People From Emilia Romagna

"God is the best helper, but He loves to be helped. Be earnest in prayer, but do not neglect human means. You must help yourself in all manner of ways, and then the Lord will be with you."

"The Pope may err, and that in two ways, either because he is erroneously informed, or from malice. As to the latter cause we leave that to the judgment of God, and believe rather that he has been misinformed. In our own case I can prove that he has been falsely persuaded. Therefore any one who obstinately upholds the excommunication and affirms that I ought not to preach these doctrines is fighting against the kingdom of Christ, and supporting the kingdom of Satan, and is himself a heretic, and deserves to be excluded from the Christian community."

"Colui che scomunica me scomunica Dio."

"Ecce gladius Domini super terram, cito et velociter."

"The reason why I entered into a religious order is this: first, the great misery of the world, the wickedness of men, the rapes, the adulteries, the thefts, the pride, the idolatry, the vile curses, for the world has come to such a state that one can no longer find anyone who does good; so much so that many times every day I would sing this verse with tears in my eyes: Alas, flee from cruel lands, flee from the shores of the greedy. I did this because I could not stand the great wickedness of the blind people of Italy, especially when I saw that virtue had been completely cast down and vice raised up."

"A normal chap, a man who likes creating things. A good worker in the morning, and a man who likes enjoying himself in the afternoon."

"One day in Modena I was entering a restaurant when I recognized Ferrari sitting at one of the tables. As I passed I tried to greet him, but he turned his head away and pretended to be talking to the person next to him. He was ignoring me! I used to have contact with Adolfo and Omer Orsi of Maserati, Renzo Rivolta of ISO, even Alejandro de Tomaso. But Ferrari never spoke to me again. He was a great man, I admit, but it was so very easy to upset him."

"A jockey does not have to have been a racehorse."

"Giuseppe Verdi was never a theoretician or academic, though he was quite able to write a perfectly poised fugue if he felt inclined. What makes him, with Puccini, the most popular of all opera composers is the ability to dream up glorious melodies with an innate understanding of the human voice, to express himself directly, to understand how the theatre works, and to score with technical brilliance, colour and originality."

"Avrai tu l'universo, resti l'Italia a me."

"Copiare il vero può essere una buona cosa, ma inventare il vero è meglio, molto meglio."

"Io…vorrei che il giovane quando si mette a scrivere, non pensasse mai ad essere né melodista, né realista, né idealista, né avvenirista, né tutti i diavoli che si portino queste pedanterie. La melodia e l’armonia non devono essere che mezzi nella mano dell'artista per fare della Musica, e se verrà un giorno in cui non si parlerà più né di melodia né di armonia né di scuole tedesche, italiane, né di passato né di avvenire ecc. ecc. ecc. allora forse comincierà il regno dell'arte."

"Io non posso ammettere, né nei cantanti, né nei direttori la facoltà di creare, che come dissi prima, è un principio che conduce all'abisso."

"Tornate all'antico e sarà un progresso."

"Si rinunci per moda, per smania di novità, per affettazione di scienza, si rinneghi l'arte nostra, il nostro istinto, quel nostro fare sicuro spontaneo naturale sensibile abbagliante di luce, è assurdo e stupido."

"Gli artisti veramente superiori giudicano senza pregiudizi di scuole, di nazionalità, di tempo. Se gli artisti del Nord e del Sud hanno tendenze diverse, è bene siano diverse."

"Così nel tempo che virtù fioria Ne li antiqui segnori e cavallieri, Con noi stava allegrezza e cortesia, E poi fuggirno per strani sentieri, Sì che un gran tempo smarirno la via, Né del più ritornar ferno pensieri; Ora è il mal vento e quel verno compito, E torna il mondo di virtù fiorito."

"La roba non fa mai l' uomo beato."

"Siccome al Cane in guardia posto all'orto, Che non mangia i poponi, e non congente, Che altri ne mangi, ogni uomo gli dà torto."

"Atto regale e intender la ragione."

"Chi vuole aver soggetti, che obbediscano, Convien, che prima sappia comandare."

"E seguirovi, sì come io suoliva, Strane aventure e battaglie amorose, Quando virtute al bon tempo fioriva Tra cavallieri e dame grazïose, Facendo prove in boschi ed ogni riva, Come Turpino al suo libro ce espose. Ciò vo' seguire, e sol chiedo di graccia Che con diletto lo ascoltar vi piaccia."

"Però che Amore è quel che dà la gloria, E che fa l'omo degno ed onorato, Amore è quel che dona la vittoria, E dona ardire al cavalliero armato"

"Poco ha doglia chi dolendo tace."

"I had the pleasure of not only performing for him in tribute, but performing in his stead at the Grammy Awards in 1998, singing 'Nessun Dorma.' I had one magnificent and absolute and defining moment when he came to the stage to thank me for my performance. The world has lost one of the greatest voices of all time."

"I'm not a politician, I'm a musician. I care about giving people a place where they can go to enjoy themselves and to begin to live again. To the man you have to give the spirit, and when you give him the spirit, you have done everything."

"I remember when I began singing, in 1961, one person said, "run quick, because opera is going to have at maximum 10 years of life." At the time it was really going down. But then, I was lucky enough to make the first Live From the Met telecast. And the day after, people stopped me on the street. So I realized the importance of bringing opera to the masses. I think there were people who didn't know what opera was before. And they say "Bohème", and of course "Bohème is so good.""

"I think an important quality that I have is that if you turn on the radio and hear somebody sing, you know it's me. You don't confuse my voice with another voice."

"Penso che una vita per la musica sia una vita spesa bene ed è a questo che mi sono dedicato."

"If children are not introduced to music at an early age, I believe something fundamental is actually being taken from them."

"I am a very simple person. In spite of all that has happened to me, I have tried to remain the simple person I started out."

"Every day I remind myself of all that I have been given. … With singing, you never know when you are going to lose the voice, and that makes you appreciate the time that you have when you are still singing well. I am always thanking God for another season, another month, another performance."

"As an art form, opera is a rare and remarkable creation. For me, it expresses aspects of the human drama that cannot be expressed in any other way, or certainly not as beautifully."

"In opera, as with any performing art, to be in great demand and to command high fees you must be good of course, but you must also be famous. The two are different things."

"It is not always a matter of wild ovations and legendary performances. Sometimes you are just happy to get through an opera without trouble."

"For all three of us, the Caracalla concert was a major event in our lives. I hope I am not immodest to think it was also unforgettable for most of the people who were present."

"Nothing that has happened has made me feel gloomy or remain depressed. I love my life."

"Some can sing opera, Luciano Pavarotti was an opera. No one could inhabit those acrobatic melodies and words like him. He lived the songs, his opera was a great mash of joy and sadness; surreal and earthy at the same time; a great volcano of a man who sang fire but spilled over with a love of life in all its complexity, a great and generous friend. … I spoke to him last week... the voice that was louder than any rock band was a whisper. Still he communicated his love. Full of love. That's what people don't understand about Luciano Pavarotti. Even when the voice was dimmed in power, his interpretive skills left him a giant among a few tall men."

"He was always helpful to me, supporting me in my very difficult moments as well, due also to a severe illness. He was very close to me, he was calling me quite often and giving me a lot of support and putting me in the right spirit."

"I always admired the God-given glory of his voice — that unmistakable special timbre from the bottom up to the very top of the tenor range. … I also loved his wonderful sense of humor."

"Pavarotti made a profound contribution not only to music and the arts, but also to people in need around the world. His work for children — particularly those affected by armed conflict — stretched from Afghanistan to Liberia and beyond. By staging concerts and marshaling talented friends to help raise funds, he generated millions of dollars for humanitarian aid."

"The whole world will be listening today to his voice on every radio and television station, and that will continue. And that is his legacy. He will never stop,"

"You must be painter who takes a canvas and does what he likes with it. We are more like painters in past centuries who were ordered to paint frescoes to specific measurements. Among the people in the fresco may be a bishop, the prince's wife, etc. The fresco isn't bad simply because the painter used for models people from the court of the prince who ordered and paid for it."

"Michelangelo Antonioni's Blow-Up opened in America two months before I became a film critic, and colored my first years on the job with its lingering influence. … Over three days recently, I revisited Blow-Up in a shot-by-shot analysis. Freed from the hype and fashion, it emerges as a great film, if not the one we thought we were seeing at the time. … Whether there was a murder isn't the point. The film is about a character mired in ennui and distaste, who is roused by his photographs into something approaching passion. As Thomas moves between his darkroom and the blowups, we recognize the bliss of an artist lost in what behaviorists call the Process; he is not thinking now about money, ambition or his own nasty personality defects, but is lost in his craft. His mind, hands and imagination work in rhythmic sync. He is happy. Later, all his gains are taken back.... Blow-Up audaciously involves us in a plot that promises the solution to a mystery, and leaves us lacking even its players."

"The films of Michelangelo Antonioni are aesthetically complex – critically stimulating though elusive in meaning. They are ambiguous works that pose difficult questions and resist simple conclusions. Classical narrative causalities are dissolved in favour of expressive abstraction. Displaced dramatic action leads to the creation of a stasis occupied by vague feelings, moods and ideas. Confronted with hesitancy, the spectator is compelled to respond imaginatively and independent of the film. The frustration of this experience reflects that felt in the lives of Antonioni's characters: unable to solve their own personal mysteries they often disappear, leave, submit or die. The idea of abandonment is central to Antonioni's formal structuring of people, objects, and ideas. He evades presences and emphasises related absences. His films are as enigmatic as life: they show that the systematic organisation of reality is a process of individual mediation disturbed by a profound inability to act with certainty."

"It's very difficult to explain what I do. It is much more instinctive than you realize; much, much more. … the reasons that make me interested in a subject are, how shall I say, fickle. Many times I have chosen, among three stories, one for reasons that are entirely accidental: I get up and think this one will be stupendous because the night before I had a certain dream. Or perhaps I put it better by saying that I had found inside myself reasons why this particular story seems more valid. … I always have motives, but I forget them."

"The greatest danger for those working in the cinema is the extraordinary possibility it offers for lying."

"You mustn't ask me to explain everything I do. I can't. That's that. How can I say why at a certain moment I needed this. How can I explain why I needed a confusion of colors?"

"Is it important to show why a character is what he is? No. He is. That's all."

"One doesn't enter groups of people simply because one wants or needs to. One has an infinite number of opportunities that occur for no particular reason. Sometimes you feel a sudden unexpected pleasure at being where you find yourself."