Agnostics

"Transgender women are women, any statement to the contrary erases the identity and dignity of transgender people and goes against all advice given by professional health care associations who have far more expertise on this subject matter than either Jo or I."

"There have been people who have tried to exploit me. You get chancers out there who just want to make a quick buck, but as long as you tune into them and who they are … The best thing I've learned is, if you're going out, never go out alone - you leave yourself vulnerable. If you've got someone else there you trust, they can say, be wary of that person. I probably used to be too trusting of people."

"I'm very proud of being Jewish. It means I have a good work ethic, and you get Jewish humour and you're allowed to tell Jewish jokes."

"I was like every other teenager in that sense... I think I started very early— before my teens. But not when I was on set."

"I'm really happy when I meet a beautiful girl with whom I can have a good conversation. And I can feel attracted to her after a while, but that's not love! It takes time to develop an intense feeling like love. When you start a relationship with someone, it means you have to work hard. Love is a gift that needs to be looked after and cared for."

"I'm thrilled of the acceptance I get abroad. The people are so hearty, warm and grateful and I feel privileged having seen so many countries and some of the greatest monuments"

"I once had a friend call me (Harry) by accident. If there's another person in the room called Harry and somebody shouts their name I do respond slightly, which is embarrassing. But no one has ever said it in the throws of passion. That would be the end of that session. Go now!"

"I'm the only kid in the world who doesn't want an eighth Harry Potter book."

"...I suppose that the image people have of me is one that's quite talkative, because in interviews and that you can sometimes get nervous, and the thing when you meet people... I tend to be quite chatty just because that's just something I do. But in terms of Maps' character, I'm like him in that I'm perfectly happy in my own company. And I'm probably happiest when I'm being quiet."

"In a way, … growing up like this with Harry makes it easier to act in each of the films, because I've been through all the stuff that he's going through, like the hormones, relatively recently. So it's quite fresh in my mind. And then I suppose it's been made easier by the fact I've been playing Harry Potter since I was 12. You get to know the character so well that it makes it easier to act in the long run."

"I support Fulham because I live two minutes away from the ground, but I'm not a massive football fan. Cricket is the game I'm obsessed with, to be honest, and also despair of."

"Some people think I’m gay when I meet them, which I think is awesome. It’s always good to keep them guessing. I don’t go on any blogs or chats or anything, but my friends are demons for them, and apparently someone said: ‘Daniel Radcliffe is gay. He’s got a gay face!’ I really don’t know what a gay face is!"

"The high forehead, precipitously overhanging the deep-set eyes, the great curving hawk-nose, the thin, finely-cut lips, the rather short chin, the enormous shock of light-brown hair against the fantastic wealth of which the barber could do nothing–whoever had seen this head would never forget it."

"(upon seeing the movie) I'm a bit nervous about whether people will like it, but I've seen it, and I'm sure they will. It's really good - it's quite scary, it's quite emotional. Even I cried and I don't cry easily! I cried at the end credits when my name came up, and I was, like, Oh my God! I can't believe that's my name! I've met so many people since we started filming and it's been wonderful. I've progressed so far and changed so much since the beginning. It's been like a real journey."

"I would hate to be accused of having got through life just by luck - I think you do create your own destiny. My mum and Dad believe in fate. I see coincidences but not a predestined pattern. If it's just about fate, then you become complacent and expect things to come your way. I like being challenged. Even when you're doing really intense, dramatic scenes that take so much out of you it's still really fun and energizing. Acting makes you feel so alive."

"One of my neighbours rises from his seat and bending towards the orchestra shouts in a voice of thunder: "You don't want two flutes there, you brutes! You want two piccolos, do you hear? Oh, the brutes!" Having said that, he simply sits down again, scowling indignantly. Amidst the general tumult produced by this outburst, I turn around and see a young man trembling with passion, his hands clenched, his eyes flashing, and a head of hair - such a head of hair. It looked like an enormous umbrella of hair, projecting something like a moveable awning over a beak of a bird of prey."

"Fans are really important for me. And if they take pains to write me, it's the minimum that I answer myself."

"It's good to be back filming. I just put on my glasses and then I became Harry again."

"When I get into trouble at school I'd like to take an invisibility cloak, drape it over me and sneak out the door. Or I'd like to have a 3-headed-dog because then no one would argue with me."

"Shakespeare, en tombant ainsi sur moi à l'improviste, me foudroya. Son éclair, en m'ouvrant le ciel de l'art avec un fracas sublime, m'en illumina les plus lointaines profondeurs. Je reconnus la vraie grandeur, la vraie beauté, la vraie vérité dramatiques."

"In the bathtub. My dad came in and said, "Guess who they want to play Harry Potter?" I think I said the name of another actor, because I was sure it wasn't me. Then he said, "No, it's you," and I started to cry with joy. That night, I woke up at 2 in the morning and woke up mom and dad and asked, "Am I dreaming? Will I really play Harry Potter?""

"Vous me priez de vous dire…S'il est vrai que l'acte de foi de tout ce qui prétend aimer l'art élevé et sérieux soit celui-ci : "Il n'y a pas d'autre Dieu que Bach, et Mendelssohn est son prophète"?"

"Je ne puis m'empêcher de rendre grâces au hasard qui m'a mis dans la nécessité de parvenir à composer silencieusement et librement, en me garantissant ainsi de la tyrannie des habitudes des doigts, si dangereuses pour la pensée."

"The one piece of advice I would give to any actor is, if you want to go out on the street without being recognised, without even being looked at, go out with a 6ft 8in beautiful transsexual. No one gives you a second glance. Especially when you're 5ft 5in."

"Everyone on the set has a mobile phone, and I found by pushing a few buttons, they could be programmed into different languages. I fixed Robbie's (Coltrane) to speak in Turkish."

"Pauvres diables!... D'où sortent ces malheureux êtres ?... À quel Montfaucon vont-ils mourir ?... Que leur octroie la munificence municipale pour nettoyer (ou salir) ainsi le pavé de Paris ?... À quel âge les envoie-t-on à l'équarrissage ?... Que fait-on de leurs os ? (leur peau n'est bonne à rien.)"

"In the period between the death of Beethoven and about 1860, the symphony without a programme might have been considered moribund, and the present (and thus the future) could have been perceived to belong to music that was explicitly poetic. Although numerous composers contributed to this trend, Berlioz has left perhaps the largest footprints in this particular geological stratum. Berlioz was perceived by the poet and critic Gautier as one of a trinity of French Romanticism, with Victor Hugo and Eugene Delacroix, but this is more an indication of his perceived stature as a major outsider than to any artistic affinity."

"Me and Harry (Potter) are not very good with women. I've got better now. But I think any man whoever says he has never had an awkward moment with a girl is a liar. He's either a liar or he's delusional."

"Cette face de l’instrumentation est exactement, en musique, ce que le coloris est en peinture."

"Le temps est un grand maître, dit-on; le malheur est qu'il soit un maître inhumain qui tue ses élèves."

"Ron's funnier than Robin Williams. The hard thing is not to laugh when the camera is rolling."

"C'est la vraie voix féminine de l'orchestre, voix passionnée et chaste en même temps, déchirante et douce, qui pleure et crie et se lamente, ou chante et prie et rêve, ou éclate en accents joyeux, comme nulle autre pourrait le faire."

"L'auteur de ce Prophète a non seulement le bonheur d'avoir du talent, mais aussi le talent d'avoir du bonheur."

"Un chanteur ou une cantatrice capable de chanter seize mesures seulement de bonne musique avec une voix naturelle, bien posée, sympathique, et de les chanter sans efforts, sans écarteler la phrase, sans exagérer jusqu'à la charge les accents, sans platitude, sans afféterie, sans mièvreries, sans fautes de français, sans liaisons dangereuses, sans hiatus, sans insolentes modifications du texte, sans transposition, sans hoquets, sans aboiements, sans chevrotements, sans intonations fausses, sans faire boiter le rhythme, sans ridicules ornements, sans nauséabondes appogiatures, de manière enfin que la période écrite par le compositeur devienne compréhensible, et reste tout simplement ce qu'il l'a faite, est un oiseau rare, très-rare, excessivement rare."

"Hence then—at all events in this country—scientific men were startled when Arago... published in 1838 the eloge of Watt, which he had read as far back as Dec., 1834, in which he charged Cavendish with deceit and plagiarism, inasmuch as he was said to have learned the composition of water, not by experiments of his own, but by obtaining sight of a letter from Watt to Priestley. The battle now fairly began..."

"As Lavoisier was from the first accused by the English chemists of having acted unfairly toward them, and as indeed his own claim only dates back to June 25, 1783, he may be dismissed from further consideration; and during the lives of the English claimants there were no public complaints on either side, although Watt, in private letters to his friends, hinted at Cavendish's incapacity and unfairness."

"At the time Cavendish made his study of compounds, chemists still had not been able to "determine what it /arsenic/ really is, or to what class of bodies it belongs." ...[A]rsenic behaves as a in some states, and like a salt in other states. ...[L]ike every metallic , arsenic [could be] changed into a metallic form... "regulus of arsenic"... [by combining] with "phlogiston." ...[L]ike salts, arsenic is soluble in water. ...[N]either ic nor ne, yet Macquer claimed, behaving as if it were an acid. ...In other ways ...arsenic differs from other... calces: it is volatile with a strong smell, it is fusible, it unites with metals and s—the difference that Macquer and Cavendish picked up on—it decomposes nitre when distilled with it. From the standpoint of affinities... arsenic is exceptional too."

"Cavendish's experiments consisted in exploding, in various proportions, mixtures of and atmospheric air, and of hydrogen and oxygen, and finding as the result a liquid which proved to be pure water. (Priestley and his friend, Mr. [John] Warltire, had made similar experiments, and had noticed the deposition of moisture that followed the explosion, but failed to recognize it anything but the condensation of aqueous vapors in the gases.)"

"[T]his delay between the discovery and the date of publication caused his claims to one of the most marvelous discoveries the world ever saw, to be contested by... James Watt and Lavoisier."

"The general conclusion to which Cavendish came was, in his own words, "that water consists of dephlogisticated air united with phlogiston," and as dephlogisticated air was his term for oxygen, and phlogiston his term for , this statement corresponds to the modern view of the nature of water introduced by Lavoisier."

"Neutral salts, Cavendish's starting point... were... composed of s and other substances, mostly s, that were without acidity. Not long before, all of the known neutral salts could be listed in a table of twelve... the possible combinations of the four known acidic salts and the three known alkaline salts. Just as Cavendish began to work... the tidy, managable table... was fast expanding. The empirical field of salts was recognized as highly undeveloped..."

"[A] prolonged and acrimonious controversy... was for many years carried on and is... hardly... settled regarding the respective claims of different philosophers to be the true discoverer of the nature and composition of water."

"He could not sing for them a sweet song, or create a "thing of beauty" which should be "a joy for ever," or touch their hearts, or fire their spirits, or deepen their reverence or their fervour. He was not a Poet, a Priest, or a Prophet, but only a cold, clear, Intelligence, raying down pure white light, which brightened everything on which it fell, but warmed nothing—a Star of at least the second, if not of the first magnitude, in the Intellectual Firmament."

"In the year 1781, Cavendish made a long and careful series of experiments... not published till Jan., 1784, when his celebrated... Experiments on Air was read to the royal society."

"He was like a deaf mute sitting apart from a circle, whose looks and gestures show that they are uttering and listening to music and eloquence, in producing or welcoming which he can be no sharer. Wisely, therefore, he dwelt apart, and bidding the world farewell, took the self imposed vows of a Scientific Anchorite, and, like the Monks of old, shut himself up within his cell. It was a kingdom sufficient for him, and from its narrow window he saw as much of the Universe as he cared to see. It had a throne also, and from it he dispensed royal gifts to his brethren."

"Cavendish did not stand aloof from other men in a proud or supercilious spirit, refusing to count them his fellows. He felt himself separated from them by a great gulf, which neither they nor he could bridge over, and across which it was vain to stretch hands or exchange greetings. A sense of isolation from his brethren, made him shrink from their society and avoid their presence, but he did so as one conscious of an infirmity, not boasting of an excellence."

"He was one of the unthanked benefactors of his race, who was patiently teaching and serving mankind, whilst they were shrinking from his coldness, or mocking his peculiarities."

"In the interval (June, 1783) his friend, Dr. Blagden, visited Paris, and on the authority of Cavendish, gave an account of the experiments proving the composition of water to Lavoisier..."

"Cavendish procured Macquer's neutral salt using Macquer's method of distilling with nitre, producing copious red fumes... leaving... a cake of neutral arsenical salt. He then tried... dissolving arsenic in spirit of nitre, then adding pearl ashes... to obtain neutral arsenical salt. ...[His] discovery: what combined with the alkali ...was ...a new acid, "arsenical acid" ...[T]his new acid had "all the properties of an acid... unless perhaps it should fail in respect of taste which I have thought not proper to try." This research was the high point of Cavendish's researches on ."

"All that needed for its apprehension, more than the pure intellect, or required the exercise of fancy, imagination, affection, or faith, was distasteful to Cavendish. An intellectual head thinking, a pair of wonderfully acute eyes observing, and a pair of very skilful hands experimenting or recording, are all that I realise in reading his memorials."