Gospel Singers

"Music has been very much democratized and that's good news and bad news. The threshold has gone down. Anyone can make music at home with a laptop. All you need is something to say. In older times you had to practice on an instrument and be good on an instrument to be able to make music, and then you had to go to the man to get a recording budget and etcetera, etcetera, etcetera. Now, it's completely democratic. Every darn fool can make music and I like that. It's like campfire music. Its purpose for humanity is not that it's specialists like me who get to sit on my throne on high and make the music and you just got to sit there and take it. The real purpose of music is for all of us to do it ourselves. The problem is being as big as Elvis Presley or The Beatles. I'm happy though because I like all that new competition. It's good that it is democratized, but not so great for being a rockstar...."

"After the success of "Crazy Heart", I was offered several musical projects, including a film about Elvis, but chose not to pursue it at the time because I didn't want to be confined to just one genre. A modern approach to a musical biopic, which I might have applied to a project like an Elvis film, would likely move away from a traditional linear timeline and instead focus on specific eras or psychological conflicts to explore his internal struggles...."

"She was involved in everything we did at the Junior Shop, our ladies' wear store. I remember her working very hard, but one thing that always really stood out for me was when someone would come in needing a dress for a family member who had passed away. She would always say, ‘just take it. Even when some of those people insisted on paying anyway, she would tear up the check right after they walked out the door. She used to have us call the radio station to request Elvis Presley singing ‘How Great Thou Art’ all the time. As her health increasingly declined, I knew there was one last thing I could do for her, so I had it playing when she died."

"Elvis Presley all the way. He was my hero when I was seven and remains so to this day"

"On his live versions of songs like "How Great Thou Art"(1975),"Unchained Melody"(1976) and "Hurt" (1977), you will be able to hear how high he can go; but, it is essentially on "What Now My Love" (sang live at his "Aloha from Hawaii" global telecast, which reached 1 billion viewers when first aired in 1973), where he goes up three octaves at the end of the song, that you can really hear his true vocal power."

"i) He was wearing giraffe skin pants and Aladdin shoes and a pair of socks that Elvis gave him ii) Rock has always had religion. After all, it started as gospel music. Elvis Presley knew every gospel song ever made. I'm not an alarmist or nihilist, but the world gets more dangerous every day. I think our natural survival instinct makes us question where we stand with God even if some claim atheism.”"

"Well, I love Elvis Presley."

"The first thing you think of is his cool charisma, his electric personality, the larger than life thing that all those figures embody. But there’s also that little wide-eyed, innocent, naive country boy that is as much a part of it as anything. Elvis embodied both of those."

"In the mid fifties, Presley initiated a new phase in the popularizing of African American vocal techniques, combining them with influences from country music to create a unique style full of hiccups, between the beat accents, and striking register shifts, from chest voice baritone to falsetto. First, when writing about the echo effect in his early SUN recordings, Richard Middleton, in his "Studying Popular Music", says the effect is largely used to intensify star presence, in fact, Presley becomes larger than life. Conversely, as Henry Pleasants noted in his book "The great american Popular singers¨¨, Presley was said to dominate a vocal style appropriate to different generic contexts, thereby developing a vocal multiplicity, a sound for country, a sound for gospel, a sound for ballads and a sound for R&B."

"In Las Vegas, he was a different Elvis, putting on the blitz, the neon signs dared him. In a sense, he codified, encapsulated, permeated, embodied Americana. It was so real in its total artificiality, as Elvis brought it all together and made it work."

"I met Elvis on a football field. I was trying to get to him and I finally sent him to the floor. That's how we became friends. I like Elvis a lot, he is a legend who just died too young."

"Prince had great respect for Elvis, the Bar Keys, Al Green and the influence on the music world from the Memphis' sound."

"About two days after Elvis's 1969 Vegas shows, I was back in New York and went into Albert Grossman's office because I was trying to see Bob Dylan and he managed him. He said that he was in Woodstock. For some reason he suddenly put me on the phone with Dylan and I didn't know what to say to him because I hadn't planned to interview him. I told him I'd just been to see Elvis. From that moment instead of me being a Bob Dylan fan we were both Elvis fans. Dylan asked me precisely, "What did he do? Did he do the Sun stuff? Did he do 'That's All Right, Mama'? Did he do 'Mystery Train'? Who's in the band?" Dylan read the New York Times review but he wanted to know what I thought of it. All these questions. Two days later I'm back in England and I'm on the phone with John Lennon and I get exactly the same questions from him about Elvis. Lennon asked, "How was the show? Did he do any of the Sun numbers? Did he play 'Mystery Train'?" It showed me more than anything that rock stars are basically fans."

"The black leather concert from Elvis Presley's 1968 Comeback Special"

"The generosity and public spirited zeal with which you donate your services to the Arizona Memorial Fund are appreciated by all of us in the Navy."

"All the Christians felt Elvis was a sin, so my sister Sarah and I loved Elvis, We obtained an Elvis record, sneaked it into dad's study to listen to it, BUT NOT BEFORE placing a towel across the bottom of the door to muffle the sound. I then obtained an autograph from him while I visited Memphis, which remains one of my treasured possessions."

"Elvis was danger, and passion and sex, and he broke all those barriers."

"Elvis Presley did more to change the course of popular music and youth culture than any other entertainer in the twentieth century, beginning with his meeting Sam Phillips in 1954, at the Sun Records label, in Memphis. In 1956, for Presley's first single at RCA, producer Steve Sholes was adamant that Phillips' sonic treatments be adhered to, as closely as possible. So, in attempting to recreate the Sun echo sound, Sholes relied on the ambiance of RCA's then-cavernous recording studio in Nashville, rather than the tape-delay method; the major problem facing Sholes was Presley's tendency to get carried away with the music and wander away from the microphone; so, rather than spoil the singer's fun, Sholes decided to position three microphones around Presley to capture his quivering voice, no matter where he strayed; the results were breathtaking."

"I've come up under people that were before me that inspired me: Elvis Presley, Little Richard, you name it from back in the day, Jimi Hendrix, Sly Stone. All these cats had not only music, but they had expressions in what they wore.""

"Thomas A Dorsey's "Peace in the Valley" became one of the most popular songs during WWII. When the war was over, it might have been forgotten altogether if it wasnt for a single performance on January 6, 1957, when Elvis Presley dedicated it to the 250,000 Hungarian refugees fleeing a Soviet Invasion. Thanks to that performance more than US$6m. were raised."

"Run by controversial ex-Lotus boss, Dany Bahar, and based on the Lamborghini Huracan, the Project Panther is designed to be a modern interpretation of the DeTomaso Pantera. Produced between 1971 and 1992, the Pantera was initially powered by a Ford V8 engine making around 250kW of power, before later models pushed that figure closer to 265kW. But the car isn't famous for its engine, nor its rakish good looks. Instead, it's best known as the car Elvis Presley shot. He bought a Pantera for then-girlfriend Linda Thompson. After a fight, he tried to leave in a blaze of V8-powered burnout smoke but the car refused to start. So rather than giving it the last laugh, Presley whipped out his revolver and fired three shots, leaving two holes in the steering wheel and one in the floor. As far as we can tell, there are no bullet holes in Bahar's modern re-interpretation...."

"I accidentally met Elvis in 1967 in Palm Springs, California. I was 15 years old, and had just finished marching in a parade with the high school drill team and band.All of a sudden, one of my pals shrieked, "There's Elvis Presley!" I looked across the street and there he was. My girlfriends and I ran across four lanes of traffic to see him up close. He looked tan, healthy, trim, was very cordial, charming even, to the people who had gathered in the crowd, signing things they handed to him. After several minutes, he thanked everyone and said he needed to go inside to see his dentist, I, being an overly excitable 15-year-old, yelled from the outskirts of the crowd, "Please, Elvis, just one more signature!"He looked over the heads in the crowd, smiled at me, and said, "Okay, just one more."And he let me through and I stood there, looking up at Elvis Presley.Gobsmacked doesn't even begin to describe how I felt. He asked me what I wanted him to sign and I realized I had nothing. So I said, "Sign my back. I meant the back of my shirt, but he lifted my hair and placed the pen on the back of my neck and started writing. "Sign the back of my shirt." I said. I could feel the pressure of his pen on my back and as he wrote he spelled out, "T-h-e b-a-c-k o-f m-y s-h-i-r-t" as though he were signing my exact words.I turned around and said, "Is that what you wrote?" And he gave me that curled-lip grin and said, "No, honey, I wrote my name." And he went inside the dentist's office..."

"This sound is like burnished gold, it shines. In Elvis's voice the ants will hear manifest destiny."

"You see through the eyes of Queen Victoria how she saw the world. When she was young, she drew ballerinas, opera scenes, melodrama, but when she was older she drew landscapes, children, very domestic, simple things. Also tremendously helpful to me were my own own two personal encounters with Queen Elizabeth II, who in 2015 succeeded her great-great grandmother Victoria, as the longest-reigning British monarch. Our first meeting was at the premiere of Dr. Who, at which time the she told me that to travel through time and space must be fun. I next saw her at a polo match. What was most interesting and helpful was how people responded to her. The Queen's presence, as opposed say, that of Elvis Presley, was a hushed silence followed by calm..."

"Forty one years ago this week, as the BBC's correspondent in Washington DC, I was filming an interview with a lawyer about political corruption when his secretary burst in. 'Oh my God,' she cried, putting her hands to her face. 'Elvis Presley's dead!' Without a word, my cameraman and I packed up and headed to Washington's National Airport. When we landed in Memphis, it was late. Early on the next morning, we were outside Graceland when I was suddenly aware of a very big man next to me. 'Mr Cole,' he said, very firmly, 'I am the Deputy Sheriff of Memphis. I am commanded by the Presley family to invite you to visit with the deceased. He then took me by the elbow eventually ushering me through the doors to a scene I shall never forget. In the hall, a coffin had been placed on trestles. Behind it, in a sombre arc, stood members of the Presley family, including Elvis's ex-wife Priscilla, daughter Lisa Marie, and his father Vernon. One by one, I shook hands with them, extending my arm across the coffin where the greatest singer of the 20th century lay dead at the age of 42. Twenty years later, in 1997, I was telephoned by a BBC producer. He said he was making a programme about cults. He said they looked through all the newspaper, radio and television coverage when Elvis died and were sure that I had been the first person to report that some people were refusing to believe that he was dead. What he didn't ask was how I could know for sure that it was Elvis in the coffin. And of course, I couldn't as I had never seen him in the flesh before that morning. So, when you next read about Elvis Presley being spotted, aged 83, down at the chip shop or on the Moon, you now know who to blame: Me."

"He treats the song as a private meditation, full of pain and the yearning to believe. Though the lyrics speak of hope, Elvis turns them into a cry, as if reaching for one last sliver of light in engulfing darkness. 'I am alone', he seems to be saying. But maybe, just maybe, we can find someone or something to cling to. In his case, it's God. But each of us, hearing him, reaches for our own salvation; if great art needs nakedness (then), those few minutes of Elvis alone at the piano amount to the most naked performance I've ever witnessed."

"Of course, the main harbinger of the homer era was probably Ruth himself. After “Heartbreak Hotel,” no one wanted to be Perry Como. They wanted to be Elvis Presley. After 1920, no one wanted to be Ty Cobb. They wanted to be Babe Ruth. The old game had been about precision, strategy, incremental progress. The new game was about power, the single blast that busts open the piñata."

"I was relieved that all the stuff we'd been feeling for so long found expression in Presley and in rock in general. I was playing his records all the time to friends when they'd come over. I'd say, 'This guy is a great singer' – and they thought this was some kind of inverse snobbery, but it wasn't. Presley had that special kind of voice which makes your heart go out to a singer. I was a huge fan of Elvis. In fact, I was in town until today and bought a compilation LP of the man. Soon you will hear me sing “Don’t” and “Are You Lonesome Tonight” – but not at the plate. My voice is too deep, with 20,000 cigarettes leading my tone of voice three to four notches down too far."

"The healing power of music isn't just anecdotal and Music & Memory, a nonprofit organization that uses personalized music playlists to help improve the lives of those suffering from Alzheimer's and other forms of dementia, is dedicated to helping patients through the power of song. Along with enabling patients to find renewed meaning and connection by giving them access to music, the organization's work has been effective at reducing the use of anti-psychotic medications and helping manage the behavioral and psychological symptoms of dementia, according to a Brown University study. To celebrate the organization's fundraising efforts to provide music and joy to patients nationwide, I wish to share a playlist featuring several of the most popular songs from Music & Memory's facilities around the world, including nostalgic favorites from Elvis Presley and Frank Sinatra to The Supremes. The latter's "Stop! In the Name of Love" tends to be one that people remember from high school and that makes them happy, according to the San Francisco VA Medical Center. Frank Sinatra's "Theme From New York, New York" is being requested by almost every nursing home in Delaware, bringing joy to many and improving mood and behaviors. Also, as reported bu the states of Wisconsin and Texas, Elvis' "Hound Dog" inspires movement in individuals with intellectual and developmental disabilities."

"Born in Tupelo, Miss., he was an only child whose parents scraped along on odd jobs until the family moved to Memphis when Elvis was 13. He was fanatically and unabashedly devoted to his mother. He was buried near her after the kind of awful, agonized public wake that attended the passing of Rudolph Valentino and Judy Garland. Eighty thousand fans jammed the street outside his Memphis mansion, Graceland, hoping for a view of the body; 30,000 were admitted to the house. Dozens swooned, cried, keened and passed out from the heat outside the mansion gates. Two people were killed when a drunken driver plowed into the crowd. After the funeral at Graceland, a cortege of 16 white Cadillacs led a slow procession down Elvis Presley Boulevard to the cemetery. There the lawn was banked with some 2,200 floral tributes — an imperial crown of golden mums, hortisculptured hound-dogs and guitars, sunflowers in wine bottles. Memphis ran out of flowers; reinforcements were sent in from California and Colorado. From out of the barrage of funeral images, one reaches for a single last memory.searches for an epitaph. Go back to one of his SUN Records, and there is one that seems particularly appropriate. "Well", Elvis starts off, in a raw drawl then rushes into the verse "I heard the news, there's good rocking tonight" Now there is, for everyone. Elvis saw to that. ."

"Elvis is the greatest blues singer in the world today."

"Sometime in the mid seventies, Elvis befriended a young black woman who was having trouble purchasing a car, struggling as a student in college at the time, so he went into the dealership got the car, then asked her to report to him the next day saying she would get a steady job answering the phones at Graceland (where most of her time was spent doing very little), thereby allowing for her to both have a place to study and focus on her school work and grades. She was ONLY required to report him every quarter showing him her grades. So not only did he buy a car for her, but he purposely *created* a job for her, where she could receive a steady paycheck while studying."

"You won't find many books that range from Elvis to Helen Keller to Sir Isaac Newton that can change your life. This one also could""

"The "Shrine" Auditorium in Los Angeles, was his first California stop, then Long Beach. He's the cat man..."

"No element of the South's culture has had more influence on the culture of the U.S. and other nations than its music. While the ballads and fiddle tunes brought by British settlers provided the foundation for what would become country music, the work songs and field hollers that were a vital part of the slaves' African heritage formed the basis of the blues. These musical forms did not always respect the South's racial divisions. There was more interaction than many realized as both the blues and country music grew more commercialized and, as members of both races left the farm in droves, more urbanized as well. When local radio stations and recording studios in cities like Memphis and New Orleans began to feature the work of both black and white performers after World War II, the closer contact and familiarity bred the revolutionary new sound that would become "rock 'n roll." Elvis Presley quickly won an enormous youthful following as a white singer who sounded "black," but if he succeeded by borrowing heavily from black stylings, he also helped to open the door to white audiences much wider for a host of black performers ranging from Little Richard to Chuck Berry."

"You know, Bush is always comparing me to Elvis in sort of unflattering ways. I don't think Bush would have liked Elvis very much, and that's just another thing that's wrong with him. He was the first and the best, and is my favorite of all time."

"In fact, Dylan's most recent Broward Center concert came just one month after the Nobel announcement, and despite all the public confusion and pearls-clutching over his win, the then 75-year-old artist appeared to be in high spirits, even striking Elvis Presley-inspired poses while leaning on his microphone stand and breaking into bowlegged, broncobuster shuffles during songs that otherwise would seem to reject them.."

"Very early in his rise to music fame, Elvis once visited the Tennessee Governor's mansion after his manager called ( my father) Governor Frank Clement and said he wanted him to meet Elvis. He told him to bring him out and also invited a group of African American state prison musicians called The Prisonaires. Everyone eventually retired to an upstairs room, where Elvis and the Prisonaires took turns performing numbers. Elvis got so carried away that he stayed until 3 am.He seemed shy, and so soft-spoken."

"He was a fantastic Monty Pythom fan. He would watch us, while seated in bed with his wife,and do our sketches while simultaneously having to learn all the dialogue."

""It's Now Or Never" from "O Sole Mio", "Surrender" from Torna A Sorrento", "Tonight Is So Right For Love" from "Bacarolle and The Tales of Hoffman", "Today, Tomorrow And Forever", from "Liebestraume no. 3 in A flat", "Can't Help Falling In Love" from "Plaisir d'Amour", "Sleepy Heads" from "Guten Abend, Gut Nacht", "Also Sprach Zarathustra" by Johann Strauss II, and "Tonight's all Right For Love", from Strauss "Tales from the Vienna Woods"."

"The first time I heard Elvis was via the western movie "Love Me Tender" in 1956 or ’57. I was a cowboy nut. "Love Me Tender" was also the first time I came up against female hysteria. I haven’t got a homosexual bone in my body but that is the most handsome man that ever lived, without a doubt. You can’t take your eyes off him. Also, to have a voice like that. Incredible. Charisma ain’t a big enough word for it. I get asked if punk was a rejection of Elvis and his style of rock ’n’ roll. But people who have a go at Elvis just miss the point. Elvis would shoot at the TV, and if something was on that he didn’t like the look of, it was the Colt 45. Elvis out‑punked everything. He wrote the book on punk. I never saw punk rock as being a rebellion against Elvis Presley, otherwise I wouldn’t have done gigs with bands like "The Clash" and "the Sex Pistols".I’ve never been to Graceland, but before the pandemic my plan was to honour this. I had a full tour sheet stretching into next year and I thought, “As soon as we get these gigs out of the way, me and my wife are going to go on the holiday of a lifetime.” I was going to get an open-ended rail ticket from Grand Central Station in New York finishing at Graceland. Every August, on the anniversary of Elvis’s death, I write something about him. So I’ve got books and books and books of poetry and stuff around Elvis… The man who didn’t love Elvis is not as other men. He is condemned to miss the point time and time again.” Elvis, he’s the king of the world.”. And which song do I want to bne played at my funeral? Elvis' Peace in the valley-."

"If I had to make a list of the most dependable things in my life, it would be a pretty short list. I’ve lost a ton of faith in humanity over the years, my favorite TV shows keep getting cancelled, and I’m pretty sure my smartphone is plotting against me. But there are two things that have never, ever let me down: Elvis Presley and barbecue. So here’s to them – two constants that have carried me through life’s most challenging periods. They may not solve all my problems, but they sure make them easier to swallow. And in a world where nothing seems certain anymore, I’ll take all the reliability I can get."

"Taking ownership in the wrong way (Michael Bolton trying to out-soul Percy Sledge in “When a Man Loves a Woman”) can lead to accusations of cultural appropriation — a nice euphemism for stealing. It's complicated. Pat Boone did sound like he was ripping off Little Richard with “Tutti Frutti.” But Elvis, to me (and to James Brown), sounded like he was delivering the goods"."

"I met him in 1969 with Karen Carpenter, neither of us had ever met him before, so we went so see him perform at a show in Las Vegas. He was on great form and then we were invited back to his dressing room and, well, he was flirting with us. In the end I got us out of there and that really amused Elvis and when I saw him again after that we both had a good laugh about it."

"I was lucky to be 12 years old when rock ‘n’ roll really busted out. I saw Elvis in Tulsa at the Fairground on his first big tour and all the girls screaming. I couldn't hear for days after that. He came out and did a half an hour without stopping. It was just amazing"

"It’s rare when an artist’s talent can touch an entire generation of people. It’s even rarer when that same influence affects several generations. Elvis made an imprint on the world of pop music unequaled by any other single performer.”"

"Who the hell's limousine is that?” That was Elvis Presley’s reaction to the sight of a long, black limo parked in front of the General Cinema in Memphis–one of Elvis’s favorite spots for personal midnight movie screenings. The limo happened to belong to me. In fact I had made a pilgrimage to meet him, at the special request of Jerry Schilling, one of Elvis’s entourage. “I think it’s probably Eric’s!, Schilling later told me how he answered Elvis question. Now, inside the theatre, the chance for a great summit meeting seemed to diminish when Elvis walked in and saw me and Pattie Harrison (George’s ex), sitting about 12th row center--right in Elvis’s seats. There was some tension, until Schilling made the introductions, and right away I made it really clear how much respect I had for him. Seeing that, he relaxed and turned into a charming host, and we fell into a really nice, friendly conversation."

"Elvis Presley has had an unprecedented and lasting global impact on music and pop culture and I, along with the Universal Music Publishing Group teams around the world, couldn’t be more excited and honoured to work with the in making sure that Elvis’ iconic legacy endures for generations to come."

"When we visited Blenheim Palace, as Oxford University's Class of 1979 for post graduate diplomatc studies, the man who acted as Cicerone for us was Oxonian Godfrey Davis. As we got closer to the end of the tour, we approched a cardboard removable visual timeline where the largest photo was that of Sgt Elvis Presley. Questioned as to why was this so, Davis explained Sir Winston had come to like Elvis as a result of listening to "Its now ot never" and "Surrender..."

"From 1952 to 1980, we called it the industrialization generation. From 1980 to 2000, it was the democratization generation. Post-2000 we call it the millennial generation. I came of age in the 1980s and I have been very much influenced by American culture. In fact, Michael Jackson and Elvis Presley were the biggest stars for the Korean people."