Film Directors From The United States

"On Martin Scorsese: Martin has brought so much to the art form of film, and he is not the type of person who would be upset by not receiving an Oscar, although it is a practical joke that he has not won an Academy Award after all these years. Whatever opinions critics will have of The Aviator, I really think that this is a great piece of art: once again, he has made a great classic film."

"On turning 30: "I kind of feel like the same person except more time has gone by. I hate to say that I feel like an adult now. I have to admit I wish I was still 18. After all, even through the time while I was representing that wild kid, I really wasn't. I was just living my life. I was just not making movies at the time."

""I wasn't surprised that Jamie got the award. But I knew that cameras would be stuffed up my face so I had my response ready. Anyone who says they don't practice is a liar." -on losing out on the Oscar to Jamie Foxx during the 2005 Academy Awards."

"A lot of actors ask me “what do you do? How do you get into the business?” My only answer is don’t be discouraged. … You have to commit your life to it, almost, and never give up. It’s a cliché, but it’s true."

"The fact that Romeo is dopey, lovey-dovey, and it's a corny story. And I was afraid I'd look like a fuffy."

"As a little kid growing up in Hollywood, I was called 'a little crazy'. And now I guess I'm still that way."

"I think it’s a real danger, as an actor, when you try to make some statement through your career about what the business should be doing or ultimately what your image should be or how you want to be perceived. I look at every project that comes along and say, “Is this something I can sink my teeth into and can do a good job on?” That’s really how I choose roles."

"The challenge is to understand the psyche of somebody like that. There is no true genius or revolutionary ideas, I don’t think, without some element of compulsiveness or madness or obsession, and that’s certainly indicative of Howard Hughes. Understanding his obsessive-compulsive disorder was really the key for me for opening up who this man was."

"Certainly after Titanic, where my face was put on every magazine cover around the world and the movie was such a phenomenon, I really had no control over that. So for the last couple of years, media-wise I've been trying to regain some control in what people say about me."

"Dark green is my favorite color. It's the color of nature and the color of money and the color of moss!"

"I don't have the guts that Romeo did. [on marriage]"

"When I was young, I used to have this thing where I wanted to see everything. I used to think, 'How can I die without seeing every inch of this world?'"

"My mom and I lived at Hollywood and Western, a drug-dealer and prostitute corner. It was pretty terrifying. I got beat up a lot. I saw people have sex in the alleys. I remember I was five years old, and this guy with a trench coat, needles and crack cornered me. Early on, seeing the devastation on my block, seeing heroin addicts, made me think twice about ever getting involved in drugs. It's evil. Once you take that step and experiment, drugs can take over your life. You are not yourself anymore. That's something I never wanted. I didn't have a lot of friends growing up. It was kind of just me and my parents. But because of them, the neighborhood did not have a bad effect on me. My dad introduced me to artists, and every few months we'd go to some hippie doo-dah parade as Mudmen in our underwear, carrying sticks and covered in mud. My mother did everything to get me into the best schools she could find."

"And I love doing what I'm doing and I'd get out of it if I hated it that much. I've said it many times before: There are much worse problems in the world, people dealing with things that are phenomenally more complicated."

"All I know is that when you make a movie it's something you have to live with forever. It's not a job I take lightly."

"On his career: "I admit I've done a few lousy roles in the beginning of my career, like my role in Critters 3 (1991). But at that age, you'll do anything for attention!"

"I'm shy, but when the time comes to be wild, I'm fun-loving, adventurous, and mysterious."

"I remember the casting session that I had where I was a break dancer, having this punk hair cut. They rejected me and I became really disillusioned with the business and said well this is what it's all about, and I haven't even got in to read a line. He said don't worry, some day we're going to get you back into this and it's going to happen for you, which I kind of took to heart. It was one of those situations where I was lucky and fortunate enough to be at the right places at the right time. All of a sudden I was on the set of Growing Pains and got this audition for This Boy's Life and was able to jump into the feature film world. It's really been just simply the fact that I'd been able to work, you know what I mean? I would probably still be trying to be an actor even if I was out of work, but I would probably become a little disillusioned at some point and move on to other things. But it's the one thing that I know that I love."

""I was behind a woman at the checkout counter who was looking at the magazines. She turned to me and goes, 'There he is again, that Leonardo DiCaprio. Don't you wish he'd just disappear?' I said, this is the moment where I either go, 'Do you know who I am?' or put my hat further down, pay for my corn-nuts and get out of there....I choose to avoid that. (2005)"

"I have the same problem as Edward Furlong. I'm so thin!"

"One of my passions is to meet people and then imitate them. I love doing that."

"It was pretty disheartening to be objectified like that. I wanted to stop acting for a little bit. But it changed my life in a lot of ways, but at the same time, I can't say that it didn't give me opportunities. It made me, for the first time, in control of my career. - On Titanic (1997)"

"Don't think for a moment that I'm really like any of the characters I play. That's why it's called acting."

"The last thing I want to turn into is a fat Hollywood jerk. I was brought up without much money and I was happy. I don't think that I will strive for money or success and end up greedy or big-headed. That only leads to unhappiness. I can still be down-to-earth and do this job as long as I enjoy it."

"The main thing for me right now is just to live my life with my family and friends. They treat me like Leo, not 'Leonardo, Master Thespian'. That's all I need to keep my sanity."

"If you can do what you do best and be happy, you're further along in life than most people."

"My God, no! I hate this whole hunk thing! I feel when I see myself in that, and these other cute faces, that I'm just part of this meat factory, like, 'Wow! Here's the hunk of the month! This month we're shoving Leonardo DiCaprio down your throat! Isn't he cute. Let's put him on the cover and we'll sell so many more magazines...' That's definitely not what I want to be, and I've tried real hard to get away from that whole situation."

"I’ve always kind of made sure to maintain the sense of who I am and never be mean or cruel or snotty to anyone. Because, at the end of the day, it's not going to help you last in the business, and who wants to be around someone like that? I don't want to turn into ‘that guy.’ That guy!"

"I hate speaking in front of a large audience. I don't know where it came from...but its just this gut-wrenching fear of slipping up and doing something horrible."

""You learn after a while that it's not getting your face recognised that's the payoff. It's having your film remembered."

"I don't have emotions about a lot of things. I rarely get angry, I rarely cry. I guess I do get excited a lot, but I don't get sad and enormously happy."

"I'm not the sort of person who tries to be cool or trendy. I'm definitely an individual."

"I'm absolutely clean. I've never tried anything. That's not a lie!."

"With Romeo and Juliet, you're talking about two people who meet one night, and get married the same night. I believe in love at first sight-but it hasn't happened to me yet."

"Drugs? Every one has a choice and I choose not to do drugs."

"I like my name. My parents were in the Uffizi Gallery looking at a Leonardo Da Vinci when my mom felt me kick. That's how I got my name. My parents were real hippies."

"There's no other art form in the world that affects me more."

"I can name 30 or 40 sequences that were some of the most difficult things I've ever had to do. Whether it's going in and out of frozen rivers, or sleeping in animal carcasses, or what I ate on set. (I was) enduring freezing cold and possible hypothermia constantly."

"You tolerate me. You really tolerate me."

"I haven't had an orthodox career, and I've wanted more than anything to have your respect. The first time I didn't feel it, but this time I feel it, and I can't deny the fact that you like me, right now, you like me!"

"Who gave this son of a bitch his green card? Birdman!"

"Every day, this elected leader is called a dictator here, and we just accept it, and accept it. And this is mainstream media. There should be a bar by which one goes to prison for these kinds of lies."

"Thank you, you Commie, homo-loving sons of guns."

"When you have a precedent set like that, and you have somebody, George Tenet, acknowledging in his book that he knew that the administration was deceiving the American people into a situation that is murdering young men and women from this country and others, that George Tenet and Dick Cheney and Condoleezza Rice and George Bush, et al., should be in fucking jail."

"You and your smarmy pundits — and the smarmy pundits you have in your pocket — can take your war and shove it. Let's unite not only in stopping this war, but in holding this administration accountable. Let's make this crystal clear: We do support our troops, but not the exploitation of them and their families. The money that's spent on this war would be better spent on building levees in New Orleans and health care in Africa and care for our veterans. Iraq is not our toilet. It's a country of human beings whose lives that were once oppressed by Saddam are now in Dante's Inferno."

"Thank you. If there's one thing that actors know, other than that there weren't any WMDs, it's that there is no such thing as best in acting. And That's proven by these great actors that I was nominated with as well as the — as well as the Giamattis, Cages, Downey Jrs., Nicholsons, etc. that were not nominated. We know how great all of you were. My daughter Dylan and son Hopper find it presumptuous and embarrassing to write a speech, and so I'm gonna give it a go without. God, I really thank Clint Eastwood professionally and humanly for coming into my life. The great, great cast that I had to work with, my friends. Where do you go? Dennis Lehane, Brian Helgeland, Ma. Dad. Robin, for being an undying emotional inspiration on this rollercoaster I'm learning to enjoy. Thank you all very much."

"Many of your actions to date and those proposed seem to violate every defining principle of this country over which you preside; intolerance of debate (“with us or against us”), marginalization of your critics, the promoting of fear through unsubstantiated rhetoric, manipulation of a quick comfort media, and the position of your administration’s deconstruction of civil liberties all contradict the very core of the patriotism you claim. You lead, it seems, through a bloodlined sense of entitlement. Take a close look at your most vehement media supporters. See the fear in their eyes as their loud voices of support ring out with that historically disastrous undercurrent of rage and panic masked as “straight tough talk.” How far have we come from understanding what it is to kill one man, one woman, or one child, much less the “collateral damage” of many hundreds of thousands. Your use of the words “this is a new kind of war” is often accompanied by an odd smile. It concerns me that what you are asking of us is to abandon all previous lessons of history in favor of following you blindly into the future. It worries me because with all your best intentions, an enormous economic surplus has been squandered. Your administration has virtually dismissed the most fundamental environmental concerns and therefore, by implication, one gets the message that, as you seem to be willing to sacrifice the children of the world, would you also be willing to sacrifice ours."

"I've been learning a lot about myself from reading about all the stuff I've been up to, not based on any form of truth. I lead a pretty boring life — I sit at home, I'm on the Internet, I eat cereal — that's a typical night for me. I read online about all the places I've been out partying and all the women I've been out partying with. I'm like, "Wow, I should probably go to that place. It sounds like fun. It sounds like I had a good time there." I'm kind of jealous of the life I'm supposedly leading."

"A good film is one that requires the viewer to create, through an orchestration of impressions, the meaning of its events. It is, in the end, our ability to create meaning out of the raw experience of life that makes us human. It is the exercise of our faculty to discover meaning which is the purpose of art. The didactic imparting of moral or political messages is emphatically not the purpose of art -- that is what we call propaganda."

"It's a universal tendency in films to be more about sex and violence than the real world is, but I would pose the opposite question: Why are so many characters that you see on TV so desexualized? A lot of them seem to be completely asexual — especially animated characters — and it implies that those characters are normal. The characters in Aeon Flux are normal people who have normal sex lives and appetites."