Baptists From The United States

"We were amazed at that outstanding arm. You know he used to gun that thing all the way from right field to home plate on the fly. And he liked to show it off a little bit, but... I can recall... I mean the guy had so much talent. We could see it, you know? And really, for a first-year man, he had a lot of confidence, too."

"Bobby always came to me and told me how Murtaugh was against him. I tried to tell him he was wrong but he just wouldn't believe me. Really, Danny was on Bobby's side all the way but Clemente didn't understand. He did more for Bob than Bob realizes. But Bobby is right about some of the writers being against him. They hurt him more than anything, especially about that hypochondriac image. Bobby is one of the greatest players I've ever seen but he's the type who needs to be encouraged by everyone."

"He had so much talent he couldn't hide it."

"At the time, Bob Fontaine, one of the Pirate scouts who signed him, said [Jim] Aldredge could be the next Roberto Clemente."

"If a guy is getting paid to play, he should be out there. You don’t sit out because you’ve got an upset stomach. Another guy who will tell you the same thing is Groat. [...] In 1959, when I went 18-1, I cut my hand and had to have stitches. I missed some games, but I came back, with the stitches in my hand, and pitched. I still had scars. I had dropped a glass in a sink, and tried to grab it, and cut myself. I was out ten days. There was a story in the papers that Clemente had pulled a knife on me in an argument and had cut me. It never happened. We never got into any kind of a fight. I was never a fan of Clemente the whole 14 years we were around each other. But it didn’t affect me. I knew he had the ability to play his position. I didn’t let my personal feelings affect my approach. In all the years I played with him, as a person, he just wasn’t my kind of person. Clemente and I never had a disagreement. But we never got close together, either. We talked and associated with each other in the clubhouse. I guess he was something of a hypochondriac, and he wouldn’t play unless he felt perfect."

"Clemente was a great ballplayer. He could hit, run and throw. He was a great ballplayer, one of the better ballplayers I ever saw. Willie Mays was the best; he could beat you more ways than anyone else. As a ballplayer, whenever he wanted to play, there were few who could compare to Clemente. He had God-given talent and ability."

"Clemente had the ability, no doubt about it, but he was, for instance, always trying to show off his arm. He was always trying to throw out runners at the plate, instead of throwing the ball to the cut-off man and preventing the hitter from taking the extra base. Instead of having runners at first and third, and still having the chance to get a double play, you’d have runners at second and third and no chance to get the double play. It makes it a lot tougher on the pitcher. He wouldn’t throw the ball down where Groat could grab it as the cut-off man or let it go if he thought Clemente’s throw could get the lead runner out. Clemente had a strong arm, but he was always trying to show it off. Early on, he used to throw the ball into the stands, but he got more accurate as he went on. He made some great throws and got some guys out, but there were more times he didn’t get the guy. Little things like that. As a player, you realize the significance of such things. The fan just sees him getting a guy out at home plate. But he did that two out of ten times. It looked great to the fans, and it was great for the Pirates if he got someone out like that. But more often than not, he was putting more pressure on the pitcher."

"I knew he was good when we won the World Series in '60, but I didn't know he was going to have the career he ended up having. He could do anything. He could hit, he could hit with power, he could run, he could field and he could throw with the best of them. He deserves to be in the Hall of Fame. But I don't think he should've gone in when he did. He should've waited the required five years like everyone else. His kids were too young to appreciate the accomplishment."

"I know that Clemente had a reputation for being a hypochondriac, but I didn’t see it. Bobby did have a lot of injuries, but he usually played with them. I remember one time walked by while Clemente was on the trainer’s table getting rubbed down and said, "Robbie, you sit this one out." And Clemente said, “No, Skip, I play.” Bobby wasn’t a hot dog either. He played the game hard. He ran hard, he slid hard, he threw hard—all the time, even in practice. Bill Virdon said, "He practices the same way he plays." He had that great arm, but I really don’t understand how it held up, because when we took infield, he’d throw like his life depended on it. He had a lot of mannerisms too, and people particularly remember the way he’d rotate his neck before he got into the batter’s box, but he was just trying to get loosened up, he wasn’t showboating."

"It was like the passing of a torch. I was fortunate to be around those guys and they were my mentors. They showed me how to play the game, how to play the right way and to respect the game. Stargell received the torch and kept it going. I learned so much from those two men and I’ve passed on what I learned to all my players. I can’t say enough about them because they meant so much to me."

"After we lost the second game in Baltimore, Clemente came into the clubhouse and he starts screamin’ and said that we’re gonna go back to Pittsburgh and we’re gonna kick their butts three games in a row. And we went back to Pittsburgh and we did exactly that."

"You watch Roberto and you can’t help getting all psyched. There’s the old man out there busting his ass on every play of the game. Look, I’m 25. If he can play like that, shouldn’t I?"

"Playing with Roberto eight years had to help me. He would tell you what the pitchers were throwing—slider, fastball, or curve—and what pitch they would try to get you to hit. All the young kids look up to him, and when they see how he chases a fly ball and makes those diving catches and how he runs everything out going down the first base line; well, it makes a man play harder. No words are needed."

"He violates many of the tested rules of hitting; by that, I mean he goes against what the greats of hitting like Ty Cobb and Ted Williams have said about hitting. He steps in the bucket but his hands are still there, ready to get the bat around on any pitch. He makes contact. He can wait on the ball and hit it down the first base line harder than most left-handers."

"He is a phenomenal athlete who came to play, and plays when he's hurt. He gives you 100 per cent. [...] When I played winter ball in Puerto Rico, I played in Ponce. Roberto played with San Juan. He would sit out the first half of the season there but play the second half as though his life depended on it. That's how he got in shape. When he reported to spring training in Florida, he was ready."

"A lot of people say he's temperamental. All athletes are temperamental to a certain extent but when I was with Pittsburgh, and I'd strike out, Clemente was always there to pep you up. He is the team leader the Pirates need because a lot of the guys go to him. He really is a super star. When I was in Pittsburgh, we had a good many black players and we needed Roberto's mature influence. He helped solidify the relationships many times."

"I always thought the guy had great ability, but until the last two years I thought he was playing for himself. He kept to himself and it seemed like he didn't want to be bothered with the rest of the team. But in the last two years, he developed into the leader of our ballclub. He has taken control of us and looked after us and that's something he didn't do before. This is the new Clemente. He has great feeling for all the worries of the players. He keeps peace and harmony and he's our good-will ambassador, the intermediary between us and Harry Walker and the front office."

"He came to me right out of high school. I could see he was going a long way. Some of the old-timers didn’t think so, but I could see great ability in Clemente. The main thing I had to do was keep his spirits up. He didn’t realize how good he was. But I could see his potential. I told him he’d be as good as Willie Mays some day – and he was. He had a few rough spots, but he never made the same mistake twice. He had baseball savvy and he listened. He listened to what he was told and he did it. Some of the old pros didn’t take too kindly to a kid breaking into the lineup, but Clemente was too good to keep out."

"The big thing about Clemente was that he played hard and went all-out in every game. He did that when he was just a kid, and he did that all the way through his last season. He always had that aggressiveness. I saw that from the first. Maybe it was the thing about him as a ballplayer that people will remember most."

"This is only my opinion, but I think Roberto Clemente was the best player in the league most of the year. He hit like the devil for us the first half of the year. Groat had his best season. He hit well but without power. Clemente hit and with power."

"I can see now why Clemente was such a great hitter. He hit the same way that Rogers Hornsby said things should be done: "Make the outside part of the plate the closest part because all great pitchers pitch you away, they don’t pitch you in." And Clemente hit most of the balls from shortstop to first base. The left knee would be his strength. The left knee he would always bring back, and when he’d bring his left knee back, he would cock the back at the same time. He would never swing the bat at the baseball; he would always throw the bat at the baseball. Sometimes he would say to me in Spanish: "Joe, look at me, what I’m doing. Always try to drive the ball, don’t swing. When you swing the bat, actually your hands tighten up. If you would just cock the bat and throw the head of the bat ahead of you, it would stop your body from lunging forward." Clemente was a great hitter in that way."

"Clemente was the kind of man that I’d like to have on my team. We were playing one time in St. Thomas, an exhibition game. This was for nothing and here’s a guy making over 100,000 bucks a year. Somebody hit a short fly ball into right field. Here’s Clemente – he took off for the ball, there was a whole pile of rocks there, and the guy makes a helluva diving catch. How many guys are gonna do that, making the kind of money he was making? When he put a baseball uniform on, there was only thing [sic] that Clemente thought: "Give my best and give my all." When he played with the Pirates, that’s all he did."

"Along with Stan Musial, Roberto Clemente was the best player I ever played with. He could do it all. He had a great year at bat [in 1960], but what really amazed me was his arm. He was in a different class than Mays, Colavito, all of them. I saw him make throws like no one I have ever seen, and he was accurate. Dick Groat and Bill Mazeroski were bruised all over their arms, legs and chest from his throws into second. He threw so hard that he’d throw a ball that one-hopped from near first base to home and still handcuffed the catcher."

"The best player I’ve ever played with was Roberto Clemente—without a doubt. He could do it all. He could hit with power, he could run, he could throw. And at any time, he was a great clutch hitter."

"We'll miss him. Any team would ... this type of super player. If Bobby were here, he'd tell us to do the thing we've always been doing ... go on to win."

"From the things he did on the field, I figured he was 6’4” and more than 200 pounds. I was really surprised. He looked so small compared to the way I pictured him. I had heard all about his great arm and I began to think that he didn’t have a good arm. You know how Roberto is in spring training – he doesn’t throw hard until maybe a week or two before the season opens. He used to just flip the ball and I used to say to myself, ‘What kind of arm is that?’ Then one day Roberto made one of his throws… you know the kind. Boom – it goes from right field to home plate like a bullet. I became a believer after one throw."

"There were 72 tryouts in camp that day, remembers Alex Campanis. One caught his eye just one out ol 72. "How could I miss him?" says Campanis. "He was the greatest natural athlete I have ever seen as a free agent." The tryout was being conducted jointly by the Dodgers of Brooklyn and the Santurce ballclub of San Juan, in the Sixto Escobar Stadium, a structure named after 118 pounds of Puerto Rican dynamite, the bantamweight champ of the world in the mid-thirties. "The first thing we do at the tryout," recalls Campanis, "is ask the kids to throw from the outfield. This one throws a bullet from center, on the fly. I couldn't believe my eyes. 'Uno mas,' I shout and he does it again. I waved my hand, that's enough. Then we have them run 60 yards. The first time I clock him in 6.4. I couldn't believe It. That's in full uniform. 'UNO MAS'," said Campanis again, and again the kid did it in 6.4. They sent the 71 others home. "The only one I asked to hit was this boy, who told me his name was Roberto Clemente," said Campanis. "I'm saying to myself, we gotta sign this sonofagun If he can just hold the bat in his hands. He starts hitting line drives all over the place. I notice the way he's standing in the box, and I figure there's no way he can reach the outside of the plate, so I tell the pitcher to pitch him outside, and the kid swings , with both feet off the ground and hits line drives to right and sharp ground balls up the middle.""

"I wanted the big club to put him on the roster. I told Buzzie Bavasi he would be drafted if put at Montreal, that he was a big leaguer right from the start. I can’t divulge the reason he was left off the big club."

"I like this kid about as much as any young prospect I've seen in years. He can do everything for you. And he wants to learn. I'm just praying no one will notice him at Montreal. He got a small bonus, but it's enough to make him unrestricted in the draft."

"Club: SANTURCE; League: PORTO RICAN Pos. OF; Age 18 Hgt 5'11; Wgt. 175 Bats R; Throws R Name: CLEMENTE ROBERT Arm: A+ GOOD CARRY; Accuracy: A+ Fielding: A GOOD AT THIS STAGE; Reactions: A Hitting: A TURNS HEAD BUT IMPROVING; Power: A+ Running speed: +; Base Running: A Definite Prospect? YES; Has Chance? ____; Fill-In? ____; Follow ____ Physical Condition (Build, Size, Agility, etc.): WELL BUILT—FAIR SIZE—GOOD AGILITY Remarks: WILL MATURE INTO BIG MAN. ATTENDING HIGH SCHOOL BUT PLAYS WITH SANTURCE. HAS ALL THE TOOLS AND LIKES TO PLAY. A REAL GOOD LOOKING PROSPECT! HE HAS WRITTEN THE COMMISSIONER REQUESTING PERMISSION TO PLAY ORGANIZED BALL."

"The one player who impressed me the most was Roberto Clemente, both as a man and as an athlete. He was one of the nicest individuals and just tremendous as a ball player. I never saw a better player, although I always regarded Ted Williams as the best hitter. I called him the pure hitter."

"Clemente will not be one, two or three among the top hitters. He will be one. Period."

"Clemente can do so much for the Pirates. I don’t think there’s a more colorful player in the league and he’s probably the most popular player in Pittsburgh. He has as much ability as any player in the game, yet, great as he is, he could be greater. He could be our leader, the man we need to show us the way. I’m trying to get him to realize how good he is. You know, Clemente is very emotional and sometimes he’s controlled by the way the team is going. If we’re winning, he’s hitting and doing everything expected of him. But when we hit a slump, Clemente’s spirit gets down, too. If he can get the idea he’s the real leader, he can do the job for us. This [1963] isn't a good year for Clemente. He can be better, much better. With his ability, I feel any time he bats under .350, it isn’t a good season. He shouldn’t settle for anything less than that. When they talk of potential .400 hitters, they never mention Clemente, yet he has all the tools to reach that figure. He hits line drives, he hits to all fields and he has power. And he can run. There’s no question of his arm and his fielding. When you take all of this in consideration, you can see he hasn’t reached his potential."

"Roberto used to say, "People pay to see me perform. If I go out there 75 percent, I’m not giving them the performance they paid to see." What Roberto didn’t understand was that his 75 percent was better than other guys’ 100 percent."

"Clemente’s death made a tremendous difference, because he carried a big load by producing consistently. Everything other guys used to do was gravy. They were the icing on the cake. Their runs didn’t count in a situation; they just put the game out of reach. This year, those guys could not be the icing. They mean the game. The pressure is on them to produce in key situations time after time after time. That is a far greater mental discipline than having to produce when it doesn’t count."

"We’d cut up all the time. We used to psyche him up for a game by kidding him about being a hypochondriac. "Hey," we’d say, "did you hear what so-and-so wrote about you?" "Who? Where’d he write it?" Sometimes, on buses to the airport, I’d use my impersonations to loosen up the club. Impromptu songs, with just the rankest of lyrics, the ranker they are the funnier it becomes. I’d do it sometimes when the club was uptight. Not too many people notice when you do things, but Roberto came up to me and said, "You do things when they’re needed.""

"We loved him. There were times he would get frustrated because we didn’t play at the level he expected us to play. I’ll never forget the time he decided to play to prove his points. He was a hero down there, the people went crazy and it helped attendance. [...] He was a wonderful man and a great player, but as far as running a game he didn’t do a great job. He had a very short temper at times about the way we played, because let’s face it – he took it very seriously. It was his team, and he was going to get the credit or the blame for how the team played. As a result of our lackluster play at times, he used to get very mad at us and the guys would put the towels over their faces and kind of laugh a little bit – not at him, as a reaction to what was happening."

"The quality of his play was directly indicative of his values. He gave all he had every game. He was kind and helpful to all of us younger players. He had a desire to be appreciated and drove himself to higher levels of performance than others. He recognized the need to excel in all phases of the game, and he encouraged everyone to do the same. Some others could do what he could, but nobody matched his flair. I loved watching him play because he loved playing."

"Roberto Clemente was the best right fielder I saw play in the majors. Not the best hitter, but the best right fielder!"

"Clemente was just a kid then, his second year up. He was a real introvert – very quiet, morose almost. But he performed – man, did he perform! And he had tremendous pride. But I learned one thing about him early on – if he didn't feel like playing, you'd better let him sit. Wherever I managed, two hours before the game started, that lineup was posted on the board. I always wanted a man to know if he was starting. Now and then Clemente would come to me and say, ‘I don't feel like playing.’ If it had been somebody else, I would have asked him what the hell he was talking about. But not Clemente. When he didn’t want to play, he wouldn’t play – and that’s all there was to it. It didn’t happen very often, but it happened. It was usually a backache that he complained about. How serious it was, I don’t know – but I do know that he believed it was serious and that he was sincere about it. Remember – this was before he was a great star, so you had to believe he was sincere about his aches and pains and not trying to take advantage of his status."

"Dear Sirs: I feel compelled to write you concerning your article, "The World's Toughest Batting Orders—As Selected by Ten Star Major League Pitchers," which appeared in the March 31 Family Weekly. I think it is a shame that such unproven players such as Dave Concepcion are placed in a lineup of "toughest outs." I agree that Hank Aaron, Billy Williams, Rod Carew and Willie Stargell are among the greatest hitters the game has ever known, but it certainly did not take your panel long to forget Roberto Clemente."

"The best way to describe Roberto Clemente is to say that if he were playing in New York, they’d be comparing him to DiMaggio. I would say his greatness is limited only by the fact that he does not hit the long ball as consistently and by the fact that he is not playing in New York – or even in Chicago or Los Angeles."

"He's worth every penny of a half-million dollars to me. That's what the other clubs would have to give in cash or equivalent player material to get him."

"Bragan smiled about it yesterday afternoon. He was asked if Clemente had been thrown out at the plate and had the Pirates lost in extra innings, would he have fined Clemente? "How could you fine a player for driving in three runs we needed to tie?" That seemed like a rather good explanation."

"I all but tackled him and at my age I'm glad I didn't. I knew we had the game tied and I was afraid Clemente would be thrown out at the plate. At that stage, I wanted to play it safe with the winning run on third and none out. But Clemente evidently didn't hear me or simply had his mind made up he could go all the way. Now I'm glad he did. What a finish that was."

"It passes into a phase where it’s just such a delight to watch him play, and a delight to have him in right field when you’re pitching. He had that gift – he was an exciting enough ballplayer that he could turn a 10-year veteran into a 10-year-old kid watching baseball. Most times in between innings, when I'd come off the field from pitching, I'd go into the clubhouse and wander around because I was always kind of high strung. But when Clemente was going to bat, I'd make sure I was out on the bench watching."

"He was different … he wasn’t like the rest the rest of us. He took professionalism to a higher degree. After a game, we all wanted to go out for a beer. He wouldn’t go. He was compelled by baseball."

"Robbie and I had become very close, so that I really leaned on him. We had fun in the clubhouse, but he meant more than that to me. He was the Pirates. Robbie had grown so much. He really kept up the spirit of the team—by the way he played, and by the way he helped everyone. Everything seemed out of order this season [1973]—Robbie was gone."

"You saw him going all out on every day at 38 and it embarrassed you if you didn’t try as hard as he did. Whether you’d been playing 12 years or you were a rookie, a little bit of that rubbed off on you. And he was consistent; day in and day out he led us. You knew that if you didn’t pitch well or didn’t hit well, he would be great almost every day. In his last three years, we went to the ballpark every day expecting to win. His consistency was a big part of that."

"When Clemente was out there in right field, there was nothing more a pitcher could want. I figured if the ball was hit to right and stayed in the ballpark, I had a chance. Some way, if it was humanly possible, he would get there. If they had a rally going, I knew he might make an impossible catch and double off a runner and the rally would die. With him, it was like having four outfielders. I hope somebody has the film of a catch he made a few years ago in Houston. He was playing in right center and Bob Watson hit one down the line. Robby went into the wall— not just running but leaping into it—and made a catch that saved the game."