First Quote Added
April 10, 2026
Latest Quote Added
"She brought to the task a flair and a style which made it acceptable to be a cosmopolitan in America, to drink wine and enjoy art, and to impose her Francophile tastes on that ultimate American symbol, the White House."
"Having married the first president young and dashing enough to be a Prince Charming, rather than symbolic father of the nation, she put up with her own role as consort-accessory."
"Until the assassination of her husband, she performed in public precisely as he and American public opinion would have wished in a pre-feminist era. She appeared content to be the ultimate presidential accessory, providing glamour and children and that stylish patina of old money which approximates aristocracy in America."
"The coming of television, and the jet age which allowed an unprecedented range of presidential travels, made hers one of the most famous faces of the century. And her husband's assassination in Dallas made her the very symbol of grief and loss."
"As far as Jackie was concerned, the only thing better than a rich man was an obscenely rich man."
"Though her hairstyle evolved over the years, Jackie's voluminous coif was an integral part of her signature look."
"Jackie's signature shades were both stylish and functional."
"Today, she’s remembered as a wife, mother and graceful figure who championed the arts and literature. But Jackie is also a bonafide fashion icon who inspired millions with her chic wardrobe and effortless style."
"She had the kind of poise, tact, grace, and natural confidence that should put you at ease, but do not, because of a tension that ruled out flaws. Now and then her voice would shift from its breathy whisper to a momentary, guttural rasp—an indication, perhaps, of earthy easements that the public never suspected."
"If she is the style gold standard any First Lady must live in the shadow of, if not actively aspire to emulate, Mrs. Trump, who herself has spoken admiringly of Mrs. Kennedy, completed the look with retro, luxe-looking gloves."
"It was a softly tailored suit of armor; the most feminine exemplar of power dressing, which Jackie Kennedy invented."
"Let the skeptics snort about Camelot, but there was something during the Kennedy years that was magic. Jackie was more of that than anyone admitted for a long while. She smoothed the rough Kennedy edges. As much as anyone in those heady days, she grasped the epic dimensions of the adventure. No small portion of the glamour of the Kennedy stewardship that lives on today came from her standards of public propriety and majesty."
"I didn't meet her until I came to New York, and I think that so much of who she was is present on these tapes -- funny, irreverent, incredibly intuitive and wildly intelligent. She read everything, and she had been a real student of history."
"Looking back at her life, it is no wonder that she continues to inspire so many women today. She was a style icon, famous for her pillbox hats and A-line suits, but also a strong women who dealt with endless personal crises (she later also lost her second husband and her brother-in-law) in the public eye. Many of her words went on to inspire new generations, and her determination to keep on going is something all women can learn from today."
"Even during the tragedies Jackie experienced, she was still strong."
"Throughout the documentation as she grows from a small child to a young adult, a constant theme remains—her natural beauty, grace and magnetism."
"Looking at the photos, it is easy to see why Mr. Morgan was so taken with Jackie. From a young age, she did not appear to be burdened with the traces of self-doubt, insecurity or immaturity that most children possess, to some degree, during their formative years. Rather, what she exudes in the photos, by turns, is poise and playfulness, an air of dignified yet unflappable confidence, and at times hints of a mischievousness and strong-willed personality."
"Before she was Jackie Kennedy, the most iconic first lady in American history, Jacqueline Bouvier was simply a young girl who loved horses."
"Jackie chose to preserve tradition, making the White House more regal with art and historical knickknacks."
"Nobody knows what kind of First Lady Melania will be. There's no precedent for his presidency, so no precedent for her First Lady-ship. For now, we can only use past First Ladies as a benchmark, and Jackie might be the only comparison that sticks. Both Jackie and Melania married powerful men with name-brand families; both accustomed themselves to luxury; both chose to be fierce mothers, not fierce professionals."
"The day John F. Kennedy was shot, Jacqueline Kennedy became the nation's mother, guiding Americans through their shock."
"I wanna be Jackie Onassis. I wanna wear a pair of dark sunglasses. I wanna be Jackie. Oooh, please don't die!"
"The moment when she crawled out onto the back of the open limousine in which her husband had been murdered was the first and last time the American people would see Jacqueline Bouvier Kennedy Onassis crawl... She was the last great private public figure in this country. In a time of gilt and glitz and perpetual revelation, she was perpetually associated with that thing so difficult to describe yet so simple to recognize, the apotheosis of dignity."
"Mrs. Kennedy’s image fostered nostalgia for the past in the belief that the Kennedy administration represented a peak of achievement that could not be duplicated. The legend of the Kennedy years as unique or magical was, in addition, divorced from real accomplishments as measured by important programs passed or difficult problems solved. The magical aspect of the New Frontier was located, by contrast, in its style and sophisticated attitude rather than in its concrete achievements. Mrs. Kennedy, without intending to do so and without understanding the consequences of her image making, put forward an interpretation of John F. Kennedy’s life and death that magnified the consequences of the assassination while leaving his successors with little upon which to build."
"By turning President Kennedy into a liberal idealist (which he was not) and a near legendary figure, Mrs. Kennedy inadvertently contributed to the unwinding of the tradition of American liberalism that her husband represented in life. The images she advanced had a double effect: first, to establish Kennedy as a transcendent political figure far superior to any contemporary rival; and, second, to highlight what the nation had lost when he was killed. The two elements were mirror images of one another."
"Difficult as it may be to accept, the posthumous image of JFK reflected more the idealistic beliefs of Mrs. Kennedy than the practical political liberalism of the man himself."
"One must admire Mrs. Kennedy for the skill with which she deployed these images in the difficult aftermath of her husband’s death. Our retrospective view of President Kennedy is now filtered through the legends and symbols she put forward at that time. The hardheaded politician devoted to step-by- step progress was transformed in death into the consummate liberal idealist."
"Mrs. Kennedy very likely read The Once and Future King and perhaps saw or showed to her children the cartoon version of The Sword and the Stone (the first chapter of the four part novel) that Walt Disney produced in 1963. There were biting ironies in her attraction to a legendary kingship that unravels due to the consequences of betrayal and infidelity and to her association of the central myth of English nationality with the United States’ first Irish president. Nevertheless, she looked past these contradictions to focus on the central message of White’s novel that portrayed war as pointless and absurd. President Kennedy, as his widow wanted him to be remembered, was like King Arthur—a peacemaker who died in a campaign to pacify the warring factions of mankind."
"John faced the press with the same calm that his 34-year-old mother had displayed three decades earlier, when she had stood on Air Force One in her blood-spattered pink Chanel suit as Lyndon B. Johnson was sworn in as President. She had seemed so young then but, as it turned out, her life was already more than half over."
"Imagine living a life that full—and dying young. Yet how strange to think that the mysterious mistress of Camelot left us only last week. To those who had never heard the tiny voice that belied her larger-than-life stature, who never saw the nails bitten ragged beneath the ladylike gloves, it was easy to believe that the woman—like the legend—would never die. Perhaps that is why the public greeted the first news of her illness almost with alarm."
"Jacleen, as she liked to be called, had seemed inseparable from our personal histories: the American princess in the pillbox hat; the cosmopolitan First Lady flirting in fluent French with Charles de Gaulle; the stoic widow showing the country how to grieve with dignity; the celebrity mother insistent upon giving her children a sane upbringing; the surprisingly willing trophy wife of Greek shipping tycoon Aristotle Onassis; the dedicated book editor; the still-glamorous grandmother."
"He and Jacqueline were always very good to me, and my children and whole family."
"She always trusted me. We were always together."
"We went into a room, just she and I, and she broke down."
"The film depicts one of the darkest periods in American history and during that time she put the grief of the entire country on her shoulders and she helped carry us through it. It was nothing short of heroic the way she conducted herself that week."
"As a style icon, she will never fade. From the opulent gowns and formal designs for the First Lady during Kennedy’s “Camelot” reign through the post-White House years, when she embraced more informal styles and inspired new trends (white jeans and black turtleneck, the famous bug-eyed shades, the colourful headscarves of the 1970s and 1980s), Jackie’s look was admired and copied worldwide, decade after decade, and remains an iconic example of 20th-century couture."
"Even off duty, Jackie’s dressed-down wardrobe was as masterclass in absolute glamour. Snapped on holiday in the 1970s with the designer Valentino, her carefree barefoot look boasts all the markers of classic Jackie O style: simple, unfussy separates, a monochrome palette, super-sized shades and, of course, her Gucci “Jackie” bag."
"Jackie guarded her privacy furiously, donning dark glasses – the ultimate celebrity armour – to shield herself from the paparazzi’s unblinking gaze. It’s a marker of her fashion muscle that from the moment she started wearing super-size shades, they instantly became a must-have."
"From the moment Jackie became First Lady, the public was transfixed by her unfussy approach to fashion and beauty. She guided women out of the prim dresses, stiff petticoat skirts and overly styled hairdos of the 1950s and into sleeker, more contemporary designs, such as the simple strapless gown by Christian Dior, worn at the White House in 1962."
"She had not yet made the full transformation into this enormously popular national figure, but you could see the potential was there. For the first time, I also saw just how important she was to the senator. Her good humor and wonderful perspective kept him level-headed, and in politics that is critical for a candidate."
"I was astonished when I met her. Larry and I were prepared for a very high-strung, fragile, demanding china doll who couldn’t cope with anything. This is what the buildup had been. We did not know what the hell to expect. Well, I recall the day vividly because she was the most pleasant, sweet, beautiful, elegant child, and very funny. I found her to be that way from that point forward. She was and is simply a delight as a person. She never raised her voice. She never once complained. She was not enthusiastic, but she never complained. In truth, most politicians’ wives are not excited about this aspect of their lives, either, but most are phony and put on a big show. She never did that. She did exactly what you asked of her, but she was never a faker about it. She was not terribly interested in meeting the local politicians, whose big excitement was describing their local shoe factory. It wasn’t that unusual to not want to listen to some of those fellows. Half the time, I didn’t want to listen to them, either. I admired the fact that she wasn’t a phony. I noticed that the locals also seemed to admire the fact that she was not a faker. She was beautiful. Beautiful in a sense that these fellows were not accustomed to seeing. Jackie was very elegant and classy. Unusual, not your regular politician’s wife, but then Jack Kennedy was no average politician. She would travel with Jack, and he would introduce her. She would say a few words and knock everyone dead. All she had to do was say hello, and these average fellows were captivated. It really was a foreshadowing of the future. This was before she had become completely transformed, but you could see that it was coming."
"We had a day trip scheduled, and particularly during a trip like this, you never know what you are going to run into. So I was very concerned about how to handle Jackie. I wanted her to be happy and content. I wanted it to be a good day. My main concern was I did not want her to fall apart, start crying, and cause any trouble for the candidate. I would not have known what to do with a sobbing, hysterical woman."
"It was clear to the Irish Brotherhood that Jackie was a political asset. Kenny took note of it for the future, though this was not something he needed to write down on an envelope."
"Jackie, as Kenny was about to find out, was an entirely different creature. Like Kenny, she did not give a damn what other people thought of her or her actions. She did what she wanted, a trait that both Jack and Kenny would alternately admire and, especially during the White House years, find maddening."
"Until Obama, the iconography of the first lady revolved around Jackie Kennedy. There had been glamorous president’s wives since – Nancy Reagan with her Dynasty gowns, say – but the notion of first lady chic remained almost synonymous with that sunny yet streamlined early-1960s style that is for ever Camelot. Half a century later, wives of heads of state all over the world are still measured against Kennedy, but the comparison is sharpest in the White House. Where her predecessors had tiptoed around the edges of Kennedy style, as if anxious to avoid the comparison, Obama has embraced many elements of the look and made them her own. The sleeveless shift dresses she favours are a direct link, as are the outsize strings of pearls, often framed by wide-set necklines. Even elements of the two women’s hair and makeup are similar, despite their physical difference: note the full, stiffly curled hair and the penchant for false eyelashes."
"Never one to leave style behind, Jackie mastered the art of looking stunning without raising too many eyebrows."
"Now Mrs Onassis, Jackie found freedom with threads: naughty thigh-high splits and European style twists blended well with her Mediterranean lifestyle. The perfectly tailored skirt suits and white gloves that epitomised her buttoned-up wardrobe era, were long gone and stayed in the museum of her stylish youth."
"If the fashion gods were to curate an exhibition on the world’s most iconic women and their wardrobes, Jackie Kennedy Onassis would undoubtedly feature in the fold. Jackie O - as she affectionately became known in modish circles and beyond - had the ultimate high octane and dramatic life, so her style followed suit."
"She looked so much better than the others, and you know why? If you look closely, you can see she had changed the buttons, the shoulders, even move the neckline."
"In deciding what to do after she moved away from Washington, Mrs. Kennedy had before her only the modern example of Eleanor Roosevelt, who, following her husband’s death, took an active role in the United Nations and continued writing her newspaper column. But Mrs. Roosevelt was in her sixties when her husband died after 12 years in office. In 1964 Jackie Kennedy was just 35, the widow of a first-term president, when she began setting historical precedents of her own."