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"'tler! (pronouncing only the last third of "Heil Hitler!")"

"Ow are you getting on, ey?"

"Colonnello! (kisses Von Strohm on his bald head)"

"My heart goes boom-titi-boom... titi-boom"

"Heil-a Mussolini! (in response to General Von Klinkerhoffen's "Heil Hitler")"

"Da a beautiful laidy i-a kiss-a your hand"

"What-a mistake-a to make-a"

"You vill dress as a woman of the opposite sex"

"Give me my powerful Gestapo binoculars."

"Flick ze Gestapo... no, I said FLICK ze Gestapo!"

"Hole Hotler!"

"I was in the poop"

"I was pissing by the door..."

"I have a massage from Michelle."

"I have bad nose."

"Gid moaning."

"[at the top of her voice] GENERAL VON KLINKERHOFFEN!"

"Yes, Herr Flick!"

"May I kiss you?"

"René: All of them the same."

"Leclerc: It is I, Leclerc, man of a thousand faces!"

"It is I, Leclerc!"

"I love you, I love you! (running after Madame Edith and pinching her bum)"

"Ohhh... my dicky ticker!"

"Ze small hearse with ze small horse."

"Monsieur Alfonse, undertaker - Swiftly, and with style."

"Can you do nothing right?!"

"Listen very carefully, I shall say this only once."

"Not the onion soup!"

"Ze flashing knobs, ze flashing knobs!! (in later seasons, Leclerc often comes out from the bedclothes)"

"Edith! Yvette! Maria/Mimi! Oh! Does nobody hear the cries of an poor old woman!?"

"Ooooh, Rrrrenéééé!"

"René! What are you doing, holding that poor servant-girl in your arms?"

"René! What are you doing with that woman?"

"Oh Yvette!"

"You may wonder what I am doing...."

"(To Madame Fanny) Shut up, you (silly) old bat."

"(To Edith) You stupid woman!"

"Take off your clothes."

"Avery Brooks – Benjamin Sisko"

"Alexander Siddig – Doctor Julian Bashir"

"Nana Visitor – Kira Nerys"

"Well, Enterprise too was literally going in the wrong direction. Gene was always forward looking and in terms of drama he wanted the shock of the new: new life, new civilizations. When you go backward people start nitpicking at the cannon and the technology."

"There was a flood of letters from every corner of the world advocating for this Excelsior series and then Paramount suddenly decided they didn’t want fan advice or participation and went ahead and did what they wanted to anyway with Enterprise which was a disastrous failure."

"Star Trek: Enterprise was the first Trek series to appear after 9/11, and reflected these new realities. The prequel series crew stumbled as they confronted all manner of unfamiliar civilizations, and did not even get along with the Vulcans very well. Then, in season three a 9/11-style attack on Earth forced Starfleet to launch an expedition to go after the shadowy Xindi, who had launched the strike. Making the Xindi potentially scary was the consortium nature of their alliance, including humanoid, arboreal, insectoid and aquatic species. Just as al Qaeda was an international terrorist consortium, the Xindi was more dangerous together than separately — a fact the Enterprise crew use to pry away some of the species from the organization."

"We started out with 13 million viewers on the pilot, and we somehow managed to drive 11 million of them away."

"I had assumptions, and we all know what happens when we assume. I assumed that the ending would be about our show and not a wrap-up of the conglomerate."

"It (the romance with Tucker) was so monotonous. There were a lot of feelings, but nothing ever happened. We repeated the same story over and over. Either make it a relationship or don't, but you can't walk this line forever. It's boring."

"TrekCore: What were the things on Enterprise that you really wanted to do in the fifth season? The biggest tragedy is when it got cut short. Where were you going to take it?"

"Q: The prequel concept sounded so promising, but fans never embraced Enterprise the way they had the other shows. Assuming you agree with that statement, why didn’t Trek fans connect with Enterprise to the same degree they had the previous series?"