Immigrants To The United States

"There is a lot of pressure on the players in the Chinese team. I wouldn’t have survived if I had stayed there. Right now, I have the freedom to choose which tournaments to play and where to train. I take decisions that suit me."

"If I had stayed in Singapore, I don’t think I would have what I have now. I’m too straightforward and ask questions, and some people don’t like that. When I had a problem, I didn’t get to talk to the SBA, only the coach. Now I can do whatever I want, I control my own life."

"Coaching teaches me a lot; mentally, it’s helping, but skill-wise, no. The juniors have the same problems every day, you have to remind them all the time. Adult players know their problems, so you don’t need to remind them every day, every single shot."

"I’m just wishing I can play with higher-level players, so I can get used to that speed and focus while training at that speed. If I get used to playing with slower players, mentally it’s not pushing my limit."

"Like sometimes when a coach is behind you, they don’t really know how you feel. It’s hard for me to tell him, because I’m also thinking. If the coach and I think the same thing, that’s good, but sometimes it doesn’t happen. Then do you listen to the coach, or do you listen to yourself?"

"I’ll be honest, I’m not really good like a top-five player. So of course, it also depends on the draw. If I’m lucky, I’ll get a good draw. I’m looking for a medal, not like gold medals."

"When you win some tournaments and when you get good results, people are going to enjoy the success. But they don’t really think about what is going to be next. You’re going to lose the next week, too. So other players, they don’t really think about it. They’re always thinking, ‘I’m really good.’"

"In 1991 the Rashtriya Swayamsevak Sangh (RSS) ... published a book titled Genocide of Hindus in Kashmir. It claimed among many other things that at least forty Hindu temples in the Kashmir Valley had been desecrated and destroyed by Muslim militants. In February 1993 journalists from India’s leading newsmagazine sallied forth from Delhi to the Valley, armed with a list of twenty-three demolished temples supplied by the national headquarters of the BJP, the movement’s political party. They found that twenty-one of the twenty-three temples were intact. They reported that "even in villages where only one or two Pandit families are left, the temples are safe ... even in villages full of militants. The Pandit families have become custodians of the temples, encouraged by their Muslim neighbours to regularly offer prayers." Two temples had sustained minor damage during unrest after a huge, organised Hindu nationalist mob razed a sixteenth-century mosque in the north Indian town of Ayodhya on 6 December 1992."

"On 15 March 1990, by which time the Pandit exodus from the Valley was substantially complete, the All-India Kashmiri Pandit Conference, a community organisation, stated that thirty-two Pandits had been killed by militants since the previous autumn."

"Judaism, parent of both Christianity and Islam, holds forth the pledge and promise of the unity of the two."

"A clear and concise definition of Judaism is very difficult to give, for the reason that it is not a religion pure and simple based upon accepted creeds, like Christianity or Buddhism, but is one inseparably connected with the Jewish nation as the depository and guardian of the truths held by it for mankind. Furthermore, it is as a law, or system of laws, given by God on Sinai that Judaism is chiefly represented in Scripture and tradition, the religious doctrines being only implicitly or occasionally stated."

"At any rate, Judaism, while insisting upon the unity of God and His government of the world, recognizes alongside of God no principle of evil in creation. God has no counterpart either in the powers of darkness, as the deities of Egypt and Babylon had, or in the power of evil, such as Ahriman in the Zoroastrian religion is, whose demoniacal nature was transferred by the Gnostic and Christian systems to Satan. In the Jewish Scriptures Satan has his place among the angels of heaven, and is bound to execute the will of God, his master."

"It may be affirmed without exaggeration that a just and unprejudiced estimate of Judaism is found nowhere in modern Christian writings."

"The real human tragedy is living a noneucharistic life in a noneucharistic world."

"“The sacrament of matrimony is wider than family. It is the sacrament of divine love, as the all-embracing mystery of being itself, and it is for this reason that it concerns the whole Church, and – through the Church – the whole world.""

"Masonry is a Jewish institution whose history, degrees, charges, passwords and explanations are Jewish from the beginning to the end."

"Much has been lost in U.S. culture because of secularism. The values of the immigrants are very basic, reflecting a profound Catholicism where faith, family, and expressions of piety, etc., are part of our daily life."

"The biggest challenge we faced during post-production was how to integrate all the different elements involved in the film. The topic of the one-child policy and its consequences are massive and complex. We went through a lot of trial and error to decide which characters to include and how to transit from my personal and family story to a larger national and international story."

"Our goal was to make a film that in 50 or 100 years will survive as a reliable account of what really happened during the one-child policy. It can serve as a rebuttal to the official narrative, which in China already is pure propaganda. Even outside of China, many people we’ve spoken with have told us how surprised they were by the details of the film, which shows how effective the propaganda promoting the policy truly has been."

"We all want certain things. We all want transparency. We all want accurate information. And especially with the experience of coming from China, knowing how somebody could firmly believe in something that was not true. I would never look at any of the subjects in China who say they love, they admire, they appreciate Xi Jinping and they appreciate what the Chinese government does with contempt or with disgust. I would never do that. Because I know what they came from, and I know what made this happen."

"I think empathy is not learned. Maybe I’m wrong, but in my experience it’s not."

"People in China who praise the government despite that they have family that died from Covid because of the lack of medical response and lack of care from the government, but they still say they are appreciative of the government, I look at those people and they could be my family or my friends. I would never look at them with disgust or contempt or as morally superior. I understand how they became that and how they got their information, how their ideology was formed."

"Misinformation is just like a virus. There is an origin. It’s hard to find where the origin is, but it starts with a small group of people and it takes human hosts to spread from person to person. All the people who voted for Trump or believed that COVID didn’t exist, you need to go back to see where did it start and how long have we ignored that. I do want people to look at it, and not to place judgement but to look beyond those superficial issues."

"Memory is the central part of the individual identity… and I think that’s true with a nation, too. What a nation is how the nation remembers its past, and with the authoritarian government in China, so far recent history has been written in the authorities’ narrative; how they came into power, and what has happened since they came into power, have been revised in a way that fits into the official narrative."

"There is a difference between disinformation and misinformation. Disinformation is somebody giving the wrong information but unknowingly. They did not know it was wrong, so maybe they could say they are working with the information they had at the time but it’s still wrong. Misinformation is intentionally spreading wrong information. At what point the disinformation turned to misinformation is really hard to go back and find. The people who are at the level of government, whose responsibility it is to present transparency and truthful information, those people need to be held accountable for giving inaccurate information."

"During filming, it never occurred to me that I was going to be a part of either film. I was always trying to cut my voice out by having subjects include my question in their answers."

"The most repressed countries often produce some of the most amazing films. I think that it will push people to find a way to express their ideas in new ways."

"We all like to believe that our world has clear heroes and villains and that the heroes are going to save us after all, but that’s not the reality."

"I’m pretty pessimistic about the Chinese government because I think there is no balance within it or any institution, country or organization that can hold it accountable. So, I don’t know what the future will be."

"I think the first step of any change comes from the people who live in China. And that's why I think the most important impact I hope that documentaries would have is to change people's perception. Because personally, I experienced how I have learned so much, and unlearned so much, about what I was taught growing up about China."

"I’m conscious what things were not positive. And I, as a storyteller, as a filmmaker, and as a citizen, I felt that it’s my responsibility to expose that and to reveal that, to raise awareness so people could see. That’s the only way I feel you could really push the country to move forward, to improve, and hold the authorities accountable."

"When Stan passed away, his little desk there was awash with fan mail that had been pouring in from all over the world as it had been for most of his later life; he insisted on sitting there, at that little portable typewriter and answering every one of them, personally, and of course he was so far back—months and months behind in the answering, but he wouldn't give up. He never gave up on anything; he never gave up on life and most of all, he never gave up that God-given mirth that he had."

"Stan's a good boy, but he's got a marrying complex."

"I don't know what would have happened to the Laurel and Hardy films if it hadn't been for Stan. He was the one who usually took an idea from Roach would have and bring it to life. He was usually the one who suggested to Babe the various things that could be done. In a sense, he is the spirit behind the films—but all of it could not have happened if those three men hadn't met at the right place and at the right time."

"Stan's influence decided me to go into show business in the first place, and his influence molded my point of view, my attitude about comedy."

"I hope that the motto can be blue and grey, showing two derbies with these words superimposed: "Two Minds Without a Single Thought.""

"Stan Laurel is a slap-stick comedian who really can act, and it is not only due to the situations which are given him that the fun is raised, but by the use he makes of them. He occasionally copies little actions used by Charlie Chaplin, but he does not literally imitate him, and since he has found it necessary to copy someone, he could not have found a better model."

"Ollie's projection of emotions like frustration, agitation and shyness was masterful, and so was Stan Laurel's conception of the harried, ineffectual soul."

"About those boys, I don't care how rough you treat them. I can't tell you how much it hurt me to do those pictures, and how ashamed I am of them. We wouldn't have done them if we didn't have to eat. I kept thinking that sooner or later they would let us do the pictures in our own way, but it just got worse and worse, and we couldn't take it any more. I didn't always see eye to eye with Roach, but for the most part he left us alone, and I'll always be grateful to Hal for that. But those Fox people! You can give it to them good."

"If they ever do a film of my life—and I hope they won't—I'd like Dick to play me. He's one of the very, very few comedians around who knows how to use his body for real.comedy."

"He could lift that eyebrow, and I'd break up."

"Laurel is now one of 's stars, and his comedies have given him plenty of room in which to sparkle. The Laurel brand of screen nonsense is a combination of fine burlesque and pure [[absurdity]. In three of his recent two-reel subjects he built up screamingly funny travesties of well-known feature productions and appears to have entered into a field in which he has no competition. Laurel's keen sense of values has made possible a new and welcome type of motion picture comedies. From time to time burlesques of current screen successes have been brought out, but no comedian but Laurel has seen the possibilities in this line of work. For general all-around nonsense Laurel easily wins the palm. It may not appear strikingly original to hitch a horse to a sulky, wrong end to, but as it is done on the screen in a comedy to be released soon [Wide Open Spaces] it is a high point of fun. Laurel's personality and his utterly inane grin have much to do with "putting over" such bits of business and it is to these two possessions that he undoubtedly owes his success."

"Who are these people? What are they? I don't understand this business of their being billed as 'stars'. What are they stars of? Who made them stars? As far as I can see, they don't do anything but read some questions from cards or a machine. The terrible thing about some of them is that they think they can act or read funny lines, for God's sake. And even worse than that is the fact that the audience seems to accept them on these terms. These people aren't talents, or even bad talents. They are simply non-talents."

"He and Jolson were wonderful entertainers the like of which you don't see anymore. They weren't comedians really, but funny singing entertainers of the kind I used to see and love in the English music hall. It's a shame that young performers these days aren't remotely like them."

"Another 'great,' and I use that word very carefully, not the way Milton Berle uses it. One of the reasons I love Buster so much is because he lives comedy as well as practices it. Some of his things are better than Chaplin's."

"A real craftsman. He knows what consistent comedy characterization is. The only criticism I have is that once in a while he holds after his laughs too long. He milks those holds on occasion and he shouldn't."

"We never tried to use funny clothing. Of course, there were times when we would wear odd garments for a special humorous effect, but as far as our two characters were concerned, we never tried to get very far from what was real. We always wore a stand-up collar but there wasn't anything unreal about them, especially in the twenties and early thirties. Stand-up collars were formal and slightly different, but never too obviously so. They gave us, together with our derbies, a something we felt these characters needed—a kind of phony dignity. There's nothing funnier than a guy being dignified and dumb. [...] The derby hat to me has always seemed part of a comic's make-up for as far back as I can remember. I'm sure that's why Charlie wore one. Most of the comics we saw as boys wore them, so I guess you'd say that's one item that's strictly in the public domain."

"So terribly funny. He can still make me laugh like crazy after all these years."

"Something rare these days—a wit."

"Chaplin, [[w:Charles Dullin|[Charles] Dullin]], [[w:Jacques Copeau|[Jacques] Copeau]], [[w:Jean-Louis Barrault|[Jean-Louis] Barrault]] and Stan Laurel have shown that it is possible to combine the best of tradition with modern and individual approaches."