Gospel Singers

"It was seeing Elvis Presley on The Milton Berle Show, before Ed Sullivan. I already was pretty musical and seeing Elvis and his band, particularly his drummer, D.J. Fontana, just kind of grabbed me. Then, of course, four or five months later, he was on The Ed Sullivan Show and everything just... well, that was the Big Bang."

"I went to see Col. Parker with the million dollars he'd asked me to put up, which I got in two days, from an investor since I didn't have a cent to my name, so that is when he introduced me to Elvis, as his promoter. And Elvis, who was actually two years older than me just said "Thank you very much, Sir". Anyways, by the time the two week tour wound up, in San Diego, I was a millionaire, too (LOL)."

"My heart melted when I saw him in person but when he and my dad met for the taping, they were both nervous..."

"During that last show in Indianapolis, he was on stage for an hour and a half. He included his own hits, pertinent covers and classic rock ’n’ roll, and there was a crescendo of gospel which was always a showstopper. It was a special show. He sang his heart out. Having only seen Elvis on stage in Las Vegas in previous years in front of an audience of 2,200 people the atmosphere was equally electrifying in front of 18,000, and the whole audience erupted when he announced that amongst them were 250 Brits."

"Remembering the legend and the super energetic actor who carved an extraordinary niche for himself, especially for his grooving dancing style. He was ahead of his times in everything and was the first among contemporaries to have mastered the internet. He was truly deserving of the title 'Elvis Presley of India'"

"When you picture past presidents of the United States, whom do you see? Perhaps you envision John F. Kennedy as a doting father playing with his children in the West Wing. Maybe you remember Richard Nixon as the smiling yet stiff leader who posed hand-in-hand with Elvis Presley in the Oval Office."

"Elvis' songs can be heard everywhere worldwide, which is perhaps why everyone is familiar with his voice. When you hear a deep tuneful voice with a Southern drawl in a rock 'n' roll song, it can't be anyone but Elvis (in spite of that voice actually being that of someone else "successfully" mimicking him)."

"At the risk of being sad for two seconds, I drink a toast to a wonderful fellow who left yesterday and did much for American Music. I knew him for maybe 12 or 14 years and we know, what he did in his career, but I knew him as a man, a gentle, good, fine man, gracious and generous in every sense of the word. Things which people never heard about him helping organizations, and children's hospitals but I knew all about that. He was some kind of cat and I hope God's good to him. ii) I am just a singer. Elvis was the embodiment of the whole American culture. Life just wouldn't have been the same without him. There have been many accolades uttered about his talent and performances through the years, all of which I agree with wholeheartedly. I shall miss him dearly as a friend."

"Elvis Presley has a very definite form of dance rhythm and this may well be what creates the hysteria."

"He was almost at the point where he was being recognized as a national star, but not quite. I'll give you an example. Once, in a railroad station in Chattanooga, TN, we were waiting to change trains. Elvis went over to a magazine rack and picked up a movie magazine. He found a photo of himself inside and says to me 'Al, can I have a pen?' I gave him one and he scribbled his name inside the magazine. Then he goes over to the two girls working at the rack. He had the spread open to his picture, showing it to them. He's also looking back at me with a huge Cheshire Cat grin. Their reaction was 'That'll be 35 cents sir'. Then Elvis said to them 'No, this is for you. I'm Elvis Presley'. In the meantime, I'm capturing pictures of all of this, which is really what I wanted."

"The medium of TV and the birth of Elvis came at exactly the same time. Before, it didn't matter as much what you looked like, with radio or records. With Elvis, it was the whole package."

"So you went into this movie really tuned..."

"The first time I heard his music, back in ’54 or ’55, I was in a car and I heard the announcer say, “Here’s a guy who, when he appears on stage in the South, the girls scream and rush the stage”. Then he played ‘That’s all right, mama’. I thought his name was about the weirdest I'd ever heard. I thought for sure he was a Black guy. Later on I grew my hair like him, imitated his stage act – once I went all over New York looking for a lavender shirt like the one he wore on one of his albums. I felt wonderful when he sang ‘Bridge over troubled water’, even though it was a touch on the dramatic side – but so was the song. It was unbelievable,and I thought to myself, how the hell can I compete with that?"

"We had crew cuts, wore tee-shirts and blue jeans, Elvis had the long duck-tail, the long sideburns and he wore the loud clothes, and naturally he was a target for all the bullies. One day luckily I walked into the boys' bathroom at Humes High School and 3 guys were going to cut his hair just, you know, to make themselves look big or make them feel big or whatever, and I intervened and stopped it. And I guess that stuck because a couple of years later after Elvis had his first record he came over and asked me if I would like to go with him, I think it was Grenada, Mississippi or somewhere, and I went and I was with him from then on, except for a couple of years in the Marine Corps."

"But it wasn’t until 1958, when Elvis Presley teamed the item with brilliantine and attitude in the movie "King Creole" that the jacket crossed over to Main Street and became a much-copied American staple. Elvis always floated between Ivy League style and serious fashion and the Baeacuta G9 came in some great colors. When Elvis wore it was called the "Jivey Ivy" , which was Ivy League with a twist. After that almost every clothing company in the US copied it."

"He is a huge Elvis fan, his favourite songs being ‘Jailhouse Rock’ and ‘Suspicious Minds, and he can move like Elvis"

"Believe me, Benny just had this incredible electricity about him. He was the Elvis Presley of Cleveland."

"The voice is so melodious, and – of course, by accident, this glorious voice and musical sensibility was combined with this beautiful, sexual man and this very unconscious – or unselfconscious stage movements. Presley's registration, the breadth of his tone, listening to some of his records, you'd think you were listening to an opera singer. But...it's an opera singer with a deep connection to the blues, which leads me to the role of the great enunciator, because he delivered us the greatest cultural boon. Nobody ever did more for the American people. He gave them the great present of black music transmitted through his own sensibility, his own sensitivity. Of course Elvis was a different kind of white purveyor of black music because it was naturally black and it was real and he was a conduit. And America was really changed. I'm talking about American music and our culture in general. We owe far more to Elvis Presley than all the British groups put together.""

"By 1979, they were so prolific that Freddy was able to lounge in the bath in the Bayerischer Hof hotel in Munich, pick up a guitar – not his usual instrument – and bash out this globally successful tribute to Elvis Presley in 10 minutes. We are not worthy."

"I’m from the Southern Midwest. My mom was an Elvis memorabilia collector. We were raised on Elvis"

"He rarely over-sang when recording, delivering a vocal to suit the song. So, he can loudly accuse in "Hound Dog" (1956), rasp and rage for "Jailhouse Rock" (1957), bare his soul and beg on "Any Day Now"(1969) and sound quietly, sadly, worldly-wise on "Funny How Time Slips Away". (1970). This gift may explain why his music endures so powerfully and why his performances remain so easy to hear."

"In 1968, a “drive-by” wasn't a shooting, it was popping into the salon for a fast touch up. Elvis Presley came to my salon just to say hello sometimes. When he'd show up, the ladies leaped out of their shampoo pools, they wanted his attention so badly."

"The way that I would entertain my family was via impersonations, and I had this very strange combination of who I would do: Yasser Arafat and Elvis Presley. That's just who I impersonated as a seven-year-old. My family was like, ‘Oh, these are good,’ and they would all laugh. I think it made them think I would be an actor."

"Elvis is everywhere. Elvis is everything. Elvis is everybody. Elvis is still the King."

"So you were an artist. Big deal! Elvis was an artist. But that didn't stop him from volunteering for the military in time of service. And that's why he's The King, and you're a schmuck."

"He defined American culture to billions of adoring fans around the world. Elvis fused gospel, country, and rhythm and blues to create a sound all his own, selling more than a billion records. Elvis also served nearly 2 years in the United States Army, humbly accepting the call to serve despite his fame. He later starred in 31 films, drew record-breaking audiences to his shows, sent television ratings soaring, and earned 14 GRAMMY Award nominations. He ultimately won 3 GRAMMY Awards for his gospel music. Elvis Presley remains an enduring American icon 4 decades after his death."

"In Jailhouse Rock, he was everything rockabilly's about. Nah, nah, I mean, he is rockabilly: mean, surly, nasty, rude. In that movie, he couldn't give a fuck about nothin' except rockin' and rollin', livin' fast, dying young, and leaving a good-lookin' corpse, y'know?"

"Et Charles de Gaulle prenait le pouvoir, promettant les milles-et-une-nuits au pieds-noirs, et la Bastille en a tellement vu, qu'on ne l'y reprendra jamais, jamais plus, et la voix d'Elvis chante "Good rocking tonight""

"And as Charles de Gaulle made it into power, promising the colonial population in Algeria "the 1,001 nights", and even as the Bastille seemed like it was never, ever to be taken again yet, in spite of it all, the voice of Elvis kept singing "Good Rockin tonight""

"We were booked to fly home the next day, but that night after the last show we got a telephone call from Colonel Tom Parker saying that Elvis would like to meet us on a film set at 2pm the next day. When we arrived Col. Parker met us and told us that Elvis had just gone out for a ride. Just then we heard what at first sounded like thunder coming from down the beach a long way off. As the sound got louder, we could see about 13 motorbikes side-by-side coming towards us. Elvis was in the centre of the riders as they roared onto the film set. What an entrance! I was spellbound! All together we had about two hours with Elvis. I told him that when I saw the first clip of him in "Jailhouse Rock", that's what got me into rock ‘n’ roll. We also talked about our tour of America. What a guy. A real gent. It was wonderful. A brilliant day."

"Elvis is GOD!"

"Elvis are you out there somewhere Looking like a happy man? In the snow with Rosebud And King of the Mountain."

"Gather 'round, cats, and I'll tell you a story, about how to become an All American Boy."

"I was 17, so I go to Hollywood for a few days, staying with , whose husband was then choreographer for Elvis in "King Creole". So I watched the shooting one day, then Elvis came over and started talking to me, invited me to dinner, at his hotel, the Beverly Wilshire. So after dinner we end up in his bedroom. And when he found out I was a virgin, he just picked up his guitar and sat on his bed and sang to me for about two hours. He was gorgeous in those days. I couldn't wait to tell all my girlfriends."

"I'd like to wake up in the morning and hear on CNN that Elvis lives again"

"One evening Elvis Presley came backstage to see my show at Caesars Palace. I was in my dressing room with a few friends and well-wishers when Elvis arrived with his entourage. It was the first time I'd met him, and we got on very well; he was very gracious and polite, We talked about music and a few other things. After a while Elvis asked me to come over to his hotel, where he had some music he wanted to play for me. It was about 2:30 in the morning when we got back to Elvis's hotel, but as he opened the door of his suite, a wall of noise hit us. There must have been a hundred people in there. Elvis ignored them and led me through to a quieter room and started playing some of his favorite music: gospel About four in the morning I got up to go, but Elvis said, "Wait, I want to give you something." He went into the bedroom and came back with six or eight Navaho Indian belts with silver and turquoise buckles. "Pick one," he said. "I want you to have one." So I chose one, thanked him, and then headed back to my hotel. I still have the Navaho belt he gave me. I felt about it the way I did about those things my kids sometimes give me: You keep and proudly display them not because of what they are but because of who has given them to you."

"Our childhood housekeeper kept us supplied with a handwritten list of records. And when our mom would go out shopping and say, “Kids, can I get you something?,” we'd say, “You going by the record store? Here’s the list.” And sure enough, it was Jimmy Reed. It was Larry Williams. It was Ray Charles. All the good stuff. My sister and I played the sides off of those records. We'd turn those 45 rpm singles white. And I remember my mom taking us to see Elvis Presley and that kind of did it ... we had the music bug. And then my father took me down to a recording session at ACA, that was Bill Holford's place. And he put me in a chair and he said, “I’ll be in the office if you need me. Stick around because there are some musicians gonna make a recording session.” And I was kind of enjoying it, and who should walk in but B.B. King and his band. So between seeing Elvis and watching B.B. King record, it was carved in stone."

"The first line of the record is sung without accompaniment, punctuated at the end by two beats, two chords on the piano. Exquisite. And this pattern is repeated through the verse, a Capella singing, piano crash, more a Capella singing; and then Elvis sings the chorus backed only by the beautiful, lonesome sound of a walking electric bass. The risk —only a great voice can hang out there that naked — is impressive and the payoff is phenomenal. None of which would matter, I suppose, if it weren't that the voice that this perfect and daring bit of accompaniment supports is nothing short of awesome; spirit is walking throughout this recording, just put it on the phonograph, and the room fills with ozone. Darkness and gloom drip joyfully from every rafter. This "Heartbreak Hotel" voice is an instant old friend; it intimately and unforgettably announces the arrival of something big."

"I shall always regret not having seen Elvis Presley live..."

"Do you know how hard it is to fake your own death? Only one man has pulled it off — Elvis."

"Little hellions, kids feelin' rebellious, Embarrassed their parents still listen to Elvis."

"Elvis was the ideal in 'Orpheus Descending', and we were optimistic up to a point that he might make his first appearance on the stage, and then we hoped he would appear in a film. That was a madly delirious episode, because time, for the most famous people, simply has no meaning. People and things arrive at the slightest expression of desire or interest, and they disappear just as quickly. All questions are answered; every need fulfilled. He was elaborately polite with me: I think he saw me as some elder Southern gentleman who might give his father a loan at the bank downtown, but we soon saw that the discipline of a stage performance was beyond him. It was--and it is--frightfully boring for most people to show up and replicate and expand within a refined role. Still, I met him. I was in the presence. Diamonds and lard. There's your title."

"What was the Strip like back then, or what was it like to see Elvis Presley....."

"Elvis' 1969 opening night in Las Vegas was his first time back on a live stage in more than eight years, playing the biggest showroom in the biggest hotel and drawing more people for his four-week engagement than any other show in Las Vegas history. His performance got rave reviews, “Suspicious Minds” gave him his first number-one hit in seven years, and Elvis became Vegas's biggest star. Over the next seven years, he performed more than 650 shows there, and sold out every one. Las Vegas was changed too. The intimate night-club-style shows of the Rat Pack, who made Vegas the nation's premier live-entertainment center in the 1950s and ‘60s, catered largely to well-heeled older gamblers. Elvis brought a new kind of experience: an over-the-top, rock-concert-like extravaganza, setting a new bar for Las Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. In doing so, he opened the door to a new generation of pop/rock performers, and brought a new audience to Las Vegas—a mass audience from Middle America that the city depends on for its success to this day."

"I knew him when he was a kid. He used to play the guitar and go around with quartets and to Negro ‘sanctified’ meetings. He lived near the colored section, and people around here say he's one of the nicest boys they ever knew. He just doesn't impress me as the type of person who would say a thing like that."

"I was amazed by how sexy, totally alert he was and by his playfulness. And as he sang “In the Ghetto", I saw it as representing a white Southern boy’s feeling for black music, with all that that implied. He knew better than to try to be nineteen again, because he knew he had quite enough to offer at thirty-three."

"Can't you just imagine digging up the King? Begging him to sing?."

"Elvis has just left the building, Those are his footprints, right there, Elvis has just left the building, To climb up that heavenly stair"

"I was recording with at RCA Victor Records in 1975, so we were working on the song "Why Do Fools Fall in Love?" when suddenly Terry said, “Hey, Elvis is in the next studio recording.” That was a big surprise to hear he was in the studio next to me. So I walked into the studio and said, “Hi, I’m Brian Wilson” and he goes, “Hello Duke.” I don't know why he called me Duke. I said, “Would you like to hear what I’m doing in the studio?” and he said yes. So we walked over to my studio and listened to what I was doing and then said he had to leave. It was a thrill to meet him. I liked Elvis Presley's songs, but never saw him live. I thought he was a very underrated singer, more of a star. He was really known more for his fame than his voice. I think he deserved more credit for his voice."

"He is the Elvis of cultural theory"