"I'm Fflewddur Fflam! Minstrel of minstrels! Balladeer to the grandest courts in all the land! [harp string snaps] And I, uh, eh? Eh, well, have you forgotten? I have sung in some of the finest courts... [another string snaps] Well, I'm only waiting for an invitation! [another one snaps] Oh, shush. Why do you have to judge every word I say?"

"You're making a horrendous mistake! I'm not a spy! I'm a bard! I sing! Uh, I entertain! Oh, careful sir, these are the hands of an artist!"

"[last words] No! You'll not have me. My power cannot die! Curse you! No! NOOOOOOO!!!"

"[to Taran] No, you'll not escape! You shall satisfy the cauldron's hunger."

"[to Taran] You've interfered for the last time. Now, pig keeper, you shall die!"

"My beloved warriors have come to life. All the dead of centuries past - never has anyone created an army like this! Go forth, my deathless warriors! Destroy all in your path!"

"Magic twelve years in the making. Magic that will live forever."

"Seven years in the making - In the celebrated Disney tradition comes our 25th animated motion picture."

"Hidden by darkness. Guarded by witches. Discovered by a boy. Stolen by a king. Whoever owns it will rule the world. Or destroy it."

"Grant Bardsley as Taran"

"Susan Sheridan as Princess Eilonwy"

"Nigel Hawthorne as Fflewddur Fflam"

"John Byner as Gurgi/Doli"

"John Hurt as The Horned King"

"Freddie Jones as Dallben"

"Arthur Malet as King Eidilleg"

"Eda Reiss Merin as Orddu"

"Adele Malis-Morey as Orwen"

"Billie Hayes as Orgoch"

"Phil Fondacaro as Creeper"

"Tudor Owen as Liquor-Man"

"My, such a brave and handsome crew! A pig boy, a scullery maid and a broken-down minstrel! Perhaps it may interest you to see what fate has in store for you! [laughs and lifts up a skeleton] Now I call on my army of the dead! The Cauldron-Born! [lowers the skeleton into the Black Cauldron] Arise, my messengers of death! Our time has arrived!"

"I presume, my boy, you are the keeper of this oracular pig?"

"Oh, yes. Yes, my soldiers. Soon the Black Cauldron will be mine. Its evil power will course through my veins, and I shall make you Cauldron-Born. Yes, yes, oh yes, then you will worship ME! Me. Oh, my soldiers. How long I have thirsted to be a god among mortal men..."

"Oh, I'm sorry. I've ignored you. You did come for the Black Cauldron? Good! Then climb right in! It'll only cost you your life! [laughs]"

"Welcome, your majesty! We're celebrating our success! I-I-I mean your success! We've made no mistakes this time!"

"No! Gurgi will not let his friend die! [sadly] Taran has many friends. Gurgi has no friends."

"Oh, poor miserable Gurgi deserves fierce smackings and whackings on his poor, tender head. Always left with no munchings and crunchings. [sobbing] Forgive poor Gurgi."

"If great lord go into evil castle, poor Gurgi will never see his friend again. Nope, never."

"Hen Wen, from you, I do beseech / Knowledge that lies beyond my reach / Troubled thoughts beyond your heart / Pray you now, those thoughts impart."

"The story the whole world loves."

"A masterpiece of animation . . . a burst of fun and adventure [1985 Australian re-release]"

"All The Magic Of Snow White - Yet so excitingly different ! ! !"

"For The Young In Heart Of Every Age ! !"

"Walt Disney's Full Length FEATURE Production Pinocchio In Multiplane TECHNICOLOR"

"Disney's all-time family classic is back ...No strings attached! [1987 re-release Australia]"

"Special announcement! [1940 trailer announcement]"

"On Pinocchio, you mentioned something about pilot animation, and supervising animation. Finch's book [The Art of Walt Disney] is wrong on that—it depends on who you interview. Everyone has his own little thing, and I think that the tendency among all these guys is to make themselves as important as they possibly can. I think Frank Thomas and Freddy Moore and I don't know who else were involved in experimenting around with Pinocchio. Maybe Ollie Johnston, but Johnston was kind of coming up then. So was I, really. I was quite critical of ... I have a knack for alienating people by being a little bit outspoken, and they were rather obsessed with the idea of this boy being a wooden puppet. My God, they even had this midget who did the voice for "call for Phillip Morris" as the voice for a while, and it was terrible. I was rather outspoken about it. Why didn't they forget that he was a puppet and get a cute little boy, you can always draw the wooden joints and make him a wooden puppet afterwards. And Ham Luske said, "Well, why don't you do something about it, do a scene," and I did one. What I don't remember is whether they had a new voice by then or not. Probably they did have; I don't know. I did a scene of Jiminy Cricket underwater, knocking on a shell of an oyster, saying, "Uh, pardon me, pearl. Are you acquainted with Monstro the Whale?" The shell closed up and caused a swell in the current, which affected Jiminy. I made kind of a cute little boy out of him, and Walt loved it; this was actually my big chance. It was my move into being one of the top animators."

"Quiet! Hey! What's going on here?"

"Now you listen to me, Pinoke!! I'm your conscience!"

"Hang on, father!"

"Jiminy! Jiminy, HELP!!"

"Gee, Lampwick."