Women Authors From The United States

"Jackie was very modern; her spirit was modern, she was a new image for America because he was a young president."

"And Jackie was herself a sexual sophisticate. She hung illustrations from the Kama Sutra in the dining room of one of her country houses; she was self-confident enough to include pretty young women on the guest lists of her private parties because she knew they invigorated her husband; she understood that she had married a man with a vivid sexual past, and certainly wouldn’t have wanted it any other way."

"She was playing a long game, and against all odds she’s still winning it. She had her eye on what she grandly called History, a concept large enough to encompass both her interest in 18th-century France and the necessity of maintaining a complicated fiction—at once face-saving and humiliating—about the nature of her marriage. It’s not a tissue of lies, but it is a tissue, one that has been rent so many times that it should be nothing more than dust motes by now, but she was a woman who brought every one of her formidable gifts to bear when it came to the subject of John Kennedy; and we’re no match for her."

"Mrs. Kennedy's dignity in the face of that tragedy moved millions of people and will make her, I suspect, someone who many will always admire. It is, in the end, better to see our presidents — and everyone else around us — as human beings than to engage in an idealization that really diminishes our own agency and sense of responsibility."

"I think it would be very cynical — and completely wrong — to see her remarks on these tapes as calculated myth making. There is an off the cuff quality to these conversations, a rambling, even at times disjointed mood that shows Kennedy in a reflective mood. Much of what we hear is quite unvarnished. The conversations range over several days and many hours. The sound bites that have gotten the most media attention were stripped of their context and when that is provided, as it is in the tapes, one gets a sense of a person who intensely enjoyed some of her experience in the White House and was overwhelmed by and even abhorred some of what she saw. She does not, it is true, share with Schlesinger any doubts about or criticism of her husband. That isn't surprising."

"At the same time, the tapes themselves are replete with examples of Mrs. Kennedy's independent thinking and ironically, she describes again and again incidents when her views diverged from those of her husband. Her comments on women in politics, in fact, follows her observation that she found it difficult to forgive politicians with whom JFK had crossed swords while her husband saw such conflicts as very much a part of the business of politics."

"These comments, which sound so antiquated to modern ears, reflect, obviously, Mrs. Kennedy's perspective at this moment in her life. Undoubtedly they were derived in part from her background, her class, her sensibility. But they also capture views that were shared by many in her generation."

"Her iconic status really came after President Kennedy's death when she withdrew from public life and was rarely heard from publicly. The Jacqueline Kennedy on these tapes fits, I think, with what we might have expected if we think of her from the vantage point of her White House years."

"Shortly after her husband’s inauguration, she appointed interior designers to aid her transformation introducing warm tones of strong colours such as blue, yellow and red, and applying geometric symmetry in the positioning of furniture to enhance the magnificence of the arched windows and architectural panelling. She transformed the once stuffy interior into one that exuded grace, elegance and refined formality."

"For her it was imperative that everybody who visited the White House should see a house that was beautiful and lived in and that represented so much of American history."

"Throughout her life, despite the many tragedies she endured (loosing a husband and a baby boy) her poise and style endured. We adore you Jackie O., you are a role model in every sense!"

"But whatever the reasons behind her appeal, and however concrete or ineffable they might be, the fact remains that for millions of women around the globe, across generations, the woman in the White House in the Oleg Cassini outfits (made expressly for her), throwing formal dinner parties for artists, writers, scientists and diplomats, traveling the world, was the face not only of a new era but of an utterly new type of American woman. She was, somehow, at once warm and elegant, youthful and sophisticated, fun-loving and serious—and on top of it all, self-deprecatingly funny."

"Looking back now, even in the light of all we know about her fraught, strained, "storybook" marriage to an obsessively philandering husband, there does seem to be something special about Jackie Kennedy. Maybe it's just that the camera loved her. Maybe she was so intriguing to so many people simply because, set beside the other prominent women in Washington, DC, in the early 1960s, she was young (barely in her 30s), chic and, with her Irish and French ancestry, indefinably and refreshingly "exotic.""

"It was in those brief, heady years or perhaps it was really just one year, during the campaign and election of 1960—when John F. Kennedy and his young, beautiful wife were fast becoming national and then international celebrities that the legend of Jackie was born."

"Kennedy was the epitome of 1960s haute couture. Her style was aspirational, unattainable. Obama is more of a fashion populist. It's hard to imagine Kennedy, in her pillbox hat and leopard-skin coat, dishing about shopping at J.Crew."

"Like many fellow fashionistas, Donahue is rushing to cram Obama's 5-foot-11-inch frame into the mold left by her timeless predecessor, Jacqueline Kennedy Onassis. The trouble, historians say, is that it's a lousy fit."

"I can't put it any better than Jackie Kennedy did after the Cuban Missile Crisis. She said that what worried President Kennedy during that very dangerous time was that a war might be started — not by big men with self-control and restraint, but by little men — the ones moved by fear and pride."

"God gave her very great gifts and imposed upon her great burdens. She bore them all with dignity and grace and uncommon common sense. May the flame she lit so long ago burn ever brighter here and always brighter in our hearts. God bless you friend, and farewell."

"I want you to know something else, too, that I’m grateful for. In January of 1992 Jackie came to a fundraiser for me when I was running fifth in New Hampshire, and reached out to my wife and to my daughter in ways that I will never forget. One month after, her son had also come to an event for me, when I think I was running sixth in New Hampshire."

"Our Jackie is embodied forever in that bloodstained pink suit. She bore the grief of a nation with such dignity, and then guarded her privacy until she died in 1994 at age 64. This Jackie is harshly judgmental, dispensing petty opinions that say as much about her as they do the objects of her disdain."

"The Jackie Look, or what I call the A-line look, created a worldwide impression of such dimension that she became the First Lady of the world. There wasn’t one lady on the planet who didn’t want to dress like her, comb their hair like her, walk and talk like her. And it was the first time an American designer could influence world trends."

"Jackie Kennedy grabbed the public’s attention with her chic, yet simple fashion sense. From boxy Chanel suits to Halston pillbox hats, she reshaped fashion’s view of conservative clothes and left a noteworthy fashion legacy behind."

"For what would prove to be one of her last public appearances, for the American Ballet Theatre gala at the Metropolitan Opera House in 1993, Jacqueline Kennedy wore a dress by Herrera of white crepe with rhinestone buttons. During the fitting, Mrs. Kennedy Onassis subtly altered the placement of those buttons from the original runway model, streamlining the effect and proving her enduring taste for perfectionism in all things."

"During the Onassis years, a jet-set glamour crept in as she shielded herself from the paparazzi gaze behind her trademark bug-eyed sunglasses. That glamor was well-served by her friend Valentino’s sleek day clothes and romantic evening looks. As an esteemed literary editor in the seventies, she dressed the part in a working-woman wardrobe that was practical yet faultlessly stylish."

"Throughout, her disciplined elegance revealed an equestrian’s fastidious approach to dressing. Off duty, meanwhile, Jacqueline Kennedy was every inch the liberated sixties woman, barefoot in capri pants and sportif tops that were always chosen with an eye to simplicity of line."

"On duty as First Lady, Mrs. Kennedy’s impact was profound—a visual metaphor for the President’s youthful, internationally minded administration, and a symbol of a new era of cultural sophistication at the White House. For her formal daytime ensembles, she took a leaf from Britain’s royal dressmakers and their clients, avoiding prints and instead using brilliant solid colors and bold lines that helped her to be easily distinguished in a crowd. Her majestic, strong-silhouetted evening gowns, meanwhile, showcased her statuesque figure and married French grandeur to a thoroughly American breeziness."

"She had a very acute sense of her image as first lady and how she wanted to use her image to promote her husband's administration and his ideals."

"She even apologized to JFK before he became president and told him, “I’m sorry for you that I’m such a dud.” But when her husband asked her to stop wearing head scarfs because she looked too much like a celebrity, she stood her ground. She refused to change her style and soon millions of American women were copying her. It remains to be seen with our current first lady whether her willful approach will help her or hurt her."

"Recently, while channel-surfing late one night, I stumbled upon the 1964 comedy "Kisses for My President" in which a hapless Fred MacMurray struggles to cope with being married to the first female president, played by Polly Bergen. Things run amok until Bergen's character gets pregnant and decides to resign the presidency so that she can take care of their family. This ending, absurd to 21st-century audiences, would have made sense to Jackie Kennedy and Eleanor Roosevelt because to them, the concept of a female president was absurd in and of itself. The idea of a first gentleman would have been preposterous."

"Kennedy of course is best known for her chic fashion sense, something I'm sure Melania Trump admires, but she was more plugged into her husband's administration than she's given credit for: She knew about his plan to get rid of FBI Director J. Edgar Hoover and she was a sounding board for him during the Cuban missile crisis."

"Before her marriage, she worked as a photojournalist for the Washington Times-Herald, interviewing the likes of Richard Nixon and reporting on the coronation of Elizabeth II. In later life, she took jobs at Viking Press and Doubleday, where she helped edit Michael Jackson’s 1988 autobiography, Moonwalk. But her greatest achievement came in those days after Dallas, when the queen of the White House abruptly made herself over as its architect and myth-maker, the equivalent of Guinevere sitting down to write Le Morte d’Arthur."

"People who tried to say no to Jackie found that she would go to great lengths to outwit them."

"Jackie has been perceived as a sphynx who very definitely possessed a secret. Around this faux blue-blooded beauty spiralled a web of myth and rumour; fantasies she did not deign to respond to that thus took root as fact."

"This was a former First Lady who gave no interviews for 30 years; a book editor who stalwartly refused to pen an autobiography; a woman who excommunicated friends if they spoke about her and fought to suppress unauthorised revelations. It was an irony that while, as Jackie Kennedy, she embraced the most public of public lives, by nature she was the epitome of the private individual, poised and glamorous, yet reticent and aloof."

"As idealised Jackie Kennedy morphed into debased Jackie Onassis, and Camelot gave way to Watergate, we ceased to believe in the Eden of the Kennedy era, its heroine descending into postlapsarian guise. Her very costume spoke of this fall: America’s patrician princess, all hats, gloves, and ball gowns, was reborn as a permanently sunglassed plutocrat, skulking about in flip-flops, queen of Skorpios only."

"She lived through and reflected a crucial period in U.S. history in which women moved into the mainstream of American professional life and redefined their roles."

"She was first lady in a time — which has not quite ended — when many Americans were put off if a president’s wife seemed too involved in his political career. In almost every presidential marriage you will find a first lady who, while she serves, insists that all politics is left to the president — but when viewed in history, she turns out to have been a significant influence on that presidency. Jackie is no exception."

"Jacqueline Bouvier Kennedy Onassis, the glamorous wife who was beside John F. Kennedy during his presidency and when he was shot, was for 33 years the most famous woman on Earth."

"Admittedly, Melania Trump looked stunning this morning as she walked into St. John’s Church, wearing a head-to-toe baby blue outfit designed by the reigning king of American sportswear, Ralph Lauren. The knee-length dress, high-necked bolero jacket, matching gloves and stiletto pumps all convey a message of class and elegance, drawing immediate – and likely intentional – comparisons to Jackie O., who wore the same color Oleg Cassini suit fifty-six years ago today: January 20, 1961, the day her husband John F. Kennedy was inaugurated."

"The public knows few personal details about Jackie's last years, as she wished. But we have never lost our fascination with her, our appreciation of her role as First Lady, our caring about her and our hopes that she had found happiness and love."

"For Aristotle Onassis, Jacqueline Kennedy was the ultimate trophy wife, the world's most famous woman. For her, he may have represented money, security and relief from the permanent First Widow status imposed on her by the public and by her Kennedy in-laws."

"It was Jacqueline Kennedy's face, as much as his death, that broke the nation's heart. She became an American folk hero, an enduring fascination."

"When JFK was assassinated, Jackie secured his place in history by her brave and resolute conduct. When her death was announced, the first images in the minds of all of us and on all the TV stations were of her shocked face as she stood by Lyndon Johnson at his swearing in Dallas, her blood-stained pink suit she refused to change, her haunted face as she walked beside her husband's casket."

"Jackie endured it all, even when the women involved include Mafia moll Judith Exner to whom JFK gave expensive gifts, even when some of the relationships turned out to be more than half-hour stands, even when her husband's infidelity was widely known in Washington, even when some of the encounters took place in the White house itself."

"Perhaps she never expected love when she married two remarkable, charismatic and powerful men. Perhaps she settled for too little love. Perhaps she got from her husbands what she may really have wanted-power, money, celebrity, what appeared to be security."

"She was as close to an American princess as the nation can remember. But she never lived happily ever after with a man who truly loved her."

"She changed the White House from a plastic to a crystal bowl."

"An aim in life is the only fortune worth finding."

"Jack so obviously demanded from a woman-a relationship between a man and a woman where a man would be the leader and a woman would be his wife. With Adlai Stevenson you could have another relationship-where you know, he'd be sort of be sweet and you could talk, but you wouldn't ever,.. I've always thought women who were scared of sex loved Adlai."

"History!... Everybody kept saying to me to put a cold towel around my head and wipe the blood off... later, I saw myself in the mirror; my whole face spattered with blood and hair... I wiped it off with Kleenex... History! … I thought, no one really wants me there. Then one second later I thought, why did I wash the blood off? I should have left it there, let them see what they've done... If I'd just had the blood and caked hair when they took the picture … Then later I said to Bobby — what's the line between history and drama? I should have kept the blood on."