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"Poor Robin Williams, briefly enduring that lonely moment of morbid certainty where it didn’t matter how funny he was or who loved him or how many lachrymose obituaries would be written. I feel bad now that I was unduly and unbefittingly snooty about that handful of his films that were adjudged unsophisticated and sentimental. He obviously dealt with a pain that was impossible to render and ultimately insurmountable, the sentimentality perhaps an accompaniment to his childlike brilliance. We sort of accept that the price for that free-flowing, fast-paced, inexplicable comic genius is a counterweight of solitary misery. That there is an invisible inner economy that demands a high price for breathtaking talent. … Robin Williams could have tapped anyone in the western world on the shoulder and told them he felt down and they would have told him not to worry, that he was great, that they loved him. He must have known that. He must have known his wife and kids loved him, that his mates all thought he was great, that millions of strangers the world over held him in their hearts, a hilarious stranger that we could rely on to anarchically interrupt, the all-encompassing sadness of the world. Today Robin Williams is part of the sad narrative that we used to turn to him to disrupt. … we must reach inward and outward to the light that is inside all of us … Do you have time to tune in to Fox News, to cement your angry views to calcify the certain misery? What I might do is watch Mrs. Doubtfire. Or Dead Poets Society or Good Will Hunting and I might be nice to people, mindful today how fragile we all are, how delicate we are, even when fizzing with divine madness that seems like it will never expire."

- Robin Williams

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"Robin and I agreed once that it’s galling to hear — when you’re “in it” — the question: “What have you got to be depressed about?” The great British actor and comedian, Stephen Fry, a fellow-sufferer, replies “And what have you got to have asthma about?” Robin, like his idol Jonathan Winters, must have had one of the world’s hardest talents with which to live and retain personal balance. Sitting next to him on my old PBS show was like sitting in the Macy’s barge next to the fireworks going off. He was at full, manic, comic frenzy for an hour without let-up. (We even improvised a short Shakespeare play together, with and without rhymed couplets.) I caught his manic energy. It was exhilarating. And exhausting. When it ended, I was wet and spent. It took him a while to come (partially) down, and I thought, “Can this be good for anyone? Can you be able to do all these rapid-fire personality changes and emerge knowing who you yourself are?… Some day, will some chemical link be found between great, great performing talent and susceptibility to that awful conqueror of the talented performer? Are the gods jealous? Do they cruelly envy the greatly gifted and, in the classic Greek manner, smite them low? The somewhat grim answer: We’d better enjoy them while we can."

- Robin Williams

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"Williams gave tremendous performances in a handful of movies, but it was Williams bottled and, in most cases, domesticated. It didn’t have that free-form, unfettered genius. That said, his nattering sailor in Robert Altman’s messy Popeye was musically dazzling. Even more musical was his performance in Paul Mazursky’s Moscow on the Hudson, in which the sadness of not being able to perform was right there in his eyes. … The combination of mania and melancholy tapped something beautiful in him. In The Fisher King, Williams was also at the height of his powers. He knew how to play a man dangerously in touch with unseen forces, a holy fool, and for once he played opposite actors who were, each in their own way, worthy of him: Jeff Bridges, Mercedes Ruehl, and, most memorably, Amanda Plummer, who should have partnered with him again. We do need to talk about those “domesticated” parts, because they were the ones that won him a huge mainstream audience and, in the case of his avuncular, bearded psychiatrist in Good Will Hunting, an Oscar. This was Williams the crinkle-eyed humanist. … The saddest thing is that Williams never found a collaborator who could give him the combination of structure and freedom in which he could thrive … But you know what? You could put together a highlight reel of Williams’s work … and see that the measure of the man was vast. Even when his talent was cruelly constricted, his soul was limitless."

- Robin Williams

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"To the generation of kids who grew up on his movies, Williams was a revelation, a teacher and a lifeline. It might seem ridiculous for a generation to claim a universally loved celebrity as their own, but if there was ever a Millennial hero, it was Robin Williams. The news that Williams had died, at the age of 63, hit the world like a shockwave yesterday. For many older Millennials, like me, who grew up in the ’80s and ’90s, the loss strikes as a particularly hard blow. … Williams’ Dr. Sean Maguire, a counselor who becomes a father-figure to the troubled title character in Good Will Hunting, punctured even my teenage gloom. He wasn’t jokey, he wasn’t zany, he wasn’t any of the things I had come to associate with Robin Williams, but his warmth was wholly recognizable and I was in awe. And then there’s Dead Poets Society, one of the ultimate teenage movies … The movie’s plot, which centers on a conservative boys school where a radical teacher works against the system to inspire his students, is hardly original and I knew that even back then. But the zeal and honesty that Williams’ poured into John Keating almost single-handedly elevated the movie from a cliché to an actual inspiration. Like any teenager, I was a bit disillusioned by school in general, but books and learning and truth were still things that could lure me and Williams’ Keating made a great case for them. To this day, I still can’t resist Williams’ line, “But poetry, beauty, romance, love, these are what we stay alive for.” Yet even with the years of cinematic evidence, I didn’t quite realize how much of an influence Williams had on my generation until today. … Everyone seemed to have their own personal memory about watching his films growing up. He was the teacher we always wanted, the baby-sitter we would have loved, the best friend who knew exactly how to make us laugh. It feels like I have always known that Robin Williams was an amazing actor, but I never understood just how amazing. Because looking back on it, I realize that his best roles didn’t define him — they helped define us."

- Robin Williams

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"Robin and I had a nice friendly relationship. I can’t claim I knew him well, but honestly, I don’t know how many people did. He seemed like the kind of guy who didn’t open up to a lot of people. … The thing about Robin that I loved the most — and again, with limited experience — is that when he did my show, he was so great at it, because he was able to achieve something that eludes a lot of comedians who have tried to do Real Time. It’s not an easy show to do because you have to be very smart about politics. We don’t use a lot of show business people on the panel. I can name the show business people who can do it on a couple of hands — Ben Affleck, George Clooney, Alec Baldwin, Kerry Washington — people who are very politically aware and involved, and that is their passion.… But Robin did the panel, and he was able to both modulate his normal manic persona down to what was appropriate for the show he was doing, and also, completely still be Robin Williams. That is not an easy trajectory to find, and he did, and I always loved him for it. First of all, it means you’re humble — that you understand that you have to shape-shift a little to the show you’re doing. Some people don’t do that. Some people just refuse to do that. They wanna be exactly who they are, on whatever show they’re doing. I don’t agree with that. I think when you’re the guest, you have to bend a little. He did that. He was still Robin Williams, but he was exactly right for the show he was doing."

- Robin Williams

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