Women Authors From England

"Single women have a dreadful propensity for being poor, which is one very strong argument in favour of matrimony."

"I would recommend to her and Mr. D. the simple regimen of separate rooms."

"What should I do with your strong, manly, spirited sketches, full of variety and glow? How could I possibly join them on to the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour?"

"I give you joy of having left Winchester. Now you may own how miserable you were there; now it will gradually all come out, your crimes and your miseries — how often you went up by the Mail to London and threw away fifty guineas at a tavern, and how often you were on the point of hanging yourself, restrained only, as some ill-natured aspersion upon poor old Winton has it, by the want of a tree within some miles of the city."

"We saw a countless number of post-chaises full of boys pass by yesterday morning — full of future heroes, legislators, fools, and villains. You have never thanked me for my last letter, which went by the cheese. I cannot bear not to be thanked."

"I could no more write a romance than an epic poem. I could not sit seriously down to write a serious romance under any other motive than to save my life; and if it were indispensable for me to keep it up and never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter. No, I must keep to my own style and go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other."

"He and I should not in the least agree, of course, in our ideas of novels and heroines. Pictures of perfection, as you know, make me sick and wicked; but there is some very good sense in what he says, and I particularly respect him for wishing to think well of all young ladies; it shows an amiable and a delicate mind. And he deserves better treatment than to be obliged to read any more of my works."

"I am quite honoured by your thinking me capable of drawing such a clergyman as you gave the sketch of in your note of Nov. 16th. But I assure you I am not. The comic part of the character I might be equal to, but not the good, the enthusiastic, the literary. Such a man's conversation must at times be on subjects of science and philosophy, of which I know nothing; or at least be occasionally abundant in quotations and allusions which a woman who, like me, knows only her own mother-tongue, and has read little in that, would be totally without the power of giving. A classical education, or at any rate a very extensive acquaintance with English literature, ancient and modern, appears to me quite indispensable for the person who would do any justice to your clergyman; and I think I may boast myself to be, with all possible vanity, the most unlearned and uninformed female who ever dared to be an authoress."

"What use is it to slumber here: Though the heart be sad and weary? What use is it to slumber here Though the day rise dark and dreary?"

"But first a hush of peace, a soundless calm descends; The struggle of distress and fierce impatience ends Mute music sooths my breast — unuttered harmony That I could never dream till earth was lost to me. Then dawns the Invisible; the Unseen its truth reveals; My outward sense is gone, my inward essence feels — Its wings are almost free, it is home, its harbor found; Measuring the gulf, it stoops and dares the final bound — O, dreadful is the check — intense the agony When the ear begins to hear and the eye begins to see; When the pulse begins to throb, the brain to think again, The soul to feel the flesh and the flesh to feel the chain. Yet I would lose no sting, would wish no torture less; The more that anguish racks the earlier it will bless; And robed in fires of Hell, or bright with heavenly shine If it but herald Death, the vision is divine —"

"I’ll walk where my own nature would be leading: It vexes me to choose another guide."

"No coward soul is mine, No trembler in the world's storm-troubled sphere: I see Heaven's glories shine, And Faith shines equal, arming me from Fear. O God within my breast, Almighty, ever-present Deity! Life — that in me has rest, As I — undying Life — have power in Thee! Vain are the thousand creeds That move men's hearts: unutterably vain; Worthless as withered weeds, Or idlest froth amid the boundless main."

"The winter wind is loud and wild, Come close to me, my darling child; Forsake thy books, and mateless play; And, while the night is gathering grey, We'll talk its pensive hours away;—"

"But when the days of golden dreams had perished, And even Despair was powerless to destroy; Then did I learn how existence could be cherished, Strengthened, and fed without the aid of joy."

"Sweet Love of youth, forgive, if I forget thee, While the world's tide is bearing me along; Other desires and other hopes beset me, Hopes which obscure, but cannot do thee wrong!"

"Cold in the earth—and fifteen wild Decembers, From those brown hills, have melted into spring: Faithful, indeed, is the spirit that remembers After such years of change and suffering!"

"Cold in the earth—and the deep snow piled above thee, Far, far, removed, cold in the dreary grave! Have I forgot, my only Love, to love thee, Severed at last by Time's all-severing wave?"

"I trust not to thy phantom bliss, Yet, still, in evening's quiet hour, With never-failing thankfulness, I welcome thee, Benignant Power; Sure solacer of human cares, And sweeter hope, when hope despairs!"

"But, thou art ever there, to bring The hovering vision back, and breathe New glories o'er the blighted spring, And call a lovelier Life from Death, And whisper, with a voice divine, Of real worlds, as bright as thine."

"Reason, indeed, may oft complain For Nature's sad reality, And tell the suffering heart, how vain Its cherished dreams must always be; And Truth may rudely trample down The flowers of Fancy, newly-blown:"

"What matters it, that, all around, Danger, and guilt, and darkness lie, If but within our bosom's bound We hold a bright, untroubled sky, Warm with ten thousand mingled rays Of suns that know no winter days?"

"So hopeless is the world without; The world within I doubly prize; Thy world, where guile, and hate, and doubt, And cold suspicion never rise; Where thou, and I, and Liberty, Have undisputed sovereignty."

"When weary with the long day's care, And earthly change from pain to pain, And lost and ready to despair, Thy kind voice calls me back again: Oh, my true friend! I am not lone, While thou canst speak with such a tone!"

"A heaven so clear, an earth so calm, So sweet, so soft, so hushed an air; And, deepening still the dreamlike charm, Wild moor-sheep feeding everywhere."

"Still, as I mused, the naked room, The alien firelight died away; And from the midst of cheerless gloom I passed to bright, unclouded day."

"I am the only being whose doom No tongue would ask no eye would mourn; I never caused a thought of gloom A smile of joy since I was born In secret pleasure — secret tears This changeful life has slipped away As friendless after eighteen years As lone as on my natal day."

"First melted off the hope of youth Then Fancy's rainbow fast withdrew And then experience told me truth In mortal bosoms never grew 'Twas grief enough to think mankind All hollow, servile, insincere; But worse to trust to my own mind And find the same corruption there"

"The night is darkening round me, The wild winds coldly blow; But a tyrant spell has bound me And I cannot, cannot go. The giant trees are bending Their bare boughs weighed with snow, And the storm is fast descending, And yet I cannot go. Clouds beyond clouds above me, Wastes beyond wastes below; But nothing drear can move me— I will not, cannot go."

"Shall Earth no more inspire thee, Thou lonely dreamer now? Since passion may not fire thee Shall Nature cease to bow? Thy mind is ever moving In regions dark to thee; Recall its useless roving — Come back and dwell with me —"

"I've watched thee every hour — I know my mighty sway — I know my magic power To drive thy griefs away —"

"Then let my winds caress thee — Thy comrade let me be — Since naught beside can bless thee Return and dwell with me —"

"He comes with western winds, with evening's wandering airs, With that clear dusk of heaven that brings the thickest stars; Winds take a pensive tone and stars a tender fire And visions rise and change which kills me with desire."

"Love is like the wild rose-briar; Friendship like the holly-tree. The holly is dark when the rose-briar blooms, But which will bloom most constantly?"

"For that mist may break when the sun is high And this soul forget its sorrow And the rose ray of the closing day May promise a brighter morrow."

"[T]he intelligent reader of Wuthering Heights cannot fail to recognize that what he is reading is a tragedy simply because it is the work of a writer whose genius is essentially tragic. Those who believe that Heathcliff was called into existence by the accident that his creator had witnessed the agonies of a violent weakling in love and in disgrace might believe that Shakespeare wrote King Lear because he had witnessed the bad effects of parental indulgence, and that Æschylus wrote the Eumenides because he had witnessed the uncomfortable results of matricide. The book is what it is because the author was what she was; this is the main and central fact to be remembered. Circumstances have modified the details; they have not implanted the conception. If there were any need for explanation there would be no room for apology. As it is, the few faults of design or execution leap to sight at a first glance, and vanish in the final effect and unimpaired impression of the whole; while those who object to the violent illegalities of conduct with regard to real or personal property on which the progress of the story does undeniably depend—‘a senseless piece of glaring folly,’ it was once called by some critic learned in the law—might as well complain, in Carlylesque phrase, that the manners are quite other than Belgravian."

"Perhaps not since Sappho has there been such a person. Certainly she makes the ghosts of de Staël and Georges Sand, of Eliot and Mrs. Browning, look singularly homely and sentimental."

"So very little is known of Emily Brontë that every little detail awakens an interest. Her extreme reserve seemed impenetrable, yet she was intensely lovable; she invited confidence in her moral power. Few people have the gift of looking and smiling as she could look and smile. One of her rare expressive looks was something to remember through life, there was such a depth of soul and feeling, and yet a shyness of revealing herself—a strength of self-containment seen in no other. She was in the strictest sense a law unto herself, and a heroine in keeping to her law. She and gentle Anne were to be seen twined together as united statues of power and humility. They were to be seen with their arms lacing each other in their younger days whenever their occupations permitted their Union. On the top of a moor or in a deep glen Emily was a child in spirit for glee and enjoyment; or when thrown entirely on her own resources to do a kindness, she could be vivacious in conversation and enjoy giving pleasure. A spell of mischief also lurked in her on occasions when out on the moors. She enjoyed leading Charlotte where she would not dare to go of her own free-will. Charlotte had a mortal dread of unknown animals, and it was Emily's pleasure to lead her into close vicinity, and then to tell her of how and of what she had done, laughing at her horror with great amusement. If Emily wanted a book she might have left in the sitting-room she would dart in again without looking at any one, especially if any guest were present. Among the curates, Mr. Weightman was her only exception for any conventional courtesy. The ability with which she took up music was amazing; the style, the touch, and the expression was that of a professor absorbed heart and soul in his theme. The two dogs, Keeper and Flossy, were always in quiet waiting by the side of Emily and Anne during their breakfast of Scotch oatmeal and milk, and always had a share handed down to them at the close of the meal. Poor old Keeper, Emily's faithful friend and worshipper, seemed to understand her like a human being. One evening, when the four friends were sitting closely round the fire in the sitting-room, Keeper forced himself in between Charlotte and Emily and mounted himself on Emily's lap; finding the space too limited for his comfort he pressed himself forward on to the guest's knees, making himself quite comfortable. Emily's heart was won by the unresisting endurance of the visitor, little guessing that she herself, being in close contact, was the inspiring cause of submission to Keeper's preference. Sometimes Emily would delight in showing off Keeper—make him frantic in action, and roar with the voice of a lion. It was a terrifying exhibition within the walls of an ordinary sitting-room. Keeper was a solemn mourner at Emily's funeral and never recovered his cheerfulness."

"Emily Brontë had by this time acquired a lithesome, graceful figure. She was the tallest person in the house, except her father. Her hair, which was naturally as beautiful as Charlotte's, was in the same unbecoming tight curl and frizz, and there was the same want of complexion. She had very beautiful eyes – kind, kindling, liquid eyes; but she did not often look at you; she was too reserved. Their colour might be said to be dark grey, at other times dark blue, they varied so. She talked very little. She and Anne were like twins – inseparable companions, and in the very closest sympathy, which never had any interruption."

"What is said of Charlotte may, with almost equal truth, be said of Emily and Anne; though they differed greatly in many points of character and disposition, they were each and all on common ground if a principle had to be maintained or a sham to be detected. They were all jealous of anything hollow or unreal. All were resolutely single-minded, eminently courageous, eminently simple in their habits, and eminently tender-hearted."

"Feminists are in love with Charlotte Brontë. Yet the great summation of the travails of Charlotte's Jane Eyre was: "Reader, I married him." Reader, I married the boss. No, listen, that's just not good enough! Charlotte Brontë was a flaming racist. If you want to know where she stands, compare her with her sister, the antiracist Emily Brontë, who said, "I am Heathcliff": I am that man of color, who had been a street urchin. And that's just the beginning of what I think we have to do, not only if we are white, but whoever we are. We have to identify entirely with those with less power than ourselves: not only are we "with them"; we are "them." That way lies power for all of us, the end of the divisions, the end of the hierarchy and the flowering of real diversity and individuality."

"The character of Emily Brontë was a peculiar mixture of timidity and Spartan-like courage. She was painfully shy, but physically she was brave to a surprising degree. She loved few persons, but those few with a passion of self-sacrificing tenderness and devotion. To other people's failings she was lenient and forgiving, but over herself she kept a continual and most austere watch, never allowing herself to deviate for one instant from what she considered her duty. She fought with her weakness to the very last, keeping up, and, marvellous to relate, about her accustomed duties in the house; and refusing strenuously to admit that anything ailed her, or to see a doctor. Her inflexibility of purpose was more like that of a strong man than of a delicate, weak woman..."

"(Whom do you consider your literary heroes?) Toni Morrison, Grace Paley, Emily Brontë, Ray Bradbury, all for different reasons, all adored...(Who is your favorite novelist of all time? And your favorite novelist writing today?) All time — Emily Brontë, author of the greatest psychological novel ever written, with the most complex character ever conceived."

"Don't forget books. What would life be without them? Emily Brontë, Edgar Allan Poe, F. Scott Fitzgerald, Toni Morrison, Jane Austen, William Faulkner. Read the greats-they're great for a reason. They know how to chart the human soul. (p 32)"

"She should have been a man – a great navigator. Her powerful reason would have deduced new spheres of discovery from the knowledge of the old; and her strong imperious will would never have been daunted by opposition or difficulty, never have given way but with life. She had a head for logic, and a capability of argument unusual in a man and rarer indeed in a woman... impairing this gift was her stubborn tenacity of will which rendered her obtuse to all reasoning where her own wishes, or her own sense of right, was concerned."

"Emily Bronte was a wild, original, and striking creature, but her one book is a kind of prose Kubla Khan, — a nightmare of the superheated imagination."

"When I first read Wuthering Heights I was ten years old and I loved it. I discovered that people in faraway places could be as passionate as those around me. Cathy Heathcliff was my first literary role model."

"The weakness of the writing in much nineteenth-century fiction is that it takes the situation for granted and indulges in the emotion; Emily Brontë lets her words explore and define the situation itself instead of saying to the reader: "This is what you must feel about it", she says: "This is what it feels like"."

"Why should Wuthering Heights appear so entirely satisfying? Perhaps because it is a symbolic representation of what Emily Brontë felt about the universe. Passionate in its beauty and intensity, as well as its spiritual fervour. Unlike those Victorian values which contemporary society, "respectable" society, held so dear, the people in Emily Brontë's novel, Heathcliff and Cathy, are neither good nor bad. They are wild or tame. They are the storm, or calm."

"My sister's [Emily's] disposition was not naturally gregarious; circumstances favoured and fostered her tendency to seclusion; except to go to church or take a walk on the hills, she rarely crossed the threshold of home. Though her feeling for the people round was benevolent, intercourse with them she never sought; nor, with very few exceptions, ever experienced. And yet she know them: knew their ways, their language, their family histories; she could hear of them with interest, and talk of them with detail, minute, graphic, and accurate; but WITH them, she rarely exchanged a word."

"Emily is not very fond of teaching but she would nevertheless take care of the housekeeping, and though she is rather withdrawn she has too kind a heart not to do her utmost for the well-being of the children — she is also very generous soul..."