Gospel Singers

"I came late to the Elvis party. I never grabbed on to his shooting star in the ascendancy of his career. I was more into groups. And then a strange thing happened. Either Elvis changed or I did. Almost two decades ago, I began my oldies show on Thursday nights on WSRK in Oneonta and this is where I had the epiphany that Elvis Presley possessed one of the best male singing voices to ever climb the charts. Deep, passionate, powerful, no frills, no twang, no screaming. Classic. In the 1950s, nobody knew what he was. Still, it is the voice. I'm in awe of it and am a little embarrassed that I jumped on the bandwagon so late. But now that I am on it, I'm in the front seat, cheering all the way. Elvis is the King, let nobody doubt it. And if you are still a parade straggler, take my suggestion. Find yourself a copy of “An American Trilogy” (1972). It was recorded live before a sellout crowd at Madison Square Garden. This is Elvis' magnum opus. As he slides from “Dixie” to the “Battle Hymn of the Republic” you will be swept away. The orchestra provides the fanfare, the urban sounds of the background singers will mesmerize you and Elvis' vocals will lift you up. This one performance can actually be transformative. It is powerful yet sensitive, subtle yet bombastic. I don't know how, but it all works. And his voice was never better than on this song. “American Trilogy” is a Master Class. By a truly great artist."

"Elvis was a brilliant artist. As a musicologist — and I consider myself one — there was always a great deal of respect for Elvis, especially during his Sun sessions. As a black people, we all knew that. (In fact), Eminem is the new Elvis because, number one, he had the respect for black music that Elvis had."

"Elvis Presley is widely regarded as the most significant global cultural icon of the 20th century."

"It's called 'Love Song of the Year' and it's on the 'Promised Land' album, When I met Elvis, he leaned over and said, "How do you like what I did with your song?".Not one single artist who used my songs ever did something like that, but Elvis did."

"i) Then, in mid 1968 he taped a television special in a black leather suit, in front of a select live audience, opening with "Guitar Man" and closing with a mild social-conscience song, "If I Can Dream". But it wasn't until Greil Marcus brought out the recording of that performance for me, almost three years later, that I realized how significant it had been. Marcus has spent as much time listening as anyone who is liable to be objective, and he believes Elvis may have made the best music of his life that crucial comeback night. It's so easy to forget that Elvis was, or is, a great singer. Any account of his impact that omits that fundamental fact amounts to a dismissal. ii) Elvis made a great many major recordings, and no matter what jaded undergraduates think, few rock and rollers of any era have moved with such salacious insouciance. But it's my best guess that rocking or romantic, young or old, thin or fat, innocent or decadent, inspired or automatic, Elvis touches the millions he touches most deeply with that ineffable chestnut, the grain of his voice; from the pure possibility of "Mystery Train" and "Love Me Tender", to the schlock passion of "In the Ghetto", no singer has ever duplicated his aura of unguarded self-acceptance. The very refusal of sophistication that renders him unlistenable to Sinatraphiles is what his faithful love most about him. (In fact), listeners with looser standards in cultural articulation have a clearer pipeline to the meanings that voice might hold."

"We haven't been the same since Elvis. He defined an era, he was America, the fresh young outsider who shook up the system, the shining star with clay feet and the dissipated innocent who could not understand what he had become. That is the stuff of legends."

"One year I met President Eisenhower, Elvis Presley and Frank Sinatra and thought I had met all the important people in the world.,."

"Personally, I resent the ‘shouldn’t do that’ attitude of many guardians and reformers who want to straighten out the younger generation. I am young and don't doubt that I need a great deal of correcting, but when we stop listening to Elvis, stop reading comics, stop doing this, and stop doing that, what are we going to do then? In short, what have you older folks provided for us in the way of wholesome entertainment? Until you older folks can provide something in this line, I would appreciate it if you leave our literature, music, and Elvis alone."

"Recorded at the Beatles' old Abbey Road Studios, it offers one more chance to enjoy Presley's voice in a different context, deliciously backed by a world-class orchestra geared toward the nuances of his delivery. It's a new twist on a very familiar, and treasured, body of work. This one is a tried and true concept, basically a variation on last year's quite successful posthumous pairing of Presley with the Royal Philharmonic Orchestra, but the fact that it's been done once before doesn't diminish the pleasure. There are few surprises, but it's a reminder of Presley's range and vocal dexterity. The orchestral style suits Elvis well: taken out of the rock and roll context, there is no need for his swagger or his snarl, as the orchestra is restrained and understated, allowing Presley's vocals alone to carry the day. The orchestral format also gives rise to "live" concerts with Elvis singing on screen while the Royal Philharmonic performs. A series of six British shows in major arenas this fall is expected to draw thousands of the faithful — the number doesn't seem to be dwindling, even 39 years after his death in a country, the UK, where he never performed."

"I remember exactly where I was when I heard Elvis had died. I was 10 years old, in the back of my mum’s car, as she waited to get the fanbelt replaced. I’m not sure I’d even heard of Elvis, and I don’t think my mum had mentioned his name before or since, but I recall being in no doubt that something momentous had happened. I had the urge to tell Priscilla all this but that would have been ludicrous, so I didn’t."

"Having had the opportunity to work with these recordings, I am now more convinced than ever that Elvis Presley was the most passionate vocalist this world has known."

"I don’t know if it was the algorithm … or the Elvis movie coming out, but I just became inundated with Elvis stuff [on my streaming feeds) so I started thinking a lot about Elvis and I was like, I’m going to try to collect some songs that I’d written, and some covers that I would want to pitch to Elvis. So the songs that I wrote, I was writing like an Elvis impersonation."

"And the singer explodes, no longer laying back, now letting it fly. It is a raw, ragged sound, but the singer is so far into the moment that he doesn't care, and neither does anyone else. "When I read your lovin' letter, my heart began to sink," he roars with ache and ardor in his voice. "There's a million miles between us, but they didn't mean a thing." This glorious minute of "Trying to Get to You" is from Elvis Presley's 1968 television comeback special, one of 77 previously unreleased performances collected on a new four-CD box set, "Platinum: A Life in Music" (RCA). It affirms that 20 years after his death on Aug. 16, 1977, after countless books, albums, tabloid stories, imitators and Graceland tours have wrung seemingly every drop of mystery from his legacy, there remains plenty to learn about Presley. Or, perhaps more precisely, relearn. For in the last 20 years, the essential truth about Presley has been lost. But the truth of his 23 years of public music making is this: He was the most quintessentially American of singers, an artist who drew no boundaries between Saturday night blues and Sunday morning gospel, middle-of-the-road schmaltz and dirt-road hillbilly country. And he could swing a tune like nobody's business. More than anything else, those two factors--his openness to just about any kind of music and his ability to personalize that music with his unique feel for rhythm--are why Presley mattered, and still matters."

"I was in the studio, and they were mixing it over at Little Victor. I probably shouldn’t tell this, but I’m gonna tell you the truth. I was a publisher also, and I had published all of these songs. We shipped to all of the little stations, and the record label would ship to all of the big stations. I’m thinking, ‘Man, we’re gonna have to ship every one of these things, and I’ve got to get it to these little stations. If they start playing it on the big stations first, then these DJs are going to be mad at me. I’m thinking about all the stuff that I’ve got to do as far as work on this thing, and dreading it. Then all of a sudden I thought: ‘Here I’ve got a single by [Elvis] coming out. This is the greatest thing you could have happen, and I’m sitting here dreading it. It’s time for me to get out of this business...LOL."

"The series of Warhol inspired works by Russian artists was not done especially for this exhibition, but when the Moscow curator Andrei Yerofeyev heard about them, he did everything in his power to include the works in the show and catalog. The show ends with two black and white canvases facing each other from opposite walls with space for exhibition visitors in between them. On one wall is Elvis Presley dressed as a cowboy pointing a gun at the visitors. Across from him are executioners of the NKVD with red stars on their caps shooting back....."

"The first concert I attended was an Elvis concert at Oakland when I was eleven. Even at that age he made me realize the tremendous effect a performer could have on an audience."

"Take me, take me..."

"He as such a nice person, when I found out he died, I really was saddened"

"He looked like a prince from another planet, narrow-eyed, with high Indian cheek bones and a smooth brown skin untouched by his 37 years. When Elvis started to work with the mike, his right hand flailing air, his left leg moving as though it had a life of its own, time stopped, and everyone in the place was 17 again. It was a lesson in dominance; we had just seen the comic who couldn't control anybody, not even himself, and that had got us nervous; now Elvis made it all right again.Elvis used the stage, he worked to the people. The ones in front, in the best seats, the ones in back, and up in the peanut galleries. He turned, he moved, and when a girl threw a handkerchief on the stage, he wiped his forehead with it and threw it back, a gift of sweat from an earthy god. Young girls moaned, and stood in their seats trying to dance, and one kid took a giant leap from a loge seat clear to the stage, only to be caught and taken away. A special champion comes along, a , a , a , someone in whose hands the way a thing is done becomes more important than the thing itself. When DiMaggio hit a baseball, his grace made the act look easy and inevitable. Friday Night at Madison Square Garden, Elvis was like that. He stood there at the end, his arms stretched out, the great gold cloak giving him wings, a champion, the only one in his class."

"During our rehearsal with him, some guys fell off the bandstand laughing at Elvis. It was so shocking to all of us, we couldn’t believe it.”"

"I've always been a big Elvis fan, so the idea of taking this classic and splattering it with some signature INK bloodshed struck me as a match made in hell..."

"I once opened my mailbox and there was a letter from Elvis Presley. I opened it, read it and I was scared to hell. He asked me to discontinue using his name in association with the car so I never used it again""

"i) Ummm, OK. Here was a white kid that could rock and roll, made a lot of people listen to songs that they would not have listened to, rhythm and blues, or whatever you want to call it, and the girls would swoon over him. I dont want to talk more about Elvis because I am gonna lose one third of my fans LOL ii) I wasn't knocking Elvis. He did a lot for the music industry and particularly for the black music industry."

"Jerry Quarry and I got married right before his August 31, 1973 2nd round KO of James J. Woody, at the Las Vegas Convention Center. And, after that, we to see Elvis in concert at the Las Vegas Hilton. In fact, Jerry's mom was with us and she loved Elvis. Once there, his mom asked Red West backstage if she could have a scarf for Elvis to sign. Some time later, Red handed her a scarf but when Elvis recognised me, he threw me up in the air and said, ‘Hi kid how are you doing?’ It was so cute, such a fabulous feeling. Then he looked at Jerry and said: “Listen, you’d better treat this girl good. I know her and if you don’t, I’m gonna kick your butt!” to which Jerry said “Yes sir! Yes sir! LOL. But then, suddenly, Jerry's mom threw the scarf back in my face. When I asked her why she had done that, she said “Look at this.....He signed this to you, not to me..."

"Charlie was always aware of the public. While at the Manoir in the 1950's, a friend visited him and brought him a record of a new singer called Elvis Presley. Charlie hadn't heard of him. "This man has made a sensation in the States," his friend said. "I can't understand it. He wiggles his hips and sings and people go mad." "If he's made such an impact," Charlie replied, "he must have something. You can't fool the public." --"

"In a "Family Guy" parody of Rocky VI, Rocky goes to fight a boxing match on Mars. Even though there's no oxygen, he's not afraid of fighting an alien on another planet. Is there anything that would put fear into either Sly Stallone or Rocky Balboa? The answer is Elvis Presley. Since Elvis couldn't just go to- /a th02e/atr2e do-w them theatre down the block, he invited Sly to come down to Graceland with a copy of the film and do a private screening. Stallone was too intimidated and instead just sent a copy, which Elvis watched with friends and enjoyed"

"Obviously after the Elvis concert, I said how can this any better? It was mid August of 1969. The year after, Bill Medley played the smaller lounge, and since I had been in high school a fan of the Righteous Brothers, I went with my girlfriend to see him, sat down in one of those half moon booths. So, in the middle of Bill's concert, I noticed the entire room, about 500 people, all stand up so I turn around and watch as Elvis walks down the aisle towards the stage. He had not even been introduced, and by a struck of luck, sat next to me and my girlfriend at the booth, So I rushed outside to see if I could get a pen, to get his autograph, which I did. When I came back, with paper and pen in hand, I waited until Bill stopped singing, and I then asked Elvis to sing an autograph. To my amazement, he instead started talking to me as if he and I were friends our entire lives, and when I told him I was a music major, he asked me about my courses at the University of Las Vegas. Unbeknownst to Elvis and I, Bill and the entire audience remained silent during our conversation, looking at us, for a full five minutes.LOL. So, finally, he signs the autograph, shakes my hand, and says " Stay in school". The impression of him being who he was, and of talking to a man who had changed the world, was amazing, but more than anything I will cherish how he treated me...."

"I've always loved Elvis, how he entertained, how he performed, so that's where I try and take inspiration from"

""Elvis", in fact I wish Austin could play him in my Bob Dylan biopic, especially since Dylan is on record as to his admiration of Elvis and his SUN Period."

"There was a crowd gathered in one corner of the PX store and the rest of it seemed deserted, though the parking lot was filled with Jeeps, so I asked what was going on and they said that Elvis Presley was over there. I thought to myself, well, that's interesting, and I went about my business, got what I had come for, then went out to my jeep to kill time for awhile. Some time later, I noticed that Elvis was walking out of the store directly toward me. His Jeep was parked right next to mine. So we hung out and talked for 45 minutes. I asked someone to shoot a photo, but I never got a print. I also asked for his autograph, which I sent home to the daughter of one of my store managers who was a fan. He was just the nicest guy you could meet, an ordinary guy, with one exception, and that was that he was even better looking than he was in pictures LOL."

"If the worst thing (any one) can say about me is that I am like Mick Jagger and Elvis, I must be doing something right"

"’s partnership with has earned him more than $1.5 billion – not for his jumpshot, but for his ‘Airness’ and persona. The Elvis Presley estate still generates millions each year from merchandise, themed events, and image licensing. Elvis’s music is indeed protected by copyright, but his ‘brand’ – the hairstyle, the sideburns, the glittering jumpsuits – may be protected by publicity rights."

"One day I was nervous and struggling with one scene that stretched into about 30 takes, and I could see the director was getting frustrated,so I started stuttering. Then Elvis said, 'That's it, it's a wrap, the little lady and I are going to have something to eat", so he took me to dinner and the next day I nailed the scene immediately. At that early age, I didn't understand the magnitude of his fame and popularity, but he was a true gentleman..."

"I was very moved by your letter. I’m sure your dad would have been very happy with his Elvis-themed funeral. Thinking about it, I would be very happy with one too — to be ushered into the next world by the voice of the greatest rock ‘n’ roll singer of them all. Kentucky Rain, that’s what I’d like, Kentucky Rain and How Great Thou Art — Elvis singing gospel, with heaven and all its angels listening. It was a lovely thing to do for your dad. Sounds like you did a great job.'"

"You can't be both Elvis Presley and Miles Davis", I once said to him. But then when someone recently asked me what his dreams were when he was young he answer to me was that he wanted to be Elvis"."

"Elvis had a center of gravity that was low, but also set back and deep; his sexiest moves – legs lolling back and forth, smooth like jelly, hips rolling and tossing everywhere – were performed as if there were a paperweight on a string tied around his waist, and hung from his lower back; with his own weight adjusted to the back, he could free one leg to twist, pop, and jerk while maintaining perfect balance; Elvis' glory was in the shifting of his weight; when he gets going fast, the force of the shifts make his shoulders jerk so hard he looks like he is being electrocuted."

"Many of our vagabonds, the sons of the burgoise, can be seen gallivanting around with their tight trousers, some of them with a guitar heralding Elvis Presley attitudes which lead them to erroneously believe they will be able to freely attend rallies where they can lobby their gay and effeminate ways. But we will not allow such degenerate feelings."

"At 4225 Beach Drive SW, stands the Chambliss House, a bright blue home on the Puget Sound with a plaque above the doorway that states "Elvis Presley Slept Here, May 18, 1962." The plaque speaks the truth, according to Alan Chambliss, building owner and 30-year resident. He wasn't around to witness Elvis, but tells the story like it happened yesterday. About 15 years ago, Chambliss noticed a man and woman filming his house. Wondering what the fuss was about, he asked them what they were doing. Their father, dying of cancer lived in the upstairs apartment years before and loved it so much the family wanted to document it as part of a remembrance video. While making their keepsake, the family mentioned that the dying man was Elvis Presley's army buddy and that Elvis once spent the night in the upstairs apartment. As proof of their story, they showed Chambliss pictures of their father with the music legend. Elvis and his chum kept in touch throughout the years. In 1962, Elvis came to Seattle to film "It Happened at the World's Fair" and the friend picked him up from Sea-Tac and drove him to the house on Beach Drive. "He didn’t expect to stay the night at first," Chambliss says. Perhaps the Rock-and-Roll Legend was a sucker for water views Chambliss let the dying man's family film the upstairs apartment. About three weeks later he received the plaque, now mounted above the doorway, along with a thank you note for being so welcoming."

"We are seeing disruption, and it is freaking out the news media and the old establishment in Washington, Its like watching Elvis Presley on the Ed Sullivan Show."

"That night at the "Eagle's Nest", I remember, he was playing a (1942) D-18 Martin acoustic guitar and he was dressed in the latest teen fashion, but the thing I really noticed though, was his guitar playing. Elvis was a fabulous rhythm player. He'd start into "That’s All Right", with his own guitar, alone, and you didn't want to hear anything else."

"Kim Jong-il was obsessed with Elvis Presley, his mansion crammed with his idol's records and his collection of 20,000 Hollywood movies included Presley's titles. He even copied the King's Vegas-era look of giant shades, jumpsuits and bouffant hairstyle."

"Elvis wore a halo. Otis Redding did, too. You knew you were playing with a star when you played with them."

"In a survey taken in 1996, a sampling of Chinese people were asked to name three famous Westerners. They chose Jesus, Nixon and Elvis. The Chinese, the most closed society over the last half century knew about Elvis? Oh yes, they knew. In fact, that same year, a NYT reporter attending a Chinese US summit, spoke of the time when the Chinese leader , then visiting the Philippines, proceeded to do a duet, in perfect English, of "Love me tender" his partner being his host, President Fidel Ramos."

"I just love Elvis"

"I take offence at being accused of being Bono or Prince — I would have thought Elvis was more appropriate."

"Is music fandom a realm of spiritual practice? Do fans use their connections with heroes to adopt practices like veneration, sanctification or idolatry? While appearing to be magical and important social figures, stars are not necessarily deified. In the two decades since I started researching Elvis fandom, I have never met anyone who was “saved” or redeemed by Elvis Presley. On the other hand, I have met many fans that have been seduced, fascinated, empowered and inspired by his music. They all say that he has changed their lives for the better, but none expect heavenly rewards because of their fandom. Elvis loved gospel and used it to enter the mainstream. Despite his own intentions, he did not, however, practice “worship” music. His fans respected his values, some saying that Elvis used his music as a God-given gift, in part because the reading aligns Elvis’ values with his talents......."

"Radio Head, Harry Styles, and Elvis Presley— that is the wide range of genres likely responsible for my sound and style of writing."

"What he actually did was take 'black' and 'white' music and transform them into this third thing; (in the final analysis), no one sang so many different kinds of music – rock, gospel, country, standards –, as well as Presley sang them, at such a high level, and for such a long time."

"Elvis, what he had was this unique quality, remember I described the sensation of people in that geographic location of the United States at that particular time being a mixed culture artistically? They were playing country, gospel, jazz and the blues and you did not know whether they were black or white, or who's playing what, because you're not looking at a tube, all you're doing is listening to a radio, and they are so good at emulating each other's styles that you don't know what's happening. Elvis blotted up as close as any white man could, the black culture. And he was sensitive to the black culture. If he heard something that he fancied doing and it was white, he didn't make it sound black. If it was black, he didn't make it sound white. He kept it in its tradition. That was one of Elvis' unique facilities."

"When they celebrated the 10th anniversary of his death, it was more like a canonization, people lining up to visit Graceland, both women and men, with tears in their eyes..."