First Quote Added
April 10, 2026
Latest Quote Added
"This song Announce me to the audience reveals the meaning of the whole album Habemus Capa. Caparezza is dead and through his corpse he observes his surroundings and pours it into verse. He will never speak in the following songs, but he will make someone else speak for him, possessing his body. (Caparezza, Mental sagas)"
"God's name is Zappa Frank Vincent. (from La rivoluzione del Sessintutto, n. 1)"
"The fricchettoni wanted to change the world, | those of my world want to watch porn | of reduced newsstands and expose more sterns | of the fleets in the port of Livorno . (from La rivoluzione del Sessintutto , n. 1)"
"Schoolchildren, are forced so | that the Pierino of Vitali | is an aristocratic figure. (from La rivoluzione del Sessintutto, n. 1)"
"There's a new sign at the sex shop: | 'You're going to pay dearly, you're going to pay for everything! (From La rivoluzione del Sessintutto, n. 1)"
"The plague of modern man | is to spend the nights with eyes on the screen | to become adult with a click on 'Confermo. (from La rivoluzione del Sessintutto, n. 1)"
"The idea of making a career doesn't touch it. | She doesn't suck coke at the Flora hotel. | In the parties of the Christian Democrats | if you have an illness you go down the plunge. | He does not go with the deputies, | he does not do the lolita, | he does not have the standard of living standards in life. | He invites me to challenging ties | like Tenco and Dalida, Radamés and Aida! (From Ulisse (You listen), n. 2)"
"Brother do you know what a pocket is? | It is a tub in which it meers, | in which every sin is programmed more than Pascal. (from Don't put your hands in your pockets, n. 3)"
"You are an unhealthy pocket bearer, | it suits you | confess | who with his hands in his pockets | you want to protest. (from Don't put your hands in your pockets, n. 3)"
"We excommunicated in the name of God | a book by Dan Brown | on the Priory of Sion | giving the start | to an era of putting to death | from Crozza to Andrea Rivera, | passing through Harry Potter. (from Don't put your hands in your pockets, n. 3)"
"There's jail | for those who carry pockets | because there is no control in the pockets! (from Don't put your hands in your pockets, n. 3)"
"From that moment on, whoever carries a pocket | or is an artist | or a drug addict | or both like Basquiat. (from Don't put your hands in your pockets, n. 3)"
"People who just need to be contrary like bastian | to give himself more airs than Bach Sebastian composed. (from Don't put your hands in your pockets, n. 3)"
"This is why you were arrested, | you believe in the tale of the free pocket | in the free stratum. (from Don't put your hands in your pockets, n. 3)"
"In nome Libertatis vincula edificamus. | In nome veritatis mendacia efferimus. (from Don't put your hands in your pockets, n. 3)"
"The years of lead, | the massacres, the kidnappings... but no! | I'm not interested in topics like these. | Me from those times | I just want to remember | "The high school student in the repeating class"."
"Ilaria from life wants more, | at least a friend of Tim-Tribù, | dumps crazy and stupid emu frogs. | She puts her tits on Badoo. (from Ilaria condizionata, n. 5)"
"Where is the air? | Where is he now? | They saw her at the procession in the shirt of Che. | He was Yelling: | "No! At your mercy" | while swallowing Nestlé chocolate. (from Ilarian air conditioning, no. 5)"
"With his hair straight at the live of the Misfits. | With the bullet-strick at the live of Fifty. (from Ilaria condizionata, n. 5)"
"Great works that begin | but will never end. (from The Great Work, n. 6)"
"More than the building hobby | I have the building lobby, | breaking the law like a bobby who serves you. | I take everything but people minimize | because I roll papers that are not called Rizla. (from The great work , n. 6)"
"It's a journey inside my head. This is the most painful album of my career. It comes after seven albums and is the result of a feeling of anguish and amazement, the same one you feel when moving inside the interactive forest that we created. Entering a forest and not knowing where you are going is strange, it is possible to enjoy the most beautiful situations, but also the bad ones. I think that this journey, similar to a video game, can help the public understand the project: it's like when you order a wine at a restaurant, if someone explains it to you it immediately takes on more value. (Caparezza)"
"EXUVIA, in short, is what remains of the body of some insects after having developed a formal change. A perfect cast, so precise in detail that it seems like a sculpture, a kind of transparent case that once housed the life and which now sits there, motionless, a simulacrum of a phase that has now been overcome. On the cover there is a symbol that represents the passage from a current condition (large circle) to a future one (small circle) through a series of spirals (symbol of death and rebirth in most cultures). My EXUVIA is therefore a personal rite of passage in 14 songs, the path of a fugitive who escapes from the imprisonment of times gone by to let himself be swallowed up by a forest in which to lose your tracks.From a post on the official Instagram page, 31 March 2021.</ ref> (Caparezza)"
"[...] I don't really care how Exuvia will be received. Really. However, it matters a lot to me that people perceive the commitment that went into doing it, the commitment that I put into it. Because if taste is subjective, and it is, other things are not. And I can tell you that I could talk to you for hours, really hours, about every single sentence contained in this record; I went back to the lyrics a thousand times before finding the definitive version. In short, I don't care if you like this album, but you have to recognize the commitment behind it. Yes, this is what I ask of you, I demand this a little. (Caparezza)"
"What a beautiful day (C.E.2011)"
"Artists united for Abruzzo"
"I would like to know my language less than Biscardi, | criticize scrawl drawn by Sgarbi, | put hair under Barbie's armpits, | knowing that Wilma is having it out with Barnie, | who secretly Red Ronnie gorges himself on meat. ref>, n. 3)"
"I strongly wanted to grow tired of madmen | to understand that I wasn't among them | but among the rebels. (from Mea culpa, n. 2)"
"Easy to stay blind as an alley, | dumb f*cking puppet for my ventriloquist. (from Mea culpa, n. 2)"
"The human race craves a fate that smacks of clinical death, | but he recites the usual cynical mimicry: | «Okay, that's it for today but tomorrow uou hou, uou hou!» (from But tomorrow uou hou, n. 8)"
"At the beginning of my career I was terrified of becoming a one-shot singer, from one song and away. Instead I managed to distract people from my so-called hits, like Fuori dal Tunnel for example, which for me are just songs."
"If being the MC means being a bricklayer who builds | the calligraphic rhyme is as stylish as it is static, | practice practically absent of theory, | it's not my story, well yes, I'm not an MC, but so be it. (from The Hoe Shoe, n. 1)"
"All the criticism that doesn't listen to us | if you act busy unless you are Caparezza. (Marracash)"
"For this reason the most convincing at the May Day Concert 2012 was Caparezza, a talented madman who expresses protest in an obliquely cheerful way. (Andrea Scanzi)"
"I don't have it against him, but I find it absurd that he is seen in a more intellectual way than me because he is long-haired and badly dressed and condemns politicians for things that even stones know. (Marracash)"
"«Is it okay to tarnish your country to sell records?» In a normal country he wouldn't sell any. (Gianfranco Rotondi:)"
"In Italy I would like to collaborate with Caparezza, who is snubbed by the rap world, even if in my opinion he is one of the few who always manages to put content even in the most danceable pieces... (Shade)"
"I saw Caparezza overturn on his bike | after I broke his brakes with the root breaker. (Fabri Fibra)"
"And take a quick look at the news | and discover that in Japan a poodle marries his vet, | fuck! This Turi is truly legendary, | better than Capare...mmmhh but is it really necessary? (Turi)"
"You must always grasp the compelling absurdities that he says about Caparezza... some expressions that perhaps you cannot immediately understand what they mean, but of an almost enigmatic beauty, as if they were riddles at times... of the words that stand there to think but what is Caparezza saying? And then you realize that in the context it is linear, it is perfect. (Roberto Vecchioni)"
"If I talk about bullshit everyone says it's nice, | if I make controversy they are slaughter meat. | For heaven's sake, much better the platitudes, | "talking about emotions", this is the motto. (from The Law of the nettle, n. 3)"
"I don't give a fuck about poetry, | I myself was born for a condom that broke. (from The Law of Nettle, n. 3)"
"When I drop the text, what do you want me to tell you? | There is no taste if it does not irritate. (from The Law of the Hives, n. 3)"
"But love what is it? | It is a concept that means everything and nothing, | from the obvious love of the man in love | to love in the broad sense for people. (from The Law of the nettle, n. 3)"
"I like those who croak, | those who crippled what they play, | the singer with the good voice | go to the monastery, | in the choir of the clergy. (from The law of nettle, n. 3)"
"Bacco, | you guide this insane man who fell at the hands of a female, | I insist, since the weather has predicted clouds of fog on my retina. | Here you toast and do not skimp | even if you give | a bad image of yourself, | after yet another sip assimilated for you! (From Sango and Drunken, n. 4)"
"Politicians who play actors, | guys who have their parents for work? | Uè! They have all gone crazy, | they convinced them that they will all be entrepreneurs ... (from Sango e Srunkzo, n. 4)"
"Here, | comes the bad and persuasive oc, | a proud liar who knows how to say only what people want to hear, | I do not touch his sago, | I am a deaf sorce to the piper. the entry The Pied Piper of Hamelin"
"The wine makes bad jokes | but I drink it on behalf of third parties and suffer. (from Sango e Srunkzo, n. 4)"
"I don't care, another fiasco and I'll fall asleep peacefully | and when I wake up I know I won't see what I saw being lusted, | for you. (from Stinguishing and Drunk, n. 4)"