Novelists From The United States

"Without comprehension, the immigrant would forever remain shut - a stranger in America. Until America can release the heart as well as train the hand of the immigrant, he would forever remain driven back upon himself, corroded by the very richness of the unused gifts within his soul. ("How I found America")"

"Every breath I drew was a breath of fear, every shadow a stifling shock, every footfall struck on my heart like the heavy boot of the Cossack. (beginning of "How I Found America")"

"With the suitcase containing all her worldly possessions under her arm, Sophie Sapinsky elbowed her way through the noisy ghetto crowds. Pushcart peddlers and pullers-in shouted and gesticulated. Women with market-baskets pushed and shoved one another, eyes straining with the one thought-how to get the food a penny cheaper. With the same strained intentness, Sophie scanned each tenement, searching for a room cheap enough for her dwindling means. (beginning of "My Own People")"

"Like all people who have nothing, I lived on dreams. (beginning of "The Miracle")"

""...When I only begin to read, I forget I'm on this world. It lifts me on wings with high thoughts." ("Wings")"

"My heart chokes in me like in a prison! I'm dying for a little love and I got nobody-nobody!" wailed Shenah Pessah, as she looked out of the dismal basement window. (beginning of "Wings")"

"I feel like a starved man who is so bewildered by the first sight of food that he wants to grab and devour the ice-cream, the roast, and the entrée all in one gulp. For ages and ages, my people in Russia had no more voice than the broomstick in the corner. The poor had no more chance to say what they thought or felt than the dirt under their feet. And here, in America, a miracle has happened to them. They can lift up their heads like real people. After centries of suppression, they are allowed to speak. Is it a wonder that I am too excited to know where to begin? All the starved, unlived years crowd into my throat and choke me. I don't know whether it is joy or sorrow that hurts me so. I only feel that my release is wrung with the pain of all those back of me who lived and died, their dumbness pressing down on them like stones on the heart. (beginning of "Mostly About Myself")"

"One glance at his wife's tight-drawn mouth warned Reb Ravinsky of the torrent of wrath about to burst over his head. "Nu, my bread-giver? Did you bring me the rent?" she hurled at him between clenched teeth. (beginning of "The Lord Giveth")"

"Spring was in the air. But such radiant, joyous spring as one coming out of the dark shadows of the Ghetto never could dream. Earth and sky seemed to sing with the joy of an unceasing holiday. Rebecca Yudelson felt as if she had suddenly stepped into fairyland where the shadow of sorrow or sickness, where the black blight of poverty had never been. (beginning of "Dreams and Dollars")"

"Ever since I began to read the American magazines one burning question has consumed me: Why is it that only the thoughts of educated people are written up? Why shouldn't sometimes a servant girl or a janitress or a coal-heaver give his thoughts to the world? We who are forced to do the drudgery of the world, and who are considered ignorant because we have no time for school, could say a lot of new and different things, if only we had a chance to get a hearing. Very rarely I'd come across a story about a shop-girl or a washerwoman. But they weren't real stories. They were twisted pictures of the way the higher-ups see us people. They weren't as we are. They were as unreal as the knowledge of the rich about the poor. Often I'd read those smooth-flowing stories about nothing at all, and I'd ask myself, Why is it that so many of the educated, with nothing to say, know how to say that nothing with such an easy flow of words, while I, with something so aching to be said, can say nothing? I was like a prison world full of choked-in voices, all beating in my brain to be heard. The minute I'd listen to one voice a million other voices would rush in crying for a hearing, till I'd get too excited and mixed up to know what or where."

"The Americans of tomorrow, the America that is every day nearer coming to be, will be too wise, too open-hearted, too friendly-handed, to let the least last-comer at their gates knock in vain with his gifts unwanted. ("America and I")"

"As one of the dumb, voiceless ones I speak. One of the millions of immigrants beating, beating out their hearts at your gates for a breath of"

"Art should be free, like sunlight and beauty. The only compensation for the artist is the chance to feed hungry hearts. ("Brothers")"

"The stars in their infinite peace seemed to pour their healing light into me. I thought of captives in prison, the sick and the suffering from the beginning of time who had looked to these stars for strength. What was my little sorrow to the centuries of pain which those stars had watched? So near they seemed, so compassionate. My bitter hurt seemed to grow small and drop away. If I must go on alone, I should still have silence and the high stars to walk with me. (p220)"

"I had just begun to peel the potatoes for dinner | when my oldest sister Bessie came in, her eyes far away and very tired. She dropped on the bench by the sink and turned her head to the wall. One look at her, and I knew she had not yet found work. I went on peeling the potatoes, but I no more knew what my hands were doing. I felt only the dark hurt of her weary eyes. I was about ten years old then. But from always it was heavy on my heart the worries for the house as if I was mother. I knew that the landlord came that morning hollering for the rent. And the whole family were hanging on Bessie’s neck for her wages. Unless she got work soon, we’d be thrown in the street to shame and to laughter for the whole world. (first lines)"

"A warm wave of happiness welled up in me. Often before I had tried to be happy, but this happiness now came unbidden, unwilled, as though all the hells I had been through had opened a secret door. Why had I no premonition in the wandering years when I was hungering and thirsting for recognition, that this quiet joy, this sanctuary, was waiting for me after I had sunk back to anonymity? I did not have to go to far places, sweat for glory, strain for the smile from important people. All that I could ever be, the glimpses of truth I reached for everywhere, was in myself. The power that makes grass grow, fruit ripen, and guides the bird in its flight is in us all. At any moment when man becomes aware of that inner power, he can rise above the accidents of fortune that rule his outward life, creating and recreating himself out of his defeats. Yesterday I was a bungler, an idiot, a blind destroyer of myself, reaching for I knew not what and only pushing it from me in my ignorance. Today the knowledge of a thousand failures cannot keep me from this light born of my darkness, here, now."

""...But every step of my writing career was a brutal fight, like the stealing of that oatmeal from hungry children.” Even the waiters stopped removing plates and stood with the trays in their hands, listening openmouthed. One confession led to another. “When I banked the money the movies paid me for Hungry Hearts, the elation of suddenly possessing a fortune was overshadowed by the voice of conscience: What is the difference between a potbellied boss who exploits the labor of helpless workers and an author who grows rich writing of the poor?" When the applause came I felt as if I had walked out of darkness into light. (Part Two, Chapter IV)"

"...It was a gesture of simple kindness, but it stirred currents in me that had never before been touched. The mountain of hurts I carried on my back from czarist Russia, and the hurts piled up looking for a job in America, dissolved. I had been accepted, recognized as a person....I tasted the bread and wine of equality. (Part Two, Chapter I)"

"This ancient past that I had despised and rejected with the ruthlessness of youth now had me by the throat. I had never really broken away. I had only denied that which I was in my blood and bones. “Poverty ... an ornament . . . like a red ribbon on a white horse. . . .” Those were my father’s words."

"Give a beggar a dime and he'll bless you. Give him a dollar and he'll curse you for withholding the rest of your fortune. Poverty is a bag with a hole at the bottom."

"This is a story with an unhappy ending. And I too have become Americanized enough to be terrified of unhappy endings. Yet I have to drop all my work to write it."

"America fears the unshaven legs, the unshaven men's cheeks, the aroma of perspiration, and the limp prick. Above all it fears the limp prick."

"on the train as I faced my disgrace, I saw that Hollywood was not my success, nor my present poverty and anonymity, failure. I saw that "success," "failure," "poverty," "riches," were price tags, money values of the market place which had mesmerized and sidetracked me for years."

"I had sought security in the mud and in the stars, sought it in the quick riches and glory of Hollywood and in the security wage of W.P.A. I sought it everywhere but in myself. Suddenly I felt like that ship-wrecked sailor who had been picked up, dying of thirst, unaware that the current into which he had drifted was fresh water."

"Years ago, in Hollywood, Samuel Goldwyn said to me that to tell a good story, you must know the end before you begin it. And if you know the end, you can sum up the whole plot in a sentence. But I had always plunged into writing before I knew where it would take me. If a story was alive, it worked itself out as I wrote it."

"If men got pregnant, there would be safe, reliable methods of birth control. They'd be inexpensive, too."

"People always blame the girl; she should have said no. A monosyllable, but conventional wisdom has always been that boys can't manage it."

"Here is the real domino theory: Gay man to gay man, bisexual man to straight woman, addict mother to newborn baby, they all fall down and someday it will come to you."

"People who wish to salute the free and independent side of their evolutionary character acquire cats. People who wish to pay homage to their servile and salivating roots own dogs."

"Some of my best friends are men. It is simply that I think women are superior to men. There, I've said it. It's my dirty little secret. [...] The other day, a very wise friend of mine asked "Have you ever noticed that what passes as a terrific man would only be an adequate woman?" A Roman candle went off in my head; she was absolutely right. What I expect from my male friends is that there are polite and clean. What I expect from my female friends is unconditional love, the ability to finish my sentences for me when I am sobbing, and the ability to tell me why the meat thermometer isn't supposed to touch the bone."

"Our love of lockstep is our greatest curse, the source of all that bedevils us. It is the source of homophobia, xenophobia, racism, sexism, terrorism, bigotry of every variety and hue, because it tells us there is one right way to do things, to look, to behave, to feel, when the only right way is to feel your heart hammering inside you and to listen to what its timpani is saying."

"It was important for him to believe that he'd spent his life among people who kept missing the point."

"As Gloria Steinem said about Ginger Rogers: She was doing everything Fred Astaire was doing, just doing it backwards in high heels. Well, Southern women are doing and enduring what other women have to do and endure, but (at least until recently) they had to do it in heels and hats and white gloves and makeup and a sweet smile, with maybe a glass of bourbon and a cigarette to get them through the magnolia part of being a steel magnolia."

"There is nothing more profoundly serious than real comedy, which is an affirmation of human communion, redemption and grace."

"I think the greatest taboos in America are faith and failure."

"Terror makes the new future possible. All men one man, Men live in history as never before. He is saying we make an change history minute by minute. History is not the book or the human memory. We do history in the morning and change it after lunch."

"Stories have no point if they don't absorb our terror."

"Remember literature, Charlie? It involved getting drunk and getting laid."

"There's a curious knot that binds novelists and terrorists...Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness. What writers used to do before we were all incorporated."

"When a writer doesn't show his face, he becomes a local symptom of God's famous reluctance to appear."

"The future belongs to crowds."

"The world is full of abandoned meanings. In the commonplace I find unexpected themes and intensities."

"The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers.[…]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead."

"Only a catastrophe gets our attention. We want them, we depend on them. As long as they happen somewhere else. This is where California comes in. Mud slides, brush fires, coastal erosion, mass killings, et cetera. We can relax and enjoy these disasters because in our hearts we feel that California deserves whatever it gets. Californians invented the concept of life-style. This alone warrants their doom."

"Who knows what I want to do? Who knows what anyone wants to do? How can you be sure about something like that? Isn't it all a question of brain chemistry, signals going back and forth, electrical energy in the cortex? How do you know whether something is really what you want to do or just some kind of nerve impulse in the brain? Some minor little activity takes place somewhere in this unimportant place in one of the brain hemispheres and suddenly I want to go to Montana or I don't want to go to Montana. How do I know I really want to go and it isn't just some neurons firing or something? Maybe it's just an accidental flash in the medulla and suddenly there I am in Montana and I find out I really didn't want to go there in the first place. I can't control what happens in my brain, so how can I be sure what I want to do ten seconds from now, much less Montana next summer? It's all this activity in the brain and you don't know what's you as a person and what's some neuron that just happens to fire or just happens to misfire."

"The nonbelievers need the believers. They are desperate to have someone believe." "As belief shrinks from the world, people find it more necessary than ever that someone believe...Those who have abandoned belief must still believe in us. They are sure that they are right not to believe but they know belief must not fade completely. Hell is when no one believes."

"He'd once told me that the art of getting ahead in New York was based on learning how to express dissatisfaction in an interesting way. The air was full of rage and complaint. People had no tolerance for your particular hardship unless you knew how to entertain them with it."

"He thinks he's happy but it's just a nerve cell in his brain that's getting too much stimulation or too little stimulation."

"We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said.”"

"Fear is unnatural. Lightning and thunder are unnatural. Pain, death, reality, these are all unnatural. We can't bear these things as they are. We know too much. So we resort to repression, compromise and disguise. This is how we survive the universe. This is the natural language of the species."