Rappers From Italy

"Without cash you can't go out and I'm stuck here, no one ever writes to me as if I were http. (from Low Cash, n. 2)"

"You always discover the shortest route on the way back! (from SMS to the Madonna, n. 1)"

"A total mess happened, a creature stole my heart, please sir, maybe you can please get it back. (from SMS to the Madonna, n. 1)"

"There are so few of these dindi that I look at them closely, I watch over them like children. I waste time giving a name and surname to every penny. (from Low Cash, n. 2)"

"Before leaving I change the order of the furniture to give an appearance of novelty. | I shave off my hair and recover my decency. (from Malpensandoti, n. 4)"

"If God incarnated again, he would end up on a brand new cross, filmed by cell phones in the air, that's what instant nostalgia is."

"Life is a habit, but it always happens that you lose it."

"The words to use? Always those, the art is to change the order."

"The days all end the same, | and memories are colored crumbs, | you find them in bed and they don't let you sleep, | because you never know whether to taste them or sweep them away. (from Coloured Crumbs, n. 7)"

"I like women who pretend to be crazy, | but it all comes down to me if they've been redone, | because if you wanted your breasts to be big, giant, | who knows what you expect from my underwear. (from I like women, n. 6)"

"Love is that intertime, in which someone | holds you back and pulls you into a little room, | and you, you try to escape and stay | independent in the world but when, | you think again, you think again and you withdraw and you | it seems appropriate to stay, because the world is not that big, | and the aforementioned little room, it's not that bad. | And then you turn and kiss and bless those who respect you but | fades away and you discover that no one respects you or cares for you and you were alone | the sweater got caught in the handle. (from Love is that intertempo, n. 4)"

"If something can go wrong it will certainly go wrong, I am a magnet for disasters. (from Odio Volare, n. 1)"

"You don't know how to cook anyway, so sooner or later we'll have to break up or we'll die of hunger. (from Ma dove vai (Veronica), n. 8)"

"I'll only tell you once: COME BACK. Ok, if you want it I'll tell you two: COME BACK. I'll tell you three, please COME BACK. For you I send a text message to the Madonna! (from SMS to the Madonna, n. 1)"

"I make marginal music because I was born marginalized! I'm too cerebral to come out enriched and celebrated! (from Low Cash, n. 2)"

"And when evening falls, I ask myself "how is it that everyone already has their own career and I'm still waiting for mine, like the Jews the messiah?" (from Low Cash, n. 2 )"

"Seeing you up close would convert God, | who knows if you still want to make love with me. (from Bere una cosa, n. 1)"

"Now that your lips reflect the whole world I explore it by drinking something with you. (from Drinking a Thing, n. 1)"

"I'm here on the outskirts waving my arms but you don't even see me | when I throw my heart at your feet, | you'll end up crushing it by going like the accelerator, baby. (from Drink a Thing, n. 1)"

"I prefer to travel by post | and do not leave the surroundings and turn around myself | like the reflection or the time or the people alive or the hourglass that impassively turns on the axis, | she doesn't look down and isn't afraid of what those who torment her think, | how I would like him to teach me not to fear the looks of my neighbor, | me when I walk alone on Viale della Centrale! I, in order not to meet anyone, you know, chase the shadow that is in front of me! and she fits into every hole like gloves, I follow her if I fear she's tampering with some trains. (from Because you never know (what happens to you), n. 3)"

"There is still no wool that warms fresh, | the only one to succeed for now is vodka. (from Malpensandoti, n. 4)"

"I go to the entrance and am about to enter. | The automatic mechanism, the doors that open to let me pass makes me think: | any goodbye, even between two doors, is traumatic. (from Malpensandoti, n. 4)"

"How is it possible that three worlds are not enough to find what you are really looking for, | and the longest love lasts a couple of seconds, you always love that makes you suffer and makes third parties suffer. | Love takes away hunger, you stay fast so you drink a sea to fill the empty spaces, | but salt hurts even more, to survive everyone seeks their own Pozzeto like Cochi. (from Malpensandoti, n. 4)"

"God, how much cold blood it takes waiting for the woman you love, especially if you are not sure of love, and if she has been distant for months. (From Malpensandoti, n. 4 )"

"Don't be scared if I hurt you because | I do to others what I would like them to do to me, | complementary poles, you hate me, I love you, we are like dictionaries, we are Gods | synonyms and antonyms. (from Van Damme (Saddam), n. 5)"

"Sometimes just a kiss is worth the trip or the flight, it's worth the cost of the ticket like Grace Kelly in slow mo! (from Van Damme (Saddam), n. 5)"

"I recognize myself in my album only if I see myself reflected on the back of the CD. (from Prendi per mano D'Amico, n. 7)"

"It's a journey inside my head. This is the most painful album of my career. It comes after seven albums and is the result of a feeling of anguish and amazement, the same one you feel when moving inside the interactive forest that we created. Entering a forest and not knowing where you are going is strange, it is possible to enjoy the most beautiful situations, but also the bad ones. I think that this journey, similar to a video game, can help the public understand the project: it's like when you order a wine at a restaurant, if someone explains it to you it immediately takes on more value. (Caparezza)"

"More than the building hobby | I have the building lobby, | breaking the law like a bobby who serves you. | I take everything but people minimize | because I roll papers that are not called Rizla. (from The great work , n. 6)"

"EXUVIA, in short, is what remains of the body of some insects after having developed a formal change. A perfect cast, so precise in detail that it seems like a sculpture, a kind of transparent case that once housed the life and which now sits there, motionless, a simulacrum of a phase that has now been overcome. On the cover there is a symbol that represents the passage from a current condition (large circle) to a future one (small circle) through a series of spirals (symbol of death and rebirth in most cultures). My EXUVIA is therefore a personal rite of passage in 14 songs, the path of a fugitive who escapes from the imprisonment of times gone by to let himself be swallowed up by a forest in which to lose your tracks.From a post on the official Instagram page, 31 March 2021.</ ref> (Caparezza)"

"With his hair straight at the live of the Misfits. | With the bullet-strick at the live of Fifty. (from Ilaria condizionata, n. 5)"

"Where is the air? | Where is he now? | They saw her at the procession in the shirt of Che. | He was Yelling: | "No! At your mercy" | while swallowing Nestlé chocolate. (from Ilarian air conditioning, no. 5)"

"Great works that begin | but will never end. (from The Great Work, n. 6)"

"[...] I don't really care how Exuvia will be received. Really. However, it matters a lot to me that people perceive the commitment that went into doing it, the commitment that I put into it. Because if taste is subjective, and it is, other things are not. And I can tell you that I could talk to you for hours, really hours, about every single sentence contained in this record; I went back to the lyrics a thousand times before finding the definitive version. In short, I don't care if you like this album, but you have to recognize the commitment behind it. Yes, this is what I ask of you, I demand this a little. (Caparezza)"

"In nome Libertatis vincula edificamus. | In nome veritatis mendacia efferimus. (from Don't put your hands in your pockets, n. 3)"

"This is why you were arrested, | you believe in the tale of the free pocket | in the free stratum. (from Don't put your hands in your pockets, n. 3)"

"The years of lead, | the massacres, the kidnappings... but no! | I'm not interested in topics like these. | Me from those times | I just want to remember | "The high school student in the repeating class"."

"From that moment on, whoever carries a pocket | or is an artist | or a drug addict | or both like Basquiat. (from Don't put your hands in your pockets, n. 3)"

"There's jail | for those who carry pockets | because there is no control in the pockets! (from Don't put your hands in your pockets, n. 3)"

"People who just need to be contrary like bastian | to give himself more airs than Bach Sebastian composed. (from Don't put your hands in your pockets, n. 3)"

"Ilaria from life wants more, | at least a friend of Tim-Tribù, | dumps crazy and stupid emu frogs. | She puts her tits on Badoo. (from Ilaria condizionata, n. 5)"

"What a beautiful day (C.E.2011)"

"The idea of making a career doesn't touch it. | She doesn't suck coke at the Flora hotel. | In the parties of the Christian Democrats | if you have an illness you go down the plunge. | He does not go with the deputies, | he does not do the lolita, | he does not have the standard of living standards in life. | He invites me to challenging ties | like Tenco and Dalida, Radamés and Aida! (From Ulisse (You listen), n. 2)"

"The plague of modern man | is to spend the nights with eyes on the screen | to become adult with a click on 'Confermo. (from La rivoluzione del Sessintutto, n. 1)"

"Brother do you know what a pocket is? | It is a tub in which it meers, | in which every sin is programmed more than Pascal. (from Don't put your hands in your pockets, n. 3)"

"Schoolchildren, are forced so | that the Pierino of Vitali | is an aristocratic figure. (from La rivoluzione del Sessintutto, n. 1)"

"The fricchettoni wanted to change the world, | those of my world want to watch porn | of reduced newsstands and expose more sterns | of the fleets in the port of Livorno . (from La rivoluzione del Sessintutto , n. 1)"

"There's a new sign at the sex shop: | 'You're going to pay dearly, you're going to pay for everything! (From La rivoluzione del Sessintutto, n. 1)"

"You are an unhealthy pocket bearer, | it suits you | confess | who with his hands in his pockets | you want to protest. (from Don't put your hands in your pockets, n. 3)"

"Habemus Capa is my most political record, therefore a suicide. The whole concept of the album develops from the last sentence of the previous record: "Mom, how many records will they sell if I spend myself!" (Caparezza, Mental sagas)"