"Beijing is two cities. One is of power and of money. People don’t care who their neighbors are; they don’t trust you. The other city is one of desperation. I see people on public buses, and I see their eyes, and I see they hold no hope. They can’t even imagine that they’ll be able to buy a house. They come from very poor villages where they’ve never seen electricity or toilet paper."

"The worst thing about Beijing is that you can never trust the judicial system. Without trust, you cannot identify anything; it’s like a sandstorm. You don’t see yourself as part of the city—there are no places that you relate to, that you love to go. You have no memory of any material, texture, shape. Everything is constantly changing, according to somebody else’s will, somebody else’s power."

"[People] always tell me, “Weiwei, leave the nation, please.” Or “Live longer and watch them die.” Either leave, or be patient and watch how they die. I really don’t know what I’m going to do."

"You’re in total isolation. And you don’t know how long you’re going to be there, but you truly believe they can do anything to you. There’s no way to even question it. You’re not protected by anything. Why am I here? Your mind is very uncertain of time. You become like mad. It’s very hard for anyone. Even for people who have strong beliefs."

"I think it’s a responsibility for any artist to protect freedom of expression and to use any way to extend this power."

"I think art certainly is the vehicle for us to develop any new ideas, to be creative, to extend our imagination, to change the current conditions."

"I don’t have this concept that separates my art from my daily life. They are one thing to me. They are always one. How do you find the way to express yourself and how to communicate with others?"

"I don’t feel powerful at all. I am still under this kind of detention, and you know, this is kind of a bail. Even yesterday I realized while trying to take care of the baby, [at] the park, [I had] been secretly followed and it’s quite fragile. Maybe being powerful means to be fragile."

"The only reason they put me in jail is my involvement in politics, my criticism of the authorities. Later the excuse for my detention became my “tax problem.” But internally they never told me anything about it. I don’t want to underestimate their intelligence, but up to this day I think what they did is very stupid. In fact, they even helped me in an ironic sense. They gave me a chance to explain what is happening with this system. They provided such a platform for me."

"In a society where there is no freedom of the press, it is difficult for victims to be noticed. Just take the example from yesterday: I had given a telephone interview to CNN. Then, suddenly, CNN was shut down for a couple of minutes. It was the first time I experienced that my television went totally dead. I realized: Oh my God, it’s because of me. This is crazy! Which nation would do that? Maybe Cuba, North Korea, China. But what do they want, what are they so afraid of?"

"My definition of art has always been the same. It is about freedom of expression, a new way of communication. It is never about exhibiting in museums or about hanging it on the wall. Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don’t think art is elite or mysterious. I don’t think anybody can separate art from politics. The intention to separate art from politics is itself a very political intention."

"Life is art. Art is life. I never separate it. I don’t feel that much anger. I equally have a lot of joy."

"On the Internet, people do not know each other, they don’t have common leaders, sometimes not even a common political goal. But they come together on certain issues. I think that is a miracle. It never happened in the past. Without the Internet, I would not even be Ai Weiwei today. I would just be an artist somewhere doing my shows."

"As an artist, I am very familiar with how to show the details, how to transform them into a language people can understand. They [the government] know that the Internet is a strong force, unbearable for them."

"If a nation cannot face its past, it has no future."

"During my detention, they kept asking me: Ai Weiwei, what is the reason you have become like this today? My answer is: First, I refuse to forget. My parents, my family, their whole generation and my generation all paid a great deal in the struggle for freedom of speech. Many people died just because of one sentence or even one word. Somebody has to take responsibility for that."

"It doesn’t matter where I am—China will stay in me. I don’t know how far I can still walk on this road and what is the limit."

"There were thousands of moving messages. People sent money from their first month’s salary. Others said: This is my retirement payment—take it. This is the money for my next pair of shoes—take it. It was very important for me to see and hear those things. Normally you do not see the warmth, humor, care and generosity of the people while writing a blog. You just feel like you are walking in a dark tunnel and you feel alone."

"I definitely know people who are shameless enough to give up basic values. I see this kind of art, and when I see it I feel ashamed. In China they treat art as some form of decoration, a self-indulgence. It is pretending to be art. It looks like art. It sells like art. But it is really a piece of shit.""

"They detained me for 81 days, but they never killed me. They clearly told me: 'If we were in the Cultural Revolution, you would have been killed 100 times.' They said: 'We have already improved.' I said: 'I thank you very much. Yes, you have improved. Not because you are really willing to improve yourself, but only because improvement is a matter of surviving.'"

"Do they want me to stay? Do they want me to leave? Do they want me to hang myself? To kill myself? What do they want?"

"Nothing. Jail is about nothing. Completely blank."

"This is something you can never erase. It leaves a scar on you."

"My voice is not for me. Every time I make a sentence I think how many people for how many generations had a voice that no one could hear. At most they will be remembered as numbers; in many cases, even numbers don’t exist."

"It’s hard to recover. You become not so innocent. You become, in a way, more sophisticated, which I think you shouldn’t. We should all have more simple happiness . . . . You become bitter."

"Maybe there is something I got from it. Maybe you also start to be clear on certain things."

"Every day I think, this will be the day I get taken in again . . . ."

"I think I have this responsibility to my father’s generation, and especially future generations."

"I don’t really care that much about if I want to be more successful or less successful in art, because I never think life and art should be separate. What’s life if you don’t have conversation and joy and anger?"

"Citizens should bear the responsibility to act."

"They [the government] cannot stop people from communicating freely, to get information and to express themselves. When they do that, this nation is not a right place to live. They sacrifice generations of people’s opportunities. This is a crime."