All Quotes

"The Buddha came approximately five hundred years before Christ. . . . Buddha answered the questions posited in His time by giving the Four Noble Truths, which satisfactorily and eternally answer man's demand of why. These Truths can be summarised as follows: the Buddha taught that misery and suffering were of man's own making, and that the focussing of human desire upon the undesirable, the ephemeral and the material, was the cause of all despair, all hatred and competition, and the reason why man found himself living in the realm of death...""

"The story is connected with the Buddha, and with a happening in His life which left Him in the position wherein (following the dictates of His heart) He determined to return once a year from the high place in which He dwells and works, to bless the world. The two great Sons of God, the Buddha and the Christ, are one the custodian and the other the recipient of this blessing. Both of Them hold it in trust for transmission to a needy world, and both of Them act as transmitters of this spiritual energy to humanity."

"This heavenly event takes place annually at the time of the full moon of Taurus (often called the "May Full Moon"), and at that event there is released upon Earth (according to the measure of man's demand) the blessing of God Himself, transmitted through the Buddha and His Brother, the Christ. This happening, however, can and does work out into physical manifestation and has its physical counterpart. Paralleling the subjective and spiritual ceremony, an event of some importance takes place simultaneously in a little valley in Tibet, on the further side of the Himalayas."

"The chanting and the rhythmic weaving grows stronger, and all the participants and the watching crowd raise their eyes towards the sky in the direction of the narrow part of the valley. Just a few minutes before the exact time of the full moon, in the far distance, a tiny speck can be seen in the sky. It comes nearer and nearer, and grows in clarity and definiteness of outline, until the form of the Buddha can be seen, seated in the cross-legged Buddha position, clad in His saffron-coloured robe, bathed in light and colour, and with His hand extended in blessing. When He arrives at a point exactly over the great rock, hovering there in the air over the heads of the three Great Lords, a great mantram, used only once a year, at the Festival, is intoned by the Christ, and the entire group of people in the valley fall upon their faces... Thus, so the legend runs, the Buddha returns once a year to bless the world, transmitting through the Christ renewed spiritual life."

"The age in which true history appeared in India was one of great intellectual and spiritual ferment. Mystics and sophists of all kinds roamed through the Ganga Valley, all advocating some form of mental discipline and asceticism as a means to salvation; but the age of the Buddha, when many of the best minds were abandoning their homes and professions for a life of asceticism, was also a time of advance in commerce and politics. It produced not only philosophers and ascetics, but also merchant princes and men of action."

"There is, in the Buddhist philosophy, a wonderful sentence of the Lord Gautama Buddha, where he is striving to indicate in human language something that would be intelligible about the condition of Nirvana. You find it in the Chinese translation of the Dhammapada, and the Chinese edition has been translation into English in Trübner's Oriental Series. He puts it there that, unless there were Nirvana, there could be nothing; and he uses various phrases in order to indicate what he means, taking the uncreated and then connecting with it the created; taking the Real and then connecting with it the unreal. He sums it up by saying that Nirvana is; and that if it were not, naught else could be. That is an attempt (if one may call it so with all reverence) to say what cannot be said. It implies that unless there existed the Uncreate, the invisible and the Real, we could not have a universe at all. You have there, then, the indication that Nirvana is a plenum, not a void. That idea should be fundamentally fixed in your mind, in your study of every great system of Philosophy. So often the expressions used may seem to indicate a void. Hence the western idea of annihilation. If you think of it as fullness, you will realize that the consciousness expands more and more, without losing utterly the sense of identity; if you could think of a centre of a circle without a circumference, you would glimpse the truth."

"It is the philosophy of Siddhartha Gautama again that Pythagoras expounded, when asserting that the ego was eternal with God, and that the soul only passed through various stages to arrive at the divine excellence; meanwhile the thumos returned to the earth, and even the phren was eliminated. Thus the metempsychosis was only a succession of disciplines through refuge-heavens to work off the exterior mind, to rid the nous of the phren, or soul, the Buddhist... principle that lives from Karma and the Skandhas (groups). p. 287, Part II, Religion"

"A maṇi-jewel; magical jewel, which manifests whatever one wishes for (Skt. maṇi, cintā-maṇi, cintāmaṇi-ratna). According to one's desires, treasures, clothing and food can be manifested, while sickness and suffering can be removed, water can be purified, etc. It is a metaphor for the teachings and virtues of the Buddha. ... Said to be obtained from the dragon-king of the sea, or the head of the great fish, Makara, or the relics of a Buddha."

"Buddha Siddhârta (Sk.) The name given to Gautama, the Prince of Kapilavastu, at his birth. It is an abbreviation of sarvârtthasiddha and means, the “realization of all desires”. Gautama, which means, on earth (gâu) the most victorious (tama) “was the sacerdotal name of the Sâkya family, the kingly patronymic of the dynasty to which the father of Gautama, the King Suddhodhana of Kapilavastu, belonged. Kapilavastu was an ancient city, the birth-place of the Great Reformer and was destroyed during his life time. In the title Sâkyamuni, the last component, muni, is rendered as meaning one mighty in charity, isolation and silence”, and the former Sâkya is the family name. Every Orientalist or Pundit knows by heart the story of Gautama, the Buddha, the most perfect of mortal men that the world has ever seen, but none of them seem to suspect the esoteric meaning underlying his prenatal biography, i.e., the significance of the popular story. The Lalitavistûra tells the tale, but abstains from hinting at the truth. The 5,000 jâtakas, or the events of former births (re-incarnations) are taken literally instead of esoterically."

"Gautama, the Buddha, would not have been a mortal man, had he not passed through hundreds and thousands of births previous to his last. Yet the detailed account of these, and the statement that during them he worked his way up through every stage of transmigration from the lowest animate and inanimate atom and insect, up to the highest—or man, contains simply the well-known occult aphorism: “a stone becomes a plant, a plant an animal, and an animal a man”... Buddha Gautama, the fourth of the Sapta (Seven) Buddhas and Sapta Tathâgatas was born according to Chinese Chronology in 1024 B.C; but according to the Singhalese chronicles, on the 8th day of the second (or fourth) moon in the year 621 before our era. He fled from his father's palace to become an ascetic on the night of the 8th day of the second moon, 597 BC., and having passed six years in ascetic meditation at Gaya, and perceiving that physical self-torture was useless to bring enlightenment, be decided upon striking out a new path, until he reached the state of Bodhi. p. 66"

"He became a full Buddha on the night of the 8th day of the twelfth moon, in the year 592, and finally entered Nirvâna in the year 543 according to Southern Buddhism. The Orientalists, however, have decided upon several other dates. All the rest is allegorical. He attained the state of Bodhisattva on earth when in the personality called Prabhâpala. Tushita stands for a place on this globe, not for a paradise in the invisible regions. The selection of the Sâkya family and his mother Mâyâ, as “the purest on earth,” is in accordance with the model of the nativity of every Saviour, God or deified Reformer. The tale about his entering his mother's bosom in the shape of a white elephant is an allusion to his innate wisdom, the elephant of that colour being a symbol of every Bodhisattva. The statements that at Gautama's birth, the newly born babe walked seven steps in four directions, that an Udumbara flower bloomed in all its rare beauty and that the Nâga kings forthwith proceeded ‘‘to baptise him”, are all so many allegories in the phraseology of the Initiates and well-understood by every Eastern Occultist."

"Every detail of the narrative after his death and before cremation is a chapter of facts written in a language which must be studied before it is understood, otherwise its dead letter will lead one into absurd contradictions. For instance, having reminded his disciples of the immortality of Dharmakâya Buddha is said to have passed into Samâdhi, and lost himself in Nirvâna—from which none can return, and yet, notwithstanding this, the Buddha is shown bursting open the lid of the coffin, and stepping out of it; saluting with folded hands his mother Mâyâ who had suddenly appeared in the air, though she had died seven (days after his birth, &c., &c. As Buddha. was a Chakravartti (he who turns the wheel of the Law), his body at its cremation could not be consumed by common fire. What happened suddenly a jet of flame burst out of the Swastica on his breast, and reduced his body to ashes... As to his being one of the true and undeniable Saviours of the World... his walk in life is from the beginning to the end, holy and divine."

"During the years of his mission it is blameless and pure as that of a god—or as the latter should be. He is a perfect example of a divine, godly man. He reached Buddhaship—i.e., complete enlightenment—entirely by his own merit and owing to his own individual exertions, no god being supposed to have any personal merit in the exercise of goodness and holiness. Esoteric teachings claim that he renounced Nirvâna and gave up the Dharmakâya vesture to remain a “Buddha of compassion” within the reach of the miseries of this world. ...The religious philosophy he left... has produced for over 2,000 years generations of good and unselfish men. His is the only absolutely bloodless religion among all the existing religions tolerant and liberal, teaching universal compassion and charity, love and self-sacrifice, poverty and contentment with one's lot, whatever it may he. No persecutions, and enforcement of faith by fire and sword, have ever disgraced it. No thunder-and-lightning-vomiting god has interfered with its chaste commandments; and if the simple, humane and philosophical code of daily life left to us by the greatest Man-Reformer ever known, should ever come to he adopted by mankind at large, then indeed an era of bliss and peace would dawn on Humanity."

"For the first time in human history, the Buddha admonished, entreated and appealed to people not to hurt a living being, and it is not necessary to offer prayer, praise or sacrifice to gods. With all the eloquence at his command the Buddha vehemently proclaimed that gods are also in dire need of salvation themselves."

"We should never forget that Gautama was born and brought up a Hindu and lived and died a Hindu. His teaching, far-reaching and original as it was, and really subversive of the religion of the day, was Indian throughout. He was the greatest and wisest and best of the Hindus."

"Truly did the Buddha seek truth, both in the living and in the dead. For this impermanence was only to suffer by the weight of the physical world, although indeed we were not, as the existence would succumb to form yet hath we been without such. To call unity onto abstraction by the utterance of a word, as no bond or bound could be placed upon thee for there was none to be had. The containment of contention was that of fear and thus the ego, merely relying on the surface to perceive weakness, though within us man could not restrain. Overcome the order by following on ones own path."

"India was the motherland of our race, and Sanskrit the mother of Europe's languages: she was the mother of our philosophy; mother, through the Arabs, of much of our mathematics; mother, through the Buddha, of the ideals embodied in Christianity; mother, through the village community, of self-government and democracy. Mother India is in many ways the mother of us all."

"Robert Taylor – Agent Jones"

"I'd like to share a revelation that I've had during my time here. It came to me when I tried to classify your species and I realized that you're not actually mammals. Every mammal on this planet instinctively develops a natural equilibrium with the surrounding environment, but you humans do not. You move to an area and you multiply and multiply until every natural resource is consumed and the only way you can survive is to spread to another area. There is another organism on this planet that follows the same pattern. Do you know what it is? A virus. Human beings are a disease, a cancer of this planet. You're a plague and we are the cure."

"There's this one scene where I run up the walls. It lasts about 30 seconds, but it took months of training. I did that scene for hours and hours, and it was hard. You have to put complete trust in the spotters (who catch you if you fall). I remember when they took the padding off the concrete walls and asked me to do the scene. I couldn't. I freaked. I went home that day and cried and cried. I was afraid and the fear got me."

"[At a phonebooth] I know you're out there. I can feel you now. I know that you're afraid. You're afraid of us. You're afraid of change. I don't know the future. I didn't come here to tell you how this is going to end. I came here to tell you how it's going to begin. I'm going to hang up this phone, and then I'm going to show these people what you don't want them to see. I'm going to show them a world without you. A world without rules or controls, borders or boundaries. A world where anything is possible. Where we go from there is a choice I leave to you. [Then flies up into the sky]"

"[From behind Agent Jones about to shoot Neo] Dodge this. [Shoots and kills Agent Jones at point-blank range]"

"[About to shoot and kill Neo sitting on ground] Only human."

"[To Morpheus of a near top skyscraper floor] Have you ever stood and stared at it, marveled at its beauty, its genius? Billions of people just living out their lives, oblivious. Did you know that the first Matrix was designed to be a perfect human world. Where none suffered. Where everyone would be happy. It was a disaster. No one would accept the program. Entire crops were lost. Some believed that we lacked the programming language to describe your perfect world. But I believe that as a species, human beings define their reality through misery and suffering. The perfect world was a dream that your primitive cerebrum kept trying to wake up from. Which is why the Matrix was redesigned to this, the peak of your civilization. I say your civilization because as soon as we started thinking for you it really became our civilization which is, of course, what this is all about. Evolution, Morpheus, evolution. Like the dinosaur. Look out that window. You had your time. The future is our world, Morpheus. The future is our time."

"David Aston – Rhineheart"

"Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machine world - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah?"

"Philosophical objections aside, I think I reacted negatively to “The Matrix” because I had a sense of what was coming. Neo triumphs by breaking the rules, and the Wachowskis, shifting from one style of representation to another, sending bullets harmlessly through the air, bringing simulated characters back from death, broke most of the rules of filmmaking, too. In this movie, they worked as artists, and some of “The Matrix” is thrilling. But later directors have violated the laws of time and space so opportunistically that the new freedom provided by digital invention has often become meaningless. Even worse than meaningless—destructive. By last summer, I was ready to declare my allegiance to realism; or at least to the common-sense idea that successful stories depend on limits, restrictions, consequences. Stories without death can't interest us for very long. Summing up: I regret how casually I wrote about “The Matrix,” but I think I was on to something bad that was about to be unleashed on movies."

"Too bad, because the set-up is intriguing. "The Matrix" recycles the premises of "Dark City" and "Strange Days," turns up the heat and the volume, and borrows the gravity-defying choreography of Hong Kong action movies. It's fun, but it could have been more. The directors are Larry and Andy Wachowski, who know how to make movies (their first film, "Bound," made my 10 best list in 1996). Here, with a big budget and veteran action producer Joel Silver, they've played it safer; there's nothing wrong with going for the Friday night action market, but you can aim higher and still do business."

"Both "Dark City" and "Strange Days" offered intriguing motivations for villainy. "Matrix" is more like a superhero comic book in which the fate of the world comes down to a titanic fist-fight between the designated representatives of good and evil. It's cruel, really, to put tantalizing ideas on the table and then ask the audience to be satisfied with a shoot-out and a martial arts duel. Let's assume Neo wins. What happens then to the billions who have just been "unplugged" from the Matrix? Do they still have jobs? Homes? Identities? All we get is an enigmatic voice-over exhortation at the movie's end. The paradox is that the Matrix world apparently resembles in every respect the pre-Matrix world. (I am reminded of the animated kid's film "Doug's 1st Movie," which has a VR experience in which everything is exactly like in real life, except more expensive.) Still, I must not ignore the movie's virtues. It's great-looking, both in its design and in the kinetic energy that powers it. It uses flawlessly integrated visual effects and CGI animation to visualize regions of cyberspace. It creates fearsome creatures, including mechanical octopi. It morphs bodies with the abandon of "Terminator II: Judgement Day." It uses f/x to allow Neo and Trinity to run horizontally on walls, and hang in the air long enough to deliver karate kicks. It has leaps through space, thrilling sequences involving fights on rooftops, helicopter rescues and battles over mind control."

"The Matrix is arguably the ultimate cyberpunk artifact."

"Mr. Reeves plays a late-20th-century computer hacker whose terminal begins telling him one fateful day that he may have some sort of messianic function in deciding the fate of the world. And what that function may be is so complicated that it takes the film the better part of an hour to explain. Dubbed Neo (in a film whose similarly portentous character names include Morpheus and Trinity, with a time-traveling vehicle called Nebuchadnezzar), the hacker is gradually made to understand that everything he imagines to be real is actually the handiwork of 21st-century computers. These computers have subverted human beings into batterylike energy sources confined to pods, and they can be stopped only by a savior modestly known as the One."

"With enough visual bravado to sustain a steady element of surprise (even when the film's most important Oracle turns out to be a grandmotherly type who bakes cookies and has magnets on her refrigerator), The Matrix makes particular virtues out of eerily inhuman lighting visual effects, lightning-fast virtual scene changes (as when Neo wishes for guns and thousands of them suddenly appear) and the martial arts stunts that are its single strongest selling point. As supervised by Yuen Wo Ping, these airborne sequences bring Hong Kong action style home to audiences in a mainstream American adventure with big prospects as a cult classic and with the future very much in mind."

"Follow the white rabbit."

"In a world of 1s and 0s... are you a zero, or The One?"

"Economically made in Australia for about $60 million, this live-action comic book marks a big step up in ambition for writer-directors Andy and Larry Wachowski, whose first film was the lesbian crime meller “Bound.” Reportedly, the brothers penned “The Matrix” first and have been working on it steadily for five years; from the evidence, they were grafting on surplus ideas during that time rather than subtracting and synthesizing. Not only is it a good half-hour too long, but there are so many elements here — Christian motifs and mysticism, half-baked Eastern philosophy, Lewis Carroll refs, ambiguous oracular prophecies, the co-existence of two realities, pod-grown babies, time travel, creatures capable of rebirth and, all importantly, the expectation of the arrival of the Chosen One — as to prove utterly indigestible."

"The morphing involved in numerous scenes is outstandingly fluid and vivid, but it's the way the martial arts are handled, as promised in the opening teaser, that sets “The Matrix” apart. Chinese kung-fu and wire-stunt ace Yuen Wo Ping was engaged to choreograph the fight sequences, which are on a level perhaps unsurpassed in an American film. Beyond that, filmmakers have employed a technique they call “bullet-time photography,” ultra-fast lensing that, when combined with computer enhancement, allows for altering the speed and trajectories of people and objects, resulting in the live-action equivalent of a Japanese anime film."

"It's really simple. The truth of that one is that design staff on The Matrix were given Invisibles collections and told to make the movie look like my books. This is a reported fact. The Wachowskis are comic book creators and fans and were fans of my work, so it's hardly surprising. I was even contacted before the first Matrix movie was released and asked if I would contribute a story to the website. (...) I'm not angry about it anymore, although at one time I was, because they made millions from what was basically a Xerox of my work and to be honest, I would be happy with just one million so I didn't have to work thirteen hours of every fucking day, including weekends."

"Anthony Ray Parker – Dozer"

"Reeves and Fishburne make a convincing team of master and student badasses, and Moss more than holds her own for the Riot Grrrl contingent. As the shape-shifting Smith, Weaving calls to mind the sullen cool of "Terminator 2: Judgment Day's" Robert Patrick as the liquid-metal villain T-1000."

"At first viewing, the live-action sequences stun, but there's more to this than the groundbreaking "bullet time" photography, or the adolescent allure of flash, black clothes and big, black guns. Sure, "The Matrix" is almost untenably cool, but beneath the sheen there's substance. The story's a potent mix of buddhism, Greek mythology, and - predominantly - the Christian gospel. The image of a superficial existence, where ignorant people thrive by blocking out a troublesome reality, is potent for a Western society drowning in wealth while the rest of the world suffers."

"A futuristic kung-fu fantasy with terrific stunts and a stunted script Keanu Reeves plays Neo, a computer hacker who thinks he's living in the twentieth century but is really a pawn in a giant virtual-reality game controlled by twenty-second-century programmers. Dude! I damned if I can explain more about this muddled mind-bender, except to say that Neo is recruited by Trinity (Carrie-Anne Moss) to join her leader, Morpheus (Laurence Fishburne), in a rebellion against those who would enslave them. If fashion dictates choosing sides, it's a lock for the kinky rebels who wear black leather and cool shades."

"Written and directed by the Wachowski Brothers, Larry and Andy, "The Matrix" is the unlikely spiritual love child of dark futurist Philip K. Dick and the snap and dazzle of Hong Kong filmmaking, with digital technology serving as the helpful midwife."

"Just as exciting are "The Matrix's" two kinds of action sequences. One strata involves John Woo-type expenditures of massive amounts of ammunition shot in super slow-motion and the other uses both Hong Kong-style stunt work and a technique the press notes refer to as "bullet-time photography" that involved shooting film at the computer-aided equivalent of 12,000 frames per second. "The Matrix" cast members who were involved in the film's eye-catching kung-fu fight sequences also apparently committed to four months of pre-production work with Hong Kong director and stunt coordinator Yuen Wo Ping, someone who specializes in the technique, known as wire fighting, that gives H.K. films like "Drunken Master," "Once Upon a Time in China" and "Fist of Legend" their distinctive high-flying look. Not everything in "The Matrix" makes even minimal sense, but the Wachowski brothers, said to be major fans of comic books and graphic novels, are sure-handed enough to smoothly pull us over the rough spots. When a film is as successful as this one is at hooking into the kinetic joy of adrenalized movie-making, quibbling with it feels beside the point."

"It's a story about consciousness, a child's perception of an adult's world. The Matrix is about the birth and evolution of consciousness. It starts off crazy, then things start to make sense"

"Be Afraid of the Future."

"Free your mind."

"The Fight for the Future Begins."

"Believe the unbelievable."

"Reality is a thing of the past."

"What is The Matrix?"