have an unquestionable disclosure that erases any claim to legitimacy of the “protocols of the Elders of Zion”!"

"2000 Louisiana, U.S.A."

"2001 San Diego, U.S.A."

"Graphic novelist: Excuse me…you’ve got a copy of the “Protocols of Zion” there! …Why?"

"Publisher: But the good news is….the U.S. state department called on Egypt to stop it…and the intellectual community of Egypt helped to prevent its broadcast. And recently the Russian government appointed a group of independent experts who examined and certified that the “protocols of Zion” is a fraud!"

"2004 The Protocols of Zion is still sold in bookstores around the world"

"It’s mythic New York. And that’s what Will drew. He and I really did share two profound loves: One was for New York, and the other was for beautiful women."

"Born and brought up in New York City and having survived and thrived there, I carry with me a cargo of memories, some painful and some pleasant, which have remained in the hold of my mind. I have an ancient mariner’s need to share my accumulation of experience and observations. Call me, if you will, a graphic witness reporting on life, death, heartbreak and the never-ending struggle to prevail…or at least to survive."

"As the story unfolds it is at 55 Dropsie Avenue where Frimme Hersh deals with God; where the street singer fails to grasp his chance for gory. It is on Dropsie Avenue where a diminutive enemy defeats the super, and Willie comes of age. It is in an alley of Dropsie Avenue where Jacob Shtarkah tries to find the meaning of life. It is also on Dropsie Avenue, finally, where I undertake the biography of the street itself, through the physical evolution of the block, the rise and fall of the tenement building at No.55 and the ethnic and social changes of the stream of occupants."

"The tenement – the name derives from a fifteenth-century legal term for a multiple dwelling – always seemed to me a “ship afloat in concrete.” After all didn’t the building carry passengers on a voyage through life? No. 55 sat at the corner of Dropsie avenue near the elevated train, or the elevated as we called it in those days. It was a treasure house of stories that illustrated tenement life as I remembered it, stories that needed to be told before they faded from memory. Within its “railroad flats,” with rooms strung together train-like lived low-paid city employees or laborers and their turbulent families. Most were recent immigrants, intent on their own survival. They kept busy raising children and dreaming of the better lie they knew existed “uptown.” Hallways were filled with a rich stew of cooking aromas, sounds of arguments and the tinny wail from Victrolas. What community spirit there was stemmed from the common hostility of tenants to the landlord or his surrogate superintendent. Typically, the buildings tenants came and went with regularity, depending on the vagaries of their fortunes. But many remained for a lifetime, imprisoned by poverty or old age. There was no real privacy or anonymity. Everybody knew about everybody. Human dramas, both good and bad, instantly gathered witness like ants swarming around a piece of dropped food. From window to window or on the stoop below, the tenants analyzed, evaluated and critiqued each happening, following an obligatory admission that it was really none of their business."

"To anyone growing up in any large city, the immediate neighborhood becomes the world. The street on which one lives provides a kid with local identification somewhat similar to being branded by national origin. Streets have a status. They grow, get old and change in character. In large coastal cities, immigration has an effect on the profile of a street altering it as each new group enters, stays a while, assimilates and then moves away. Streets seem to have a discernible life. Some start out ostentatiously and gradually descend into slums while others begin as poor the disreputable neighborhoods and rise to ostentation through what city planners call gentrification."

"My early work in newspaper comics and comic books allowed me to entertain millions of readers weekly, but I always felt there was more to say. I pioneered the use of comics for instructional manuals for American soldiers, covering three major wars, and later used comics to educate grade school children. Both were heady responsibilities that I took very seriously. But I yearned to do still more with the medium. At an age when I could have "retired," I chose instead to create literary comics, than a decidedly oxymoronic term. Acceptance has not always been easy, but I have seen it arrive in my lifetime. It has been most gratifying to see the graphic novel and many of its exceptional creators gradually become an accepted part of the book world. I couldn't find a major publisher to take A Contract With God only a quarter century ago, and now graphic novels represent the book industry's fastest growing genre."

"The most extraordinary aspect of the Protocols of the Elders of Zion is not so much the history of its inception as that of its reception. That this fake was produced by a number of secret services and police of at least three countries, assembled from a collage of different texts, is by now a well-known fact-and Will Eisner tells it in full, taking into account the most recent research. In one of my essays I identify other sources that scholars had not taken into account: for example, the Protocols “Jewish plan” for conquering the world follows, almost literally at times, the Jesuit plan as told by Eugene Sue first in Le juif errant, (1844-45) and later in Les myst’eres du people (1849-57)-the similarities are so great that one is tempted to conclude that Maurice Joly himself (the French satirist whose pamphlet Dialogues in Hell Between Machiavelli and Montesquieu, published in 1864, is considered to be the direct predecessor of the Protocols, and who is a figure in Eisner’s The Plot) had been inspired by Sue’s novels."

"This patchwork of largely fictional works makes the Protocols an incoherent text that easily reveals its fabricated origins. It is hardly credible, if not in a roman feuilleton or in a grand opera, that the “bad guys” should express their evil plans in such a frank and unashamed manner, that they should declare, as the Elders of Zion do, that they have “boundless ambition, a ravenous greed, a merciless desire for revenge and an intended hatred.” If at first the Protocols was taken seriously, it is because it was presented as a shocking revelation, and by sources all in all trustworthy. But what seems incredible is how this fake arose from its own ashes each time someone proved that it was, beyond all doubt, a fake. This is when the “novel of the Protocols” truly starts to sound like fiction. Following the article that appeared in 1921 in the Times of London revealing that the Protocols was plagiarized, as well as every other time some authoritative source confirmed the spurious nature of the Protocols, there was someone else who published it again claiming its authenticity. And the story continues unabated on the Internet today. It is as if, after Copernicus, Galileo, and Kepler, one were to continue publishing textbooks claiming that the sun travels around the earth. How can one explain resilience against all evidence, and the perverse appeal that this book continues to exercise? The answer can be found in the works of Nesta Webster, an antisemetic author who spent her life supporting this account of the Jewish plot. In her Secret Societies and Subversive Movements, she seems well informed and knows the whole story as Eisner narrates it here, but this is her conclusion: The only opinion I have committed myself is that, whether genuine or not, the Protocols represent the programme of a world revolution, and that in view of their prophetic nature and of their extraordinary resemblance to the protocols of certain secret societies of the past, they were either the work of some such society or of someone profoundly versed in the lore of secret society who was able to reproduce their ideas and phraseology. Her reasoning is flawless: “since the Protocols say what I said in my story, they confirm it,” or: “the Protocols confirm the story that I derived from them, and are therefore authentic.” Better still: “the Protocols could be fake, but they say exactly what the Jews think, and must therefore be considered authentic.” In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols. I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns."

"In 1848, driven by a revolution in Paris, King Louis Philippe abdicated and Louis Napoleon (a nephew of Napoleon Bonaparte) was elected president of France. Four years later, after a coup d’etat, Louis Napoleon styled himself Napoleon II, emperor of France. Napoleon III’s first act as emperor was to imprison his political opponents. He was a crafty monarch, and his ambition during his reign was to seek glory through military adventurism while the great mass of French peasants remained ina state of poverty and despair. Initially, Napoleon III achieved a short-lived public popularity by trying to “modernize” France and liberalize its economy, but his legacy remains that of a dictator and conniving politician. In 1870, fearful that Germany was expanding too fast, Napoleon III declared war against this neighbor. The French were quickly defeated, and Napoleon III became a prisoner of war. Upon release in 1871, he was exiled to England, where he lived until his death in 1873. Maurice Joly was mindful of this growing tension between Germany and France. He had been born in 1821 of French parents. He was admitted to the Paris bar as an attorney and was a one-time member of the General Assembly. Joly devoted most of time to writing caustic essays on French politics. He joined many other severe critics of Napoleon III, who regarded him as a ruthless despot. In 1864, Joly wrote a book called “The Dialogue in Hell between Machiavelli and Montesquieu.”…It intended to liken Napoleon III to the infamous Machiavelli, author of “The Prince,” a treatise on the acquisition of power. Holy intended to reveal the French dictator’s dark and evil plans."

"Maurice Joly: In “Caesar” I bluntly accused our emperor of evil offenses…in ‘’’this’’’ book I expose the nature of the man’s mind, how he thinks, y’see!"

"Maurice Joly: Your honor, I have not written a lampoon here…this book’s delineations are applicable to all governments!"

"When Nicholas II was crowned tsar of Russia in 1894, the country was seething with unrest. Brought up by private tutors, he had little training in the affairs of state. He was dull, reactionary, and an ineffective ruler who was easily influenced. Although revolution was slowly brewing, Russia on the surface remained a prisoner of its feudal past. In order to maintain the appearance of stability, Nicholas II engaged ina policy of suppreission and later on supported pogroms against Jews. Such anti-Semitic views were not new. Even before the assassination in 1881 of Alexander II (Nicholas II’s grandfather) the Romanov family had been convinced of p-lots against the tsar. During his own reign, Nicholas II was easily swayed by strong opinions. He veered from one plan to another depending on the advice of the most articulate in his council. His most trusted adviser was Sergei Yulievich Witte, a clever but sometimes unpopular councilor who was known to have liberal modernistic views regarded as controversial by conservatives, who dominated the court. Witte had two very resentful enemies…Gorymikine and Rachkobsky, who were associated with the secret police."

"Gorymikine: Surely, he must be aware that Russia is facing a revolt!"

"Rachikovsky: What if there appeared a document proving that modernization was a part of a Jewish plot?"

"Mathieu Golovinski was born in the Simbirsk region of Russia in 1865 during the reign of the Romanov dynasty. His family, a part of the fading Russian aristocracy, provided him with a fragile social standing. He grew up in a leisured environment typical of families of that class. His father, Basil Golobinski, died,however, when Mathieu was 10 years old."

"Classmate 1: Count Dashkov is close to the tsar…a minister at the court no less…"

"Count Dashkov: Ah, Mathieu Golovinski, I hear good things about you…I have need for a young man with your talents!"

"Pobedonostev: Aha! You are very well recommended Golivinski. You are just what we need here! Russia’s bureaucracy and its state apparatus have been infiltrated by Jews. Believe me. I’ve been studying the Jewish threat. As guardians of Christina Russia we must deal with them… but it will not be easy…they’re more intelligent and smarter than the average Russian. So how?? How??"

"Golovinski: What is the meaning of this? Why am I arrested?"

"Rachkovsky: The tsar must have unquestionable’’’ evidence of a threat against the monarchy!"

"Golovinski: Mr. Rachkovsky, a Zionist congress met last year. I can simply fabricate a manifesto!"