Academy Award Winners

"“Don’t worry about unkind people. That could be a good motto because you come across people like that throughout your life.”"

"May he win such an award every year. He is a genius. Rahman's music is a blend of a little South Indian music and what we commonly call Hindi film music."

"Rahman is a genius and has made the world sit up and take notice of Indian talent with his success. He has put the Indian film industry on the world map.""

"He works less but he has given Indian music a completely different sound which has worked."

"We didn’t know what kind of music we’d make, we didn’t know if it would be any good, but we hoped we’d have fun. He brings so much musical knowledge, amazing musicianship, melody and singing power from a different culture."

"He's not imitative, he spaces himself out unlike other directors who sign up whatever they can get and are looking at quantity rather than quality. As a result, in 60 per cent to 70 per cent of the cases he delivers."

"As A R Rahman and Resul Pookutty scripted history by picking up three Oscars for "Slumdog Millionaire."

"I've always told him, a composer is someone who composes soulful music. There are some of A.R.'s songs that have made me very emotional and I have cried. It is something that he creates from within."

"What a film and what a team to work with. The spirit of the film is reflected in its team. [Rahman] with "changing the entire face of Indian film music."

"The Oscar is definitely the biggest moment in my life. I know he has won so many awards. But this one is special because he is representing India."

"The billboard outside the Broadway Theatre reads, A R RAHMAN'S BOMBAY DREAMS. That name may mean little to musical-theater devotees, but in the rest of the world it's golden. Like Gershwin or Lennon-McCartney, the name stands for melody, quality, energy, instant hummability — a sound both personal and universal, devouring many older forms and transforming them into something gorgeously new."

"In India, a country of a billion inhabitants, where film and pop music are one, A.R. Rahman, 43, dominates the music industry so totally that he has supplied the sound track for a whole generation. He enjoys the godlike devotion of India's youth, but everyone from the street child who sweeps train platforms to the middle-aged doctor in Mumbai's posh Malabar Hill hums his tune."

"Rahman, the world's most prolific and popular composer, lent his irrepressible melodic gift to Danny Boyle's Slumdog Millionaire, set in Rahman's native land, and nearly tops himself here with music that is tense, oppressive and finally exalting."

"Now the "Mozart of Madras" has the world's foot tapping along with him."

"Jazz was my passion for a little while. I felt that all other kinds of music were stupid when I was into jazz. But I got over the addiction very soon"

"The ultimate enjoyment for a composer is when his compositions get recognised and appreciated. For me, a small village in Kanyakumari is as important as New York or France."

"[Rahman sees music] as a way to connect to spirituality and embrace it [and for] creating harmony in troubled times."

"Yes, 6 songs... Thiruda Thiruda: Great. I felt honoured since it was the last song Ustad Nusrat Fateh Ali Khan did before his death. We miss him a lot, it was an emotional bond in the 50th year to bring a synergy between India and Pakistan."

"In my case, dust has become gold: Today, I work with people I grew up admiring. But, internally, I am the same person I always was. Ever since I embraced Sufism, I have learnt to separate myself from my desires and my success. Now, I can distance myself from all the adulation showered on me."

"What one thinks is possible might not always be so. I try to do my best but, finally, everything lies in God's hands. I consider my skills as a musician to be a blessing from God. Even today, before I perform, I am unsure of whether I will be able to move my audience. I leave everything to Him... He pulls the strings in my life."

"It needs a lot of courage to pick up someone from another country and support him. When I first heard from Andrew Lloyd Webber in 1999, he praised my work. But I must say that choosing me over others to compose for Bombay Dreams was a brave decision."

"The way I work takes more time for me to get satisfaction. So it's better to take lesser load and do better work. Money can be earned anytime."

"The trend in the north is more Punjabi folk and simple music. But, in the past, people like Naushad experimented with Hindustani classical music which I think has been completely forgotten. People don't experiment anymore and think that Hindustani classical music won't work. For me, coming from the south, it was just a little step to learn Punjabi music. The nuances are louder in Punjabi music. Songs like Mukkala muqqabla or Humma humma had more of the Tamil folk music in it."

"Commended, multi-talented and innovative Rahman for bringing East and West closer through music and for making the world look at Indian film music more seriously. Diversity of his styles and themes was appealing to different sections of the society."

"I wanted to produce film songs that go beyond language or culture."

"It's an approximate count. If you have a hit film, you'll sell 5 million or 6 million CDs. Of my movies, at least 20 or 25 were really big hits. [Mind you, he adds], in India, we don't get royalties. Otherwise I'd be a very rich man. I wouldn't have to come to America!"

"The first day I was in a daze thinking, ‘What am I doing? What’s my role?’ and then slowly we started writing with each other, and it was great. It took me way back to my high school days when I was playing in a rock band."

"Musical theater had become very predictable. I think Andrew felt that Bollywood musicals could be a new treat for the Western audience."

"Bombay, which sold about 120,000 copies, is widely rated as my most successful work, though Roja is definitely the score that brought me where I am today."

"An ideal world can definitely be created with a pure mind and optimistic results."

"My mother's belief in spiritual healers grew stronger after our family went through a rough patch following my father's death. Sufi saint Karimullah Shah Kadri changed our lives and all of us converted to Sufism. But it wasn't an instantaneous decision — it took us 10 years to convert. The change in religion was like washing away the past."

"I'm always fascinated by the innocence of children and the baggage that we carry as adults which manipulates our decisions."

"The reason I love 'Slumdog' is because the music is all world cultures, all celebrating. In India, I know people feel other film scores [of mine] are closer to their hearts. But when you are doing a film, it's very important to make the film look like one full piece of artwork. I think scoring 'Slumdog' with every kind of music possible, from Chinese to hip-hop to M.I.A. . . . was really fresh ground for me."

"I think musicians here [India] get ripped off. Music production houses take good care of artists abroad and though the upfront signing amount is much less than what I get here, the royalty takes care of future returns."

"I never exert pressure on my children: I encourage the children, Katija and Rahima, to pursue their dreams. Rahima is embarrassed by autograph-seekers and doesn't want me to visit her school. In fact, I have never attended a single PTA meeting or gone to pick up the report cards of my children."

"Ever since I embraced Sufism, I have learnt to separate myself from my desires and my success. Now, I can distance myself from all the adulation showered on me."

"I had been doing the same kind of stuff for 15-16 years and was desperately seeking a change. But there was no opportunity to reinterpret Indian music. With Roja, we wanted to strike a new note. Mani's amazing visuals, Mutthu's romantic lyrics, relatively unknown singers... we wanted to impart to Roja an international flavour — and we succeeded."

"Because we got a chance right now to reach for and to grasp a higher ground above our political affiliations, a chance to make a choice that does more than protect your party, a chance to make a choice that protects our country now and for the next generation. We got to take a sober, humble, and honest look in the mirror and re- — rebrand ourselves based on what we truly value. What we truly value. We got to get some real courage and honor our immortal obligations instead of our party affiliations. Enough with the counterpunching. Enough of the invalidation of the other side. Let’s come to the common table that represents the American people. Find a … middle ground, the place where most of us Americans live anyway, especially on this issue. Because I promise you, America — you and me, who — we are not as divided as we’re being told we are. No."

"Let’s be knowledgeable and wise, and act on what we truly believe. Again, we got to look in the mirror, lead with humility, and acknowledge the values that are inherent to but also above politics. We’ve got to make choices, make stands, embrace new ideas, and preserve the traditions that can create true — true progress for the next generation. With real leadership, let’s start giving us — all of us, with real leadership — let’s start giving all of us good reason to believe that the American Dream is not an illusion."

"We need to restore our family values. We need to restore our American values. And we need responsible gun ownership — responsible gun ownership. We need background checks. We need to raise the minimum age to purchase an AR-15 rifle to 21. We need a waiting period for those rifles. We need red-flag laws and consequences for those who abuse them. These are reasonable, practical, tactical regulations to our nation, states, communities, schools, and homes. Responsible gun owners are fed up with the Second Amendment being abused and hijacked by some deranged individuals. These regulations are not a step back; they’re a step forward for a civil society and — and the Second Amendment. Look, is this a cure-all? Hell no. But people are hurting — families are, parents are. And look, as — as divided as our country is, this gun responsibility issue is one that we agree on more than we don’t. It really is. But this should be a nonpartisan issue. This should not be a partisan issue. There is not a Democratic or Republican value in one single act of these shooters. It’s not. But people in power have failed to act. So we’re asking you and I’m asking you, will you please ask yourselves: Can both sides rise above? Can both sides see beyond the political problem at hand and admit that we have a life preservation problem on our hands?"

"We saw ministries. We saw first responders, counselors, cooks, families trying to grieve without it being on the frontpage news. We met with the local funeral director and countless morticians who — who hadn’t slept since the massacre the day before because they’d been working 24/7 trying to handle so many bodies at once — so many little, innocent bodies who had their entire lives still yet to live. And that is there that we met two of the grieving parents, Ryan and Jessica Ramirez. Their 10-year-old daughter, Alithia — she was one of the 19 children that were killed the day before."

"Now, Alithia — her dream was to go to art school in Paris and one day share her art with the world. Ryan and Jessica were eager to share Alithia’s art with us, and said if we could share it, then somehow maybe that would make Alithia smile in heaven. They told us that showing someone else Alithia’s art would in some way keep her alive. Now, this particular drawing is a — is a self-portrait of Alithia drawing, with her friend in heaven looking down on her drawing the very same picture. Her mother said, of this drawing — she said, "You know, we never really talked to her about heaven before, but somehow she knew." Alithia was 10 years old. Her father, Ryan — this man was steady. He was uncommonly together and calm. When a frazzled friend of his came up and said, "How are you so calm? I’d be going crazy," Ryan told him — he said, "No, you wouldn’t. No, you wouldn’t. You’d be strong for your wife and kids, because if they see you go crazy, that will not help them.""

"I've lost 38 pounds. I feel good now. Overall, probably got 35 percent less energy, but there's been plateaus, like getting past 170 was really hard, but then once you get [to] 167 the next seven come off easy. Getting past 160, really hard. But then you fly down to 150. Getting past 150 was really hard and then, bam! Got down to 143 and that's where I want to be. So, once you get past the plateau, your body seems to understand, ‘O.K., this is where we're leaving now, this is where we are’ and so the energy rises."

"As you all are aware there was another mass shooting today, this time in my home town of Uvalde, Texas. Once again, we have tragically proven that we are failing to be responsible for the rights our freedoms grant us. The true call to action now is for every American to take a longer and deeper look in the mirror, and ask ourselves, ‘What is it that we truly value? How do we repair the problem? What small sacrifices can we individually take today, to preserve a healthier and safer nation, state, and neighborhood tomorrow?’ We cannot exhale once again, make excuses, and accept these tragic realities as the status quo. As Americans, Texans, mothers and fathers, it's time we re-evaluate, and renegotiate our wants from our needs. We have to rearrange our values and find a common ground above this devastating American reality that has tragically become our children’s issue. This is an epidemic we can control, and whichever side of the aisle we may stand on, we all know we can do better. We must do better. Action must be taken so that no parent has to experience what the parents in Uvalde and the others before them have endured."

"Yeah. The guy's up against massive challenges, dealing with consequences, and figuring how to get what he wants and what he believes is right. He's living his worst nightmare, and he's doing everything he can. He's a damn good lawyer and he knows the system, but he's having to pull jokers out of his sleeve and win certain things on sheer willpower and gamble and meddle, you know? So that's what dramas allow, more so than a comedy. It's real-life consequences. The blows, the punches really hurt. The bullets really land. The people really bleed. People really cry. People really enjoy victory. People really feel pain and defeat. You can love harder. You can cry harder. You can be more angry, harder. That's what dramas allow."

"My wife and I — my wife and I — Camila — we spent most of last week on the ground with the families in Uvalde, Texas, and we shared stories, tears, and memories. The common thread, independent of the anger and the confusion and sadness, it was the same: How can these families continue to honor these deaths by keeping the dreams of these children and teachers alive? Again, how can the loss of these lives matter? So while we honor and acknowledge the victims, we need to recognize that this time it seems that something is different. There is a sense that perhaps there is a viable path forward. Responsible parties in this debate seem to at least be committed to sitting down and having a real conversation about a new and improved path forward — a path that can bring us closer together and make us safer as a country, a path that can actually get something done this time."

"Camila and I came here to share my stories from my hometown of Uvalde. I came here to take meetings with elected officials on both sides of the aisle. We came here to speak to them, to speak with them, and to urge them to speak with each other — to remind and inspire them that the American people will continue to drive forward the mission of keeping our children safe, because it’s more than our right to do so, it’s our responsibility to do so. I’m here today in the hopes of applying what energy, reason, and passion that I have into trying to turn this moment into a reality. Because as I said, this moment is different. We are in a window of opportunity right now that we have not been in before, a window where it seems like real change — real change can happen."

"Uvalde, Texas, is where I was born. It’s where my mom taught kindergarten less than a mile from Robb Elementary. Uvalde is where I learned to master a Daisy BB gun. I took that — that took two years before I graduated to a 410 shotgun. Uvalde is where I was taught to revere the power and the capability of the tool that we call a gun. Uvalde is where I learned responsible gun ownership. And Uvalde called me on May 24th, when I learned the news of this devastating tragedy. I had been out of cellular range working in the studio all day when I emerged and messages about a mass shooting in the town I was born in began flooding my inbox. In a bit of shock, I drove home, hugged my children a bit tighter and longer than the night before, and then the reality of what had happened that day in the town I was born in set in. So the next morning, Camila, myself, and the kids, we loaded up the truck and drove to Uvalde. And when we arrived a few hours later, I got to tell you, even from the inside of our vehicle, you could feel the shock in the town. You could feel the pain, the denial, the disillusion, anger, blame, sadness, loss of lives, dreams halted."

"To people who've been looked at and considered beautiful, particularly women who relied on it so much... age is quite a challenge. The thing which you've always used, a power, is taken away from you."

"All women are aware of that moment when suddenly the boys don't look at you. It's a fairly common thing, when suddenly you no longer attract that instant male attention because of the way you look. I never really knew how to enjoy beauty, but it took the form of a subconscious arrogance, expecting things, all muddled up with celebrity."