Vladimir Nabokov

"Oh, "impressed" is not the right word! Treading the soil of the moon gives one, I imagine (or rather my projected self imagines), the most remarkable romantic thrill ever experienced in the history of discovery. Of course, I rented a television set to watch every moment of their marvelous adventure. That gentle little minuet that despite their awkward suits the two men danced with such grace to the tune of lunar gravity was a lovely sight. It was also a moment when a flag means to one more than a flag usually does. I am puzzled and pained by the fact that the English weeklies ignored the absolutely overwhelming excitement of the adventure, the strange sensual exhilaration of palpating those precious pebbles, of seeing our marbled globe in the black sky, of feeling along one's spine the shiver and wonder of it. After all, Englishmen should understand that thrill, they who have been the greatest, the purest explorers. Why then drag in such irrelevant matters as wasted dollars and power politics?"

"The good reader is one who has imagination, memory, a dictionary, and some artistic sense—which sense I propose to develop in myself and in others whenever I have the chance."

"Curiously enough, one cannot read a book: one can only reread it. A good reader, a major reader, an active and creative reader is a rereader."

"Her exotic daydreams do not prevent her from being small-town bourgeois at heart, clinging to conventional ideas or committing this or that conventional violation of the conventional, adultery being a most conventional way to rise above the conventional."

"A philistine is a full-grown person whose interests are of a material and commonplace nature, and whose mentality is formed of the stock ideas and conventional ideals of his or her group and time. I have said "full-grown person" because the child or the adolescent who may look like a small philistine is only a small parrot mimicking the ways of confirmed vulgarians, and it is easier to be a parrot than to be a white heron. "Vulgarian" is more or less synonymous with "philistine": the stress in a vulgarian is not so much on the conventionalism of a philistine as on the vulgarity of some of his conventional notions. I may also use the terms genteel and bourgeois. Genteel implies the lace-curtain refined vulgarity which is worse than simple coarseness. To burp in company may be rude, but to say "excuse me" after a burp is genteel and thus worse than vulgar. The term bourgeois I use following Flaubert, not Marx. Bourgeois in Flaubert's sense is a state of mind, not a state of pocket. A bourgeois is a smug philistine, a dignified vulgarian."

"Philistinism implies not only a collection of stock ideas but also the use of set phrases, clichés, banalities expressed in faded words. A true philistine has nothing but these trivial ideas of which he entirely consists."

"The character I have in view when I say "smug vulgarian" is, thus, not the part-time philistine, but the total type, the genteel bourgeois, the complete universal product of triteness and mediocrity. He is the conformist, the man who conforms to his group, and he also is typified by something else: he is a pseudo-idealist, he is pseudo-compassionate, he is pseudo-wise. The fraud is the closest ally of the true philistine. All such great words as "Beauty," "Love," "Nature," "Truth," and so on become masks and dupes when the smug vulgarian employs them. ... The philistine likes to impress and he likes to be impressed, in consequence of which a world of deception, of mutual cheating, is formed by him and around him."

"The rich philistinism emanating from advertisements is due not to their exaggerating (or inventing) the glory of this or that serviceable article but to suggesting that the acme of human happiness is purchasable and that its purchase somehow ennobles the purchaser."

"Following Nabokov's earlier excellent, offbeat novels (including Pnin, TIME, March 18, 1957), Lolita should give his name its true dimensions and expose a wider U.S. public to his special gift — which is to deal with life as if it were a thing created by a mad poet on a spring night."

"All of Nabokov's books are about tyranny, even Lolita. Perhaps Lolita most of all."

"Lolita is pornography, and we do not plan to review it."

"He can write, but he's got nothing to say."

"Nabakov wrote on index cards, at a lectern, in his socks."

"(The last book you read that made you furious?) Nabokov’s lecture on Jane Austen documented in “Vladimir Nabokov: Lectures on Literature,” edited by Fredson Bowers. In a letter to Edmund Wilson, Nabokov wrote: “I dislike Jane, and am prejudiced, in fact, against all women writers. They are in another class.” There’s pride and prejudice for you!"

"(F.J.: You put Nabokov in the category of American literature?) Desai: Of necessity, yes. I have a feeling probably he himself saw himself as an American writer. After all, he deliberately began to write in English-abandoned Russian and wrote in English. I think his richest novels are the very earliest ones, which he wrote in Russian. But I reread Lolita recently and it seemed to me a masterpiece, and it's an American masterpiece."

"Gentlemen, even if one allows that he is an important writer, are we next to invite an elephant to be Professor of Zoology?"

"Vladimir Nabokov-to me, his is not a good prose style. It is self-conscious, self-reflective, rather posturing, goes in for a lot of fancy vocabulary; it is always bringing me up short. I want to say, "Oh, stop showing off, Vladimir, get on with it.""

"I don't like Nabokov. I'm told I have to read Ada because it's a science fiction novel, but I can't read it. Boring."

"I'm a great admirer of Vladimir Nabokov who did the same sort of thing time and again. He plays tricks on readers, which is not a bad thing to do."

"there are two authors I consider my teachers, one on the most realistic side and the other one in the most fantastic side: ...Ursula K. Le Guin...and Nabokov"

"I think some of the greatest writing has been also about writers like Conrad or Nabokov, who have illuminated and given us fresh views about the new countries they adopted. Nabokov's best work was about America, and it was written during his period of exile in this country and later in Switzerland. And I think he could see this America through the eyes of his Russia. And even Russian language glimmers through those amazingly light field scenes in Lolita or his other works. So it is not just that other country that comes to us. This new country is also nourished because language is also a home. And when you change that home and come to a new thing, you'd love to play with it."

"Lolita is one of our finest American novels, a triumph of style and vision, an unforgettable work, Nabokov's best (though not most characteristic) work, a wedding of Swiftian satirical vigor with the kind of minute, loving patience that belongs to a man infatuated with the visual mysteries of the world."

"Lolita is a fine book, a distinguished book — all right then — a great book."

"The political barbarism of the century made him an exile, a wanderer, a Hotelmensch, not only from his Russian homeland but from the matchless Russian tongue in which his genius would have found its unforced idiom... But I have no hesitation in arguing that this poly-linguistic matrix is the determining fact of Nabokov's life and art. But whereas so many other language exiles clung desperately to the artifice of their native tongue or fell silent, Nabokov moved into successive languages like a travelling potentate..."

"Mr. Nabokov's story of the dehumanization of man under tyranny is, after all, a claustrophobic story. Whether or not it was the author's intention to model his prose system on the social system he is attacking, this is exactly what he has accomplished."

"Some say the Great American Novel is Huckleberry Finn, some say it's The Jungle, some say it's The Great Gatsby. But my vote goes to the tale with the maximum lust, hypocrisy and obsession — the view of America that could only have come from an outsider — Nabokov's Lolita. ... Those who bought "Lolita" looking for mere prurient kicks must surely have been disappointed. Lolita is dark and twisted all right, but it's also a corruptly beautiful love story of two tragically alike, id-driven souls... What makes Lolita a work of greatness isn't that its title has become ingrained in the vernacular, isn't that was a generation ahead of America in fetishizing young girls. No, it is the writing, the way Nabokov bounces around in words like the English language is a toy trunk, the sly wit, the way it's devastating and cynical and heartbreaking all at once. Poor old Dolly Haze might not have grown up very well, but Lolita forever remains a thing of timeless beauty."

"Life imitates art."