Anti Fascists

"It worked!"

"It is with appreciation and gratefulness that I accept from you this scroll for the Los Alamos Laboratory, and for the men and women whose work and whose hearts have made it. It is our hope that in years to come we may look at the scroll and all that it signifies, with pride. Today that pride must be tempered by a profound concern. If atomic bombs are to be added as new weapons to the arsenals of a warring world, or to the arsenals of the nations preparing for war, then the time will come when mankind will curse the names of Los Alamos and Hiroshima. The people of this world must unite or they will perish. This war that has ravaged so much of the earth, has written these words. The atomic bomb has spelled them out for all men to understand. Other men have spoken them in other times, and of other wars, of other weapons. They have not prevailed. There are some misled by a false sense of human history, who hold that they will not prevail today. It is not for us to believe that. By our minds we are committed, committed to a world united, before the common peril, in law and in humanity."

"Despite the vision and farseeing wisdom of our wartime heads of state, the physicists have felt the peculiarly intimate responsibility for suggesting, for supporting, and in the end, in large measure, for achieving the realization of atomic weapons. Nor can we forget that these weapons, as they were in fact used, dramatized so mercilessly the inhumanity and evil of modern war. In some sort of crude sense which no vulgarity, no humor, no overstatement can quite extinguish, the physicists have known sin; and this is a knowledge which they cannot lose."

"Chaplin had no previous film acting experience when he came to California. By the end of 1915 he was the most famous human being in the entire world. But at the time he first arrived as a greenhorn at the gates of Keystone to try his luck at making a buck in those “galloping tintypes” of 1913, he already had under his belt close to twenty years stage experience in British music hall."

"exclusively verbal humor have been conveyed by Harpo Marx, who with Charles Chaplin, Jimmy Savo, and Danny Kaye, ranks as a master artist of pantomime."

"As far as the making of films goes, when the functions are identified so that there is again-as in the modest documentaries, or in Chaplin's procedure-a writer-director-editor, some unity of"

"The greatest artist produced by the screen was an English cockney, Charlie Chaplin, who never gave up British nationality and who retained the innocent utopian socialism of his early years. He was England's gift to the world in this age, likely to be remembered when her writers, statesmen, and scientists are forgotten, as timeless as Shakespeare and as great."

"With the exception of Charlie Chaplin's The Great Dictator, which appeared in 1940, "no explicit presentation of the Jewish catastrophe" was made until 1959, with the production of the movie version of The Diary of Anne Frank."

"With A King in New York Charles Chaplin was the first film-maker to dare to expose, through satire and ridicule, the paranoia and political intolerance which overtook the United States in the Cold War years of the 1940s and 50s."

"As I began to love myself I found that anguish and emotional suffering are only warning signs that I was living against my own truth. Today, I know, this is “AUTHENTICITY"."

"We felt that the public, and especially the children, like animals that are cute and little. I think we are rather indebted to Charlie Chaplin for the idea. We wanted something appealing, and we thought of a tiny bit of a mouse that would have something of the wistfulness of Chaplin — a little fellow trying to do the best he could."

"The inmates have taken over the asylum!"

"Charlie Chaplin is the greatest director of the screen. He's a pioneer. How he knows women!—oh, how he knows women! I do not cry easily when seeing a picture, but after seeing Charlie's A Woman of Paris I was all choked up—I wanted to go out in the garden and have it out by myself."

"A day without laughter is a day wasted."

"[Hynkel addressing the crowds, referring to his colleagues: clearly modelled upon Göring and Goebbels] Hynkel: Herring shouldn smelten fine from Garbitsch, und Garbitsch shouldn smelten fine from Herring. Herring und Garbitsch... [He clasps his hands together] Translator: His excellency has just referred to the struggles of his early days shared by his two loyal comrades."

"Schultz: You must speak. Jewish barber: I can't. Schultz: It's our only hope."

"Hynkel Party take power. Meanwhile the Jewish soldier, ex-fighter and veteran of the World War, suffered a lost of memory and remained and inmate of the soldiers' hospital for many years. He was ignorant of the profound change that had come over Tomainia. Hynkel, the dictator, ruled the nation with an iron fist. Under the new emblem of the double cross, liberty was banished, free speech was suppressed and only the voice of Hynkel was heard."

"Hannah: Life could be wonderful if people would leave you alone."

"Look up to the sky You'll never find rainbows If you’re looking down."

"Life is a tragedy when seen in close-up, but a comedy in long-shot."

"I'm sorry, but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone, if possible — Jew, gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other's happiness — not by each other's misery. We don't want to hate and despise one another. In this world, there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men, cries out for universal brotherhood, for the unity of us all. Even now, my voice is reaching millions throughout the world — millions of despairing men, women and little children — victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say — do not despair. The misery that is now upon us is but the passing of greed — the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people and so long as men die, liberty will never perish. Soldiers! Don't give yourselves to brutes — men who despise you, enslave you, who regiment your lives, tell you what to do, what to think and what to feel; who drill you, diet you, treat you like cattle, use you as cannon fodder! Don't give yourselves to these unnatural men — machine men with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts. You don't hate! Only the unloved hate — the unloved and the unnatural! Soldiers! Don't fight for slavery! Fight for liberty! In the 17th Chapter of St. Luke, it is written: "the Kingdom of God is within man" — not one man, nor a group of men, but in all men! In you! You, the people, have the power — the power to create machines. The power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then, in the name of democracy, let us use that power! Let us all unite! Let us fight for a new world — a decent world, that will give men a chance to work, that will give youth the future, and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill their promise — they never will. Dictators free themselves, but they enslave the people! Now, let us fight to fulfill that promise! Let us fight to free the world, to do away with national barriers, to do away with greed, with hate and intolerance. Let us fight for a world of reason, a world where science and progress will lead to all men's happiness. Soldiers! In the name of democracy, let us all unite! [Cheers] Hannah, can you hear me? Wherever you are, look up, Hannah — the clouds are lifting! The sun is breaking through! We are coming out of the darkness, into the light. We are coming into a new world — a kindlier world, where men will rise above their hate, their greed and brutality. Look up, Hannah — the soul of man has been given wings, and at last he is beginning to fly! He is flying into the rainbow — into the light of hope, into the future, the glorious future that belongs to you, to me and to all of us. Look up, Hannah — look up!"

"This is a story of a period between two World Wars — an interim in which insanity cut loose. Liberty took a nose dive, and humanity was kicked around somewhat."

"I am what I am: an individual, unique and different, with a lineal history of an ancestral promptings and urgings, a history of dreams, desires, and of special experiences, of all of which I am the sum total."

"Life is a beautiful, magnificent thing, even to a jellyfish. … The trouble is you won't fight. You've given up. But there's something just as inevitable as death. And that's life. Think of the power of the universe — turning the Earth, growing the trees. That's the same power within you — if you'll only have the courage and the will to use it."

"I believe that faith is a precursor of all our ideas. Without faith, there never could have evolved hypothesis, theory, science or mathematics. I believe that faith is an extension of the mind. It is the key that negates the impossible. To deny faith is to refute oneself and the spirit that generates all our creative forces. My faith is in the unknown, in all that we do not understand by reason; I believe that what is beyond our comprehension is a simple fact in other dimensions, and that in the realm of the unknown there is an infinite power for good."

"I feel I am privileged to express a hope. The hope is this: that we shall have peace throughout the world: that we shall abolish wars, and settle all international differences at the conference table: that we shall abolish all atom and hydrogen bombs, before they abolish us first."

"I am not a political man and I have no political convictions. I am an individual and a believer in liberty. That is all the politics I have. On the other hand I am not a super-patriot. Super-patriotism leads to Hitlerism — and we've had our lesson there. I don't want to create a revolution — I just want to create a few more films."

"By simple common sense I don't believe in God, in none."

"I am not religious in the dogmatic sense … I neither believe nor disbelieve in anything."

"I am at peace with God; my conflict is with man."

"I am for people. I can't help it."

"Wars, conflict, it's all business. "One murder makes a villain. Millions a hero". Numbers sanctify."

"I remain just one thing, and one thing only — and that is a clown. It places me on a far higher plane than any politician."

"I had no idea of the character. But the moment I was dressed, the clothes and the make-up made me feel the person he was. I began to know him, and by the time I walked onto the stage he was fully born."

"All I need to make a comedy is a park, a policeman and a pretty girl."

"Friends have asked how I came to engender this American antagonism. My prodigious sin was, and still is, being a non-conformist. Although I am not a Communist I refused to fall in line by hating them. Secondly, I was opposed to the Committee on Un-American Activities — a dishonest phrase to begin with, elastic enough to wrap around the throat and strangle the voice of any American citizen whose honest opinion is a minority of one."

"Gramsci deviated from the Marxist belief that the inherent contradictions of capitalism would of themselves usher in socialism. He was opposed to the iron control of a Leninist revolutionary vanguard. Revolution, he wrote, would only be achieved when the masses had gained enough consciousness to exert personal autonomy and see through the mores, stereotypes and narratives disseminated by the dominant culture. Revolutionary change required the intellectual ability to understand reality."

"Antonio Gramsci wisely wrote: "When a politician puts pressure on the art of his time to express a particular cultural world, his activity is one of politics, not of artistic criticism. If the cultural world for which one is fighting is a living and necessary fact, its expansiveness will be irresistible and it will find its artists.""

"Antonio Gramsci wrote of the culture of the future that "new" individual artists can't be manufactured: art is a part of society-but that to imagine a new socialist society is to imagine a new kind of art that we can't foresee from where we now stand. "One must speak," Gramsci wrote, "of a struggle for a new culture, that is, for a new moral life that cannot but be intimately connected to a new intuition of life, until it becomes a new way of feeling and seeing reality and, therefore, a world intimately ingrained in 'possible artists' and 'possible works of art.""

"The international disputes which united and divided Luxemburg, Lenin, Lukács, Gramsci, Bordiga or Trotsky on these issues represent the last great strategic debate in the European workers’ movement. Since then, there has been little significant theoretical development of the political problems of revolutionary strategy in metropolitan capitalism that has had any direct contact with the masses. The structural divorce between original Marxist theory and the main organizations of the working class in Europe has yet to be historically resolved. The May-June revolt in France, the upheaval in Portugal, the approaching dénouement in Spain, presage the end of this long divorce, but have not accomplished it. The classical debates, therefore, still remain in many respects the most advanced limit of reference we possess today. It is thus not mere archaism to recall the strategic confrontations which occurred four or five decades ago. To reappropriate them, on the contrary, is a step towards a Marxist discussion that has the—necessarily modest—hope of assuming an ‘initial shape’ of correct theory today. Régis Debray has spoken, in a famous paragraph, of the constant difficulty of being contemporary with our present. In Europe at least, we have yet to be sufficiently contemporary with our past."

"We must prevent this brain from functioning for twenty years."

"The old world is dying, and the new world struggles to be born: now is the time of monsters."

"oftentimes prison writing is described as that which is produced in prison or by prisoners, and certainly Gramsci's prison notebooks provide the most interesting example."

"To tell the truth is revolutionary."

"I always think of a line from Gramsci, "living in the interregnum.""

"The long march through the institutions."

"Economy and ideology. The claim (presented as an essential postulate of historical materialism) that every fluctuation of politics and ideology can be presented and expounded as an immediate expression of the structure, must be contested in theory as primitive infantilism, and combated in practice with the authentic testimony of Marx, the author of concrete political and historical works."

"History is at once freedom and necessity."

"All men are intellectuals: but not all men have in society the function of intellectuals."

"We can see that in putting the question "what is man?" what we mean is: what can man become? That is, can man dominate his own destiny, can he "make himself," can he create his own life? We maintain therefore that man is a process and, more exactly, the process of his actions. If you think about it, the question itself "what is man?" is not an abstract or "objective" question. It is born of our reflection about ourselves and about others, and we want to know, in relation to what we have thought and seen, what we are and what we can become; whether we really are, and if so to what extent, "makers of our own selves," of our life and of our destiny. And we want to know this "today," in the given conditions of today, the conditions of our daily life, not of any life or any man"