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"1. Space is not an empirical concept which has been derived from external experience. For in order that certain sensations should be referred to something outside myself... the representation of space must already be there. ...this external experience becomes possible only by means of the representation of space. 2. Space is a necessary representation a priori, forming the very foundation of all external intuitions. It is impossible to imagine that there should be no space... Space is therefore regarded as a condition of the possibility of phenomena, not as a determination produced by them; it is a representation a priori which necessarily precedes all external phenomena. 3. On this necessity of an a priori representation of space rests on the apodictic certainty of all geometric principles, and the possibility of their construction a priori. For if the intuition of space were a concept gained a posteriori, borrowed from general external experience, the first principles of mathematical definition would be nothing but perceptions. They would be exposed to all the accidents of perception, and there being but one straight line between two points would not be a necessity, but only something taught in each case by experience. Whatever is derived from experience possesses a relative generality only, based on induction. We should therefore not be able to say more than that, so far as hitherto observed, no space has yet been found having more than three dimensions. 4. Space is not a discursive or so-called general concept of the relations of things, but a pure intuition. ... 5. Space is represented as an infinite quantity. ...If there were not infinity in the progression of intuition, no concept of relations of space could ever contain a concept of infinity."

- Space

• 0 likes• Outer space• Nature•
"Hitherto I have laid down the definitions of such words as are less known, and explained the sense in which I would have them to be understood in the following discourse. I do not define time, space, place and motion, as being well known at all. Only I must observe, that the vulgar conceive those quantities under no other notions but from the relation they bear to sensible objects. And thence arise certain prejudices, for the removing of which, it will be convenient to distinguish them into absolute and relative, true and apparent, mathematical and common. ...II. Absolute space, in its own nature, without regard to any thing external, remains always similar and immovable. Relative space is some moveable dimension or measure of the absolute spaces; which our senses determine by its position to bodies; and which is vulgarly taken for immovable space; such is the dimension of a subterraneous, an æreal, or celestial space, determined by its position in respect of the earth. Absolute and relative space, are the same in figure and magnitude; but they do not remain always numerically the same. For if the earth, for instance, moves, a space of our air, which relatively and in respect of the earth remains always the same, will at one time be one part of the absolute space into which the air passes, at another time it will be another part of the same, and so, absolutely understood, it will be perpetually mutable. III. Place is a part of space which a body takes up, and is according to the space, either absolute or relative. I say, a part of space; not the situation, nor the external surface of the body. For the places of equal solids, are always equal; but their superficies, by reason of their dissimilar figures, are often unequal. Positions properly have no quantity, nor are they so much the places themselves, as the properties of places. The motion of the whole is the same thing with the sum of the motions of the parts; that is, the translation of the whole, out of its place, is the same thing with the sum of the translations of the parts out of their places; and therefore the place of the whole, is the same thing with the sum of the places of the parts; and for that reason, it is internal, and in the whole body."

- Space

• 0 likes• Outer space• Nature•
"Media Piracy's core thesis is simple: people in the poor world don't pay for software, games, music and movies because these goods cost too much. Whereas a DVD here might cost you an hour's wage, the same DVD in a poor country could cost a day's work, or a week's, or even more. In poor markets where legitimate media costs the same (in relative terms) as it does in rich markets, the amount of licit purchasing is about the same. But that's not what the media companies say they believe. In their official narrative – bolstered by a long line of studies with undocumented methodologies and assumptions – is that poor countries simply lack a "culture of copyright" that can be reinforced through education and enforcement. Karganis and co have much to say on this score. They document the way that the airwaves and newspapers in poor countries are dominated by the official, Hollywood view of piracy, presented uncritically and at length. The message is even integrated into the school curriculum through official teaching units produced by American entertainment conglomerates and given to teachers to be delivered verbatim to their students. On the enforcement side, entertainment companies often secure a kind of rough, streamlined justice that allows them to race to the head of the justice line, pushing past criminal and civil cases of much larger magnitude. They get their own police forces tasked to them, and their own special high-grade punishments that treat offences against them as inherently graver than offences against local firms and people."

- Internet file sharing

• 0 likes• Internet• Crime•
"Media piracy has been called "a global scourge," "an international plague," and "nirvana for criminals," but it is probably better described as a global pricing problem. High prices for media goods, low incomes, and cheap digital technologies are the main ingredients of global media piracy. If piracy is ubiquitous in most parts of the world, it is because these conditions are ubiquitous. Relative to local incomes in Brazil, Russia, or South Africa, the price of a CD, DVD, or copy of Microsoft Office is five to ten times higher than in the United States or Europe. Licit media goods are luxury items in most parts of the world, and licit media markets are correspondingly tiny. Industry estimates of high rates of piracy in emerging markets- 68% for software in Russia, 82% for music in Mexico, 90% for movies in India-reflects this disparity and may even understate the prevalence of pirated goods. Acknowledging these price effects is to view piracy from the consumption side rather than the production side of the global media economy. Piracy imposes an array of costs on producers and distributors- both domestic and international- but it also provides the main form of access in developing countries to a wide range of media goods, from recorded music, to film, to software. This last point is critical to understanding the trade offs that define piracy and enforcement in emerging markets. The enormously successful globalization of media culture has not been accompanied by a comparable democratization of media access - at least in its legal forms. The flood of legal media goods available in high-income countries over the past two decades has been a trickle in most parts of the world."

- Internet file sharing

• 0 likes• Internet• Crime•