Actors From Ireland

"What dya mean theres no fackin chips, I come ere on a plane, you cunt! I've got children ere, what am I spose to do with this fackin tomato fiasco."

"The weak, sensual, pleasure-loving French. You know, not going to war because they’re all still in bed at two in the afternoon, with the sheets coiled about their knees, lying, there scratching themselves, smoking a Gauloise inside a Gitane, sweating Nice sancerre. Before one of them sloughs off the sheets to pad around the kitchen naked. No, not naked, naked from the waist down. To emphasise their nakedity. Picking up yesterday's croissant crumbs with their sweaty feet. Slashing yesterday's paintings."

"Chocolate bread! That's how they start the day. It's only going to escalate from there. By lunchtime you're fucking everybody you know. I was in Paris recently—they are very good at pleasure. I was walking by a bakery—a boulangerie, which is fun to go into and to say, even—and I went in, a childish desire to get a cake—"Give me one of those chocolate guys," I said—and I was talking to someone on the street, took a bite... I had to tell them to go away! This thing! I wanted to book a room with it! "Where are you from, what kind of music are you into? Come on!" Proper, serious pleasure. Because they know they're gonna die. Nobody goes to church. You think, we're gonna die, make a fucking nice cake."

"Well, you know what they say about John, anyway?"

"People who get implants, it's so depressing, you know… People— I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here... Well if you really want more attention, why not get them in your eyes? And then move you eyes down to where you nipples used to be, put you breasts up on your head, EVERYBODY will pay attention!"

"There's a guy, John Humphries, who does a lot of the interviews, and he sounds like he's been up since about midnight jogging on the spot to accuse people you've never heard of of lying. It's very aggressive right from the off. You turn it on and he goes: "DON'T LIE TO ME!! DON'T LIE TO ME! I'VE BEEN DOING THIS FOR 45 YEARS, WHAT DO YOU THINK I AM, A FUCKIN TURNIP?!" [...] "WHERE ARE THE BOMBS? WHERE ARE THEY?!?!....Get up so I can kick you again, you lying fuck!""

"That's why the have the programmes presented by 45 guys; "Hi I'm Ted, I'm Bob, I'm Ralph, I'm Dick, I'm Dale, I'm Nick, I'm Will", and they keep changing all the angles of the camera. "I'm over here, I'm at this desk, I'm standing here" and Wendy comes up from under the desk with the financial weather."

"Death before dishonour." I always used to wonder, Hey, exactly how much dishonour are we talking about here? 'Cause I could handle quite a lot. I would, for instance, fellate a Smurf before I picked death. I'd cook him a little Smurf omelette as I was doing it, you know, I'd be perfectly happy doing that. Seasoning it with thyme, you know, listening to his happy satisfied Smurf lip smacks. But every man thinks about Smurfs. They don't say it, but they do. That's why I'm here—to be honest. Just once, you know, what would it be like? Nobody needs to know, you go away for the weekend. Just once, to have the blue salty bulb lolling on your tongue... if I don't say it, nobody else will."

"And then I did a very male sort of reckoning, I did the calculation, I thought, ‘right. there’s three of you and there’s one of me’—I’m rubbish at maths, by the way—but, in record time, I worked out that it would take, at least, three of me to defend myself against a third of one of them even if he only attacked me with his ass. I’m not a fighter, you know, I’m a bleeder. The best I can hope for would be to drown somebody else with my own blood... if I don’t drown myself before."

"And they say that after people make love there's a kind of melancholia that descends; la petite mort, you know, the little death. Well, I'm here to tell you, after a romantic night in with yourself, there's a very acute sensation of failed suicide. And I think a lot of that, if you're men is because of the quality of the gear you've got to work with. I mean it's horrible looking. Like a deep sea fish that ate its own arse after about an hour. What's going on down there?! Do something nice, like a kittens head... or something and you could just tickle its chin until it got sick... it would be alright..."

"You're looking for a lump in a bag of lumps, that can take some time"

"Bagpipes covered in hair"

"This stage, if it hasn't already, probably will see a production of the Vagina Monologues. Which I cannot wait to see, because it sounds so fabulously fucking stupid. Everybody knows that if female genitalia could speak, it would sound exactly like Enya."

"You’re never going to go. Why would you go? It’s a disgusting place. It’s always wet even when it’s dry. There’s nothing there. Farmers aren’t really people, you know this. They’re just necessary, we need somebody to kill cows."

"You're supposed to eat the cows. They're great big lumbering stupid things - they'd be everywhere if we didn't eat them."

"NEVER try the local thing. You know why it's local? Because it's shit, that's why it's local. You eat it, you'll become one of them, you'll turn red and start spouting bigotry and eating tweed with lamb fat dribbling down your chin, don't go near any of that stuff."

"Then you get these articles about how unhealthy life is in the city. You know; mobile phone tumours - far more likely in the city; Well you know what, so is everything else! Including sex, coffee and conversation."

"They have sheets of ham so large that if you bite out the middle, you've saved yourself the price of a poncho."

"America is like the really bad flatmate of the world: 'Oh sorry, did I break all your shit? I d'n't know it was yours. Yeah, I'll replace it sometime... with my stuff.'."

"You had an empire once, Britain. Had a great empire! Impressively commandeered and sequestered from the rest of the world, with great style. You just marched in and said 'You, you and you—fuck off, we're having tiffin.'."

"You learn very very quickly that it is mostly about swearing, actually. That's all you're doing, swearing, in a box with wheels."

"I got bored of the tedious conversations, talking to the dealer in a stairwell where you're not supposed to be, then going back to a depressing room and spending nine hours locked up going "eeerh", then going back to get more with what little money you have left."

"I usually never leave the house, but we went to Australia recently—the whole family was there—it was a ridiculous place. Located three quarters of a mile from the surface of the sun, people audibly crackling as they walk past you on the street. That's why they all barbecue, you don't need to cook somewhere like that, you just bring the shit out, fling it on a grill and it bursts into flames. It's not supposed to be inhabited, and when they're not doing that, frying themselves outside, they all fling themselves into the sea, which is inhabited almost exclusively by things designed to kill you; sharks, jellyfish, swimming knives, they're all in there."

"You're talking to a modern, nice, affable German person and they're saying to you something like 'You know, vell, it's a critical time now for Germany within Europe, also globally, economically ve are pretty good, ve have been better. But ve are very vibrant in the theater and arts...' and all the time you'll be listening to this, you're thinking Mmm, yeah, mmm... Hitler, Hitler, Hitler, Hitler, Hitler..."

"German food is so bad, even Hitler was a vegetarian. "Would you like some more shtrudleghraf on your shamlw?" How appetising does that sound?"

"It sounds like typewriters eating tin foil being kicked down the stairs."

"Because that's still how Irish people are seen, as twinkly-eyed fuckers with a pig under their arm, high-stepping it around the world, going 'I'll paint your house now, but watch out, I might steal the ladder later, ohohoho!' Which is only half true!"

"Somewhere like Ireland, it's more hot-blooded, there's drama included in the fabric of every day, it's there every moment. People wake up going OH GOD! WHAT TIME IS IT?' 'It's six minutes to nine.' 'IS IT? I THOUGHT IT WAS ONLY SEVEN MINUTES TO, WE'RE ALL FUCKED! WHAT'S THE WEATHER LIKE?—DON'T TELL ME, I CAN'T BEAR TO HEAR, I'LL LOOK FOR MYSELF. AAAH! IT'S FIERCE MILD! WHAT ARE WE HAVING FOR BREAKFAST? ARE YOU GONNA DO THAT THING AGAIN WITH THE BREAD WHERE YOU PUT IT IN THE BOX AND BURN IT? WHOSE TROUSERS ARE THESE? COME ON, WE'LL BOTH TRY THEM AT ONCE AND SEE WHO WINS.' It's just more emotional at all times. For no real reason."

"If somebody blocks you when you're walking, you're positively Edwardian in your manners. You do this sheepish little smile together, and you step aside. And you both do it at the same time, and you go "for goodness sake, what a to-do! Oh-ho-ho, dear me! I'll just eh, I'll just—oh, we did it again, can you believe it, I can't believe it! We should be on the stage! One more time, I'll just—oh, how did we ever get this far as a species!" But, for some reason, in a car, that becomes "YOU SPUNK BUCKET!".... from, you know, an eighty nine year-old church warden."

"Would you like red or white wine with your piece of vulcanised lizards cock from the moon? How about an extra bread roll, there to dip in your otter vomit pate?" And you're going, "Red or white wine, well, what would you like, darling? I don't know, what would you like?", all to block out the thought that's in your mind which is - "We're gonna die, we're all gonna die, we're all gonna die, right now. The plane is made of metal, the wings are made of metal, we're all eating, and I'm the only non-terrorist aboard, we're all going to die."

"Arnold Schwarzenegger is the governor of California. There's a perfectly ordinary English sentence. How did that happen!? Do you know how that happened? 'Cause I'll tell you. Do you know how he got into that position? He got there... by lifting things. Now, you and me, we avoid lifting things; It's unpleasant. Especially heavy things. Even a five-year-old child knows this. He'll go "No, ha ha, fuck it, no, I'll go and stick Lego up my arse, I'm not doing that, no no." He took a different approach. He lifted the heavy- and you know, you lift something if you have to. Piano falls on granny, you lift the piano… 'cause Granny has mixed feelings about the whole situation. Sunday lunch continues. He didn't do any of that. He went over to the heavy thing, and lifted it, and put it back down and didn't move it anywhere... and then he did it again, hundreds of times, and he said to people who stopped to observe this aberrant behaviour, "Look how good I am... at lifting the heavy thing, in my underpants." Now that may seem a little dim. But it was they who said "You're the man. You're the one we want to deal with immigration, and water rates, and taxes, and all that kinda shit." But wait—what we need to know is, how bad was his predecessor at that job? This must've been someone who came to work covered in children's blood every morning."

"How small does your cock have to be, to make you walk into a car showroom and say: "Listen, I need something the size of a school, so people know I'm around.""

"Most heterosexual people in this country, and around the world, meet each other, and get together with one another when they’re totally, totally drunk. Smashed out of their minds they could not spell their own face. And they go home with that person! And you might spend months with that person, or a year, or you might have a family! This is what happens, this is how you meet. But you wouldn’t buy a toaster when you’re drunk, ‘cause that’s too important. It's got to be crispy in just the right way, hasn't it?"

"You hear people in restaurants competing with each other "I love you". "No, I love you". "Yeah, but I REALLY love you. I love pencils that you have sucked and thrown away ten years ago. I love your eyebrows and your ancestry and EVERYTHING ABOUT YOU! Just eat your food and let me love you, don't speak!" But what they don’t know, of course, at the time is that that dialogue is actually from a really bad science fiction film written by nature - really, what they're saying to one another is: "The race must continue, the race must continue! My vadudium is pointing at your phenungulator, the race must continue!""

"The candlelight dances off her mahogany-coloured skin as she un-robes, and she is smiling from the very middle of herself, and you look at them and you think "This is the one, this is it" and then—and then the cage comes down!"

"You’d be alone in the kitchen and twilight would be dwindling, and you could hear the far off cries of the other children playing nearby. You’d be alone in the kitchen because it was your special treat time, where the jelly would come out just for you, and your mother would appear at your side just as a vision of Laura Ashley print dress, smelling of magnolias and biscuits and put the jelly in front of you, and you would pull your chair in. Then the old fashioned bar of ice cream would come down, the one that had to be cut with a breadknife before the two sides were flanked with wafers. You would lift your little spoon up excitedly and winkle out that first divet of black jelly... AND THEN THE CAGE COMES DOWN! The cage with the Japanese fighting spiders inside, your mother strikes a match off her forearm and tells you to dance in the front room for money... You, you never forget that shit, I mean it never goes away."

"Men look at breasts the way women look at babies. 'Aw, isn't that lovely.'."

"Your nose hair... which is grey... is in my eye."

"The meaning of the word "gay" has changed. It used to mean all colourful and happy and homosexual, but now it's a word children use to describe something that's a little bit meh. "You're eating Weetabix? Oh, that's so gay.""

"When you say 'Bedtime, bedtime, bedtime!' that's not what the child hears. What the child hears is 'Lie down in the dark... for hours... and don't move... I'm locking the door now.'."

"Because their bones are growing, they can only sleep in certain positions, obviously. The crucifix and the swastika tend to be the most popular. Sometimes a combination of the two."

"Children are actually very sophisticated. They sleep in your bed for a reason. The child is born, it takes a look around, and thinks "Well this isn't quite what I'd hoped for. All these people are idiots... I wouldn't've have painted the house like this at all... But I've got to make the best of it. I've got to maximize my resources. So the key thing is to stop these people from having any more children.""

"Now, I meant to talk about something else earlier on, and I've forgotten what it was. I've remembered what it is again, but I've also forgotten. And that's really what adult life is like most of the time."

"That’s why adults are confused a lot of the time. Adults are terribly confused, messed up people. That’s because they forget, really, that they don’t have to pretend all the time. Really, the fact is that you’re not an adult at all - you’re just a tall child holding a beer, having conversations you don’t understand… "The Middle East? Yeah, I know it was really bad. I wouldn’t have done that. A hysterectomy? Yeah, very painful, the shoulder is a very painful area.""

"Children aren't like that, which is why they look so young, 'cause they always have a sense of style and purpose. When they're walking around, they have a very definite purpose, they're walking. And it's a great walk as well, it's not an adult's sort of bemused shuffle, it's that 'I'm going over here.' And you say 'Why are you going over there?' 'Because I have a harmonica.' 'What are you doing with the harmonica?' 'I'm going to put it in the toilet.' 'Why are you doing tha—' 'Enough questions, goodbye!'"

"Well I’m here, you know? Your house is a medley of disgusting smells, there’s nothing to eat, everybody’s wearing bathrobes, there’s no bar, I can’t fuck anybody. Why am I here?"

""What do women want?" As though it's really mysterious. As though it's a big deal. All that women want is what anybody wants. You know, friendship and companionship and respect and a certain amount of leadership with submission and a kind of cooperation at all times and pre-emptive empathy and you know, general telepathy. It's no big deal, is it? [...] Traditionally, women have been attracted to uniforms. So it's not difficult to know what women want. Fascists - that's really what they're all after!"

"Cool, calm, and unemotional. Protestant, for short. It's a fantastic religion, it makes absolutely no demands upon you at all, which is why it's not a great religion. All great religions are built on shame. You don't have any of that if you're Protestant. You go to the church, sing a few hymns, have a cup of tea, everybody goes home and has a wank."

"I am actually walking towards the biscuit, I didn't realise I was, but now I do, oh oh oh I am actually eating the biscuit...oh no, oh the shame, oh I don't know what's better, THE BISCUIT OR THE SHAME..oh oh the shame."

"And yet, people still turn to Jesus. You will notice though that the kind of people who turn to Jesus tend to be the sort of people who haven't done that well with everybody else."