All Quotes

"True courtiers should be modest, and not nice; Bold, but not impudent; pleasure love, not vice."

"The blest gods do not love Ungodly actions; but respect the right, And in the works of pious men delight."

"Within a thicket I reposed; when round I ruffled up fall’n leaves in heaps, and found, Let fall from heaven, a sleep interminate."

"All fell upon the high-hair’d oaks, and down their curled brows Fell bustling to the earth; and up went all the boles and boughs."

"Our hopes, I see, resemble much the sun, That rising and declining cast large shadows; But when his beams are dressed in's midday brightness, Yields none at all: when they are farthest from Success, their guilt reflection does display The largest shows of events fair and prosperous."

"I am ashamed the law is such an ass."

"Words writ in waters."

"They're only truly great who are truly good."

"I know an Englishman, Being flattered, is a lamb; threatened, a lion."

"The translation of Homer, published by George Chapman, in the reign of queen Elizabeth and king James, is one of the greatest treasures the English language has to boast."

"He has more thinking than many of the old dramatists; and the praise of one of his critics, though strongly worded, is not without some foundation, that we "seldom find richer contemplations on the nature of man and the world.""

"Chapman, ... where he lays aside the gravity of the philosopher and poet, discovers an unexpected comic vein, distinguished by equal truth of nature and lively good humour."

"Much have I travell'd in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow'd Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He stared at the Pacific—and all his men Look'd at each other with a wild surmise— Silent, upon a peak in Darien."

"Of all the English Play-writers, Chapman perhaps approaches nearest to Shakspeare in the descriptive and didactic, in passages which are less purely dramatic. Dramatic Imitation was not his talent. He could not go out of himself, as Shakspeare could shift at pleasure, to inform and animate other existences, but in himself he had an eye to perceive and a soul to embrace all forms. He would have made a great Epic Poet, if, indeed, he has not abundantly shown himself to be one; for his Homer is not so properly a Translation as the Stories of Achilles and Ulysses re-written. The earnestness and passion which he has put into every part of these poems would be incredible to a reader of mere modern translations. His almost Greek zeal for the honour of his heroes is only paralleled by that fierce spirit of Hebrew bigotry, with which Milton, as if personating one of the Zealots of the old law, clothed himself when he sate down to paint the acts of Samson against the Uncircumcised. The great obstacle to Chapman's Translations being read is their unconquerable quaintness. He pours out in the same breath the most just and natural and the most violent and forced expressions. He seems to grasp whatever words come first to hand during the impetus of inspiration, as if all other must be inadequate to the divine meaning. But passion (the all in all in Poetry) is everywhere present, raising the low, dignifying the mean, and putting sense into the absurd. He makes his readers glow, weep, tremble, take any affection which he pleases, be moved by words, or in spite of them, be disgusted and overcome their disgust. I have often thought that the vulgar misconception of Shakspeare, as of a wild irregular genius "in whom great faults are compensated by great beauties," would be really true applied to Chapman."

"101-ism - the tendency to pick apart, often in minute detail, all aspects of life using half-understood pop psychology as a tool. (page 85)"

"2 + 2 = 5-ism - caving in to a target marketing strategy aimed at oneself after holding out for a long period of time: "Oh, all right, I'll buy your stupid cola. Now leave me alone." (page 139)"

"air family - describes the false sense of community experienced among coworkers in an office environment. (page 111)"

"anti-sabbatical - a job taken with the sole intention of staying only for a limited period of time (often one year). The intention is usually to raise enough funds to partake in another, more personally meaningful activity such as watercolor sketching in Crete or designing computer knit sweaters in Hong Kong. Employers are rarely informed of intentions. (page 35)"

"anti-victim device (AVD) - a small fashion accessory worn on an otherwise conservative outfit which announces to the world that one still has a spark of individuality burning inside: 1940s retro ties and earrings (on men), feminist buttons, noserings (on women), and the now almost completely extinct teeny weeny "rattail" haircut (both sexes). (page 114)"

"architectural indigestion - the almost obsessive need to live in a "cool" architectural environment. Frequently related objects of fetish include framed black-and-white art photography (Diane Arbus a favorite); simplistic pine furniture; matte black high-tech items such as TVs, stereos, and telephones; low-wattage ambient lighting; a lamp, chair, or table that alludes to the 1950s; cut flowers with complex names. (page 75)"

"Armanism - after Giorgio Armani: an obsession with mimicking the seamlesss and (more importantly) controlled ethos of Italian culture. Like Japanese minimalism, Armanism reflects a profound inner need for control. (page 82)"

"Bambification - the mental conversion of flesh and blood living creatures into cartoon characters possessing bourgeois Judeo-Christian attitudes and morals. (page 48)"

"black dens - where Black Holes live; often unheated warehouses with Day-Glo spray painting, mutilated mannequins, Elvis references, dozens of overflowing ashtrays, broken mirror sculptures, and Velvet Underground music playing in background. (page 135)"

"black holes - an X generation subgroup best known for their possession of almost entirely black wardrobes. (page 135)"

"bleeding ponytail - an eldery sold-out baby boomer who pines for hippie or pre-sellout days. (page 21)"

"boomer envy - envy of material wealth and long-range material security accrued by older members of the baby boom generation by virtue of fortunate births. (page 21)"

"option paralysis - the tendency, when given unlimited choices, to make none. (page 139)"

"Bradyism - a multisibling sensiblity derived from having grown up in large families. A rarity in those born after approximately 1965, symptoms of Bradyism include a facility for mind games, emotional withdrawal in situations of overcrowding, and a deeply felt need for a well-defined personal space. (page 134)"

"Brazilification - the widening gulf between the rich and the poor and the accompanying disappearance of the middle classes. (page 11)"

"bread and circuits - the electronic era tendency to view party politics as corny — no longer relevant or meaningful or useful to modern societal issues, and in many cases dangerous. (page 80)"

"café minimalism - to espouse a philosophy of minimalism without actually putting into practice any of its tenets. (page 107)"

"A thousand such possibilities await him. His fate brings them on, leaving him no choice; for those outside of the bourgeoisie live in the atmosphere of these magic possibilities. A mere nothing suffices — and the lightning strikes."

"Man is an onion made up of a hundred integuments, a texture made up of many threads."

"Man is not by any means of fixed and enduring form (this, in spite of suspicious to the contrary on the part of their wise men, was the ideal of the ancients). He is much more an experiment and a transition. He is nothing else than the narrow and perilous bridge between nature and spirit. His innermost destiny drives him on to the spirit and to God. His innermost longing draws him back to nature, and the mother. Between the two forces his life hangs tremulous and resolute."

"A man cannot live intensely except at the cost of the self. Now the bourgeois treasures nothing more highly than the self (rudimentary as his may be). And so at the cost of intensity he achieves his own preservation and security. His harvest is a quiet mind which he prefers to being possessed by God, as he does comfort to pleasure, convenience to liberty, and a pleasant temperature to that deathly inner consuming fire. The bourgeois is consequently by nature a creature of weak impulses, anxious, fearful of giving himself away and easy to rule."

"It appears to be an inborn and imperative need of all men to regard the self as a unit. However often and however grievously this illusion is shattered, it always mends again. The judge who sits over the murderer and looks into his face, and at one moment recognizes all the emotions and potentialities and possibilities of the murderer in his own soul and hears the murderer’s voice as his own, is at the next moment one and indivisible as the judge, and scuttles back into the shell of his cultivated self and does his duty and condemns the murderer to death. And if ever the suspicion of their manifold being dawns upon men of unusual powers and of unusually delicate perceptions, so that, as all genius must, they break through the illusion of the unity of the personality and perceive that the self is made up of a bundle of selves, they have only to say so and at once the majority puts them under lock and key, calls science to aid, establishes schizomania and protects humanity from the necessity of hearing the cry of truth from the lips of these unfortunate persons."

"Out whole civilization was a cemetery where Jesus Christ and Socrates, Mozart and Haydn, Dante and Goethe were but indecipherable names on moldering stones; and the mourners who stood round affecting a pretense of sorrow would give much to believe in these inscriptions which once were holy, or at least to utter one heart-felt word of grief and despair about this world that is no more. And nothing was left them but the embarrassed grimaces of a company round a grave."

"There was room for repentance and solitude; room for good living and company."

"Without really wanting to at all, they pay calls and carry on conversations, sit out their hours at desks and on office chairs; and it is all compulsory, mechanical and against the grain, and it could all be done or left undone just as well by machines; and indeed the never ending machinery that prevents their being, like me, the critics of their own lives and recognizing the stupidity and shallowness, the hopeless tragedy and waste of the lives they lead, and the awful ambiguity grinning over it all. And they are right, right a thousand times to live as they do, playing their games and pursuing their business, instead of resisting the dreary machine and staring into the void as I do, who have left the track."

"As a body everyone is single, as a soul never."

"All birth means separation from the All, the confinement within limitation, the separation from God, the pangs of being born ever anew. The return into the All, the dissolution of painful individuation, the reunion with God means the expansion of the soul until it is able once more to embrace the All."

"Obeying is like eating and drinking. There's nothing like it if you've been without it too long"

"You should not take old people who are already dead seriously. It does them injustice. We immortals do not like things to be taken seriously. We like joking. Seriousness, young man, is an accident of time. It consists, I don't mind telling you in confidence, in putting too high a value on time. I, too, once put too high a value on time. For that reason I wished to be a hundred years old. In eternity, however, there is no time, you see. Eternity is a mere moment, just long enough for a joke."

"No, I'm not religious I'm sorry to say. There is no time now to be religious.""

"In the German spirit the matriarchal link with nature rules in the form of the hegemony of music to an extent unknown in any other people."

"Instead of playing his part as truly and honestly as he could, the German intellectual has constantly rebelled against the word and against reason and courted wonderful creations of sound, and wonderful beauties of feeling and mood that were never pressed home to reality, has left the greater part of its practical gifts to decay. None of us intellectuals is at home in reality. We are strange to it and hostile. That is why the part played by intellect even in our own German reality, in our history and politics and public opinion, has be so lamentable a one."

"All this, I said, just as today was the case with the beginnings of wireless, would be of no more service to man than as an escape from himself and his true aims, and a means of surrounding himself with an ever closer mesh of distractions and useless activities."

"Your faith has found no more air to breathe. And suffocation is a hard death."

"For the first time I understood Goethe’s laughter, the laughter of the immortals. It was a laughter without an object. It was simply light and lucidity. It was that which is left over when a true man has passed through all the sufferings, vices, mistakes, passions, and misunderstandings of men and got through to eternity and the world of space. And eternity was nothing else than the redemption of time, its return to innocence, so to speak, and its transformation again to space."

"The sacred sense of beyond, of timelessness, of a world which had an eternal value and the substance of which was divine had been given back to me today by this friend of mine who taught me dancing."