Film Directors From The United States

"A stylized version of our IKEA present. It is talking about very simple concepts. We're designed to be hunters and we're in a society of shopping. There's nothing to kill anymore, there's nothing to fight, nothing to overcome, nothing to explore. In that societal emasculation this everyman is created."

"For me, the scariest thing about a serial killer is that there's somebody who lives next door to you, running power tools late into the night, and you don't know he has a refrigerator full of penises."

"I want to make a movie that has enough impact that it's going to do what it needs to do. But I don't want to make a film that serial killers masturbate to."

"You can do something that walks a line, and invariably, whatever that line is, it will be crossed by people who don't know any better and want to ape the success."

"I don't have the Tom Hanks fans. When you make the kind of movies I make, you get weird letters from people."

"I tend to over-intellectualize things, to come at them from a structural point."

"You know, I don't think I've ever listened to someone's commentary. Ever."

"There are some movies I can watch over and over, never get sick of. I'll put one of those on and be puttering around the house. Then a certain scene will come on and I'll just have to go over and watch."

"Oh, yeah, I love DVD's. I don't have what you'd call an extensive collection, maybe a couple of hundred or so. But I have something on almost all the time."

"I always feel ill-prepared for commentaries and it had been so long I was afraid I'd forget everything that happened on the film. But having everybody come together for it was really great. It was like a high school reunion. We all reminisced and just had a great time."

"We wanted a title sequence that started in the fear center of the brain. [When you hear] the sound of a gun being cocked that's in your mouth, the part of you brain that gets everything going, that realizes that you are fucked - we see all the thought processes, we see the synapses firing, we see the chemical electrical impulses that are the call to arms. And we wanted to sort of follow that out. Because the movie is about thought, it's about how this guy thinks. And it's from his point of view, solely. So I liked the idea of starting a movie from thought, from the beginning of the first fear impulse that went, Oh shit, I'm fucked, how did I get here?"

"I do like movies that take a toll on the audience. I want to work the subconscious. I want to involve you in ways in which you might not necessarily want to get involved. I want to play off those things that you're expecting to get when the lights go down and the 20th Century Fox logo comes up. There's an audience expectation and I'm interested in how movies play with--and off--that expectation. That's what I'm interested in."

"I find it amoral if you're making a movie where the problem is solved with a guy standing in the back of pickup truck firing a machine at the bad guys. The morality of it is questionable because the repercussions of violence are incredibly far-reaching."

"Violence shouldn't be presented as drama. I think people looking for an easy way out often write scenes where characters come into violent conflict as opposed to looking for the true drama in the situation. That's a shortcoming of a lot of films and television shows. I think certain presentations of violence are not immoral, but amoral."

"The movie is not that violent. There are ideas in the movie that are scary, but the film isn't about violence, the glorification of violence or the embracing of violence. In the movie, violence is a metaphor for feeling. It's a film about the problems or requirements involved with being masculine in today's society."

"Film-making encompasses everything, from tricking people into investing in it, to putting on the show, to trying to distill down to moments in time, and ape reality but send this other message. It's got everything. When I was a kid I loved to draw, and I loved my electric football sets, and I painted little things and made sculptures and did matte painting and comic books and illustrated stuff, and took pictures, had a darkroom, loved to tape-record stuff. It's all of that. It's not having to grow up. It's four-dimensional chess, it's strategy, and it's being painfully honest, and unbelievably deceitful, and everything in between."

"There are pros and cons to everything. To be able to do what I do and what I love on this level is a very positive thing. There are certain invasions of privacy, but I hate sitting around complaining about it, I just don't like to hear it come out of my mouth. I'm a very fortunate person being able to do what I do."

"With those eyes and his intellect, I see no real limit to his potential."

"He's probably the world's most beautiful-looking man, yet he doesn't think that he's gorgeous. And to me, he's just smelly, farty Leo."

"His two eyes are different," says Lasse Hallstrom, who directed Leo in what may be his best movie, What's Eating Gilbert Grape. "The left eye is very soft and empathetic. The right eye is more analyzing. One eye oozes warmth, while the other is more penetrating. One eye is psyche, the other is intellect."

"DiCaprio is both a famous actor and perhaps the world’s best-known climate activist. He doesn’t speak on the subject of carbon emissions so much as he preaches. “Humans have put our entire existence into jeopardy,” DiCaprio thunders. Climate change is “the most urgent threat facing our entire species.” Those who question climate policy, he declares, should be banned from public office. “The scientific consensus is in, and the argument is now over.” Few preachers live up to the standards they set from the pulpit, and DiCaprio is no exception. In the summer of 2016, DiCaprio was scheduled to receive an award from the environmental group Riverkeeper. He was in Cannes attending the film festival at the time, so he chartered a private jet to fly from France to New York and back. That’s an eight-thousand-mile round-trip, which in addition to being physically exhausting, amounts to a gargantuan carbon footprint, bigger than the average African might emit in a lifetime. For DiCaprio, it was just another Cannes Film Festival. The year before, he was photographed off the coast of France meandering alone on the deck of a 450-foot, $200 million yacht, which he’d rented as an accommodation for the week. Once again, a lot of carbon."

"You know, I worked with Leonardo when he was 18 [on The Quick and the Dead]. He was a virgin, and he would talk about that constantly. So I'm hoping we have some time so he can fill in what's happened in between. Maybe show some photos. Because I'm sure life's different now."

"He reminds me of that excitement when De Niro and I stumbled upon a way of working together - a similar kind of energy to the actors in the 1970s. It’s very rare for me to find that kind of connection again. Leo will give me the emotion where I least expect it and could only hope for it about three or four scenes. And he can do it take after take.""

"We were peers, I think. Leo's an incredibly intelligent guy who's been through a great amount of life experience over the course of the last few years. He's very dedicated and I think he had a very good idea of what he wanted to do and how he wanted to do it."

"As an Academy member, you're not allowed to endorse somebody else when they're up for an Academy Award and if you do, there's a good chance you'll lose your membership. But I have to tell you Leo DiCaprio is so amazing in The Revenant"

"I've been very lucky to have achieved a lot of the things that I dreamt of achieving as a young man. But, at the end of the day – and I truly believe this – it is not about achieving great wealth or success. Because they don't bring happiness ultimately. They really don't. What matters is whether or not you've fulfilled the idea of having led an interesting life, whether you've contributed in some way to the world around you."

"I insist on keeping a level head. I`ve maintained the same exact home life that I`ve had for 20 years. All I see is more people looking at me than before. But, you know, who cares? You just can`t obsess yourself with this fame stuff."

"People always like to make up stories. I am not planning on getting married. Then again, I might wake up tomorrow and decide to get married!"

"Yes, I can play younger than my age. But I can play characters older than I am, too. I`m not an actor who can just play the kid."

"Love at first sight? I absolutely believe in it! You`ve got to keep the faith. Who doesn`t like the idea that you could see someone tomorrow and she could be the love of your life? It`s very romantic."

"Brothers don`t necessarily have to say anything to each other-they can sit in a room and be together and just be completely comfortable with each other."

""People want you to be a crazy, out-of-control teen brat. They want you miserable, just like them. They don't want heroes; what they want is to see you fall."

"A consensus has emerged in our scientific community that global warming is no longer merely a theory but a reality, a crisis with truly global implications for planet Earth and all of us who share it. - Told to thousands at the New Jersey concert for Live Earth"

"I don't really have many extravagances. I don't fly private jets and I don't have bodyguards and I don't buy crazy things. I have a couple of houses here and there. I bought a very expensive watch, and I am going to buy a really expensive movie poster, the original for The Thief of Bagdad (1940). I love movie posters."

"On working with Martin Scorsese in Gangs of New York (2002): "He's a perfectionist, obsessed with detail. That's why he went over budget and over schedule."

"I prefer ordinary girls - you know, college students, waitresses, that sort of thing. Most of the girls I go out with are just good friends. Just because I go out to the cinema with a girl, it doesn't mean we are dating."

"School, I never truly got the knack of. I could never focus on things I didn't want to learn."

"I got attention by being funny at school, pretending to be retarded, and jumping around with a deformed hand."

"Being dubbed as a hunk sort of annoys me. It gives me a yucky feeling."

"The best thing about acting is that I get to lose myself in another character and actually get paid for it. It`s a great outlet. As for myself, I`m not sure who I am. It seems that I change every day."

"I'm probably not going to get married unless I live with somebody for 10 or 20 years. But these people (Romeo and Juliet) took a chance and they did it. We don't have the balls that Romeo did."

"Everywhere I go, somebody is staring at me. I don`t know if people are staring because they recognize me or because they think I`m a weirdo."

"On whether there are any aspects of fame he dislikes: You kidding? I feel very fortunate. A lot of people would love to be in my position. There are so many people out there who are suffering trillions of times more than I could ever suffer, and would love to be me. I am a lucky little bastard."

"I’ve been in the business since I was 16, so I’ve had a 14-year career. I’ve always had acting in my blood. Doing this, whatever it is, was something I was drawn to since my earliest memories. Ironically, I lived in Hollywood, but never understood that all it took was getting an agent and being persistent."

"Well it's a risk to do a movie of this calibre on a subject matter and a point in history people are not very familiar with. It's a tough subject to sell - so salary-wise you have to make sacrifices to make a certain film happen. I would have been an idiot to pass up the opportunity to work with Mr Scorsese."

"If you hear of any incident about me - a fight, a change of clothes, a little extra gel in the hair, don't believe it till you talk to me."

"On rumors: I've heard some pretty bad rumors...that I'm gay. If I want to go to a party with a few male friends, it doesn't mean that I'm gay. I don't see why I can't have friends of both sexes without rumors being spread about me. It's crazy."

"As an actor, you're constantly searching for that great character. Also, being a history buff and learning about people in our past and amazing things that they've done, I came across a book about Howard Hughes and he was set up as basically, the most multi-dimensional character I could ever come across. Often, people have tried to define him in biographies, but no one seems to be able to categorize him."

"I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to - until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life."

"I like to help the whales, the otters, and the dolphins. When I`m acting and I take a break, the first thing on my list is spending time by the sea."