All Quotes

"We are at the classic-romantic barrier now, where on one side we see a cycle as it appears immediately—and this is an important way of seeing it—and where on the other side we can begin to see it as a mechanic does in terms of underlying form—and this is an important way of seeing things too. These tools for example—this wrench—has a certain romantic beauty to it, but its purpose is always purely classical. It's designed to change the underlying form of the machine."

"People arrive at a factory and perform a totally meaningless task from eight to five without question because the structure demands that it be that way. There’s no villain, no ‘mean guy’ who wants them to live meaningless lives, it’s just that the structure, the system demands it and no one is willing to take on the formidable task of changing the structure just because it is meaningless. But to tear down a factory or to revolt against a government or to avoid repair of a motorcycle because it is a system is to attack effects rather than causes; and as long as the attack is upon effects only, no change is possible. The true system, the real system, is our present construction of systematic thought itself, rationality itself, and if a factory is torn down but the rationality which produced it is left standing, then that rationality will simply produce another factory. If a revolution destroys a systematic government, but the systematic patterns of thought that produced that government are left intact, then those patterns will repeat themselves in the succeeding government. There’s so much talk about the system. And so little understanding"

"That's all the motorcycle is, a system of concepts worked out in steel. There's no part in it, no shape in it, that is not out of someone's mind"

"Whitehouse disappeared into ignominy. William Thomson ended up being knighted and later elevated to a baron by Queen Victoria. He became Lord Kelvin and eventually got an important unit of measurement, an even more important law of physics, and a refrigerator named after him."

"I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon. They associate metal with given shapes—pipes, rods, girders, tools, parts—all of them fixed and inviolable, and think of it as primarily physical. But a person who does machining or foundry work or forge work or welding sees "steel" as having no shape at all. Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not."

"These shapes are all out of someone's mind. That's important to see. The steel? Hell, even the steel is out of someone's mind. There's no steel in nature. Anyone from the Bronze Age could have told you that. All nature has is a potential for steel. There's nothing else there. But what's "potential"? That's also in someone's mind!"

"The number of rational hypotheses that can explain any given phenomenon is infinite."

"You are never dedicated to something you have complete confidence in. No one is fanatically shouting that the sun is going to rise tomorrow. They know it's going to rise tomorrow. When people are fanatically dedicated to political or religious faiths or any other kinds of dogmas or goals, it's always because these dogmas or goals are in doubt."

"I think present-day reason is an analogue of the flat earth of the medieval period. If you go too far beyond it you're presumed to fall off, into insanity. And people are very much afraid of that. I think this fear of insanity is comparable to the fear people once had of falling off the edge of the world. Or the fear of heretics. There's a very close analogue there."

"What's happening is that each year our old flat earth of conventional reason becomes less and less adequate to handle the experiences we have and this is creating widespread feelings of topsy-turviness. As a result we're getting more and more people in irrational areas of thought—occultism, mysticism, drug changes and the like—because they feel the inadequacy of classical reason to handle what they know are real experiences."

"A rush of wind comes furiously now, down from the mountaintop. "The ancient Greeks," I say, "who were the inventors of classical reason, knew better than to use it exclusively to foretell the future. They listened to the wind and predicted the future from that. That sounds insane now. But why should the inventors of reason sound insane?""

"Mountains should be climbed with as little effort as possible and without desire. The reality of your own nature should determine the speed. If you become restless, speed up. If you become winded, slow down. You climb the mountain in an equilibrium between restlessness and exhaustion. Then, when you are no longer thinking ahead, each footstep isn't just a means to an an end but a unique event in itself. This leaf has jagged edges. This rock looks loose. From this place the snow is less visible, even though closer. These are things you should notice anyway. To live only for some future goal is shallow. It’s the sides of the mountain that sustain life, not the top. Here's where things grow."

"I think metaphysics is good if it improves everyday life; otherwise forget it."

"Any philosophic explanation of Quality is going to be both false and true precisely because it is a philosophic explanation. The process of philosophic explanation is an analytic process, a process of breaking something down into subjects and predicates. What I mean (and everybody else means) by the word ‘quality’ cannot be broken down into subjects and predicates. This is not because Quality is so mysterious but because Quality is so simple, immediate and direct."

"In our highly complex organic state we advanced organisms respond to our environment with an invention of many marvelous analogues. We invent earth and heavens, trees, stones and oceans, gods, music, arts, language, philosophy, engineering, civilization and science. We call these analogues reality. And they are reality. We mesmerize our children in the name of truth into knowing that they are reality. We throw anyone who does not accept these analogues into an insane asylum. But that which causes us to invent the analogues is Quality. Quality is the continuing stimulus which our environment puts upon us to create the world in which we live. All of it. Every last bit of it."

"Now, to take that which has caused us to create the world, and include it within the world we have created, is clearly impossible. That is why Quality cannot be defined. If we do define it we are defining something less than Quality itself."

"Zen is the "spirit of the valley." The only Zen you find on the tops of mountains is the Zen you bring up there."

"If one made a research grant application to work on time travel it would be dismissed immediately. No government agency could afford to be seen to be spending public money on anything as way out as time travel. Instead one has to use technical terms like closed time-like curves, which are code for time travel."

"I regard it as almost inevitable that either a nuclear confrontation or environmental catastrophe will cripple the Earth at some point in the next 1,000 years which, as geological time goes, is the mere blink of an eye. By then I hope and believe that our ingenious race will have found a way to slip the surly bonds of Earth and will therefore survive the disaster."

"With current technology interstellar travel is utterly impractical. Alpha Centauri can never become a holiday destination."

"It's tempting to dismiss the notion of highly intelligent machines as mere science fiction, but this would be a mistake, and potentially our worst mistake ever."

"If a superior alien civilisation sent us a text message saying, 'We'll arrive in a few decades', would we just reply, 'OK, call us when you get here, we'll leave the lights on'? Probably not, but this is more or less what has happened with AI."

"It matters if you don't just give up."

"I have hardly ever known a mathematician who was able to reason."

"The greatest enemy of knowledge is not ignorance. It is the illusion of knowledge."

"In the year 1900 Max Planck wrote... E = hv, where E is the energy of a light wave, v is its , and h is... . It said that energy and frequency are the same thing measured in different units. Plank's constant gives you a rate of exchange for for converting frequency into energy... But in the year 1900 this made no physical sense. Even Plank himself did not understand it. ...Now Hawking has written down an equation which looks rather like Plank's equation... S = kA, where S is the entropy of a black hole, A is the area of its surface, and k is... Hawking's constant. Entropy means roughly the same thing as the of an object. ...Hawking's equation says that entropy is really the same thing as area. The exchange rate... is given by Hawking's constant... But what does it really mean to say that entropy and area are the same thing? We are as far away from understanding that now as Planck was of understanding quantum mechanics in 1900. ...[T]his equation will emerge as a central feature of the still unborn theory which will tie together gravitation and quantum mechanics and thermodynamics."

"A few years ago, I had the good fortune to be lecturing in Tokyo at the same time as the cosmologist Stephen Hawking. Walking the streets of Tokyo with Hawking in his wheelchair was an amazing experience. I felt as if I were taking a walk through Galilee with Jesus Christ. Everywhere we went, crowds of Japanese silently streamed after us, stretching out their hands to touch Hawking's wheelchair. Hawking enjoyed the spectacle with detached good humor. I was thinking of an account that I had read of Einstein's visit to Japan in 1922. The crowds had streamed after Einstein as they streamed after Hawking seventy years later."

"On the whole, the public shows good taste in its choice of idols. Einstein and Hawking earned their status as superstars, not only by their scientific discoveries but by their outstanding human qualities. Both of them fit easily into the role of icon, responding to public adoration with modesty and good humor and with provocative statements calculated to command attention. Both of them devoted their lives to an uncompromising struggle to penetrate the deepest mysteries of nature, and both still had time left over to care about the practical worries of ordinary people. The public rightly judged them to be genuine heroes, friends of humanity as well as scientific wizards."

"Hawking's intitial foray into quantum gravity was more modest than Wheeler's and other[s]... a sneak approach. He first wanted to know what the effect was of an ordinary, classic, curved-space gravitational field on a quantum system. He called this the semiclassical approach. Until that day, most quantum calculations had been done as if gravity didn't exist — they were hard enough without it in normal flat space-time... [Hawking accomplished this by] envisioning an "atom" whose nucleus was a catastrophically powerful black hole... Starobinsky ventured the opinion that rotating black holes would spray elementary particles. ...It was known from Penrose's work, among others, that you could extract energy from the spin of a black hole just like any other dynamo... in particles and radiation just like it did from a particle generator. ... But Hawking ... resolved to redo the calculation for himself ...he decided to warm up first, by calculating the rate of emission from a nonrotating quantum hole. He knew the answer should be no emission. ... his results were embarrassing. His imaginary black hole was spewing matter and radiation ... he was reluctant to tell anybody but his closest friends; he was afraid Bekenstein would hear about it. ... It meant that holes had temperatures, just as Bekenstein's work implied."

"'Andábamos sin buscarnos pero sabiendo que andábamos para encontrarnos.'"

"I touch your mouth, I touch the edge of your mouth with my finger, I am drawing it as if it were something my hand was sketching, as if for the first time your mouth opened a little, and all I have to do is close my eyes to erase it and start all over again, every time I can make the mouth I want appear, the mouth which my hand chooses and sketches on your face, and which by some chance that I do not seek to understand coincides exactly with your mouth which smiles beneath the one my hand is sketching on you."

"Nada está perdido si se tiene el valor de proclamar que todo está perdido y hay que empezar de nuevo."

"'Ahora pasa que las tortugas son grandes admiradoras de la velocidad, como es natural. Las esperanzas lo saben, y no se preocupan. Los famas lo saben, y se burlan. Los cronopios lo saben, y cada vez que encuentran una tortuga, sacan la caja de tizas de colores y sobre la redonda pizarra de la tortuga dibujan una golondrina.'"

""Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")"

"The snail lives the way I like to live; he carries his own home with him."

"The only true exile is the writer who lives in his own country."

"For the majority of readers, Latin American fantastic literature operates under the tutelage of the great masters: Jorge Luis Borges, Adolfo Bioy Casares, Julio Cortázar and Gabriel García Márquez. However, although few are acquainted with their works, many women began experimenting with this genre well before their male counterparts and were the true precursors of the form, though their names remained on the shelves of oblivion, without the recognition that they deserved. María Luisa Bombal, for example, wrote the fantastic nouvelle, House of Mist (1937) before the famous Ficciones (1944) of Borges, and the Mexican, Elena Garro, wrote Remembrance of Things to Come (1962) before the publication of García Márquez' One Hundred Years of Solitude (1967)."

"Julio was never a regional writer. You could see he was Argentinian, but he was more like Borges, more universal from the very beginning. He didn’t jump from the regionalism, he wrote universally all the time...It’s not that Julio was not very Argentinian, he was very Argentinian but his works were never as local."

"I belong to the first generation of Latin American writers brought up reading other Latin American writers. Before my time the work of Latin American writers was not well distributed, even on our continent. In Chile it was very hard to read other writers from Latin America. My greatest influences have been all the great writers of the Latin American Boom in literature: García Márquez, Vargas Llosa, Cortázar, Borges, Paz, Rulfo, Amado, etc."

"I was influenced by all of them-by García Márquez, by Carlos Fuentes, Jorge Luis Borges, Julio Cortázar, José Donoso, so many of them-some of my own generation, like Eduardo Galeano. It's easy for me to write because I don't have to invent anything. They already found a voice, a way of telling us to ourselves, so it's easy."

"I have a commitment to many of my major characters who have brown skin. That's a commitment to the story of a different character that you're not used to seeing in literature. In Julio Cortázar's work, for example, I can deal with his Latin American history, I can deal with the language, but his women have white, porcelain skin. They're Argentine, probably from a European background."

"One of the first people I read was García Márquez and One Hundred Years of Solitude when I was about nineteen or eighteen. And Julio Cortázar. I read all of Jorge Amado. I can tell you I read everybody and everything. And they would drive me nuts! But I was compelled to it. I was driven to the mechanics of what they were doing...I read and reread Julio Cortázar to try to learn from the writer the labyrinth of his style...I think he is one of the best examples of playing with time. When I was going to write The Mixquiahuala Letters I was twenty-three, and I had this idea about playing with time-that time was fluid-and I mentioned this project to a friend of mine, who was getting his Master's in Spanish literature, and he said that's already been done!"

"Cortázar…whom I admire deeply, I met much later in my life...Cortázar is the one who is closest to my way of understanding the act of writing. And nearer to my heart. I admire Carlos Fuentes on the opposite extreme of the equation. That is why I wrote a book on both of them, Entrecruzamientos: Cortázar/Fuentes."

"Cualquiera que no lea a Cortázar está condenado. No leerlo es una seria enfermedad invisible que, con el tiempo, puede traer consecuencias terribles. Semejante en cierto modo al que nunca ha saboreado un durazno, el hombre se volverá calladamente más triste, notablemente más pálido y es probable que, poco a poco, acabe perdiendo todo el pelo."

"I sent the club a wire stating, "PLEASE ACCEPT MY RESIGNATION. I DON'T WANT TO BELONG TO ANY CLUB THAT WILL ACCEPT PEOPLE LIKE ME AS A MEMBER"."

"[Variant:] "Please accept my resignation. I don’t care to belong to any club that will have me as a member"."

"No one is completely unhappy at the failure of his best friend."

"Here's to our wives and girlfriends... may they never meet! (Variation on an old Royal Navy wardroom toast: "Wives and Sweethearts! May they never meet!")"

"From the moment I picked your book up until I laid it down I was convulsed with laughter. Someday I intend on reading it."

"I never forget a face, but in your case I'll be glad to make an exception."