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April 10, 2026
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"[People] think of saints as people who lived an awfully long time ago and whose validity has disappeared. I think of them as people who didn't live such a long time ago, only a few hundred years or so. There must have been something about them that impressed people who were very much like me. What was it? And they must have been much more like somebody living today than we commonly think. What was behind it? What made these people special and what made a lot of other people regard them as special, either hating them or loving them? This is fascinating. It enlarges the whole world, and because it does so, it gives you great hope and sympathy with the future. You find yourself not an isolated miserable little wretch who has got seventy or eighty years to struggle along and then perish like nothing. You are the continuer of a very great tradition which you are going to pass on to the next lot. And you're right in the middle of the great stream of life. You see? Wonderful thing."
"Well, I haven't got wealth or fame, but I really think I might say, and I know how dangerous it is to say this — I think I have happiness. And happiness, you know, so many people when they talk about happiness, seem to think that it is a constant state of near lunacy, that you're always hopping about like a fairy in a cartoon strip, and being noisily and obstreperously happy. I don't think that is it at all. Happiness is a certain degree of calm, a certain degree of having your feet rooted firmly in the ground, of being aware that however miserable things are at the moment that they're probably not going to be so bad after awhile, or possibly they may be going very well now, but you must keep your head because they're not going to be so good later. Happiness is a very deep and dispersed state. It's not a kind of excitement."
"I expect that Hell is very heavily populated with just exactly that sort of person [who feels he's accomplished all his goals early in life] because, you know, somebody who fears that he has exhausted what there is for him to do and what he can do at thirty-five, is a fool. What he means is that he's become the sales manager of International Widgets or some wretched thing. That's not a life, that's not a thing that should occupy a man. People drive themselves terribly hard at these jobs, and they develop a sort of mystique about something which does not admit of a mystique. A thing to have a mystique must necessarily have many aspects, many corridors, many avenues, many things that open up. Well, this is not to be found in the business world, and I've known a lot of first-class businessmen and they all tell you this. People have told me that in their particular business there's nothing to be learned that an intelligent man can't learn in eighteen months. But if you've learned it in eighteen months and if you're exhausted by the time you're thirty-five, it's nobody's fault but your own if you haven't found something else to do."
"I think we should see whether we are wise trying to educate everybody to a high standard the way we are trying to do now. There has to be a high level of education so everybody is literate, but whether university education is necessary for everyone is open to question."
"Such rebellion is too deep and too constant to express itself in picketing, marching, sitting-in or freaking out; it is the serious, unresting protest of serious people. It is 24-hours-a-day rebellion, not intermittent, showy, status-seeking public uproar. It is rebellion as a way of life."
"I think possibly the final sophistication is the recovery of innocence. Where you really get where you take things rather simply. You can't have the innocence of peasants; you are not a peasant; you can't be one of them. But you have to work awfully hard to recover that with a few additional hot licks, by getting smart, wise. I think the final gift of sophistication would be a kind of innocent, clean view of things — which doesn't mean a simple, dumb view."
"People are not saints just because they haven't got much money or education."
"After all, we are human beings, and not creatures of infinite possibilities."
"Have you never read the manifesto of the Marchbanks Humanist Party? How does it begin? The more taboos and prohibitions there are in the world The poorer the people will be. The more sharp weapons the people have The more troubled the state will be. The more cunning and skill man possesses The more vicious things will appear. The more laws and orders are made prominent The more thieves and robbers there will be. And who wrote that, do you suppose?" "You, I imagine." "No, you don't imagine. That's what's wrong with you, and your kind; you don't, and can't imagine. Those words were written by the Chinese sage Lao Tzu in the sixth century BC."
"All education is a struggle," said Marchbanks. "I had to struggle against schools and universities, of course, in order to get time to educate myself, which I did magnificently."
"There can be no doubt that Samuel Marchbanks is one of the choice and master spirits of this age. If there were such a volume as Who Really Ought To Be Who his entry would require several pages."
"The devil gave me a look which made me profoundly uneasy. 'Just because I am enjoying your sympathy, don't imagine that I cannot read you like a book,' he said. 'You think you are cleverer than I; it is a very common academic delusion.'"
"I am a Democrat. All of my family have been persons of peasant origin, who have wrung a meagre sufficiency from a harsh world by the labour of their hands. I acknowledge no one my superior merely on grounds of a more fortunate destiny, a favoured birth. I did what any such man would do when confronted with Queen Victoria; I fell immediately to my knees."
"Women always think that if they tell a man not to be pompous that will shut him up, but I am an old hand at that game. I know that if a man bides his time his moment will come."
"The first principle, when you don't know anything about the subject of a thesis, is to let the candidate talk, nodding now and then with an ambiguous smile. He thinks you know, and are counting his mistakes, and it unnerves him... the second principle of conducting an oral, … is to pretend ignorance, and ask for explanations of very simple points. Of course your ignorance is real, but the examinee thinks you are being subtle, and that he is making an ass of himself, and this rattles him."
"The usual thing — the statistically normal thing — is for the speaker to tell the graduating class that they are going out into a world torn by dissent, racked by problems of unprecedented knottiness and difficulty, and headed for the abyss of destruction unless the graduating class shoulders its burden and does something splendid to put everything right. The speaker generally admits that he is at the end of his tether: he is old, and broken on the wheel of Fate; his decrepitude and his wounds have been received in this great battle with the world's problems. Nothing — absolutely nothing — is to be expected of him in the future. From his failing hands he throws the torch; he plants the task of setting the world right square on the graduating class. He says that he does it with confidence. But he is usually so gloomy that one wonders how much his confidence is worth. Sometimes one gets the impression that immediately after Convocation he is going home to die."
"During the years when my own daughters were pupils in this school I attended many of these gatherings, and heard many speeches made by men who stood where I stand at this moment. They said all sorts of things. I recall one speaker who said that as he looked out at the girls who were assembled to receive prizes, and to pay their last respects to their school, he felt as though he were looking over a garden of exquisite flowers. He was drunk, poor man, and it would be absurd to treat his remark as though he were speaking on oath."
"I have never consciously "used" humour in my life. Such humour as I may have is one of the elements in which I live. I cannot recall a time when I was not conscious of the deep, heaving, rolling ocean of hilarity that lies so very near the surface of life in most of its aspects. If I am a moralist — and I suppose I am — I am certainly not a gloomy moralist, and if humour finds its way into my work it is because I cannot help it."
"Was driving through the countryside today with some people who insisted upon frequent recourse to a roadmap in order to discover, as they put it, "Just where they were." Reflected that for my part I generally have a pretty shrewd idea of just where I am; I am enclosed in the somewhat vulnerable fortress which is my body, and from that uneasy stronghold I make such sorties as I deem advisable into the realm about me. These people seemed to think that whizzing through space in a car really altered the universe for them, but they were wrong; each one remained right in the centre of his private universe, which is the only field of knowledge of which he has any direct experience."
"I like long and unusual words, and anybody who does not share my tastes is not compelled to read me. Policemen and politicians are under some obligation to make themselves comprehensible to the intellectually stunted, but not I. Let my prose be tenebrous and rebarbative; let my pennyworth of thought be muffled in gorgeous habilements; lovers of Basic English will look to me in vain."
"When religion abandons poetic utterance, it cuts its own throat."
"In spite of all this chaos, however, most people seem to lead humdrum lives, and badly want livening up. Do you think we should organize a Chaos-of-the-Month Club, guaranteeing to supply all members with something really unnerving every thirty days?"
"This strengthens a belief which I have long cherished, that in a few centuries women will be the larger, stronger sex, admired for their biceps and superfluous hair, and that men will be their toys and domestic comforters, exciting tenderness in the female breast by their small feet, pretty soft hands, and general helplessness. I do not think I have a heart, for I have never been able to locate my pulse, or any other symptom of a circulatory system, but I am willing to share any of the benefits of male delicacy."
""There is no disputing about tastes," says the old saw. In my experience there is little else."
"Every man is wise when attacked by a mad dog; fewer when pursued by a mad woman; only the wisest survive when attacked by a mad notion."
"The day has long passed when a university degree was a guarantee of experience in the humanities, or of literacy beyond its barest meaning of being able, after a fashion, to read and write."
"The climate of his mind is so salubrious, so invigorating, that dull thoughts and heavy cares are dispelled by contact with it. And is not this the true end of scholarship? It is to make us wise, of course, but what is the use of being wise if we are not sometimes merry? The merriment of wise men is not the uninformed, gross fun of ignorant men, but it has more kinship with that than the pinched, frightened fun of those who are neither learned nor ignorant, gentle nor simple, bound nor free. The idea that a wise man must be solemn is bred and preserved among people who have no idea what wisdom is, and can only respect whatever makes them feel inferior."
"Thought and reason, unless matched by feelings, are empty, delusive things."
"Prayer is petition, intercession, adoration, and contemplation; great saints and mystics have agreed on this definition. To stop short at petition is to pray only in a crippled fashion. Further, such prayer encourages one of the faults which is most reprehended by spiritual instructors — turning to God without turning from Self."
"In an age where public health has never been better provided for, and medical men enjoy a respect formerly reserved for the aristocracy and the clergy, millions of people are unwell, or merely feel unwell, or are in dread lest at some future time they may become unwell."
"We live in a world where bulk is equated with quality."
"The true realist is he who believes in both God and the Devil, and is prepared to attempt, with humility, to sort out some corner of the extraordinary tangle of their works which is our world. He cannot use his feeling alone, he must use his intellect."
"Do they show us the future as it matures in the womb of the present?"
"As for an afterlife, there has been a general decline in the general acceptance of it as a certainty, and though a few rationalists may be pleased, to many people this has added a new terror to death. We are reluctant, in the main, to consider the disappearance of ourselves and consequently all we feel and know. Every man's death is, literally, the end of a world if he dies without hope. We have exchanged Gone Elsewhere for Gone Nowhere."
"There is no democracy in the world of intellect, and no democracy of taste."
"Long toil and short leisure are part of the heavy price we pay for our North American standard of living. It is reputed to be the highest in the world, and so it should be, for it is bought at an inordinate price."
"I do not trust any advice which is given in bad prose."
"We all have slumbering realms of sensibility which can be coaxed into wakefulness by books."
"Bookes give no wisdom where none was before, But where some is, there reading makes it more."
"I feel that what is wrong with scores of modern novels which show literary quality, but which are repellent and depressing to the spirit is not that the writers have rejected a morality, but that they have one which is unexamined, trivial, and lopsided. They have a base concept of life; they bring immense gusto to their portrayals of what is perverse, shabby, and sordid, but they have no clear notion of what is Evil; the idea of Good is unattractive to them, and when they have to deal with it, they do so in terms of the sentimental or the merely pathetic. Briefly, some of them write very well, but they write from base minds that have been unimproved by thought or instruction. They feel, but they do not think. And the readers to whom they appeal are the products of our modern universal literacy, whose feeling is confused and muddled by just such reading, and who have been deluded that their mental processes are indeed a kind of thought."
"There are, one presumes, tone-deaf readers."
"Any enjoyment or profit we get from life, we get Now; to kill Now is to abridge our own lives."
"It was suggested by the late Alfred Knopf that books should be graded like eggs, and that publishing houses should not offer as First Class what they well know to be Fifth. But of course publishers cannot agree about standards for grading, and even if they could, writers would shriek like mandrakes uprooted if their work were sent into the world marked anything less than Strictly Fresh."
"But not to be acquainted with what is happening in literary France is to feel disgraced, and in the pecking order of literary criticism a Frenchman can humiliate an Englishman just as readily as an Englishman can humiliate an American, and an American a Canadian. One of Canada's most serious literary needs at present is some lesser nation to domineer over and shame by displays of superior taste."
"And how often do we meet the man who prefaces his remarks with: "I was reading a book last night..." in the too loud, overenunciated fashion of one who might be saying: "I keep a hippogryph in my basement." Reading confers status."
"There are great numbers of people to whom the act of reading a book — any sort of book — is wondrous; they speak of the reader in the tone of warm approbation which they use otherwise when referring to pregnant women, or the newly dead."
"But the temptation to wallow and disport myself in the purple prose of the doting collector is strong, and it will need all my vigilance to resist it."
"The search for the sense of humour is as fruitless and as enduring as the hunt for the unicorn; the really wise man knows that the unicorn, being no reality but a life-enhancing myth, must never be hunted, and may only be glimpsed by the well-disposed and the lucky; it cannot be captured, and it is encountered only by indirection."
"Complementary to his is Thurber's remark that "humour is a kind of emotional chaos, told about quietly and calmly in retrospect". Emotional chaos is not pleasant; distillation of that chaos afterward may perhaps be pleasant in some of its aspects, and undoubtedly gives pleasure to others."
"It would certainly be better if a writer like Leacock knew always what was best to do and what would look best in the eyes of posterity, but such unnatural foresight cannot be required of any man."