Political Activists

"el honor echó canas/en el imperio homicida."

"Es en ti (los pueblos hispanos de America) donde canta mi canción, donde grita/libre grito mi voz iniciada en montañas."

"la palabra amor/se alzará de la tierra/en volcán inocente/que renueva universos"

"Iba fiel la tormenta sobre mi alma cansada/cuando te apareciste con ternura de estrella."

"Humanamente, y libre,/y distante, y materia/que allá abajo muy hondo/rimaré una canción."

"Ya no es canción./Es grito./Grito de fuerza viva,/de hombres que luchan,/de mentes que se libertan,/de brazos sueltos/prestos a no caer./Las masas rugen./Piensan./Son."

"Le diste corazón al universo/que se ocultaba en mí"

"La que juzga mi alma por la piel que me arropa/ni siquiera se extiende lo que alcanza su voz."

"La sombra del mañana me vigila la vida"

"Soy tu raíz oculta entre peñas y abrojos"

"He sabido la inmensidad del cielo alto sobre las rosas"

"¡Obreros! Picad el miedo./Vuestra es la tierra desnuda./Saltad el hambre y la muerte/por sobre la honda laguna,/y uníos a los campesinos,/y a los que en caña se anudan./¡Rómpanse un millón de puños/contra moral tan injusta!/¡Alzad, alzad vuestros brazos!"

"Yo, fatalista,/mirando la vida llegándose y alejándose/de mis semejantes...Yo, dentro de mí misma,/siempre en espera de algo/que no acierta mi mente."

"Los Hitler, los Mussolini.../¡Balas! ¡Balas! ¡Balas! ¡Balas!/Las dos víboras de Europa/que con la muerte se pactan."

"A cada paso adelantado en mi ruta hacia el frente/rasgaba mis espaldas el aleteo desesperado/de los troncos viejos."

"De todos los pueblos/surgirán brazos fuertes,/los brazos de millones de hombres/que pueblan la avanzada de la tierra."

"Debe ser la caricia de lo inútil,/la tristeza sin fin de ser poeta,/de cantar y cantar, sin que se rompa/la tragedia sin par de la existencia."

"yo soy toda soledad/en un corazon rebelde"

"Yo fui la más callada./La voz casi sin eco./La conciencia tendida en sílaba de angustia,/desparramada y tierna, por todos los silencios...Yo fui la más callada./La que saltó/saltó la tierra sin más arma que un verso./¡Y aquí me veís, estrellas,/desparramada y tierna, con su amor en mi pecho!"

"Sólo dejarme, como estoy, soñando/a ser lucero enamorando al sol"

"¡Qué inmenso es ser al creerse muerto!"

"To save something beautiful you must destroy it, so it does not fall, limp and degraded, from our miserable human hands."

"¡Y aún me piden canciones por palabras,/no conciben mi pulso sin poemas"

"Favianna Rodriguez is one of the first people I met who brought up sex in a public context with no attempt at mass seduction. She was incredibly matter-of-fact about her truth that, as an artist, as an organizer, her pleasure and her freedom are part of her larger radical creative path."

"All the flowers… are open, awaiting my arrival, and they clothe beaches of the most beautiful blue, to receive my life, whole and healthy like before. I want to spend days by the sea, burning myself in the sun like we did in our juvenile days, and to be able to return and see my river, with the same tranquil and yearning eyes as I did when I was its bride."

"Carry yourself seriously but speak with a sweet voice. Humiliate no one, since, as you know, adolescence is characterized by unbridled self-love, and when a teacher shines light on the good qualities of a child, it does much more than focusing on their vices."

"The narrative we need is to respect all life, including all human beings. How do we build our reconnection to each other as human beings? Because that’s what’s going to transition us away from an extractive economy and solve the climate crisis."

"We need to be able to have writers in television rooms write about the Black children who are getting asthma, the Latinx farmworkers who are working in extreme heat. All of these stories exist. They’re happening, but we need to find the bridge so that these stories can be transformed into cultural content that will move audiences."

"As a movement who cares about climate justice and justice overall, we need to better leverage the power of culture because culture is what transforms the imagination—culture shows us what’s possible. And we can do that by including artists and culture makers in our organizing work. We can train and educate artists on what are the key issues we’re facing in climate. We can pass the mic to artists of color when it comes to climate change. So many people think of white men as the primary spokespeople around climate, but that needs to shift. We need to ensure that it’s BIPOC artists who are speaking about the true impact of the climate crisis. We need people of color and especially culture makers of color to be sharing the stories of what’s happening in our community."

"The power of art and culture is that it speaks to our heart. It speaks to our emotions, but it also opens up our imagination to show us what’s possible. It takes us to another world, and we can experience that world. What we urgently need in our climate movement is to be able to imagine solutions and see ourselves in a different kind of relationship to nature. In order for us to halt the climate crisis, we have to reimagine our relationship to energy. We have to think about our consumption, especially as Americans. We could tell very different kinds of stories around how we achieve happiness and success. How we do that is by reconnecting to each other and to the natural world."

"I really long for a time when I can look at art and listen to music and watch films that remind me of my relationship to nature, that help connect me to all of the beautiful animals that we share this planet with, the ocean, the forest. That relationship has been broken. It has been altered and severed. That is the effects of white supremacy and colonialism. This is why in so many movements, there is a demand to return land to Indigenous communities and to center Indigenous voices because Indigenous people continue to be the ones who are most protecting our world’s biodiversity. And if you look at culture from an Indigenous perspective, they are very different kinds of stories. They are stories about being stewards of the Earth, stories about protecting the salmon."

"I have always been committed to opening doors for other artists of color, and I’ve always been committed to justice. Largely, that’s because I grew up in Oakland during the era of the War on Drugs, and I experienced hip hop. I experienced the remnants of the Black Panthers, so I’ve always been shaped by the idea that culture is not only something very healing, but it is truly what gets us through the hardest time. Art and culture give us the language to talk about what we are experiencing as oppressed people."

"Cantemos desde ahora, que la vida se va"

"The power of art is that it can help us heal our relationship to nature and help us as human beings understand that we can move away from an extractive relationship toward a regenerative one. Culture can do that, but we have to do it by replacing the old fairy tales. Greta Thunberg called them “fairy tales of endless extraction” because, in reality, they are fairy tales. They are stories. They are a form of culture that has gotten us here—and largely a culture of colonialism that deemed some life could be exploited for the benefit of other life."

"I started calling myself an artist when I was 18 years old and attending UC Berkeley. I had been an activist for a few years, and a lot of the ways I would contribute to social justice movements would be through my art. I would design the posters and flyers. I would bring art activity to the people. I met a woman through my Chicano studies class. Her name was Yreina Cervantez, and she was and continues to be a very well-known Chicana artist. She saw my work and told me that I was very talented and connected me to Self Help Graphics in Los Angeles, which was one of the first institutions in which I really was able to produce my first body of work. So although I did not go to art school, I took on my own artistic learning, and I haven’t stopped ever since."

"I’ve been tremendously inspired by artists like Judy Baca, who is a muralist in Los Angeles who has transformed what murals mean in our communities and has also built her own institution. Artists like Nina Simone and James Baldwin, who were able to create work that really spoke about the conditions facing Black people and work that would remain universal contributions to culture—something that would continue to shape generations. I’m inspired by people like Víctor Jara, who was a musician in Chile during the very oppressive government. He was actually killed by the government, but nevertheless, his music continues to inspire generations today. I was also inspired by Frida Kahlo. She was the only Latina artist I was exposed to in high school, so she was a role model because she was the only one I studied when I was younger."

"when we’re thinking about what’s next, we’re saying don’t bail out the fossil fuel industry, don’t bail out the airlines. Bail out people."

"When we’re dealing with a crisis like COVID, which is disproportionately affecting people of color — and it’s a respiratory disease! — and then you consider that Black and Latino people overwhelmingly live in polluted communities, the disparities just become really clear."

"I advocate for a lot of issues around food security because I grew up in a community that had only fast food. And when I recognized that not only were we getting sick from what we ate, but that we are part of the gears of the machine, whether it’s on the farm picking food or killing animals — because remember that it is the beef industry that is destroying the lungs of the planet — who works in this industry? It’s overwhelmingly Latinx people, overwhelming immigrants."

"together as a global community, we are recognizing the failures of the system. It is so clear. People are upset. People are seeing, like, ‘Wow, our governments are not set up to take care of us, even though we have all this wealth and even though people work so hard. We don’t have the infrastructure, whether it’s the health infrastructure or economic infrastructure, to truly be resilient."

"We have to be able to connect the dots, that ultimately our problem is the exploitation of the planet, of life on the planet, whether it’s the four-legged or the two-legged"

"When it comes to climate change, most of the stories and cultural content that exist to inform and organize people are overwhelmingly pain oriented, outdated, and hella White."

"Where is the pop culture that makes riding public transportation and eating a plant-based diet fun, cool, and accessible to diverse audiences? Imagine the power of being exposed to an abundance of stories, songs, and images that challenge our fundamental consumption culture and expand our perspectives by helping us feel the consequences of our choices. What if we made it uncool to use fossil fuels in the same way smoking became uncool?"

"We actually need to make it cool to be a part of Earth Day."

"We need to actually tell the stories in a way that helps people understand both what the problem is as well as the solution. Because I don’t think it’s just about being reactive. It’s about putting forward a solution — and I can assure you that the right wing is definitely already doing this. They are already helping people imagine."

"Our current relationship to the Earth is based on a worldview of domination that supports an extractive economy."

"...it should be called "push out" rather than "drop out.""

"Hacia el alma es muy largo el camino que andar"

"De mi patria invadida,/es hoy su independencia, el campo de batalla."

"I wanted to have these kinds of images because other Chicano artists were doing imagery that was very political, sending messages about oppression and discrimination, honoring the great muralists in Mexico, and protesting the Vietnam war because a lot of Chicanos had been drafted into the army. There were a lot of protests against the war and the draft. I just wanted to focus on the every day life that we’re all very familiar with. We needed to re-celebrate that: the beautiful things that we have always known and grown up with…"