All Quotes

"I kinda live where I find myself."

"You got innocent men in jail, your insane asylums are filled."

"I wanted just a song to sing, and there came a certain point where I couldn't sing anything. So I had to write what I wanted to sing 'cos nobody else was writing what I wanted to sing."

"At certain times I read a lot of poetry. My favorite poets are Shelley and Keats. Rimbaud is so identifiable. Lord Byron. I don't know. Lately if I read poems, it's like I can always hear the guitar. Even with Shakespeare's sonnets I can hear a melody because it's all broken up into timed phrases so I hear it. I always keep thinking, 'What kind of song would this be?'"

"Chaos is a friend of mine."

"I think of a hero as someone who understands the degree of responsibility that comes with his freedom."

"If the songs are dreamed, it's like my voice is coming out of their dream."

"I think a poet is anybody who wouldn't call himself a poet. Anybody who could possibly call himself a poet just cannot be a poet."

"When I first heard Elvis's voice I just knew that I wasn't going to work for anybody and nobody was going to be my boss. He is the deity supreme of rock and roll religion as it exists in today's form. Hearing him for the first time was like busting out of jail. I think for a long time that freedom to me was Elvis singing 'Blue Moon of Kentucky.' I thank God for Elvis."

"The first two lines, which rhymed 'kiddin' you' and 'didn't you,' just about knocked me out, and later on, when I got to the jugglers and the chrome horse and the princess on the steeple, it all just about got to be too much."

"It's not to anybody's best interest to think about how they will be perceived tomorrow. It hurts you in the long run."

"My sense of rhyme used to be more involved in my songwriting than it is... Still staying in the unconscious frame of mind, you can pull yourself out and throw up two rhymes first and work it back. You get the rhymes first and work it back and then see if you can make it make sense in another kind of way. You can still stay in the unconscious frame of mind to pull it off, which is the state of mind you have to be in anyway."

"People today are still living off the table scraps of the sixties. They are still being passed around — the music and the ideas."

"That ear - I mean, Jesus, he's got to will that to the Smithsonian."

"Here's the thing with me and the religious thing. This is the flat-out truth: I find the religiosity and philosophy in the music. I don't find it anywhere else."

"I change during the course of a day. I wake and I'm one person, and when I go to sleep I know for certain I'm somebody else. I don't know who I am most of the time. It doesn't even matter to me."

"I'm inconsistent, even to myself."

"Bob Dylan: The media is all-pervasive. What can a writer think of to write that you don't see every day in a newspaper or on television? Interviewer: ...Do you think that TV and the media have killed poetry and literature? Bob Dylan: Oh, absolutely. Absolutely. ... What's a writer to do if every idea is exposed in the media before he can get to it or let it evolve? What's a writer gonna write about? ... We're living in a science-fiction world. We're living in a world that Disney has conquered. Disney's science fiction. Theme parks, trendy streets, it's all science fiction. So I would say, if a writer has got something to say, he'll have to do it in that– Interviewer: Outside of the real world? Bob Dylan: There is a real world. Science fiction has become the real world. Whether we realize it or not, it has."

"We may not be able to defeat these swine, but we don't have to join them."

"I had ambitions to set out and find, like an odyssey or going home somewhere... set out to find... this home that I'd left a while back and couldn't remember exactly where it was, but I was on my way there. And encountering what I encountered on the way was how I envisioned it all. I didn't really have any ambition at all. I was born very far from where I'm supposed to be, and so, I'm on my way home, you know?"

"I didn't go to classes. I just didn't feel like it."

"An artist has gotta be careful never really to arrive at a place where he thinks he's at somewhere. You always have to realize that you're constantly in a state of becoming."

"You don't need my autograph. If you needed it, I'd give it to you."

"You can't be wise and in love at the same time."

"I had no answers to any of those questions any more than any other performer did, really. But, you know, that didn't stop the press or people or whoever they were from asking these questions. They, for some reason the press thought that performers had the answers to all these problems in the society and you know, like what can... What can you say to something like that? I mean, it's just kind of absurd."

"I read On the Road in maybe 1959. It changed my life like it changed everyone else's."

"Someone handed me Mexico City Blues in St. Paul [Minnesota] in 1959 and it blew my mind. It was the first poetry that spoke my own language."

"Come mothers and fathers Throughout the land And don't criticize What you can't understand Your sons and your daughters Are beyond your command Your old road is rapidly agin'."

"I think it's the land. The streams, the forests, the vast emptiness. The land created me. I'm wild and lonesome. Even as I travel the cities, I'm more at home in the vacant lots. But I have a love for humankind, a love of truth, and a love of justice. I think I have a dualistic nature. I'm more of an adventurous type than a relationship type."

"It's not a character like in a book or a movie. He's not a bus driver. He doesn't drive a forklift. He's not a serial killer. It's me who's singing that, plain and simple. We shouldn't confuse singers and performers with actors. Actors will say, “My character this, and my character that.” Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me."

"It's peculiar and unnerving in a way to see so many young people walking around with cellphones and iPods in their ears and so wrapped up in media and video games. It robs them of their self-identity. It's a shame to see them so tuned out to real life. Of course they are free to do that, as if that's got anything to do with freedom. The cost of liberty is high, and young people should understand that before they start spending their life with all those gadgets."

"The people in my songs are all me."

"A man is successful if he gets up in the morning and goes to bed at night, and in between does what he likes."

"It wasn't money or love that I was looking for. I had a heightened sense of awareness, was set in my ways, impractical and a visionary to boot. My mind was strong like a trap and I didn't need any guarantee of validity."

"I was heading for the fantastic lights. No doubt about it. Could it be that I was being deceived? Not likely. I don't think I had enough imagination to be deceived; had no false hope, either. I'd come from a long ways off and had started from a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else."

"What was the future? The future was a solid wall, not promising, not threatening—all bunk. No guarantees of anything, not even the guarantee that life isn't one big joke."

"Opportunities may come along for you to convert something—something that exists into something that didn't yet."

"America was changing. I had a feeling of destiny and I was riding the changes... My consciousness was beginning to change, too, change and stretch."

"I had been in a motorcycle accident and I'd been hurt, but I recovered. Truth was that I wanted to get out of the rat race. Having children changed my life and segregated me from just about everybody and everything that was going on. Outside of my family, nothing held any real interest for me and I was seeing everything through different glasses."

"I had very little in common with and knew even less about a generation that I was supposed to be the voice of."

"I'm a '60s troubadour, a folk-rock relic, a wordsmith from bygone days, a fictitious head of state from a place nobody knows. I'm in the bottomless pit of cultural oblivion."

"Sometimes you say things in songs even if there's a small chance of them being true. And sometimes you say things that have nothing to do with the truth of what you want to say and sometimes you say things that everyone knows to be true. Then again, at the same time, you're thinking that the only truth on earth is that there is no truth on it. Whatever you are saying, you're saying in a ricky-tick way. There's never time to reflect. You stitched and pressed and packed and drove, is what you did."

"I put one on the turntable and when the needle dropped, I was stunned — didn't know if I was stoned or straight... All these songs together, one after another made my head spin. It made me want to gasp. It was like the land parted."

"[Ref Rimbaud line 'Je est un autre,]' “which translates into ‘I is someone else.’ When I read those words the bells went off. It made perfect sense. I wished someone would have mentioned that to me earlier.”"

"The road out would be treacherous, and I didn’t know where it would lead but I followed it anyway. It was a strange world ahead that would unfold, a thunderhead of a world with jagged lightning edges. Many got it wrong and never did get it right. I went straight into it. It was wide open. One thing for sure, not only was it not run by God, but it wasn’t run by the devil either."

"If someone had ever told me that I had the slightest chance of winning the Nobel Prize, I would have to think that I'd have about the same odds as standing on the moon."

"I began to think about William Shakespeare, the great literary figure. I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldn't have entered his head. His words were written for the stage. Meant to be spoken not read. When he was writing Hamlet, I'm sure he was thinking about a lot of different things: "Who're the right actors for these roles?" "How should this be staged?" "Do I really want to set this in Denmark?" His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with. "Is the financing in place?" "Are there enough good seats for my patrons?" "Where am I going to get a human skull?" I would bet that the farthest thing from Shakespeare's mind was the question "Is this literature?""

"As a performer I've played for 50,000 people and I've played for 50 people and I can tell you that it is harder to play for 50 people. 50,000 people have a singular persona, not so with 50. Each person has an individual, separate identity, a world unto themselves. They can perceive things more clearly. Your honesty and how it relates to the depth of your talent is tried."

"Like Shakespeare, I too am often occupied with the pursuit of my creative endeavors and dealing with all aspects of life's mundane matters. "Who are the best musicians for these songs?" "Am I recording in the right studio?" "Is this song in the right key?" Some things never change, even in 400 years. Not once have I ever had the time to ask myself, "Are my songs literature?" So, I do thank the Swedish Academy, both for taking the time to consider that very question, and, ultimately, for providing such a wonderful answer."

"You sound like a hillbilly; We want folk singers here."