Gospel Singers

"My heart melted when I saw him in person but when he and my dad met for the taping, they were both nervous..."

"During that last show in Indianapolis, he was on stage for an hour and a half. He included his own hits, pertinent covers and classic rock ’n’ roll, and there was a crescendo of gospel which was always a showstopper. It was a special show. He sang his heart out. Having only seen Elvis on stage in Las Vegas in previous years in front of an audience of 2,200 people the atmosphere was equally electrifying in front of 18,000, and the whole audience erupted when he announced that amongst them were 250 Brits."

"It is not enough to reject the capitalist decadence with words, to speak out against the ecstatic singing of someone like Elvis Presley. We have to offer something better..."

"The course examines the history of rock music, primarily as it unfolded in the United States, from the days before rock (pre-1955), to the end of the 1960s. It covers the music of Elvis Presley, Chuck Berry, Phil Spector, Bob Dylan, the Beatles, the Rolling Stones and many more artists, with an emphasis both on cultural context and on the music itself. The course will also explore how developments in the music business and in technology helped shape the ways in which styles developed."

"It's like Ron Howard trying to be the Fonz. It's hard for an English rap artist to have that kind of a cool "Fonzie" effect to Americans and a wide-variety audience. So either you have to go a comical route or something, a Pee Wee Herman-route. I don't know, something! You've got to come with something other than trying to be Elvis Presley."

"Elvis' songs can be heard everywhere worldwide, which is perhaps why everyone is familiar with his voice. When you hear a deep tuneful voice with a Southern drawl in a rock 'n' roll song, it can't be anyone but Elvis (in spite of that voice actually being that of someone else "successfully" mimicking him)."

"He rarely over-sang when recording, delivering a vocal to suit the song. So, he can loudly accuse in "Hound Dog" (1956), rasp and rage for "Jailhouse Rock" (1957), bare his soul and beg on "Any Day Now"(1969) and sound quietly, sadly, worldly-wise on "Funny How Time Slips Away". (1970). This gift may explain why his music endures so powerfully and why his performances remain so easy to hear."

"I know he didn't write songs but, to me, Elvis Presley was the complete artist. His voice, his song choice, his energy and attitude, his perfect hair and clothes: it felt like he'd been sent from another planet. It was incomprehensible to me that this was a man who made mistakes, or who felt sadness or loneliness. I recently visited his childhood home in Tupelo, Mississippi and it was in stark contrast to the life I'd imagined. To a child, he seemed invincible – and he made me feel it too. To watch Elvis and to listen to his songs was pure escapism and aspiration. "Blue Suede Shoes" was my first love. From as early as I can remember, I knew that if I could channel some of that raw power I saw in him, life would be better for it. I guess, like all of us, he was flawed as a man, but he was the perfect entertainer.""

"Remembering the legend and the super energetic actor who carved an extraordinary niche for himself, especially for his grooving dancing style. He was ahead of his times in everything and was the first among contemporaries to have mastered the internet. He was truly deserving of the title 'Elvis Presley of India'"

"He is a huge Elvis fan, his favourite songs being ‘Jailhouse Rock’ and ‘Suspicious Minds, and he can move like Elvis"

"But it wasn’t until 1958, when Elvis Presley teamed the item with brilliantine and attitude in the movie "King Creole" that the jacket crossed over to Main Street and became a much-copied American staple. Elvis always floated between Ivy League style and serious fashion and the Baeacuta G9 came in some great colors. When Elvis wore it was called the "Jivey Ivy" , which was Ivy League with a twist. After that almost every clothing company in the US copied it."

"It is an honor for me to be with you, here where the most celebrated people have made history. In this iconic arena, think of this, here, where I stand, is where the King, Elvis Presley played for 80,000 screaming fans"

"By 1979, they were so prolific that Freddy was able to lounge in the bath in the Bayerischer Hof hotel in Munich, pick up a guitar – not his usual instrument – and bash out this globally successful tribute to Elvis Presley in 10 minutes. We are not worthy."

"At the risk of being sad for two seconds, I drink a toast to a wonderful fellow who left yesterday and did much for American Music. I knew him for maybe 12 or 14 years and we know, what he did in his career, but I knew him as a man, a gentle, good, fine man, gracious and generous in every sense of the word. Things which people never heard about him helping organizations, and children's hospitals but I knew all about that. He was some kind of cat and I hope God's good to him. ii) I am just a singer. Elvis was the embodiment of the whole American culture. Life just wouldn't have been the same without him. There have been many accolades uttered about his talent and performances through the years, all of which I agree with wholeheartedly. I shall miss him dearly as a friend."

"Each singer (of the so-called folk variety), is recognized as much from its characteristic sound, as from what they actually sing or play, and they manipulate tone colour with a virtuosity that owes nothing to either the classical, or the Tin Pan Alley tradition; one thinks, for example, of the voice of Elvis Presley, an expressive vehicle, shifting from high to low tones, groaning, slurring, and producing breathless changes of rhythm; to many listeners, the voice may have seemed crude, but its folk immediately resided in its crudeness."

"When I was a very little girl, my aunt told me never to listen to Elvis Presley’s music. She asserted (forcefully, I might add) how Elvis (supposedly) said, “The only thing Negroes can do for me is buy my records and shine my shoes.” My aunt also declared he stole black music, so, I now ask myself, why would an African American woman defend a white man she was raised to hate? I decided on a full study and complete unmasking of falsely reported news surrounding the life and career of Elvis Presley. The truth about the invented slur lies in white liberals owning media outlets like , magazine where they could make money exploiting statements and falsifying others because so many whites during the era openly made stupid remarks against black people. So when a black radio station decided to play Elvis' music and black people started acknowledging that they listened to and bought Elvis' records, white liberals went into panic mode and the slur was invented."

"I was in Holland and our dressing room was next door to the one being used by the supergroup The Last Shadow Puppets. Anyways, I went to the toilet and who walks in but Alex Turner? He is a hero of mine and, to me, he looked like Elvis Presley..."

"The first time I heard his music, back in ’54 or ’55, I was in a car and I heard the announcer say, “Here’s a guy who, when he appears on stage in the South, the girls scream and rush the stage”. Then he played ‘That’s all right, mama’. I thought his name was about the weirdest I'd ever heard. I thought for sure he was a Black guy. Later on I grew my hair like him, imitated his stage act – once I went all over New York looking for a lavender shirt like the one he wore on one of his albums. I felt wonderful when he sang ‘Bridge over troubled water’, even though it was a touch on the dramatic side – but so was the song. It was unbelievable,and I thought to myself, how the hell can I compete with that?"

"i) FUN ... it is waiting for you, Mr. and Mrs. Everyday American, and guess what? It is your birthright,” writes Springsteen of that galvanic Elvis moment. Springsteen’s familiar stage voice, his corny carny barker way with action verbs, leaps from the page in assessing what Elvis promised: “The life-blessing, wall-destroying, heart-changing, mind-opening bliss of a freer, more liberated existence. ii) Somewhere in between the mundane variety acts on a routine Sunday night in the year of our Lord 1956, THE REVOLUTION HAS BEEN TELEVISED iii) There have been a lotta tough guys. There have been pretenders. And there have been contenders. But there is only one king. iv)it was like he came along and whispered some dream in everybody’s ear, and somehow we all dreamed it. ii) When I heard it, it just shot straight through to my brain. And I realized, suddenly, that there was more to life than what I'd been living. I was then in pursuit of something and there'd been a vision laid out before me. You were dealing with the pure thrust, the pure energy of the music itself. I was so very young but it still hit me like a thunderbolt."

"The way that I would entertain my family was via impersonations, and I had this very strange combination of who I would do: Yasser Arafat and Elvis Presley. That's just who I impersonated as a seven-year-old. My family was like, ‘Oh, these are good,’ and they would all laugh. I think it made them think I would be an actor."

"While I was recuperating at Veterans' Hospital in Portsmouth, VA, I went to nearby Norfolk, where I first saw an up and coming singer named Elvis Presley perform at Hank Snow's All Star Jamboree. This experience changed my life. Seeing him on television, as well, I practically launched out of the hospital bed and onto the stage..."

"After seeing "Jailhouse Rock", where Elvis gets out of jail and makes his own records, takes them to the radio stations himself to finally put his records in the stores, I then made records and put them in stores."

"Wide raging voices̠ː Singers with extensions from B1 to A5. Elvis Presley's B1 may be heard on the song "Such a Night" and on "Mystery Train" an A5 is reached towards the end. Later in his career, he developed a rich baritone voice which still mastered the higher register with immense power, such as on "American Trilogy", "Unchained Melody" or the joking "Little Darlin""

"I asked him how he felt about Estes Kefauver and Adlai Stevenson from the Democratic National Convention, and about the Andrea Doria disaster, the Empire waistline in the world of fashion, and Pablo Casals, the world's greatest cellist. His answer was that he would rather keep his views to himself because he did not want to be labeled, so I left him alone. Later I found out that Elvis always enjoyed telling the story of how he managed to outsmart me and every other reporter by answering questions without really answering them."

"Elvis is GOD!"

"Et Charles de Gaulle prenait le pouvoir, promettant les milles-et-une-nuits au pieds-noirs, et la Bastille en a tellement vu, qu'on ne l'y reprendra jamais, jamais plus, et la voix d'Elvis chante "Good rocking tonight""

"So you were an artist. Big deal! Elvis was an artist. But that didn't stop him from volunteering for the military in time of service. And that's why he's The King, and you're a schmuck."

"I think about Elvis all the time."

"Little hellions, kids feelin' rebellious, Embarrassed their parents still listen to Elvis."

"I'd like to wake up in the morning and hear on CNN that Elvis lives again"

"And as Charles de Gaulle made it into power, promising the colonial population in Algeria "the 1,001 nights", and even as the Bastille seemed like it was never, ever to be taken again yet, in spite of it all, the voice of Elvis kept singing "Good Rockin tonight""

"i) One day we are in a recording session, here at RCA B, and he was talking to one of the clean up guys. Then three RCA people from New York, with suits and they walked up to Elvis, but he paid no attention to them. The clean up guy stopped talking, but Elvis said "Go ahead, Sir". When he finished, the clean up guy shook his hand and thanked Elvis for talking to him. Then Elvis approached the guys from New York and said "Gentlemen, if you see me talking to somebody, don't interrupt me, don't even walk up to me, I know when it{s your turn and I will walk up to you. And that was the end of it. ii) The best I have ever seen him look was in 1967, at the Circle G Ranch. His hair was black to blonde like it was naturally, the colour of a fawn. Just as shiny as could be. He had a suit and shoes the same color of his hair, so he walked in and we were stunned. He had been out riding his horses, was tanned and his eyes shunned like diamonds. We couldn't believe it. We just stood there and looked at him. Finally, he said "Shall we dance?""

"Elvis is everywhere. Elvis is everything. Elvis is everybody. Elvis is still the King."

"Do you know how hard it is to fake your own death? Only one man has pulled it off — Elvis."

"With the way he was marketed, he didn't even need to be able to sing the way he could. But Elvis had talent, plain and simple. The guy had a thousandth-octave range, and a variety in his vocal styles and approach, he could make more vocal tones, with just his voice, than a guitar player with 50 pedals and gadgets. If you never even saw the guy, you could plain feel, not just hear, the emotion and passion in his voice, and you are immediately taken in, one hundred percent. On the merit of vocals alone, he had more talent in the barbecue stuck in his teeth than the singers who sell millions of records do today."

"A Presley motion picture is the only sure thing in Hollywood.”"

"Our childhood housekeeper kept us supplied with a handwritten list of records. And when our mom would go out shopping and say, “Kids, can I get you something?,” we'd say, “You going by the record store? Here’s the list.” And sure enough, it was Jimmy Reed. It was Larry Williams. It was Ray Charles. All the good stuff. My sister and I played the sides off of those records. We'd turn those 45 rpm singles white. And I remember my mom taking us to see Elvis Presley and that kind of did it ... we had the music bug. And then my father took me down to a recording session at ACA, that was Bill Holford's place. And he put me in a chair and he said, “I’ll be in the office if you need me. Stick around because there are some musicians gonna make a recording session.” And I was kind of enjoying it, and who should walk in but B.B. King and his band. So between seeing Elvis and watching B.B. King record, it was carved in stone."

"Gather 'round, cats, and I'll tell you a story, about how to become an All American Boy."

"No, many thanks but I am just a tourist here and prefer no photos are taken."

"Arguably the finest recording found in all the Sun sessions, "Trying To Get To You"(1955), is a song that Presley made his own due to his hugely committed vocal, and the simple carefree abandon with which he performs it; at first, it feels like a classic country song with simple, elegant lyrics; but it is at the bridge – where Elvis really lets fly –, that the song is transformed from a lovely country lament, into deep blues; although the 1955 version is magnificent, Elvis manages to better it on his "1968 Comeback Special", in which he sings the song with so much intensity, it prompted critic Greil Marcus to exclaim "this is probably the finest rock and roll ever recorded."

"Jerry and I were big Elvis fans and the name held some fascination. We were also looking for someone who had never performed comedy, who could recite the most hilarious piece of dialogue without thinking the lines were MEANT to be funny. We saw a certain naïveté and inexperience in Priscilla Presley that we knew would work for what we had planned."

"I shall always regret not having seen Elvis Presley live..."

"Elvis are you out there somewhere Looking like a happy man? In the snow with Rosebud And King of the Mountain."

"There would be no current popular music without Elvis. He not only synthesized everything that had come before him in a really unique way, but he influenced everybody who came after — so you can have Blake Shelton and Adam Lambert influenced by the same cat."

"In Jailhouse Rock, he was everything rockabilly's about. Nah, nah, I mean, he is rockabilly: mean, surly, nasty, rude. In that movie, he couldn't give a fuck about nothin' except rockin' and rollin', livin' fast, dying young, and leaving a good-lookin' corpse, y'know?"

"Elvis has just left the building, Those are his footprints, right there, Elvis has just left the building, To climb up that heavenly stair"

"This is the mysterious part about music, the people who mean it, like Elvis, are generally the ones who are processing some kind of loss, and we connect to it."

"I better watch out. I believe whitey's picking up on the things that I'm doing"

"Can't you just imagine digging up the King? Begging him to sing?."

"He was the son of Afghanistan’s former prime minister, a prolific recording artist and a music idol for the masses. His music drew from Persian poetry as well as Indian classical styles, and it increasingly revealed a political edge, criticising the Soviet-backed Marxist regime who had seized power in Afghanistan following a 1978 military coup. There is some dream-like footage online of a 1970s gig at Kabul’s Intercontinental Hotel, showing an energetic figure leading a multi-instrumental band. The performer’s hip looks (dark quiff and sideburns; loosened tie) and rollicking, psych-roots grooves reflect the ‘Afghan Elvis’ nickname he earned."