All Quotes

"Before either of us knew it, we belonged to each other."

"When you read Hölderlin, you see feints and variations that put him with Celan; it was reading Hölderlin that gave Rilke the impetus for his Duino Elegies (his "Gods" are like Rilke's "Angels", tutelary presences that don't quite convince us that they exist: "Celebrate – yes, but what?" Hölderlin writes somewhere, but it sounds eerily like Rilke). Sometimes reading him can feel as bitterly sacramental as Trakl, the great Austrian poet who took his life following the battle of Grodek in the first world war. All that doesn't really "translate". If you really want to read Hölderlin – or any one of the other great "national" poets – you should learn German (or Russian or French or Spanish)."

"Friedrich Hölderlin saw his times – like Wordsworth, Beethoven and Hegel, he was born in 1770 – as in fermentation, as a messy process that may lead to clarity. Most of his poems are concerned with the nature and possibility of transition. Through the complexity of their syntax, the intricate jointing of their rhythms, and their abrupt shifts between images, we are trained in the dynamics of moving through uncertainty, and given experiences of how it can resolve itself into coherence. But almost at once comes the correction, the recognition that reality does not yet match the hopes that it is nevertheless capable of nourishing. If we are taken back to ancient Greece, the chief sustainer of Hölderlin's belief that a better world was possible, to witness, as in his poem “The Archipelago”, a vision of the growth of Athens so powerful it seems to be happening before our eyes, it is only to have the illusion wrecked by the reminder that Athens now lies in ruins. “The Archipelago” ends with the sober desire to understand the “changing and becoming” (“das Wechseln / Und das Werden”) it has so successfully embodied in its lines, so at a kind of remove; and most of Hölderlin's completed poems end quietly."

"It was the function of poetry, not of himself as the poet, that he thought highly. That function was sacred, for the poet was the priest of the divine. Mr. Peacock – we think rightly – compares him with Blake both for his isolation among his contemporaries and for the purity of his utterance, which seems to carry with it so little base or neutral matter. He can be compared with Blake also for his sense of inspiration; but whereas the divine for Blake was gradually concentrated in a power which he identified with the god of Christianity, Hölderlin sought for it in the gods. These gods of his – of whose imaginative reality his poetry convinces us – appear to have been created by a singular combination of German philosophical pantheism and a profound insight into the religious sources of Greek poetry."

"The fact remains that Hölderlin's creed was a kind of pantheism – though it has many varieties – and that his supreme value was beauty – though beauty is variously understood and experienced. Beauty for Hölderlin was not a thing in itself, but rather the grace attendant on a harmonious manifestation of the powers of Nature. Athenian civilization was the type of the beautiful, because Nature achieved in it her own perfect form."

"The one poet who both grew out of but gave form to many of the thoughts and philosophies of these groups was Friedrich Hölderlin and though his disillusionment with the French revolution was great, the poems he wrote in response to it seek to bring a the sense of revolutionary elan and hope which it promised into his oeuvre. He did this by returning to the classical tradition and a reworking of ancient Greece which, instead of the usual promotion of a static understanding of the way history works, he emphasised the old Heraclitean adage that everything is in flux. Hope sprung eternal because hope emerged out of changed circumstances and out of the fundamental human desire to make things better, no matter how that desire may become diverted and deformed by the contingencies of the every day. His rediscovery of Dionysian desire is clear in his work."

"There is, properly speaking, no Misfortune in the world. Happiness and Misfortune stand in continual balance. Every Misfortune is, as it were, the obstruction of a stream, which, after overcoming this obstruction, but bursts through with the greater force."

"History has a way of reducing individuals to flat, two-dimensional portraits. it is the enemy of subjectivity, which is why Stephen Dedalus called it "a nightmare from which I am trying to awake". If we think of Kierkegaard, of Nietzsche, of Hölderlin, we see them standing alone, outside of history. They are spotlighted by their intensity, and the background is all darkness. They intersect history, but are not a part of it. There is something anti-history about such men; they are not subject to time, accident and death, but their intensity is a protest against it. I have elsewhere called such men "Outsiders" because they attempt to stand outside history. which defines humanity on terms of limitation, not of possibility."

"Unser Leben ist kein Traum, aber es soll und wird vielleicht einer werden."

"There are ideal series of events which run parallel with the real ones. They rarely coincide. Men and circumstances generally modify the ideal train of events, so that it seems imperfect, and its consequences are equally imperfect. Thus with the Reformation; instead of Protestantism came Lutheranism."

"Fate and temperament are the names of a concept."

"Fate and temperament are two words for one and the same concept."

"I was still blind, but twinkling stars did dance Throughout my being's limitless expanse, Nothing had yet drawn close, only at distant stages I found myself, a mere suggestion sensed in past and future ages."

"Wahrhafte Anarchie ist das Zeugungselement der Religion. Aus der Vernichtung alles Positiven hebt sie ihr glorreiches Haupt als neue Weltstifterin empor..."

"Blood will stream over Europe until the nations become aware of the frightful madness which drives them in circles. And then, struck by celestial music and made gentle, they approach their former altars all together, hear about the works of peace, and hold a great celebration of peace with fervent tears before the smoking altars."

"Poetry heals the wounds inflicted by reason."

"The world must be romanticized. In this way the originary meaning may be found again."

"To romanticize the world is to make us aware of the magic, mystery and wonder of the world; it is to educate the senses to see the ordinary as extraordinary, the familiar as strange, the mundane as sacred, the finite as infinite."

"To get to know a truth properly, one must polemicize it."

"Morality must be the heart of our existence, if it is to be what it wants to be for us. ... The highest form of philosophy is ethics. Thus all philosophy begins with “I am.” The highest statement of cognition must be an expression of that fact which is the means and ground for all cognition, namely, the goal of the I."

"Only the most perfect human being can design the most perfect philosophy."

"Every stage of education begins with childhood. That is why the most educated person on earth so much resembles a child."

"Philosophy ... bears witness to the deepest love of reflection, to absolute delight in wisdom."

"The poem of the understanding is philosophy."

"Die Möglichkeit aller Philosophie ... dass sich die Intelligenz durch Selbstberührung eine Selbstgesezmäßige Bewegung - d.i. eine eigne Form der Tätigkeit gibt."

"Friends, the soil is poor, we must sow seeds in plenty for us to garner even modest harvests."

"Everywhere we seek the Absolute, and always we find only things."

"Denotation by means of sounds and markings is a remarkable abstraction. Three letters designate God for me; several lines a million things. How easy becomes the manipulation of the universe here, how evident the concentration of the intellectual world! Language is the dynamics of the spiritual realm. One word of command moves armies; the word Liberty entire nations."

"Imagination places the future world for us either above or below or in reincarnation. We dream of travels throughout the universe: is not the universe within us? We do not know the depths of our spirit. The mysterious path leads within. In us, or nowhere, lies eternity with its worlds, the past and the future."

"Self-alienation is the source of all degradation as well as, on the contrary, the basis of all true elevation. The first step will be a look inward, an isolating contemplation of our self. Whoever remains standing here proceeds only halfway. The second step must be an active look outward, an autonomous, determined observation of the outer world."

"We are on a mission: we are called to the cultivation of the earth."

"Every beloved object is the center point of a paradise."

"The best thing about the sciences is their philosophical ingredient, like life for an organic body. If one dephilosophizes the sciences, what remains left? Earth, air, and water."

"Poets and priests were one in the beginning, and they only separated in later times. But the real poet is always a priest, just as the real priest always remains a poet."

"Nothing is more indispensable to true religiosity than a mediator that links us with divinity."

"Tools arm the man. One can well say that man is capable of bringing forth a world; he lacks only the necessary apparatus, the corresponding armature of his sensory tools. The beginning is there. Thus the principle of a warship lies in the idea of the shipbuilder, who is able to incorporate this thought by making himself into a gigantic machine, as it were, through a mass of men and appropriate tools and materials. Thus the idea of a moment often required monstrous organs, monstrous masses of materials, and man is therefore a potential, if not an actual creator."

"Building worlds is not enough for the deeper urging mind; but a loving heart sates the striving spirit."

"Before abstraction everything is one, but one like chaos; after abstraction everything is united again, but this union is a free binding of autonomous, self-determined beings. Out of a mob a society has developed, chaos has been transformed into a manifold world."

"If the world is a precipitation of human nature, so to speak, then the divine world is a sublimation of the same. Both occur in one act. No precipitation without sublimation. What goes lost there in agility, is won here."

"Where children are, there is a golden age."

"Many counterrevolutionary books have been written in favor of the Revolution. But Burke has written a revolutionary book against the Revolution."

"Most observers of the French Revolution, especially the clever and noble ones, have explained it as a life-threatening and contagious illness. They have remained standing with the symptoms and have interpreted these in manifold and contrary ways. Some have regarded it as a merely local ill. The most ingenious opponents have pressed for castration. They well noticed that this alleged illness is nothing other than the crisis of beginning puberty."

"The normal present connects the past and the future through limitation. Contiguity results, crystallization by means of solidification. There also exists, however, a spiritual present that identifies past and future through dissolution, and this mixture is the element, the atmosphere of the poet."

"The art of writing books is not yet invented. But it is at the point of being invented. Fragments of this nature are literary seeds. There may be many an infertile grain among them: nevertheless, if only some come up!"

"Die Liebe wirkt magisch. Sie ist der Endzweck der Weltgeschichte, das Amen des Universums."

"Man is a sun and his senses are the planets."

"The seat of the soul is where the inner world and the outer world meet. Where they overlap, it is in every point of the overlap."

"I. The Pupil. — Men travel in manifold paths: whoso traces and compares these, will find strange Figures come to light; Figures which seem as if they belonged to that great Cipher-writing which one meets with everywhere, on wings of birds, shells of eggs, in clouds, in the snow, in crystals, in forms of rocks, in freezing waters, in the interior and exterior of mountains, of plants, animals, men, in the lights of the sky, in plates of glass and pitch when touched and struck on, in the filings round the magnet, and the singular conjunctures of Chance. In such Figures one anticipates the key to that wondrous Writing, the grammar of it; but this Anticipation will not fix itself into shape, and appears as if, after all, it would not become such a key for us. An Alcahest seems poured out over the senses of men. Only for a moment will their wishes, their thoughts thicken into form. Thus do their Anticipations arise; but after short whiles, all is again swimming vaguely before them, even as it did."

"No explanation is required for Holy Writing. Whoso speaks truly is full of eternal life, and wonderfully related to genuine mysteries does his Writing appear to us, for it is a Concord from the Symphony of the Universe."

"Surely this voice meant our Teacher; for it is he that can collect the indications which lie scattered on all sides. A singular light kindles in his looks, when at length the high Rune lies before us, and he watches in our eyes whether the star has yet risen upon us, which is to make the Figure visible and intelligible."