Inventors

"At these meetings, which were about the year 1655, divers experiments were suggested, discoursed, and tried with various successes, though no other account was taken of them but what particular persons perhaps did for the help of their own memories; so that many excellent things have been lost. Some few only by the kindness of the authors have since been made public. Among these may be reckoned the Honourable Mr Boyle's Pneumatic Engine and Experiments, first printed in the year 1660; for in 1658 or 1659 I continued and perfected the air-pump for Mr Boyle, having first seen a contrivance for that purpose made for the same honourable person by Mr Gratorix, which was too gross to perform any great matter."

"Nor is this kind of Texture peculiar to Cork onely; for upon examination with my Microscope, I have found that the pith of an Elder, or almost any other Tree, the inner pulp or pith of the Cany hollow stalks of several other Vegetables: as of Fennel, Carrets, Daucus, Bur-docks, Teasels, Fearn, some kinds of Reeds &c., have much such a kind of Schematisme, as I have lately shewn that of Cork, save onely that here the pores are rang'd the long-ways, or the same ways with the length of the Cane, whereas in Cork they are transverse. The pith also that fills that part of the stalk of a Feather that is above the Quil, has much such a kind of texture, save onely that which way foever I set this light substance, the pores seem'd to be cut transversly, so that I guess this pith which fills the Feather, not to consist of abundance of long pores separated with Diaphragms, as Cork does, but to be a kind of solid or hardned froth, or a congeries of very small bubbles consolidated in that form, into a pretty stiff as well as tough concrete, and that each Cavern, Bubble, or Cell, is distinctly separate from any of the rest, without any kind of hole in the encompassing films, so that I could no more blow through a piece of this kinde of substance, then I could through a piece of Cork, or the found pith of an Elder."

"By the means of Telescopes, there is nothing so far distant but may be represented to our view; and by the help of Microscopes, there is nothing so small, as to escape our inquiry; hence there is a new visible World discovered to the understanding. By this means the Heavens are open’d, and a vast number of new Stars, and new Motions, and new Productions appear in them, to which all the ancient Astronomers were utterly Strangers."

"'I should here have described some Clocks and Time-keepers of great use, nay absolute necessity in these and many other Astronomical observations, but that I reserve them for some attempts that are hereafter to follow, about the various wayes I have tryed, not without good success of improving Clocks and Watches and adapting them for various uses, as for accurating Astronomy, completing the Tables of the fixt stars to Seconds, discovery of Longitude, regulating Navigation and Geography, detecting the properties and effects of motions for promoting secret and swift conveyance and correspondence, and many other considerable scrutinies of nature: And shall only for the present hint that I have in some of my foregoing observations discovered some new Motions even in the Earth it self, which perhaps were not dreamt of before, which I shall hereafter more at large describe, when further tryalls have more fully confirmed and compleated these beginnings. At which time also I shall explaine a Systeme of the World, differing in many particulars from any yet known, answering in all things to the common Rules of Mechanicall Motions: This depends upon three Suppositions. First, that all Cœlestial Bodies whatsoever, have an attraction or gravitating power towards their own Centers, whereby they attract not only their own parts, and keep them, from flying from them, as we may observe the Earth to do, but that they do also attract all the other Cœlestial Bodies that are within the sphere of their activity; and consequently that not only the Sun and the Moon have an influence upon the body and motion of the Earth, and the Earth upon them, but that Mercury also, Venus, Mars, Saturne, and Jupiter by their attractive powers, have a considerable influence upon its motion as in the same manner the corresponding attractive power of the Earth hath a considerable influence upon every one of their motions also. The second supposition is this, That all bodys whatsoever that are put into direct and simple motion, will so continue to move forward in a streight line, till they are by some other effectual powers deflected and bent into a Motion describing a Circle, Ellipsis, or some other more compounded Curve Line. The third supposition is, That these attractive powers are so much the more powerful in operating, by how much nearer the body wrought upon is to their own Centers. Now what these several degrees are I have not yet experimentally verified;'—But these degrees and proportions of the power of attraction in the celestiall bodys and motions, were communicated to Mr. Newton by R. Hooke in the yeare 1678, by letters, as will plainely appear both by the coppys of the said letters, and the letters of Mr. Newton in answer to them, which are both in the custody of the said R. H., both which also were read before the Royall Society at their publique meeting, as appears by the Journall book of the said Society.—'but it is a notion which if fully prosecuted as it ought to be, will mightily assist the astronomer to reduce all the Cœlestiall motions to a certaine rule, which I doubt will never be done true without it. He that understands the natures of the Circular Pendulum and Circular Motion, will easily understand the whole ground of this Principle, and will know where to find direction in nature for the true stating thereof. This I only hint at present to such as have ability and opportunity of prosecuting this Inquiry, and are not wanting of Industry for observing and calculating, wishing heartily such may be found, having my self many other things in hand which I would first compleat, and therefore cannot so well attend it. But this I durst promise the Undertaker, that he will find all the great Motions of the World to be influenced by this Principle, and that the true understanding thereof will be the true perfection of Astronomy.'"

"The Reason of the present Animadversions. ...How far Hevelius has proceeded. That his instruments do not much exceed Ticho. The bigness, Sights and Divisions, not considerably differing. Ticho not ignorant of his new way of Division. ... That so great curiosity as Hevelius strives for is needless without the use of Telescopic Sights, the power of the naked eye being limited. That no one part of an Instrument should be more perfect than another. ... That if Hevelius could have been prevail'd on by the Author to have used Telescopic Sights, his observations might have been 40 times more exact than they are. That Hevelius his Objections against Telescopic sights are of no validity; but the Sights without Telescopes cannot distinguish a less angle then half a Minute. That an Instrument of 3 foot Radius with Telescopes, will do more then one of 3 score foot Radius with common Sights, the eye being unable to distinguish. This is proved by the undiscernableness of spots in the Moon, and by an Experiment with Lines on a paper, by which a Standard is made of the power of the eye. ... A Conclusion of the Animadversions. That the learn'd World is obllig'd to Hevelius for what he hath done, but would have more, if he had used other instruments. That the Animadvertor both contrived some hundreds of Instruments, each of very great accurateness for taking Angles, Levels, &c. and a particular Arithmetical lnstrument for performing all Operations in Arithmetick, with the greatest ease, swiftness and certainty imaginable. That the Reader may be the more certain of this, the Author describes an Instrument for taking Angles in the Heavens..."

"When I looked at the science of engineering and saw that it had disappeared after its ancient heritage, that its masters have perished, and that their memories are now forgotten, I worked my wits and thoughts in secrecy about philosophical shapes and figures, which could move the mind, with effort, from nothingness to being and from idleness to motion. And I arranged these shapes one by one in drawings and explained them."

"Among Islamic books studied or translated in Toledo, there were several which discussed mechanical devices, including astronomical instruments and several types of water clock. One author who wrote on this subject was al-Muradi, and he illustrated elaborate gear trains, some with epicyclic and segmental gears."

"The manuscript (of The Book of Secrets in the Results of Ideas) was copied in 1266 from the original text written by Ibn Khalaf al-Muradi in the eleventh century. The only copy is in the Biblioteca Medicea Laurenziana in Florence, Italy. A unique source of medieval Arabic technology, it presents designs for more than 30 devices, including water clocks, calendars, and war machines."

"It is impossible to over-emphasize the importance of al-Jazari's work in the history of engineering. Until modern times there is no other document from any cultural area that provides a comparable wealth of instructions for the design, manufacture and assembly of machines… Al-Jazari did not only assimilate the techniques of his non-Arab and Arab predecessors, he was also creative. He added several mechanical and hydraulic devices. The impact of these inventions can be seen in the later designing of steam engines and internal combustion engines, paving the way for automatic control and other modern machinery. The impact of al-Jazari's inventions is still felt in modern contemporary mechanical engineering [2].""

"what looks like a permanently high plateau"

"Professor Fisher's The Purchasing Power of Money is dedicated to Simon Newcomb, from whom vid Professor Kemmerer the PT = MV formula ultimately derives. Newcomb was not a professional economist but a mathematician (Professor of Mathematics in the U.S. Navy and at Johns Hopkins). His Principles of Political Economy, published in 1886, is one of those original works which a fresh scientific mind, not perverted by having read too much of the orthodox stuff, is able to produce from time to time in a half -formed subject like economics."

"THE great American who has departed from us was much more than an economist. But the vast realm over which he held sway and the intellectual climate of the epoch that nourished his thought have been admirably surveyed in Econometrica, and I shall confine myself to Fisher’s purely scientific work in our field. This will restrict our subject. But it will not lower it — at least, it could do so only through my own fault. For whatever else Fisher may have been—social philosopher, economic engineer, passionate crusader in many causes that he believed to be essential to the welfare of humanity, teacher, inventor, businessman — I venture to predict that his name will stand in history principally as the name of this country’s greatest scientific economist."

"These foundations decisively changed incentives for people and impelled the engines of prosperity, paving the way for the Industrial Revolution. First and foremost, the Industrial Revolution depended on major technological advances exploiting the knowledge base that had accumulated in Europe during the past centuries. It was a radical break from the past, made possible by scientific inquiry and the talents of a number of unique individuals. The full force of this revolution came from the market that created profitable opportunities for technologies to be developed and applied. It was the inclusive nature of markets that allowed people to allocate their talents to the right lines of business. It also relied on education and skills, for it was the relatively high levels of education, at least by the standards of the time, that enabled the emergence of entrepreneurs with the vision to employ new technologies for their businesses and to find workers with the skills to use them. It is not a coincidence that the Industrial Revolution started in England a few decades following the Glorious Revolution. The great inventors such as James Watt (perfecter of the steam engine), Richard Trevithick (the builder of the first steam locomotive), Richard Arkwright (the inventor of the spinning frame), and Isambard Kingdom Brunel (the creator of several revolutionary steamships) were able to take up the economic opportunities generated by their ideas, were confident that their property rights would be respected, and had access to markets where their innovations could be profitably sold and used."

"As Arkwright and Whitney were the demi-gods of cotton, so prolific Time will yet bring an inventor to every plant. There is not a property in nature but a mind is born to seek and find it."

"Constitution,—the apex of all its intelligences and mighty instincts and dumb longings: it is I? William Conqueror's big gifts, and Edward's and Elizabeth's; Oliver's lightning soul, noble as Sinai and the thunders of the Lord: these are mine, I begin to perceive,—to a certain extent. These heroisms have I,—though rather shy of exhibiting them. These; and something withal of the huge beaver-faculty of our Arkwrights, Brindleys; touches too of the phoenix-melodies and sunny heroisms of our Shakspeares, of our Singers, Sages and inspired Thinkers all this is in me, I will hope,—though rather shy of exhibiting it on common occasions."

"In science its main worth is temporary, as a stepping-stone to something beyond. Even the Principia, as Newton, with characteristic modesty entitled his great work, is truly but the beginning of a natural philosophy, and no more an ultimate work than Watt's steam-engine, or Arkwright's spinning-machine."

"The manufacture of yarn being at length full established, the demand for it became too great for the patentees to supply, and then they sold licenses very extensively, so that at least 60,000 l. has been expended in consequence of such grants. Mr. Arkwright and his partners have expended upwards of 30,000/. in buildings and machinery in Derbyshire, and above 4,000 /. in Manchester; and they have lost not less than 5,000 l. or 6.000 l. by injuries from mobs, and from fire. The saving of labour by this machinery is several hundred thousands per annum, and yet trade is so greatly increased, that many more people are employed, and can earn a comfortable maintenance, than were employed before. The same inventions maybe applied with equal advantage to prepare and spin wool."

"To prevent his inventions getting abroad to foreigners, Mr. Arkwright purposely omitted to give so full and particular a description of his inventions, in the specification of his last patent, as he would otherwise have done, believing, from the concluding clause in the patent, that he need not so fully describe. His patent right being largely infringed, he was obliged to prosecute some infringers, although an association was formed to resist him; but on a trial in the King's Bench in July 1781 a verdict was given against him, on the ground that his specification was not as full and accurate as the law requires. Having established a business that already employs above 5,000 persons, and a capital of not less than 200,000 l. he hopes to be relieved by Parliament, from the consequences of an unintentional error."

"Arkwright's machines require so few hands, and those only children, with the assistance of an overlooker. A child can produce as much as would, and did upon an average, employ ten grown up persons. Jennies for spinning with one hundred or two hundred spindles, or more, going all at once, and requiring but one person to manage them. Within the space of ten years, from being a poor man worth £5, Richard Arkwright has purchased an estate of £20,000; while thousands of women, when they can get work, must make a long day to card, spin, and reel 5040 yards of cotton, and for this they have four-pence or five-pence and no more."

"Mr. Richard Arkwright, after many years study, brought his spinning machinery to bear about 1768: he was a native of Lancashire; but fearing the same fate as Hargrave, went to Nottingham, and obtained a patent, dated 3 July 1769, for a machinery for making web or yarn of cotton, flax, or wool. He afterwards found it necessary to apply the same principles to the preparation, and took another patent, dated 16 December 1775, for certain machines for preparing silk, cotton, flax and wool for spinning. During five years after the date of his first patent, Mr. Arkwright and his partners expended 12,000 l in machinery and buildings before any profit was made. The last invention was a very important addition to the first; and by combining them, excellent yarn, or twist, was at last produced; but there was still much difficulty in establishing a trade; for the cotton manufacturers would not have the new yarn at any price, and the proprietors were obliged to weave the yarn, into stockings, and into calicoes; but the latter was restricted by the Excise, which rendered relief by an Act of Parliament necessary."

"Mr. Arkwright, after many years intense and painful application, invented, about the year 1768, his present method of spinning cotton, but upon very different principles from any invention that had gone before it. He was himself a native of ; but having so recently witnessed the ungenerous treatment of poor Hargrave, by the people of that county, he retired to , and obtained a patent in the year 1769, for making cotton, flax, and wool into yarn. But, after some experience, finding that the common method of preparing the materials for spinning (which is essentially necessary to the perfection of good yarn) was very imperfect, tedious, and expensive, he turned his thoughts towards the construction of engines for that purpose; and, in the pursuit, spent several years of intense study and labour, and at last produced an invention for carding and preparing the materials, founded in some measure on the principles of his first machine. These inventions, united, completed his great original plan. But his last machines being very complicated, and containing some things materially different in their construction, and some others materially different in their use, from the inventions for which his first patent was obtained, be procured a patent for these also in December, 1775."

"No sooner were the merits of Mr. Arkwright’s inventions fully understood, from the great increase of materials produced in a given time, and the superior quality of the goods manufactured; no sooner was it known, that his assiduity and great mechanical abilities were rewarded with success; than the very men, who had before treated him with contempt and derision, began to devise means to rob him of his inventions, and profit by his ingenuity. Every attempt that cunning could suggest for this purpose was made; by the seduction of his servants and workmen, (whom he had with great labour taught the business) a knowledge of his machinery and inventions was fully gained. From that time many persons began to pilfer something from him; and then by adding something else of their own, and by calling similar productions and machines by other names, they hoped to screen themselves from punishment. So many of these artful and designing individuals had at length infringed on his patent right, that he found it necessary to prosecute several: but it was not without great difficulty, and considerable expence, that he was able to make any proof against them; conscious that their conduct was unjustifiable, their proceedings were conducted with the utmost caution and secresy. Many of the persons employed by them were sworn to secresy, and their buildings and workshops were kept locked up, or otherwise secured. This necessary proceeding of Mr. Arkwright, occasioned, as in the case of poor Hargrave, an association against him, of the very persons whom he had served and obliged. Formidable, however, as it was, Mr. Arkwright persevered, trusting that he should obtain in the event, that satisfaction which he appeared to be justly entitled to."

"Happening to be at Matlock, in the summer of 1784, I fell in company with some gentlemen of Manchester, when the conversation turned on Arkwright's spinning machinery. One of the company observed, that as soon as Arkwright's patent expired, so many mills would be erected, and so much cotton spun, that hands never could be found to weave it. To this observation I replied that Arkwright must then set his wits to work to invent a weaving mill. This brought on a conversation on the subject, in which the Manchester gentlemen unanimously agreed that the thing was impracticable; and in defence of their opinion, they adduced arguments which I certainly was incompetent to answer or even to comprehend, being totally ignorant of the subject, having never at that time seen a person weave. I controverted, however, the impracticability of the thing, by remarking that there had lately been exhibited in London, an automaton figure, which played at chess. Now you will not assert, gentlemen, said I, that it is more difficult to construct a machine that shall weave, than one which shall make all the variety of moves which are required in that complicated game..."

"A trial in Westminster Hall, in July last, at a large expence, was the consequence; when, solely by not describing so fully and accurately the nature of his last complex machines as was strictly by law required, a verdict was found against him. Had he been at all aware of the consequences of such omission, he certainly would have been more careful and circumspect in his description. It cannot be supposed that he meant a fraud on his country: it is on the contrary, most evident that he was anxiously desirous of preserving to his native country the full benefit of his inventions. Yet he cannot but lament, that the advantages resulting from his own exertion and abilities alone, should be wrested from him by those who have no pretension to merit; that they should be permitted to rob him of his inventions before the expiration of the reasonable period of fourteen years, merely because he has unfortunately omitted to point out all the minutiae of his complicated machines. In short, Mr. Arkwright has chosen a subject in manufactures (that of spinning) of all others the most general, the most interesting, and the most difficult. He has, after near twenty years unparalleled diligence and application, by the force of natural genius, and an unbounded invention, (excellencies seldom united) brought to perfection machines on principles as new in theory, as they are regular and perfect in practice. He has induced men of property to engage with him to a large amount; from his important inventions united, he has produced better goods, of their different kinds, than were ever before produced in this country; and finally, he has established a business that already employs upwards of five thousand persons, and a capital, on the whole, of not less than £200,000, a business of the utmost importance and benefit to this kingdom."

"When we read in Mr. Arkwright's Case of "his inventions and his machinery " being pilfered from him by artful and designing individuals," we cannot help feeling sorry for him ; but when we find that " his inventions" were all pirated from others, and that one of them (the crank and comb) "was cruelly wrested "from poor Hargrave," or, in other words, stolen from the man whose hard case he so feelingly deplores, we see the true bent of Mr. Arkwright's "natural genius "and unbounded invention," and feel emotions of a very different description from those he wished to excite."

"About the year 1767, one Hargrave, of Blackburn, in , constructed an engine that would at once spin twenty or thirty threads of cotton into yarn for the fustian manufacture; but because it was likely to answer in some measure the end proposed, his engines were burnt and destroyed, and himself driven out of Lancashire: he afterwards removed to , and obtained a patent for his engine; but he did not even there long continue in the peaceable possession. His patent right was invaded, and he found it necessary to commence a prosecution; an association was soon formed against him; and, being unable to contend against the united power of a body of men, he was obliged to give up the unjust and unequal contest. His invention was cruelly wrested from him; and he died in obscurity, and great distress."

"In the year 1780, there were twenty Water Frame factories, the property of Mr. Arkwright, or of persons who had paid him a consideration for permission to use his machines. After the repeal of the patent in 1785, the number of factories rapidly increased, and in 1790, there were one hundred and fifty in England and Wales. About 1790, factories were also built for the Jenny; in these factories the cotton was carded and roved by the newly -invented machines, which furnished weft better in quality and lower in price, than that spun on the smaller Jennies in the houses of the weavers. Carding, roving and spinning were now given up in the cottages, and the women and children formerly employed in those operations, applied themselves to the Loom. The invention of the Mule, by enabling spinners to make finer yarns than any the Jenny and Water Frame could produce, gave birth to the muslin manufacture, and found employment for this additional number of weavers."

"The difficulties which Arkwright encountered in organizing his factory system, were much greater than is commonly imagined. In the first place, he had to train his work-people to a precision in assiduity altogether unknown before, against which their listless and restive habits rose in continual rebellion; in the second place, he had to form a body of accurate mechanics, very different from the rude hands which then satisfied the manufacturer; in the third, he had to seek a market for his yarns; and in the fourth, he had to resist competition in its most odious forms. From the concurrence of these circumstances, we find that so late as the year 1779, ten years after the date of his first patent, his enterprise was regarded by many as a doubtful novelty."

"This noted scientist is the most genuine human being I’ve met. He isn’t fat—that is, in the ordinary way. He’s just enormous all over. We walked through the garden and about the grounds. The doctor asked me about my work and myself, and I told him more in 15 minutes than I’d tell my most intimate friend in a week. He’s the kind of person to whom you confide things about yourself you scarcely realize."

"I always thought this Marston was a phony."

"If Marston is whipping up comics stories while Rome burns, there must be a reason."

"He believes the sexes have changed their professional status, that the hunted has become the huntress, that men have more ideas about women than about themselves and that a majority of men prefer to be 'unhappy masters' rather than 'happy slaves'."

"Marston’s work opened the door for those in his profession to be more actively involved in the legal system. This perhaps begs the question: Is it a good thing for psychologists to be allowed to testify in court? There is certainly evidence to suggest that psychologists have something to offer the legal process above and beyond what their medically trained psychiatric colleagues might offer. Clinical psychologists typically have substantially more training in research than psychiatrists do and also spend several more years in formal study of human behavior. Likely as a result of this extra training, judges, attorneys, and law professors performing blind reviews rated forensic reports by psychologists to be more thorough and of higher quality than those completed by psychiatrists. Thus, William Moulton Marston, by tipping the first domino in a line that allowed psychologists to testify as recognized experts, directly contributed to better information and higher-quality work being used in the legal process. In this respect, much like his famous creation, he was a warrior for truth and justice."

"The social value of freeing women from a harem-enclosed existence to a life of activity can be questioned only by those advocates of a "man's world" who wish to perpetuate its butchers and savage jungle law."

"The talkies are the only art that would attract Leonardo da Vinci were he alive to-day. It is the only art that excites a scientist's curiosity, the only art that challenges the engineer, the only art that offers the great artist a medium capable of expressing every human thought and emotion, as well as the pure aesthetic effects of color and music. It is a baby giant, as clumsy as all babies are. Its noises are, we grieve to admit, often as inartistic as the squalling of a baby. But squalling babies have a way of growing up into soft-voices women and great singers. This is why we, the authors, have gladly played the role of nursemaids. We don't know what the baby will be doing and saying when it grows up. But we are sure it will make its mark in the world."

"Women now fly heavy planes successfully; they help build planes, do mechanics' work. In England they've taken over a large share of all material labor in fields and factories; they've taken over police and home defence duties. In China a corps of 300,000 women under the supreme command of Madame Chiang Kai-shek perform the dangerous function of saving lives and repairing damage after Japanese air raids. This huge female strong- arm squad is officered efficiently by 3,000 women. Here in this country we've started a Women's Auxilary Army and Navy Corps that will do everything men soldiers and sailors do except the actual fighting. Prior to the First World War nobody believed that women could perform these feats of physical strength. But they're performing them now and thinking nothing of it. In this far worse: war, women will develop still greater female power; by the end of the war that traditional description the weaker sex" will be a joke-it will cease to have any meaning."

"The literary story is hard enough, heaven knows. It calls for a thorough understanding of the kinds of people you set out to depict. It cannot be of high quality unless the author can plot well. And, of course, it must be cast in distinctive style. The picture of the silent screen does not demand literary abilities, but it does require insight into character as well as drama; furthermore, it is founded upon a high order of visual imagination. The stage play, in a certain sense, calls for all the chief abilities of literary stories and silent pictures; and, in addition, it must be managed with dialogue, which is some thing very different from literary language. But the sound picture goes beyond all of these other art forms. To invent a good one, you must grasp character, drama, settings, and dialogue. But you must go beyond these. You need a fanciful ear. The backgrounds of your story now cry out. The tale is filled with noises. And every least sound adds a unique quality to the total effect."

"Men actually submit to women now, they do it on the sly with a sheepish grin because they're ashamed of being ruled by weaklings. Give them an alluring woman stronger than themselves to submit to and they'll be proud to become her willing slaves."

"Oh yes, but not until women control men. Wonder Woman – and the trend toward male acceptance of female love power, which she represents, indicates that the first psychological step has actually been taken. Boys young and old satisfy their wish thoughts by reading comics. If they go crazy for Wonder Woman it means they're longing for a beautiful exciting girl who's stronger than they are. These simple, highly imaginative picture stories satisfy longings that ordinary daily life thwarts and denies. Superman and the army of male comics characters who resemble him satisfy the simple desire to be stronger and more powerful than anybody else. Wonder Woman satisfies the subconscious, elaboratedly disguised desire of males to be mastered by a woman who loves them."

"Comics, they say, are not literature – adventure strips lack artistic form, mental substance, and emotional appeal to any but the most moronic of minds. Can it be that 100,000,000 Americans are morons? Possibly so; but there seems to be a simpler explanation. Nine humans out of ten react first with their feelings rather than with their minds; the more primitive the emotion stimulated, the stronger the reaction. Comics play a trite but lusty tune on the C natural keys of human nature. They rouse the most primitive, but also the most powerful, reverberations in the noisy cranial sound-box of consciousness, drowning out more subtle symphonies. Comics scorn finesse, thereby incurring the wrath of linguistic adepts."

"People go to moving pictures to be made to weep or laugh, to be happy or unhappy as they watch what hap pens to the screen characters before them. They become completely absorbed in the screen action. They follow the story, willy-nilly. And in so doing, they are forced to feel the emotion/ aroused by the dramatic situations.Pictures makes millions of people, day after day, feel glad or sad, courageous or fearful, righteous or angry. He, can do this, that is to say, within limits, and these limits largely depend upon the story of the picture. If the producer has a powerful enough story, these millions for get themselves and their little joys and woes and escape into the scenes on the screen before them. Small wonder then, that, with such stupendous power over the thinking and feeling of myriads of men, women, and children, the moving picture producer is willing, even eager, to spend hundreds of thousands of dollars — or even a cool mil lion or so — to secure and produce a picture for this world of movie-goers. But the story selected must itself have power enough to arouse the emotions of an audience. Excellent photography and good acting can help to carry successfully any story, but they can never put emotional meaning into a story that is built without emotional appeal."

"If, as psychologists, we follow the analogy of the other biological sciences, we must expect to find normalcy synonymous with maximal efficiency of function. Survival of the fittest means survival of those members of a species whose organisms most successfully resist the encroachments of environmental antagonists, and continue to function with the greatest internal harmony. In the field of emotions, then, why would we alter this expectation? Why should we seek the spectacularly disharmonious emotions, the feelings that reveal a crushing of ourselves by environment, and consider these affective responses as our normal emotions? If a jungle beast is torn and wounded during the course of an ultimately victorious battle, it would be a spurious logic indeed that attributed its victory to its wounds. If a human being be emotionally torn and mentally disorganized by fear or rage during a business battle from which, ultimately, he emerges victorious, it seems equally nonsensical to ascribe his conquering strength to those emotions symptomatic of his temporary weakness and defeat. Victory comes in proportion as fear is banished. Perhaps the battle may be won with some fear still handicapping the victor, but that only means that the winner's maximal strength was not required."

"The only hope for civilization is the greater freedom, development and equality of women in all fields of human activity."

"A woman character without allure would be like a Superman without muscle."

"The picture story fantasy cuts loose the hampering debris of art and artifice and touches the tender spots of universal human desires and aspirations. Comics speak, without qualm or sophistication to the innermost ears of the wishful self."

"In the spring of the freshman year, the sophmore girls held what was called "The Baby Party" which all freshmen girls were compelled to attend. At this affair, the freshmen girls were questioned as to their misdemeanors and punished for their disobedience and rebellions. The baby party was so name because the freshman girls were required to dress as babies."

"The task of depicting character in the sound picture is, in one sense, far easier than in the silent picture. The latter, being essentially pantomime clarified with titles, is cruelly restricted as a medium of depicting human nature. Few of us express ourselves in postures and gestures. Our natural manner finds itself freer and surer in spoken words and, most of all, in decisive acts involving such forms of language as promises, commands, prohibitions, and so on, all of which readily lends itself to reproduction in talk and scene combined. To this extent, character drawing in sound pictures seems to offer pretty much the same opportunities and difficulties as in the drama of the Broadway stage. But a closer study brings out the somewhat startling fact that a sound picture, skillfully handled, can reveal more of a personality than any other device of art or science. The actor on the stage can talk, gesticulate, and move to and fro; but there his powers end. The actor of the talking screen can do all of these things and then carry on his subjective life in the presence of the spectators. We can show pictorially his memories, his fears, his hopes, and his cunning schemes. We can reveal his clenched fist in a close-up. We can show the beads of perspiration on his brow, as he trembles with suppressed rage."

"Appetite emotion must first, last and always be adapted to love."

"If children will read comics [...] isn't it advisable to give them some constructive comics to read? [...] The wish to be super strong is a healthy wish, a vital compelling, power-producing desire. The more the Superman-Wonder Woman picture stories build this innner compulsion by stimulating the child's natural longing to battle and overcome obstacles, particularly evil ones, the better the better chance your child has for self-advancement in the world. Certainly there can be no argument about the advisability of strengthening the fundamental human desire, too often buried beneath stultifying divertisments and disguises, to see good overcome evil."

"Sound and talking undoubtedly increase the entertainment value of a picture. There is a distinct conflict, however, between a pictorial and sound elements, which cannot be entirely avoided until third dimensional pictures are made."