Monists

"Hegel certainly did rule out any criterion of truth, by considering what is true as interior to its process, but he restored the credentials of the Truth as Telos within the process itself, since each moment is only ever the "truth of" the moment which precedes it. When, in a provocative formula which took up Lenin's words ("Marx's doctrine is all-powerful because it is true") directed against the dominant pragmatism and every (idealist) idea of Jurisdiction, I "defined" knowledge as "production" and affirmed the interiority of the forms of scientificity to "theoretical practice", I based myself on Spinoza: not in order to provide The answer, but to counter the dominant idealism and, via Spinoza, to open a road where materialism might, if it runs the risk, find something other than words. It is understandable that, behind these reasonings, we found other theses in Spinoza which supported them, and that we put these to use too, even at the cost of overdoing things. Spinoza helped us to see that the concepts Subject/Goal constitute the "mystifying side" of the Hegelian dialectic: but is it enough to get rid of them in order to introduce the materialist dialectic of Marxism, by a simple process of subtraction and inversion? That is not at all sure, because, freed of these fetters, the new dialectic can revolve endlessly in the void of idealism, unless it is rooted in new forms, unknown to Hegel, and which can confer on it the status of materialism."

"To sum it up in a word: Marx was close to Hegel in his insistence on rejecting every philosophy of the Origin and of the Subject, whether rationalist, empiricist or transcendental; in his critique of the cogito, of the sensualist-empiricist subject and of the transcendental subject, thus in his critique of the idea of a theory of knowledge. Marx was close to Hegel in his critique of the legal subject and of the social contract, in his critique of the moral subject, in short of every philosophical ideology of the Subject, which whatever the variation involved gave classical bourgeois philosophy the means of guaranteeing its ideas, practices and goals by not simply reproducing but philosophically elaborating the notions of the dominant legal ideology. And if you consider the grouping of these critical themes, you have to admit that Marx was close to Hegel just in respect to those features which Hegel had openly borrowed from Spinoza, because all this can be found in the Ethics and the Tractatus Theologico-Politicus. These deep-rooted affinities are normally passed over in pious silence; they nevertheless constitute, from Epicurus to Spinoza and Hegel, the premises of Marx's materialism. They are hardly ever mentioned, for the simple reason that Marx himself did not mention them, and so the whole of the Marx-Hegel relationship is made to hang on the dialectic, because this Marx did talk about!"

"I now want, much more briefly, to take another path across my essays in order to look at another group of theses developed there on the question of "knowledge". I cannot hide the fact that in this matter I depended heavily on Spinoza. I said a moment ago that Marx was close to Hegel in his critique of the idea of a theory of knowledge. But this Hegelian critique is already present in Spinoza. What does Spinoza in fact mean when he writes, in a famous phrase, "Habemus enim ideam veram..."? That we have a true idea? No: the weight of the phrase lies on the "enim". It is in fact because and only because we have a true idea that we can produce others, according to its norm. And it is in fact because and only because we have a true idea that we can know that it is true, because it is "index sui". Where does this true idea come from? That is quite a different question. But it is a fact that we do have it (habemus), and whatever it may be that produces this result, it governs everything that can be said about it and derived from it. Thus Spinoza in advance makes every theory of knowledge, which reasons about the justification of knowledge, dependent on the fact of the knowledge which we already possess. And so every question of the Origin, Subject and Justification of knowledge, which lie at the root of all theories of knowledge, is rejected. But that does not prevent Spinoza from talking about knowledge: not in order to understand its Origin, Subject and Justification, but in order to determine the process and its moments, the famous "three levels", which moreover appear very strange when you look at them close up, because the first is properly the lived world, and the last is specially suited to grasping the "singular essence" -- or what Hegel would in his language call the "universal concrete" -- of the Jewish people, which is heretically treated in the Theologico-Political Treatise. I am sorry if some people consider, apparently out of theoretical opportunism, that I thus fall into a heresy, but I would say that Marx -- not only the Marx of the 1857 Introduction, which in fact opposes Hegel through Spinoza, but the Marx of Capital, together with Lenin -- is in fact on close terms with Spinoza's positions."

"It is generally agreed that Spinoza fell into nominalism. But he did in any case take measures to protect himself from idealism, both in developing his theory of a substance with infinite attributes, and in arguing for the parallelism of the two attributes extension and thought."

"We literally understand, then, a thorough study and assimilation of all the scientific works of primary importance on which the knowledge of Marxist theory rests. We might use a striking formula of Spinoza's to represent this objective: Spinoza said that a science solely of conclusions is not a science, that a true science is a science of premisses (principles) and conclusions in the integral movement of the demonstration of their necessity."

"When Plato writes his dialogues or his didactic works, he takes great care to differentiate them from any other literary, rhetorical or sophistic discourse. When Descartes or Spinoza writes, no one can mistake it for 'literature'. When Kant or Hegel writes, we are not dealing with a moral exhortation, a religious sermon, or a novel."

"...But I was indeed on Spinoza's "line" by insisting with Marx and Hegel on the distinction between the "real concrete," therefore, the universal singular (all the "cases" that constitute the world from the beginning of knowledge of the first kind), and the concrete-in-thought that constitutes knowledge of the third kind."

"What also fascinated me about Spinoza was his philosophical strategy. Jacques Derrida has spoken a lot about strategy in philosophy, and he is perfectly right, since every philosophy is a dispositif of theoretical combat that disposes of theses as so many strongholds or prominent places so as to be able, in its aim and strategic attacks, to take over the theoretical places fortified and occupied by the adversary. Yet Spinoza began with God! [...] A supreme strategy: he began by taking over the chief stronghold of his adversary, or rather he established himself there as if he were his own adversary, therefore not suspected of being the sworn adversary, and redisposed the theoretical fortress in such a way as to turn it completely around, as one turns around cannons against the fortress's own occupant."

"Those who are in ideology believe themselves by definition outside ideology: one of the effects of ideology is the practical denegation of the ideological character of ideology by ideology: ideology never says, ‘I am ideological’. It is necessary to be outside ideology, i.e. in scientific knowledge, to be able to say: I am in ideology (a quite exceptional case) or (the general case): I was in ideology. As is well known, the accusation of being in ideology only applies to others, never to oneself (unless one is really a Spinozist or a Marxist, which, in this matter, is to be exactly the same thing). Which amounts to saying that ideology has no outside (for itself), but at the same time that it is nothing but outside (for science and reality). Spinoza explained this completely two centuries before Marx, who practiced it but without explaining it in detail."

"Hegel is (unknowingly) an admirable 'theoretician' of ideology insofar as he is a 'theoretician' of Universal Recognition who unfortunately ends up in the ideology of Absolute Knowledge. Feuerbach is an astonishing 'theoretician' of the mirror connexion, who unfortunately ends up in the ideology of the Human Essence. To find the material with which to construct a theory of the guarantee, we must turn to Spinoza."

"Machiavelli is not in the least utopian; he simply thinks the conjunctural case of the thing, and goes dietro alla verità effettuale della cosa. He asserts it in concepts which are philosophical and no doubt make him, in his temerity, solitude and scorn for the philosophers of the tradition, the greatest materialist philosopher in history – the equal of Spinoza, who declared him "acutissimus', most acute. Spinoza considered him acutissimus in politics. He would appear not to have suspected that Machiavelli was also most incisive in materialist philosophy."

"The Jewish tradition has two distinct tendencies: the more fundamental one, represented by the philosophers and poets and scholars who were interested only in Jewish issues and in the Jewish Weltanschauung; and the other tendency associated with great figures such as Spinoza or Einstein, and to a certain extent also Heinrich Heine, and which applied the traditions of Jewish thinking to other cultures, including German culture, and to other issues. It is not difficult to see how a double identity developed among Jews."

"I would not claim that Spinoza is the only philosopher who can help maintain equilibrium, but whenever I have been in a difficult situation, professional or personal, it has been Spinoza's emphasis on our ability to reason in everyday life that has come to my rescue. We must understand the possibility, even the necessity of negative aspects of our lives, such as depression, lack of energy or unhappiness. Reason can show us the difference between what is temporary, and what is permanent."

"The great Voltaire once accused Spinoza of ‘abusing metaphysics’. Is not the uncompromising nature of metaphysics more important today than ever? Has not liberated thinking become the most valued freedom at a time when political systems, social constraints, moral codes and political correctness often control our thinking?"

"Spinoza helps me to see myself objectively. This makes life bearable even in experiencing suffering; and with the teachings from the Ethics the world is perceived as manageable."

"Spinoza would not tolerate restrictions, imposed by any political or religious system or by any moral attitude. He struggled for the ideal of free thought. Hardly any other philosopher made so many enemies. He was labelled ‘a troublemaking Jew’, banned from the synagogue and from the academic establishment. Even his pupils would acknowledge him in private. And when Karl Ludwig asked the impoverished lonely philosopher to lecture at the University of Heidelberg, he turned him down. Spinoza could not guarantee that his thinking would not threaten ‘widely accepted religious concepts’. The philosopher in him preferred the quiet retiring life to a bourgeois career."

"Spinoza had no particular interest in music. Nonetheless, his logic was influenced by his approach to music. My father, who studied philosophy, was the first to introduce me to Spinoza. He advised me to look at scores philosophically and rationally. Spinoza's principle that reason and emotion cannot be separated, became for me a primary approach to music. I believe that one can approach a concept and a piece of music only if the logical structure can be established simultaneously with the emotional content."

"I think back to the last discussion I had with the great conductor Otto Klemperer. We talked about Spinoza and he said “Spinoza's Ethics is the most important book ever written”. Klemperer was, as we know, Jewish. At the age of 22 he converted to Christianity because he believed that only as a Christian could he conduct Bach's St Matthew Passion. Many years later, after the War, when Klemperer had already reached old age, he converted back to Judaism. And the reason he gave was Spinoza's Ethics. Perhaps the most important Jewish philosophy. Questions about Jewish ethics and morals and “What is being Jewish?” were long identified as being a minority. The traditional thinking and perceived identity of the Jewish people in its 2,000 year history was as a minority. Historically the Jews were integrated into social and cultural life but tragically persecuted under the Spanish Inquisition and the tyranny of Adolf Hitler. What is special about Spinoza's philosophy is that, despite persecution, abuse and alienation, his thinking was never based on the premise of Jews being a minority. That is precisely why his philosophy is so contemporary, now that the Jewish people have their own state, i.e. are no longer a minority. Spinoza's Ethics remains a potent formula for creating intellectual and moral unity among the Jews."

"Spinoza suffered two experiences which are strongly evident today. Although a Jew, he was excluded from the Jewish community; he also became a victim of anti-Semitism. A recent survey in Germany exposed the reality that a majority of Germans believe that the Jews were the greatest risk to world peace. [...] It is significant that Spinoza's ideas had an influence on what is regarded as typical German thinking today – on Feuerbach, Wagner and Nietzsche. How could Richard Wagner become an anti-semite while influenced by Spinoza? Anti-semitism definitely formed part of the profile of a German nationalist in the nineteenth century. Why did Wagner pursue this idea with such fervour? He could not draw these ideas from his spiritual father, the heir to Spinoza, Feuerbach."

"...So when you play five notes, if each note had a big ego it would want to be louder than the note before. And therefore I learned from this very simple fact, that no matter how great an individual you are, music teaches you that the creativity only work in groups, and the expression of the group is very often larger than the sum of the parts. And you can draw whatever conclusions you want from this, but I think that this is a not unimportant factor. And maybe in a strange way I've found some answers to all this, not in music but in philosophy, especially from reading regularly and for many years the Ethics of Spinoza. Spinoza was a religious scholar, a political architect, a philosopher, who aspired to geometric demonstration of the universe and the human being in it, and he was a biological thinker who advanced the science of emotion. And there lies of course one of the great difficulties of making music, the science of emotion."

"...We know at least since Spinoza that joy and its variant lead to a greater functional perfection, and that sorrow and related effects are unhealthy and should therefore be avoided. But music allows us to feel pain and pleasure simultaneously, both as players, and as listeners. [...] Music to me is sound with thought, and as Spinoza believed that rationality was the saving grace of the human being, then we must learn to look at music like this too."

"I read Spinoza's Ethics for the first time when I was thirteen years old. Of course at school we studied the Bible – which for me is the ultimate philosophical work. However, reading Spinoza opened up a new dimension for me, which is the reason for my continuing dedication to his works. Spinoza's simple principle 'man thinks' has become an existential mindset for me; my copy of his Ethics has become dog-eared and torn. For years I took it with me on my travels and in hotel rooms or intervals in concerts became absorbed by many of its principles. Spinoza's Ethics is the best training ground for the intellect, above all because Spinoza teaches the radical freedom of thought more completely than any other philosopher. This Spinozan brand of freedom is not a release from discipline into arbitrariness of thought, but an active process. The more one is able to determine one's own thoughts – in fact, causing one's own thoughts, thereby creating one's own experience of reality – the more it is possible to become self-determined, to be truly free."

"...This awareness has become a kind of pre-Freudian self-analysis for me; Spinoza helps me to see myself and my surroundings objectively. This can make life bearable even throughout the experience of suffering; the teachings presented in the Ethics allow one to preceive the world as a manageable place. Freud himself once wrote in a letter to [Lothar] Bickel, 'I admit my dependence on Spinoza's teachings.' Conversely, Spinoza admits, foreshadowing Freudian analysis, that we cannot be in complete control over our emotions. [...] The ability to create emotional balance, though, is dependent upon the intellectual awareness of the problem. In this way Spinoza demands the integration of all human aspects in order to attain true freedom."

"One of Spinoza's most important conclusions is that of the human being's necessity to overcome the contradiction between the finite and the infinite. Spinoza was able to express the very nature of the Judaeo-Christian way of thought and, at the same time, to remain outside it and even negate it. Both in the Jewish and the Christian traditions, God creates the world but is outside it. Spinoza, on the other hand, would not say that God creates the world, but that He produces it – in philosophical terms, He causes it. God, for Spinoza, is not outside the world and this view was the object of very harsh criticism by his contemporaries. The Jewish community in Holland even saw fit to excommunicate him. The God of Judeao-Christian thought, according to Spinoza, is an invention of man, who imagines that God thinks and acts as human beings do."

"There is no substitute for knowledge, self-knowledge, or a metaphysical understanding of the score and one's relationship to it; and no amount of talent or even training can compensate for the lack of all these elements. 'Man thinks,' says Spinoza, and this thinking is the result of a dialogue between the intellect, the emotions and the intuition. This is not only true of the thinking of each individual, but of groups of people and even of nations."

"The rise of Spinozism in the late eighteenth century is a phenomenon of no less significance than the emergence of Kantianism itself. By the beginning of the nineteenth century, Spinoza's philosophy had become the main competitor to Kant's, and only Spinoza had as many admirers or adherents as Kant."

"Until the publication of Jacobi's Briefe über die Lehre von Spinoza in 1785, Spinoza was a notorious figure in Germany. For more than a century the academic and ecclesiastical establishment had treated him “like a dead dog” as Lessing later put it. The Ethica was published in Germany in 1677, and the Tractatus Theologico-politicus in 1670 (though it appeared anonymously, Spinoza was known to be the author). Until the middle of the eighteenth century it was de rigueur for every professor and cleric to prove his orthodoxy before taking office; and proving one's orthodoxy demanded denouncing Spinoza as a heretic. Since attacks on Spinoza became a virtual ritual, there was an abundance of defamatory and polemical tracts against him. Indeed, by 1710 so many professors and clerics had attacked Spinoza that there was a Catalogus scriptorum Anti-spinozanorum in Leipzig. And in 1759 Trinius counted, probably too modestly, 129 enemies of Spinoza in his Freydenkerlexicon. Such was Spinoza's reputation that he was often identified with Satan himself. Spinoza was seen as not only one form of atheism, but as the worst form. Thus Spinoza was dubbed the "Euclides atheisticus', the 'princips atheorum."

"After 1785 public opinion of Spinoza changed from almost universal contempt to almost universal admiration, largely as a result of the publication of Jacobi's Briefe, in which he revealed Lessing's Spinozism. Lessing was the most admired figure of the Aufklarung, and his credo automatically gave a stamp of legitimacy to every secret Spinozist. One after another the Spinozists could now come out of their closets and form a file behind Lessing. If Lessing was an honorable man and a Spinozist, then they could be too. Ironically, Jacobi's Briefe did not destroy Lessing's reputation, as Mendelssohn feared. It did the very opposite, making him a hero in the eyes of the nonconformists. Lessing made it a fashion to be unorthodox; and to be fashionably unorthodox was to be a Spinozist. Of course, Lessing's credo explains only how Spinozism became respectable. It accounts for why a Spinozist might go public, but not for why he became a Spinozist in the first place. To understand why Spinozism became the credo of so many other thinkers, we have to consider the new situation of the sciences at the close of the eighteenth century. The rise in the fortunes of Spinozism resulted in part from the consequence of the decline of theism and deism."

"Hegel turned fully to Spinoza only in his early Jena years during his collaboration with Schelling, who had been especially inspired by Spinoza, and who, even during his Fichtean phase, declared himself to be a Spinozist. But Hegel's turning toward Spinozism was not simply the result of Schelling's influence. It fitted hand-in-glove with his own intention to find some rational foundation for his organic vision. After all, there were some deep affinities between Spinoza's doctrines and Hegel's mystical pantheism; Hegel could only have admired Spinoza's monism, his immanent religion, and his intellectual love of God. It was indeed Spinoza who had first attempted to find a rational foundation and technical vocabulary for such doctrines. It is no accident, then, that we find Hegel's first metaphysical writings in the Jena years replete with Spinozist vocabulary and full of sympathetic references to Spinoza."

"The prototype for Hegel's reading of the principle of subject–object identity came not from the Kantian–Fichtean tradition but its very antithesis: Spinozism. For Schelling and Hegel around 1801, the principle of subject–object identity essentially functioned as a declaration of their monism. It served as a statement of protest against all forms of dualism, whether Kantian, Fichtean or Cartesian. Schelling and Hegel greatly admired Spinoza for his monism, for showing how to overcome dualism when Kant, Fichte and Jacobi had only reinstated it. True to Spinoza, their principle of subject–object identity essentially means that the subjective and the objective, the intellectual and the empirical, the ideal and the real – however one formulates the opposition – are not distinct substances but simply different aspects, properties or attributes of one and the same substance. The principle follows immediately from the Spinozist proposition that there is only one substance, of which everything else is either a mode or an attribute. If this is the case, then the subjective and objective cannot be two things but must be only modes or attributes of one and the same thing. Though he never used the term, Spinoza himself had developed something like a principle of subject–object identity."

"No philosopher was ever more worthy, but neither was any philosopher more maligned and hated. To grasp the reason for this it is not enough to recall the great theoretical thesis of Spi­nozism: a single substance having an infinity of attributes, Deus sive Natura, all "creatures" being only modes of these attributes or modifications of this substance. It is not enough to show how pantheism and atheism are combined in this thesis, which denies the existence of a moral, transcendent, creator God. We must start rather from the practical theses that made Spinozism an object of scandal. These theses imply a triple denunciation: of "consciousness," of "values," and of "sad passions." These are the three major resemblances with Nietzsche. And already in Spinoza's lifetime, they are the reasons for his being accused of materialism, immoralism, and atheism."

"In the reproach that Hegel will make to Spinoza, that he ignored the negative and its power, lies the glory and innocence of Spinoza, his own discovery. In a world consumed by the negative, he has enough confidence in life, in the power of life, to challenge death, the murderous appetite of men, the rules of good and evil, of the just and the unjust. Excommunication, war, tyranny, reaction, men who fight for their enslavement as if it were their freedom — this forms the world in which Spinoza lives. The assassination of the De Witt brothers is exemplary for him. Ultimi barbarorum. In his view, all the ways of humiliating and breaking life , all the forms of the negative have two sources, one turned outward and the other inward, resentment and bad conscience, hatred and guilt. "The two archenemies of the human race, Hatred and Re­morse." He denounces these sources again and again as being linked to man's consciousness, as being inexhaustible until there is a new consciousness, a new vision, a new appetite for living. Spinoza feels, experiences, that he is eternal."

"Writers, poets, musicians, filmmakers – painters too, even chance reader – may find that they are Spinozists; indeed, such a thing is more likely for them than for professional philosophers. It is a matter of one's practical conception of the “plan”. It is not that one may be a Spinozist without knowing it. Rather, there is a strange privilege that Spinoza enjoys something that seems to have been accomplished by him and no one else. He is a philosopher who commands an extraordinary conceptual apparatus, one that is highly developed, systematic, and scholarly; and yet he is the quintessential object of an immediate, unprepared encounter, such that a nonphilosopher, or even someone without any formal education, can receive a sudden illumination from him, a “flash”. Then it is as if one discovers that one is a Spinozist; one arrives in the middle of Spinoza, one is sucked up, drawn into the system or the composition. (…) What is unique about Spinoza is that he, the most philosophic of philosophers (…) teaches the philosopher how to become a non-philosopher."

"Spinoza's ethics has nothing to do with a morality; he conceives it as an ethology, that is, as a composition of fast and slow speeds, of capacities for affecting and being affected on this plane of immanence. That is why Spinoza calls out to us in the way he does: you do not know beforehand what good or bad you are capable of; you do not know beforehand what a body or a mind can do, in a given encounter, a given arrangement, a given combination."

"What interested me most in Spinoza wasn't his Substance, but the composition of finite modes. I consider this one of the most original aspects of my book. That is: the hope of making substance tum on finite modes, or at least of seeing in substance a plane of immanence in which finite modes operate, already appears in this book. What I needed was both (1) the expressive character of particular individuals, and (2) an immanence of being. Leibniz, in a way, goes still further than Spinoza on the first point. But on the second, Spinoza stands alone. One finds it only in him. This is why I consider myself a Spinozist, rather than a Leibnizian, although I owe a lot to Leibniz. In the book I'm writing at the moment, What is Philosophy?, I try to return to this problem of absolute immanence, and to say why Spinoza is for me the 'prince' of philosophers."

"Spinoza: the absolute philosopher, whose Ethics is the foremost book on concepts."

"Spinoza is the Christ of philosophers, and the greatest philosophers are hardly more than apostles who distance themselves from or draw near to this mystery."

"...Spinoza was the philosopher who knew full well that immanence was only immanent to itself and therefore that it was a plane traversed by movements of the infinite, filled with intensive ordinates. He is therefore the prince of philosophers. Perhaps he is the only philosopher never to have compromised with transcendence and to have hunted it down everywhere. In the last book of the Ethics he produced the movement of the infinite and gave infinite speeds to thought in the third kind of knowledge. There he attains incredible speeds, with such lightning compressions that one can only speak of music, of tornadoes, of wind and strings. He discovered that freedom exists only within immanence. He fulfilled philosophy because he satisfied its prephilosophical presupposition. [...] Spinoza is the vertigo of immanence from which so many philosophers try in vain to escape. Will we ever be mature enough for a Spinozist inspiration?"

"The Ethics is a book of concepts (the second kind of knowledge), but also of affects (the first kind) and percepts (the third kind) too. Thus the paradox in Spinoza is that he's the most philosophical of philosophers, the purest in some sense, but also the one who more than any other addresses non-philosophers and calls forth the most intense non-philosophical understanding. That is why absolutely anyone can read Spinoza, and be very moved, or see things quite differently afterward, even if they can hardly understand Spinoza's concepts. Conversely, a historian of philosophy who understands only Spinoza's concepts doesn't fully understand him."

"It was on Spinoza that I worked the most seriously according to the norms of the history of philosophy — but he more than any other gave me the feeling of a gust of air from behind each time you read him, of a witch's broom which he makes you mount. We have not yet begun to understand Spinoza, and I myself no more than others."

"He put forth his pantheism in a series of propositions and proofs—and what he hoped to prove was that mind and matter were merely two different manifestations of a single sacred Substance. It took a special kind of mind to deduce Nature’s divinity, step by step, from a simple set of axioms. Never has pantheism been proclaimed in such a punctilious fashion. Never before, and never since, has the world seen such a meticulous mystic."

"But in his search for the divine, Spinoza delved down far below the roots of the Jewish religion. Deep in the depths of his own soul, he discovered the wellspring of the world, the secret source that sustained all things. Spinoza basked in the waters of this sacred spring until they saturated his whole being."

"[Alberto Knox] Spinoza belonged to the Jewish community of Amsterdam, but he was excommunicated for heresy. Few philosophers in more recent times have been so blasphemed and so persecuted for their ideas as this man. It happened because he criticized the established religion. He believed that Christianity and Judaism were only kept alive by rigid dogma and outer ritual. He was the first to apply what we call a historico-critical interpretation of the Bible."

"[Alberto Knox] He denied that the Bible was inspired by God down to the last letter. When we read the Bible, he said, we must continually bear in mind the period it was written in. A ‘critical’ reading, such as the one he proposed, revealed a number of inconsistencies in the texts. But beneath the surface of the Scriptures in the New Testament is Jesus, who could well be called God's mouthpiece. The teachings of Jesus therefore represented a liberation from the orthodoxy of Judaism. Jesus preached a ‘religion of reason’ which valued love higher than all else. Spinoza interpreted this as meaning both love of God and love of humanity. Nevertheless, Christianity had also become set in its own rigid dogmas and outer rituals."

"[Alberto Knox] When things got really tough, Spinoza was even deserted by his own family. They tried to disinherit him on the grounds of his heresy. Paradoxically enough, few have spoken out more powerfully in the cause of free speech and religious tolerance than Spinoza. The opposition he was met with on all sides led him to pursue a quiet and secluded life devoted entirely to philosophy. He earned a meager living by polishing lenses, some of which have come into my possession. [...] There is almost something symbolic in the fact that he lived by polishing lenses. A philosopher must help people to see life in a new perspective. One of the pillars of Spinoza's philosophy was indeed to see things from the perspective of eternity."

"...The Festschrift [1932] dedicated to Spinoza may be said to be a praiseworthy international achievement. Its initiators were Germans and it appeared as a Sonderausgabe of a German newspaper. Spinoza had nothing in common with the German nation. The Germans, however, were the first to manifest serious interest in him. Their first great philosopher Leibniz went to seek his advice and his counsel; they were the only ones to invite him to lecture at their university. Even though Leibniz concealed him from the world, the Germans revealed him to the world. The generation of their greatest philosophers and poets from the second half of the 18th and the first half of the 19th centuries grew up under his influence. Goethe read him together with Charlotte von Stein, and even read him together with her in Latin. To Hegel, Spinoza was "der Mittelpunkt der modernen Philosophie"."

"Between 1854 and 1856, while Bain and Spencer were publishing their first major studies of psychology, George Eliot was immersed in the task of translating Spinoza's Ethics (1677). Before the middle of the nineteenth century, relatively little attention had been given to Spinoza by British philosophers, in part because his geometrical style of metaphysics was antithetical to the spirit of eighteenth-century empiricism, and also because of his unpalatable reputation as an atheist. As Lewes remarked, "the accusation of Spinozism was another name for atheism, and deliberate yielding of the soul to Satan". Although Coleridge had absorbed Spinoza's writing as part of his immersion in Continential metaphysics, and Shelley too had been drawn to his religious radicalism, no one before Eliot's generation championed the philosopher in the way that Goethe had done in Germany. By 1878, however, the philosopher Frederick Pollock was commenting in the journal Mind that "in the Ethics of Spinoza we have one of the most remarkable achievements of constructive philosophic genius ever given to the world." Such keen praise was commonly accepted by this time as being neither eccentric nor misguided. Lewes, who was among the first in Britain to give Spinoza serious critical consideration, believed the Ethics opened "a new era in History." Carlyle's literary executor, J. A. Froude, who grudgingly acknowledged in 1855 that "Spinoza's influence over European thought is too great to be denied or set aside," eventually became another important channel for the dissemination of his ideas. [...] There was, then, an increasingly wide spread recognition in the second half of the nineteenth century that Spinoza was a central figure in modern thought, an opinion few in Britain endorsed before the 1850s."

"George Eliot herself had recognised Spinoza's importance some year before Arnold paid the philosopher this elaborate double-edged compliment. In a letter to Charles Bray in 1849 she wrote, diagnostically: "What is wanted in English is not a translation of Spinoza's works, but a true estimate of his life and system. After one has rendered his Latin faithfully into English, one feels that there is another yet more difficult process of translation for the reader to effect, and that the only mode of making Spinoza accessible to a larger number is to study his books, then shut them out and give an analysis." Since she began writing fiction only months after finishing work on the Ethics, it is plausible to consider Eliot's novels as attempting this larger project of Spinozan translation [...] But the detached voice speaking in this letter widens its import beyond the personal, for what animates Eliot here is an issue with a much broader horizon than private ambition: she is hinting at a more general correlation between Spinoza and contemporary British thought. Spinoza has become a crucial figure, she is insisting, one who speaks relevantly to the intellectual predicaments and debates of the mid-nineteenth century."

"Can the seventeenth-century rationalist, who produced one of the most ambitious philosophical systems in the history of Western philosophy, be considered, by any stretch of interpretation, a Jewish thinker? Can he even be considered a Jew? Benedictus Spinoza is the greatest philosopher that the Jews ever produced, which adds a certain irony to his questionable Jewishness."

"He supported himself by grinding lenses, which was no lowly menial occupation, as it is often presented to have been in romanticizing versions of the philosopher's life, but was rather a craft that drew extensively from Spinoza's serious interest in the science of optics. The quality of his wares was highly valued by other scientists of his day. The important Dutch astronomer Christiaan Huygens, who discovered Saturn's rings as well as one of its four moons, preferred Spinoza's lenses to all others. "The [lenses] that the Jew of Voorburg has in his microscopes have an admirable polish," Huygens wrote to his brother in 1667. The one part of the romantic lens-grinding legend that is sadly true is that the dust from the optical polishing was unhealthy for Spinoza, whose mother and brother had both died young from tuberculosis. He himself succumbed to the disease at the age of forty-four."