Immigrants To The United States

"For me sculpture is divinity. This is the only answer that I could find for myself. Art is man's distinctly human way of fighting death. Through art, man achieves immortality and in this immortality we find God."

"I've been out doing 22 miles this morning."

"I have been studying inherited susceptibility of cancer through affected families. The goal is to identify genes that are involved in cancer development."

"I was attracted to studies of cancer families because epidemiological studies show that virtually all cancers manifest a tendency to aggregate in families. Close relatives of a cancer patient are at increased risk of that neoplasm, and perhaps other forms of cancer. The excess site-specific cancer risk is exceptionally high for carriers of certain cancer genes, in whom the attack rate can approach 100 percent. In candidate cancer families, the possibility that clustering is on the basis of chance must be excluded through epidemiological studies that establish the presence of an excess cancer risk. Predisposed families are candidates for laboratory studies to identify the inherited susceptibility factors. These investigations have led to the identification and isolation of human cancer genes, the tumor suppressor genes. These cancer genes are among more than 200 single-gene traits associated with the development of cancer. Approximately a dozen inherited susceptibility genes have been definitively identified, and many more are being sought. From studies of retinoblastoma and other rare cancers, important new information was generated about the fundamental biology of cancers that arise in many patients. Isolation of an inherited cancer susceptibility gene provides opportunities for presymptomatic testing of at-risk relatives. However, testing of healthy individuals also raise important issues regarding informed consent, confidentiality and potential for adverse psychological, social and economic effects."

"In retrospect I must say that being a manager or being a priest I don't really know if there's that much of a difference, right, it's all about guiding lost souls."

"The measurement of the angles was made by Mr. J. E. Hilgard, whose zeal and the ability with which he has discharged these duties deserve notice here, as they have received it in the reports of the chief of his party."

"It affords me unusual gratification to acknowledge the services of Mr. Hilgard, in charge of the computing department, and to commend the zeal, promptitude, and accuracy of every member of that department."

"During the illness of my lamented predecessor the administration of the Survey fell upon the shoulders of the assistant in charge, Mr. J. E. Hilgard. The distinguished ability with which this difficult service was discharged was manifest to all. He has extended to me the benefit of this experience liberally and loyally. While I willingly acknowledge myself under deep and lasting obligations to him for the aid thus rendered me, I can also testify that in all respects he has been equally true to my predecessor, the greatness of whose reputation has not been diminished in his keeping."

"[N]eutrality must be mandated at the application and content layer if we truly want a free, open and non-discriminatory internet. All wireless broadband customers must have the ability to access any lawful applications and content they choose, and applications/content providers must be prohibited from discriminating based on the customer’s mobile operating system."

"Throughout history, people have never before expected to be as comfortable as people do today."

"AWADies will be familiar with Anu Garg's refreshing approach to words: words are fun and they have fascinating histories."

"Scientifically speaking, an overweight person is more attractive than a skinny one. Newton's Law of Gravitation."

"Eyes are verbs that conjugate the emotions."

"thumb|People travel. Words travel. People settle in new lands and so do words. Did I hear someone say they wanted to make walls, close off people from one another? Here’s to more travel, more mixing, more migration, more import and export, and more sweetness in our lives!People travel. Words travel. People settle in new lands and so do words. Did I hear someone say they wanted to make walls, close off people from one another? Here’s to more travel, more mixing, more migration, more import and export, and more sweetness in our lives!"

"Q: What language is not written in French? A: Sanskrit. In French, it's known as sanskrit or sanscrit, which you can interpret as sans (without) + écrit (written) https://www.facebook.com/wordsmithorg/posts/10157813707206840"

"Do the best job I can, not hurt our fellow beings on this planet, that's my religion."

"When life gives you lemons make melons."

"Only Anu Garg, the founder of Wordsmith.org, can make word facts this much fun."

"The verb "fuck" has been a part of the language since at least early 1500s. The actual practice, far longer. So, no need to be embarrassed of either."

"Overall, the universe's apostrophe store stays in balance. It seems our linguistic world was intelligently designed -- for every gratuitous apostrophe there's an instance where it's omitted."

"All the life's wisdom can be found in anagrams. Anagrams never lie."

"If you torture words enough, they'll confess to anything."

"If you speak English, you speak at least a part of more than a hundred languages."

"Anu Garg triggers the kind of passionate reaction that actors, authors and memoirists would die for."

"Like a human being, each word has a story. To understand a word, we need to learn where it was born, what paths it took to reach where it is today and how it has changed along the way."

"A word in the head is worth two in the book."

"For as long as I can recall, I enjoyed reading. I literally read books from cover to cover. Then I started wondering where words come from. Who made them up? Who said that that opening in a wall was to be called a window? Then I discovered that each word comes with a biography. These words have fascinating stories to tell, if only we take the time to listen. For example, the word window comes from Old Norse in which it meant wind's eye. How much more poetic can you get?"

"A large vocabulary is like an artist having a big palette of colors. We don't have to use all the colors in a single painting, but it helps to be able to find just the right shade when we need it."

"The best way to enrich vocabulary is organically, by coming across words in their natural habitat, taking the time to learn about them, their histories, and making lifelong friends with them."

"A right word is the most direct route between two minds."

"Browsing the OED is the idea of a perfect day for me."

"We're all surrounded by words like air, and we all need them even though they are often invisible, just like air."

"English never met a word it didn't like."

"[T]hat's how a language grows. Old words die - or take on a new life. New words appear. Language wordstock is replenished, refreshed, and the language remains vibrant and serviceable, ready to describe new concepts, ideas, and objects. Many language purists object to this way of growth. But we have to remember that just as yesterday's liberal is often tomorrow's conservative, in many cases, what was considered slang in the past, eventually acquires respectability."

"There are exotic species of words jumping out inviting me to play. I weave them into a theme, a garland of words."

"Garg works in the great tradition of Wilfred Funk and Norman Lewis... Garg, however, is more fun."

"I have a dream where society will replace guns with dictionaries."

"A lex icon."

"For the first time in human history a child is born into a home in which television is on an average of about seven hours a day. In some countries a little more in some countries a little less, but in all industrial countries this is about the situation. And for the first time in human history most of the stories are told not by the parent, not by the school, not by the church, not by the tribe or the community, and in many places not even by the native country, but by a relatively small and shrinking group of global conglomerates who have something to sell. And it changes in a very fundamental way, the cultural climate, the cultural environment into which our children are born, in which they grow up, in which they become socialized, in which they become human beings."

"Growing up with violence, with inescapable expertly choreographed brutality in every home builds not only a kind of desensitization for it, but it also creates a market for violent entertainment by people for whom even what they see on television is not enough, is not graphic enough, is not explicit enough, and some movie productions, some big productions really cash in on that market. What is peculiar about this is that as time goes on, a greater dosage is necessary to satisfy this need."

"You know, who tells the stories of a culture really governs human behavior. It used to be the parent, the school, the church, the community. Now it's a handful of global conglomerates that have nothing to tell, but a great deal to sell."

"Arrau is a hard pianist to categorize. Possessing a stupendous technique, he nevertheless has never used it for display purposes. He is a literalist, in that he closely examines all the texts of the music he plays and scrupulously adheres to the printed note once he has made up his mind about the version he will use. Yet he avoids the curse of literalism by putting a strong mind and a decidedly romantic piano sound into his interpretations. Perhaps he can best be described as an eclectic of the German school."

"I heard Edwin Fischer, who did not mean much to me. I heard another pianist in Berlin who had a big success and I thought he was awful — Mischa Levitzki. Just fingers, and you cannot listen only to fingers. There is a difference between artist and artisan. Levitzki was an artisan."

"I heard his Emperor and it was terrible. He plays so slow, ugh. Also the Waldstein. So slow."

"Serkin is the exponent of the Austro-German tradition. Arrau, also German-trained, is more eclectic—a pianist who seems to play everything from Bach to Prokofieff (he has looked at atonal and serial music as avant-garde as Boulez but has not felt impelled to play it in public)."

"Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them."

"Science is a most useful thing for us all. It is one of the most useful ornaments of man. There is no dress which embellishes the body more than science does the mind."

"Every decent man, and every real gentleman in particular, ought to apply himself, above all things, to the study of his native language, so as to express his ideas with ease and gracefulness."

"Over the years, it has slowly dawned on me that the people who cause my painful experiences are ignorant and crude. They are the critics who have not read enough and the clients who do not know why they have come to us. I have been helped to realise this by noticing that the scholars whose work we most respect, the clients whose projects intrigue us, and the patrons whose friendship inspires us, have no problem understanding my role. They are the sophisticates. Partly through them I gain heart and realise that, over the last twenty years, I have managed to do my work and, despite some sliding, to achieve my own self-respect."

"Faced with unmeasurables, people steer their way by magic. Before the invention of navigational instruments, a lady was carved on the prow of the boat to help sailors cross the ocean; and architects, grappling with the intangibles of design, select a guru whose work gives them personal help in areas where there are few rules to follow. The guru, as architectural father figure, is subject to intense hate and love; either way, the relationship is personal, it can only be a one-to-one affair. This accounts for the intensely ad hominem stance of some of ‘Venturi’s’ critics. If the attribution were correct the tone would be more even, as one cannot easily wax emotional over several people. I suspect, too, that for male architects the guru must be male. There can be no Mom and Pop gurus in architecture. The architectural prima donnas are all male."